American Vases

Royal Haeger sculptural form vase from the "Earth Wrap" series. White base coat with abstract textured brown and orange top glazes. Marked "Haeger USA."

Fabulous hand thrown vase Jug with a deep brown glaze by Herbert Sargent. Large handle gives it the look of a pitcher. A beautiful piece by Herbert Sargent who was a TV and movie writer who worked on the Johnny Carson...

A fine Mid-Century Modern art glass vase. By Steuben. With tall, cylindrical side walls supported by a solid cylindrical base containing a captured bubble. Simply great Mid-...

Ken And Ingrid Hansen Art Glass Vase ,.

Blue Fish vessel or vase was created by Paul Willsea and Carol O'Brien as a part of series that consists of bowls and vases which combine a blown vessel with a cast base. The base i...

A collection of 236 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes co...

Joseph Skoby is a Southern Californian whose work is inspired by the nature of his native state. His ceramics, created in his own lush garden, recall his intimate dance with the ocea...

Large Art Deco style vase was made of jewel-tone green glass with sculptural, highly detailed rim and base and minimally shaped cylindrical body. The glass contains uranium, and the...

One of a kind, these statement pieces are unique in design and execution. Meticulously hand built in Brooklyn, each slab of clay is cut with precision dried over time to maintain...

Elegant vintage carved soliflore or Ikebana vase features striking Big Leaf Maple wood with beautiful grain and subtle color variations that are emphasized by the semi-matte oil fini...

Art glass vase by Tom Philabaum from his "Handbuilt" series, circa 1987. Tom Philabaum received a B.A. in Art and Education from Southern Illinois University in 1969, and then joined the innovative Glass Program at the University of Wisconsin studying under Harvey Littleton. He completed a Master’s degree in 1973 before moving to Tucson, where he built his own glass-blowing studio, and earned an M.F.A. in ceramics from the University of Arizona. He has been a working artist since that time, as well as starting Philabaum Glass Gallery in 1982, where he has curated exhibitions ever since. Handbuilt Series 1987 – 2007 This series was born out of Tom’s long...

Ceramic vase by American Ceramist Donna Polseno. Beautiful, whimsical, playful yet simple. Vase depicting the natural and organic shape of a woman’s body. In white and black colori...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

A very rare, two extruded handled Louis Comfort Tiffany bright Mazarin blue Favrile miniature vase with flared top in Art Nouveau style. Beautifully signed 'L. C. Tiffany Inc Favrile...

Glass vase designed by Louis C. Tiffany, manufactured by Tiffany Studios New York, 1894, signed signed "L. C. T. B2216" (underneath) Material and technique: mouth-blown glass, reduced and iridescent Louis Comfort Tiffany (New York 1848 – 1933 New York) was a famous American designer, artist and painter of American Art Nouveau. He was best known for his works in glass colored with metal salts and made a name for himself in the decorative arts at the time. In the course of his career, he created a unique style that combined outstanding craftsmanship with a love for natural shapes and bright colors. Nature had always been his inspiration and in his designs he tried, in his very own way, to capture its beauty forever. Tiffany designed lamps...

Fun mid-century blue glass fish vase in the style of Blenko Glass, circa 1970s. The vase is in very good vintage condition with no chips or cracks and ...

Large scale modernist bottle vase created by John W. Delaplane of Indianapolis, Indiana, circa 1966. Bottle is made of a dark, bisque clay body and decorated with mosaic geometric sh...

A very rare find of this design by E Brandt cast in bronze and with a polished Antique Silver Patina finish . Have not seen this model in a very long time . A great piece for any Art...

Hand formed asymmetrical stoneware vessel with satin white glaze. The top part of the vessel is woven in white cotton, showcasing the interplay of ceramic and fiber. Measures: 18...

This is a beautiful Lalique Glass crystal "Osumi" bud vase. Wonderful design by Marie Claude Lalique in 1978 (now retired), oval in shape with a small opening on top surrounded by fr...

Vintage hand-thrown vase features complex Crater glaze in off-white and espresso brown colors. Minimal color palette and streamlined shape of the piece allow the textured glaze with variations from semi-matte to high gloss to take the spotlight; slightly asymmetrical rim adds hand-crafted, Organic Modern mood to the vase design. The vase is personally signed by Douglas Ferguson on the bottom with his name and "Pigeon Forge Pottery Tenn". The Crater glaze has become one of the most recognizable glazes made by the Pigeon Forge Pottery. Often commonly referred to as "Volcanic" or "Lava" glaze, the Crater glaze was developed and made in several colors. We are offering a vase and 4 more bowls in different shapes by Douglas Ferguson, done in variations of Crater glazes, in separate listings. Douglas Ferguson (1912-1999) was an established Tennessee pottery artist; he received a degree in Art Design Studies from Mars Hill College and worked in the Ceramic Research Laboratory for the Tennessee Valley Authority in Norris, TN, from 1935 to 1947, where he experimented with local clays. In 1946 he started Pigeon Forge Pottery in an old tobacco barn with his wife Ruth and Ernest Wilson, his colleague at the Ceramic Research Laboratory. He formulated many of his own glazes, including crystalline and Crater glaze. In 1957 he created the Clingman Dome tea set, named by Ferguson for the highest peak in the Great Smoky Mountains, which the state of Tennessee presented to Queen Elizabeth. Ferguson became a member of the Southern Highland Craft Guild in 1948 and remained active until 1998, receiving Life Membership in 1991. He earned two awards from the Tennessee Arts and Crafts Festival in Nashville, received the Rotary Certificate of Distinguished Service, and was featured in books on Appalachian...

A gorgeous Arts & Crafts or Art Deco blue iridescent art glass vase By Quezal (signed on the underside) USA, Circa 1920s Measures: 3"W x 3"D x 7.5"H. Good original vintage condit...

Hand thrown porcelain white glazed vase with 24K fire gilt accents. North America, 21st C Chase Gamblin Chase Gamblin is an artist primarily working in ceramics. Currently, he is an Academic Specialist and Studio Coordinator for the Ceramics Department at Indiana University in Bloomington, IN. Gamblin received his BFA in Ceramics at the Appalachian Center for Craft in Smithville, TN in 2007. He then studied and received his MFA in Ceramics at Texas Tech University in Lubbock, TX. Gamblin traveled nationally and internationally for residencies in Vicchio, Italy (2008), Sanbao, China (2009 and 2012) and University of North Dakota in Grand Forks, ND (2010-2011), where he also taught as a ceramics visiting lecturer. He also taught at Cumberland University in Lebanon, TN as an adjunct professor while building and putting in place the ceramics program. He has taught several workshops at several institutions including Queens College, University of North Dakota, Vanderbilt University...

A unique and striking example of the work of Pat and Covey Stewart in Laguna Beach, California, this vase depicts a group of three nude male figures bathing along the rocky coast, fr...

A lovely unglazed white mat porcelain "Balloon" vase by Jonathan Adler, circa 2000s. The large sized vase is in like new condition with original box and measures 5.75"D x 10.5"H. G...

Bulbous vase by Polia Pillin of Southern California in a vibrant red glaze an unusual piece as its absent of her ornate imagery, she worked with her husband William out of their home...

Postmodern studio art pottery vessel/ vase. The glazed areas of green contrast beautifully with the unglazed tan clay. This is a striking piece that looks wonderful as part of a grou...

A large brown and beige hand-painted floor vase, designed and produced in the US, c. 1970s.

A white glazed ceramic umbrella holder stand with bamboo design, circa late-20th century, 1988. Piece can also double as a tall vase. Measureme...

Exceptional Art Glass Vase by Michael Nourot (1949–2015) A stunning large-scale art glass vase by celebrated American glass artist Michael Nourot, whose career helped define the tra...

This curated set of three miniature stoneware bottles offers a charming and rustic touch, perfect for adding small, curated moments of art to any interior. Each vase features a disti...

This postmodern sculptural ceramic vase features a fluid, organic spiral silhouette in matte cream. Evoking the playful geometry of Memphis-era design while retaining a minimalist el...

Found in the US, this circa 1990 tall art glass vase has a wide, flared neck and blue green splatter pattern with accents of metallic gold. No fla...

A striking brutalist torch cut steel, and glass enamel vessel sculpture by the noted Des Moines Iowa artist James Bearden. The piece features beautifully colored glass enamel highli...

Vintage organic modern bud vase was hand thrown in biomorphic rounded shape with narrow opening and manipulated shoulder. It is decorated with asymmet...

Signed & dated 1912 Heintz Metal Co sterling cattails on bronze vase. On base: "#3608A", "Sterling on Bronze", "Pat. Aug.27, 12", with company insignia. Although it has had a bit of ...

Vintage Weller Evergreen vase, circa 1930. Design attributed to Stoin M. Stoin. Simple urn form with delicious mottled, satin matt, light green glaze. Incised "Weller Pottery" on the...

Each of these delicately, handcrafted bud vases is perfect as an individual home accessory or whimsical series. Made of brass and hand tarnished, each bud vase has its own unique for...

Large vase in semi-matte light blue and off-white glaze in Art Deco Revival style was made in 1980s by Harris Pottery out of Chicago, Illinois. The vase is decorated with relief of ...

VESSEL NO. 1 J.M. Szymanski d. 2017 10 facets form this unique object. Mathematically designed and hand-wrought. Vessel No. 1 was the first vessel designed by J.M. Szymanski. Not wa...

Our Hydro collection is inspired by the grooves and patterns that waterways make through the landscape as seen from above. The layers of gradation in the pigment on the exterior of t...

Weller Lasa Landscape Glazed Gold Vase Studio Art Pottery 7.75 h x 3.5 diameter Preowned original vintage Refer to images for details

The striking and unique Hesse Vase in Ochre is handmade by artist Elyse Graham in her Los Angeles studio. This collection of vessels is inspired by our i...

Each of these delicately, handcrafted bud vases is perfect as an individual home accessory or whimsical series. Made of brass and hand tarnished, each bud vase has its own unique for...

Stylized decorative landscape vase by Detroit ceramic artist Tom Phardel circa 1980s Glazed stoneware vessel with carved color block landscape design in a warm natural color palette...

A nice MCM drip glaze studio pottery stoneware vase, circa 1970s. The piece is in very good vintage condition with no chips or cracks and measures approximately 4"D x 9"H. It is sta...

A porcelain flower vase with an organic and fabric-like form and texture. Clear glazed applied on interior surface. As a result of the production...

Jean Hastings Clothed Figurative Art Studio Glazed Ceramic Sculpture. Vase. Featuring hand constructed figurative form elements from potters wheel with separate hand built and applie...

John side table by Meg Morrison Materials: Ceramic Dimensions: W 24.5 x D 24.5 x H 50 cm Hand sculpted ceramic vase with a soft robin's egg blue finish. Water tight for flowers. Inc...

Hand carved porcelain art pottery urn form vase, with multicolor feather pattern of a Mayan Indian ruler's cape. Handcrafted by Christopher Brody. 5-...

This vintage Indian floral vase is a testament to the rich artistic heritage of India. Its dark, rich black finish provides a striking contrast to the warm brass detailing, adding de...

A beautiful pair of ceramic vases by Roseville pottery. This pair shows natural wear and a couple of flea bites on the edge. The overall condition is good.

Monumental Amphora style vase with a stunning Jade green glaze finish. The vase came from a prestigious Indian Wells estate with interior completely designed by Steve Chase.

Vintage 1970's studio pottery vase with Moorish design. Artist hand thrown, decorated and glazed on vase main body, mouth of vase is unglazed. Imperfections in glaze by artist

A tall sculptural transparent glass vase with ruffled edges. The base of this beauty is round, with scalloped edges. The body has long rounded edges which graduate and curl outward i...

A large hand-blown early glass vessel by the celebrated Pacific Northwest glass artist, Sonja Blomdahl (b. 1952), signed & numbered, 1980's. In 1974 Blomdahl got her degree from Massachusetts College of Art & studied under sculptor Dan Dailey. She then trained at the Orrefors glassworks in Sweden, Venetian glass master Checco Ongaro taught Blomdahl the method of double-bubble blowing (or incalmo), of which this large vessel is a great example of. In 1978, Blomdahl served as a teaching assistant at the Pilchuck Glass School (Stanwood, Washington) she has held teaching positions at the Pratt Fine Arts Center in Seattle; Haystack Mountain School of Crafts in Deer Isle, Maine; and the Appalachian Center in Smithville, Tennessee. Blomdahl's first solo exhibition was at the Traver Sutton Gallery in Seattle in 1981. She opened her own studio in Seattle in 1983 which remained open until 2009. Since the late 2000s, she has moved beyond the symmetrical glass vessels she is known for and works increasingly with architectural forms. The sphere having an orange base...

Studio pottery bud vase by significant 20th Century ceramicists Otto and Vivika Heino. This rounded vase features an all over cream glaze with brown speckling and ribbed body texture...

Large studio glazed ceramic vase by Hammer. Signed Hammer on the underside.

A really cool pair of modernist MCM solid teak and brass pedestal vases, circa the 1960s. The set is in very good vintage condition and each vase measures 1.5"D x 7.25"H. They have ...

This elegant iridescent gold Favrile art glass vase was made by Tiffany Studios operating under the direction of Louis Comfort Tiffany. Tiffany Favrile Glass was first offered to the public in 1893 and this hand-blown piece dates to the mid-to-late 1920s. The vase has a warm golden glow and was crafted with a wide domed pedestal base that gives way to a ribbed body. The body flares slightly as it rises and transitions dramatically to a wide shallow neck that terminates in a scalloped-edge rim. As seen in the accompanying photographs, the well-balanced piece is nicely proportioned and displays beautifully. The vase stands 8.375" as measured to its tallest point and is 3.75" across the rim. The foot is 4" from edge to edge. The piece is free of chips and cracks and is presented in original condition with no restoration or repair. The underside bears a typical Tiffany Studios late production compound number signature reading L. C. Tiffany Inc. - Favrile and includes shape number 1548 followed by serial number 3164 N. This LC Tiffany Favrile vase...