Art Nouveau Vases

A beautiful and fairly large ceramic vase in dark blue, green and brown glazed surface designed by Herman Kähler and manufactured by Herman Kähler ceramics. The vase is in very good ...

Sculptural ceramic vase made by Herman A. Kähler ceramic works circa 1910 The vase has modeled starfish-arm shaped handles glazed with glossy deep blue luster...

An elegant example of Kayserzinn pewter, an exceptional piece for the collector. This antique art nouveau Jugendstil pewter vase is stamped "10 Kayserzinn 4312 RJ" and was created by...

Extraordinary glass vase with frilly edge coming from the famous Art Nouveau period in Austria around 1900. The mouthblown clear glass body impresses with a beautiful bulby design. A great highlight on this Art Nouveau vase is the amazing looking, lovely frilly glass...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Daum Nancy Cameo Cut and Enameled Art Glass Vase, circa 1900, the tapered body with a mottled gradient of apricot and rose red with cut apple blossom floral overlay, the "Daum Nancy"...

Museum-Quality Monumental Art Nouveau Cameo Glass Vase by Daum Nancy, circa 1910–1915. This exceptional and museum-worthy French Art Nouveau vase by Daum Nancy, created between 1910...

A brown-glazed ceramic vase designed by Alf Wallander and produced by Rörstrand, Sweden, 1910s.

Model #3787. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an op...

A fine antique Art Nouveau amphora vase. With matte & enamel peony flowers painted over a matte forest scene ground. Form no. 523. From th...

Beautiful example of Pierre-Adrien Dalpayrat (1844-1910)’s celebrated ceramics and innovative superb sang-de-boeuf (oxblood) glaze or “Dalpayrat Red”. One of the most critically acc...

2 Vases WMF Signs: WMF G: Introduces on the 1 st June 1910, in the interests of improved legibility, especially of the very small marks. The company´s choice of an ostrich as a tr...

Superb bucket, pot, Etruscan-shaped vase, from the Art Nouveau period. Circa 1880. French work in the style of the famous Legras glass and crystal workshops. This Pretty Cookie Buck...

For your consideration an European peasant motif silver plated on repousse copper vase , Circa 1800s. Stamped: Hallmark UJEP, H 309 Dimensions: 8.75 H x 5.5 diameter. Please visi...

Model #3771 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Majestic amphora in glazed majolica, handmade and hand painted in central Italy. On the amphora are represented, in great detail, the four seasons personified by graceful women surro...

Striking Art Nouveau jug was designed by Richard Teschner in 1906 for Lötz Witwe, Klostermühle. It was made in mould-blown technique in opal or alabaster white glass with uranium green glass applications. Comb and long moustache are green, and eyes and pupils are made of yellow and red glass. The jug can be identified by multiple veritable online and printed resources; it was manufactured in clear and opal glass with both uranium green and clear green applications; some resources have the opal one listed as model no. 4506, but we haven't seen any mentions of uranium glass anywhere, making this piece rather rare and unusual. This piece will work very well in any style of interior or would make a great gift for an art and design enthusiast. The jug is in good antique condition with light, age-appropriate signs on wear on the bottom. Both sides of moustache have sharp ends; upon close examination of pictures of Merman jugs that were listed as "in perfect condition" and had the same sharp ends, we came to a conclusion that the sharp ends must be created as a part of manufacturing process during the application of long, thin strands of stretched glass...

Vase with Celtic pattern, designed by Gustav Gurschner, manufactured by K.K. Kunst-Erzgiesserei Wien, ca. 1906, Austrian Jugendstil, Patinated Bronze, Viennese Art Nouveau In the pe...

Made from More Brass good original condition for flowers or candels

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Magnificent Art Nouveau vase with floral motifs in blue, pink, black, and green, highly decorative. The Manufacture Revernay is an artistic ceramics workshop founded in 1896. It is d...

Hand-painted Royal Worcester vase with artist's signature. Beautiful porcelain vase in warm tones, with hand-painted roses and a gold top and bottom. Signed by the artist on the side...

The 6 Figurines vase was created in 1911 by R.Lalique in white glass . This piece has kept’its genuine dark grey patina and is in excellent condition. The 6 figures all stand in di...

An unusual pair Art Deco silver mounted art nouveau vases decorated in turquoise streaked glazes by James Plant & Sons and dating from the early 20th centu...

A Jugendstil Style amphora from Rudolstadt, Thuringia hailing from the Triebner Ens Manufacture and the artist Karl Ens Volkstedt. A vase decorated with an iris flower form neck an...

Austrian Jugendstil glass vase "Cytisus Lemon Yellow" decoration Johann Loetz Witwe yellow green blue circa 1902 The “Cytisus” decoration is certainly one of the most exquisite decor variations created by the Loetz glassworks. With its shimmering gold particles, it reflects the secessionist ornamentation of turn-of-the-century Vienna. In this way, Max Ritter von Spaun and his collaborators proved that they had their finger on the artistic and aesthetic pulse of the times. Executed in the form of a reduced flower calyx with five indentations in the wall and a five-pass distorted mouth, this vase fits into the style of production around 1902. The fused crumbled dots seem to float on the vase like lightweight gold particles. The complex decoration as well as the technically elaborate glass body are evidence of the great mastery of the glassblowers in Klostermühle and show why the Johann Loetz Witwe glass manufactory was one of the leading producers of precious luxury glass in Vienna 1900. Bib.: J. Lnenickova, “Loetz – Series II Paper Patterns for Glass from 1900...

A magnificent early 20th Century Art Nouveau cameo glass vase etched and enamelled with flowering Datura in a vibrant landscape. The design heightened with gilded design on the surfa...

This french Vase is a very nice, early object of the Art Nouveau / Jugendstil era. The glass body is made of orange glass with a beautifully cut top. The entire bolbous body is ove...

Just a lovely sample of acid french work by Daum Nancy and with Cross of Lorraine. on the side.

Large baluster vase on a separate foot, colorless glass with flaky white, yellow-green and brown colored powder inclusions, overlay in yellow, orange-red, green and brown, rosehip decoration etched in several stages, satin-finished surface in the background and on the inside, large cameo signature 'Daum Nancy' with Cross of Lorraine midway between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

Pair of French Art Nouveau vases by Alfonse Cytere of Rambervillers green ochre navy blue Two very attractive ceramic vases by Alfonse Cytere made at his Rambervillers works, in ...

French ceramic vase, Cauterets. Signed. Conical vase, blue-gray glaze running on beige-brown ground, France, circa 1910. Heights: 17 cm.  In perfect c...

Fabulous Art Nouveau Emile Galle Cameo misty landscape vase, depicting a classic landscape scene with large highly detailed trees to the front and behind a running stream and the cla...

Paire de vases en barbotine début XXème estampillé BELGIUM 158 Décor floral

Daum Nancy, France. Large antique vase in mouth-blown art glass decorated with lake landscape and trees, circa 1910. Measures: 31 x 15 cm. Signed....

Austrian Jugendstil glass vase Johann Loetz Witwe blue orange gold circa 1902 "Cytisus Neuroth" decoration Art Nouveau Bohemian Glass The "Cytisus" decoration is certainly one of ...

Art Nouveau Vase glass by Pallme Konig & Hagel Subtle, hand blown glass Vase in the Art Art Nouveau style. Special color and technique for any collect...

Baluster-shaped vase, on a round base set off by a nodus, widening in a trumpet shape and narrowing to a drawn-in rim, colorless glass with flaky yellow, orange-reddish, and violet p...

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

Brilliant handmade Pair hand-glazed Art Nouveau planter jardinière, 1930. Handmade and hand-glazed in brilliant colored details. Made in Belgium Art Nouveau period 1930 fine qua...

Model #3771 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Pair of late 19th-century Art Nouveau patinated bronze vases with children fishing by Austrian author Ignar Mansch, France By: Ignar Mansch Material: bronze, copper, tin, metal Tech...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

This is a handmade, 1 off Sgraffito vase made by the Swedish ceramic artist Josef Ekberg in 1911. he was one of Sweden's Top Ceramic artist at the time. He started working at the Gus...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Weller Lasa Landscape Glazed Gold Vase Studio Art Pottery 7.75 h x 3.5 diameter Preowned original vintage Refer to images for details

Rare large sculptural brass vase with handles is decorated with enameled dark blue, green, and white abstract Art Deco or Jugendstil style desi...

This exquisite cameo vase after Émile Gallé displays a rich amber hue displaying high relief design of leaves and flowers. The intricate details and subtle color variations exemplify...

Large, substantial, extraordinary -- and probably unique -- this Art Nouveau floor vase depicts a nude merman pulling at the whiskers of a playful dolphin, surrounded by the bounty o...

This cameo glass vase by the renowned French glassmaker François-Théodore Legras showcases the beauty and craftsmanship of the Art Nouveau period. Created in the early 20th century,...

Monumental Vase Sign: Le Verre Francais ( Ombelles Flowers ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made ...

Stunning Bohemian Secessionist brass mounted glass vase with 'Streifen und Flecken' decoration by Loetz and dating from around 1900. The thickly made green glass vase has a dimpled b...

This Tall 20th Century Celadon Vase is a graceful testament to the artistry of the 20th century. Crafted with meticulous detail, the celado...

Italian artists Pietro Melandri and Paolo Zoli glazed majolica round shaped vase for ’La Faiance’. Faenza Italy 1915 ca. This wonderful little masterpiece, depicting floral in shade...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Large Amphora blue and green eight-handled vase with red leaves. Attributed to Paul Dachsel - Riessner, Stellmacher & Kessel, Turn-Teplitz, Bohemia, ca...

Art Nouveau Art Deco earthenware vase, made in Belgium. 1930s Model F-42 Art Nouveau ceramic vase in excellent condition (no crack, no repair to the ceramic). There are 4 pieces Ava...

1940s Art Nouveau terracotta vase with hand-painted naturalistic organic and floral decorations with a colourful bird picking at berries on a branch. Manufactured by L. Hjorths Terra...

This resplendent Zsolnay bird ewer—resting on three feet and crowned with a blooming tulip handle—is a triumph of Art Nouveau design, created by Sándor Apáti-Abt for the Zsolnay manu...

Galle glass Art Nouveau Circa 1910, French origin Artist Emile Galle, Art Nouveau style Motif: flowers and leaves Excellent condition and unrestored Émile Ga...