Baroque Vases and Vessels

Old tinaja of Calanda (Teruel), Spain. Made of clay with handcrafted semi circular handmade ribbed around the vase This "tinaja" it´s very special for its measurements and irregula...

A wonderful pair of European Baroque style 800 sterling silver bud vases.

A deep carved large giltwood altar vase, probably German, in the baroque style, but dating to the latter half of the 19th century. The vase is carved with a flat back, so would have ...

A unique and finely detailed Italian 18th century Baroque st. faux Porphyry, Silver leaf, and Giltwood centerpiece. This stunning centerpiece is raised on a square faux Porphyry base...

Hand-painted Paris porcelain centerpiece vase / cachepot, made in the 1950s Ø cm 18 h cm 14 Paris porcelain, also known as "Vieux Paris," is a type of porcelain produced in and aro...

This exquisite silvered bronze centerpiece or planter, attributed to renowned French metalworker Victor Saglier, is a testament to 19th-century French decorative art. The centerpiece...

Large baroque style sterling silver vase. The body of the vase has been masterfully embossed with shells, flowers and volutes, typical of the Baroque style. Still in the body of the ...

Pair of unusual Italian bronze urns with flame finials. Possibly made originally for and altar, these unusual urns will always keep the fire bu...

This indigo blue and gold porcelain amphora, from the 20th century, showcases the refined craftsmanship of Retier. Standing at an impressive 63 cm tall, it features a rich cobalt gl...

These handcrafted, artisan-made vessels from France, dating from the mid-century to the late 20th century, are crafted from two distinct wood tones that create a striking striped eff...

This is a Talavera Majolica large amphora/ urn vase. It is hand painted in the belly with a scene of a country background with a musketeer riding a horse in one side and a country ch...

Italian Polychrome Majolica Albarello, Late 17th Century.

La carafe ou vase du célèbre designer français Vincent Darré est une véritable œuvre d'art qui évoque l'enchantement d'un conte de fée. Fruit d'une collaboration éphémère avec Monopr...

A fine Dutch Delft pottery beaker form vase. By Pieter Adriaensz Kocx of De Grieksche A. With a white ground and decorated with floral motifs in reds, blues, and greens and with gi...

Mid 20th century English silver hanging label for a brandy bottle or decanter. Shown with the head of Dionysus, the ancient Greek god of the grape-harvest, wine making...

Rare Danish blue and white faience ink stand by Johan Ernst Pfau for Store Kongensgade Faience Manufactory, Copenhagen Denmark circa 1740. This inkwell retain with its original ink a...

Large English metal pitcher, late 19th century. A handsome early 20th century copper jug with a distinctive patina surface decoration. The large pitcher displays well with a lovely...

This fabulous handmade terracotta pot originated in the Provençal town of Biot and was used to store olive oil. In perfect condition, the photos show the pot in sunlight. These pots ...

A striking Spanish glazed earthenware two-handled blue and yellow painted urn or vase with molded handle, the body underglaze blue & yellow decorated, 19th century.

Old tinaja of Calanda (Teruel), Spain. Made of red clay with handcrafted semi circular figures. A "tinaja" is an oval terracotta jar with a narrow mouth and foot, usually without...

From a chateau in France, these are known as 'bouquets' fashioned after 17th century Baroque style. These "corbeilles" of potted flowers and fruits remain blooming and ripe through a...

A deep carved large giltwood altar vase, probably German, in the baroque style, but dating to the latter half of the 19th century. The vase is carved with a...

19th century Spanish stoneware terracotta jug or pot with handle.

A fine and impressive antique Edwardian English presentation cup. This impressive Edwardian presentation cup has a Campania form onto a knopped pedestal to a circular spreading foot...

Large solid silver vase. Of large dimensions, this vase was made entirely by hand in a revisited baroque style. The base is very wide where embossments and hand engravings have been ...

Caltagirone ceramic amphora with satyr mask, mid-19th century.

France late 19th century pair of pottery cache pots with flowers and lions heads. This pair of beautiful vases, are a very decorative cache pot, with a couple of lions heads as h...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase; the decorations, in baroque style represent a series of "grotesques" The object is "a unique piece" signed by the Master, it was created in Marcello Galgani's workshop in 1983 and made with the techniques (grinding, engraving and polishing) that we explained in the description; for the shape, the Master was inspired by a vase present in a painting, preserved in the Uffizi Gallery in Florence by the sixteenth-century painter Jacopo Ligozzi...

Large baroque style sterling silver vases. This pair of vases was made by the same master silversmith. Being made entirely by hand, the vases are similar but not identical, both in s...

Pair of amphorae in 800 silver and 24% crystal. The elegant 18th century style of the amphorae makes them suitable for a classic style home with prestigious and refined furnishings. ...

Large size cast Bronze with high detailing Champagne bucket with Greek gods of wine and fertility on the sides. High polished lost wax bronze casting with a...

19th Century Italian Faience Floral Decorated Apothecary Jars. Each with applied floral finials. both with latin inscription depicting the type of medicine contained in each jar. One...

Tall vintage Italian ceramic apothecary jar. Has words 'Sulph Comu' on front. Floral and bow motif in colors of blue, yellow and green on off wh...

Majestic majolica Amphora vase, with a height of 183 cm (72 in) and a diameter of 52 cm (20,5 in): a unique piece, entirely handmade and hand-painted in Gubbio, Central Italy, in 1995. Its surface is decorated with a splendid and detailed reproduction of the famous "The Hippopotamus and Crocodile Hunt", painted by Peter Paul Ruben's (1615). The body of the vase shows remarkable technical capabilities, given its size and complexity. The amphora is divided into three parts: the base, the central body and the neck. The rarity of majolica artworks of this size lies in the technical difficulty of managing the entire creation process given the large size, both for the making of the terracotta artifact and the subsequent decorating phase. During the first firing of the clay biscuit the risk of breakage is very high and also during the second firing of the color majolica hides many pitfalls, this explains the rarity of artworks of this size, the difficulty of the decorations and consequently their value. Description of the reproduction painted : Peter Paul Rubens created the canvas oil painting entitled The Hippopotamus and Crocodile Hunt between 1615–16. The hunt takes place on the banks of the Nile, as indicated by a palm tree in the background. As hippopotami and crocodiles were considered dangerous nuisances, their destruction was a duty performed by noblemen. The hunting party comprises three men in orientalizing costume—mounted on Arabian horses, who hunt with lance and sword—and two valets clad in roughly-hewn jerkins—one of whom has been killed by one of the beasts. The enraged hippopotamus tramples the crocodile, as both are attacked by the hunters and hounds...

Louis XV-style Ormolu-Mounted and Fleur de Pêcher Marble Cassolets by Jollet & CIE Each with the stamp 'Jollet et Cie, Ave. Mon Colin A Paris' to the und...

Italian Venetian Murano (circa 1920) bud vase with stylized handle and applied pink colored glass trim (Also available with teal trim: VTP1501) Condition: Good; Wear consistent with...

Vintage Bronze and Marble French Baroque Style Lidded Urn Centerpiece Cassolette. Item features Heavy marble and bronze construction, scrolling leafy arms, removable lid, very nice c...

A PAIR OF RUSSIAN BRONZE CUT CRYSTAL VASES. 19TH C A PAIR OF 19th C. RUSSIAN ORMOLU-MOUNTED (Bronze) CUT CRYSTAL VASES. H 33 cm

Pair Hand Carved Wood Finials Vase Shape Centerpiece Urns Antiques Los Angeles. Beautiful Pair of late 18th century Italian Baroque style carved wood finials urns . Worn distressed d...

With rectangular form frame and finely carved acanthus leaf. Original liner is tin. Provenience from Aristocratic family of Tuscany.

19th century Dutch patinated copper jardiniere in the Baroque style.

A large German Hanau 800 silver mounted repousee and open work - cut and etched glass trumpet vase. Molded border with beaded rim, floral and putti motif w...

With rectangular form frame and finely carved acanthus leaf. Original liner is tin. Provenience from Aristocratic family of Tuscany.

A rare Japanese late 17th-early 18th century Imari vase of beaker-type, porcelain of elongated ovoid shape with flaring neck, painted in the Im...

A silvered copper and wrought iron Lavabo, Spanish circa 1780 Height: 78.5 cm Diameter: 40 cm. Provenance: Private Australian Collection acquired in 1960s.395

Jewels porcelain with high-quality, engraved and patinated bronze mounting. Ovoider, partially carcassed body on raised Qudrat foot with decorative plastic garlands, curly rising lid...

An Abruzzo maiolica 'albarelli' in good condition. White tin glaze, waisted cylindrical form decorated in blue, with a classical figure of a putto surrounded by trees and flowers. ...

Renaissance jug from the XIX century. Jug in patinated and gilded bronze with work in relief allegory to astronomy. Measures: 60 cm high Good condition.

Unusual with the copper band which is highly decorative elevating the calibre of this log bin. Holds a large quantity of large logs or coal. Suitable for everyday use. Could be re-purposed as a jardiniere or wine cooler for a party. An upper band of copper attached to the brass body with copper rivets...

Amazing Antique Italian large lidded cassolet vase 19th century In green marble with a beautiful frame in decorated bronze (including children and garlands) - height: 66 cm Very goo...

Renzi & Reale, Baroque Rain, 2003, glazed earthenware. Measures: 36 x 36 x 56 cm Large white ceramic sculpture by renowned designer-...

With rectangular form frame and finely carved acanthus leaf. Original liner is tin. Provenience from Aristocratic family of Tuscany.

A grand scaled hand pounded copper urn with magnificent cast bronze horned figure mounts. From Florence, Italy.

FRENCH FRUIT BOARD TABLE CENTER "Val St. Lambert" 19th Century in molded crystal with silver mounts. Hallmark (Boar II), in use since (1887-1938). Crystal marked "Val St. Lambert". ...