Art Deco Ashtrays

Made in Czechoslovakia Made of crystal glass The Ashtray has a scratch on the side(see foto) Good original condition.

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All F...

Ashtrays in Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads '...

This is a large DAUM ashtray made in France around the 1960s. Crafted in clear crystal, it features a freeform organic shape typical of the mid-century modern aesthetic. The piece is...

This is an original Baccarat ashtray in excellent condition. Like new. Timeless design and the best quality.

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.   Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Murano Technical Bullicante Attributed to Carlo Scarpa We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at...

Antique art deco cobalt blue ash tray with metal detail, circa 1930s. In very good condition. 1.5” H x 5” W x 3” D

Murano with gold We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Barovier Toso The company is one of the oldest family businesses in the world, founded in 1295 as Barovier. "The name Barovier derives from the term berroviere (highwayman/policman, which indicates the armigero (person entitled to bear arms) guarding the captain of the people. It is probable that some Barovier, originally from Treviso, settled in Murano around 1291, when a law of the Republic imposed the concentration on the island of all glass furnaces." Jacobello was the first member of the Barovier family to work glass at this time. It is thought that the company originated in Treviso[citation needed]. The Toso family had been established in Murano since around 1350. In the 1400s Angelo Barovier created glass objects which are currently preserved in various museums. Angelo is recognized as significant for uniting the knowledge which had been developed and handed down by family Barovier. He was not only considered and artist but a scientist. The company became Ferro Toso Vetrerie Artistiche Riunite S.A in 1936 when Vetreria Artistica Barovier merged with Ferro Toso, specializing in crystalline glass, mother-of-pearl glass, and gold-free cornelian red glass.. In 1942, the company was renamed Barovier & Toso. In 1919–1920, 30 year old designer Ercole Barovier began a 50-year career as the artistic director of Barovier & Toso.[9] "After studying medicine and working as a radio operator during World War One he joined the family firm in 1920 when he and his brother Nicolo took over the management from their father Benvenuto. From 1927 Ercole was the main designer and from 1934, when Nicolo left the company, (he was) also the sole owner." While Barovier did not have formal training as a glassblower, his artistic designs produced objets d'art that have become the most critically acclaimed in the history of Ercole - Barovier. In 1930 he produced his award-winning “Primavera” series. "The Primavera series ... is distinguished by a milky white 'craquelé' glass with the addition of black or blue pasta vitrea trim ("opaque colored glass whose consistency is made to appear like ceramic") and decoration. There was a very limited production of this series due to the fact that it was a result of a glass mixture obtained accidentally so it could never be replicated." One example of this series, a Primavera Pigeon, was sold at auction for GBP 275,000 (approximately $360,000 USD, not inclusive of the buyer’s premium) on October 16, 2019. Barovier continued to produce innovative designs of which the “Lenti” vase...

ABOUT Two available. Price per piece. A 1930's French HB Quimper ashtray with a design that reflects the Celtic heritage of Brittany in a geometric "Breton Broderie” pattern. ...

Art Deco Silvered Metal Sculpture of a sitting Bulldog Ashtray or Jewelry dish. By Irene´e Rochard. Signed Rochard. Art Deco Style. Made in France 19...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads '...

An Austrian poker set of four ashtrays designed by Ferdinand Vogel. Gorgeous set of four players ashtrays, created in Vienna Austria during the art deco period, back in the 1930. Cr...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Art Deco metal golf bag cigarette lighter.

Rare Art Deco Teal Green Metal Dog Ashtray – Geometric & Cubist Design, Original Paint This highly stylized Art Deco metal ashtray is a striking example of early 20th-century design...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Authentic Antique Frankart Art Deco Figural Patinated Metal Female Ashtray Smoking Stand (Signed). Circa Early 20th Century. Measurements: 13" H x 6.5" W x 6.5" D.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer[2] and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Jean Boris Lacroix (1902-1984) was a French designer and architect known for his modernist lighting designs. After apprenticing with Paul Dumas, he debuted at the Salon des Artistes ...

MAD MEN - Standing Ashtray The Mad Men Standing Ashtray by French designer Marine Breynaert is a reinterpretation of a mid-century classic, blending elegance with a touch of vintage ...

This remarkable Vintage Art Deco "Saturn" ashtray, designed by Revere as a collectible souvenir for the 1937 World's Fair, exemplifies the bold aesthetic and innovative craftsmanship...

Italian Murano Glass Ashtray – 1960s – Anise Yellow, Hand-Blown with Air Bubbles Description: This is a hand-blown glass ashtray made in Italy in the 1960s, likely from a Murano gla...

English Art Deco silver plate ashtray supported by 3 golf clubs

Great period piece. Art Deco iron smoking stand or ashtray with removable ashtray. Gilt iron base and table top. Lunging lion decor handle. Marked Patent App. For #5.

It is an Art Deco ashtray, in glass, with purple color transparencies. It was made in Art glassworks, in France in the 1940s. It is a decorative Vide poche.

This tray is done in wood, and the top is decorated with butterfly wings. It has been made in France in the 1930s.

This vide poche or ashtray in in Glass. It has been done circa 1940, in France. Transparent Color. Original and iconic molded glass bowl; its shape is simple and decisive, skillfully...

Italian silverplated football/ soccer Cleat ashtray Realistically cast and modeled as Football/ Soccer Cleat, a diminutive piece, suitable for individu...

Art Deco Ashtray in Silver-Plated Metal and Glass by Maison Desny, France, c. 1930s An elegant Art Deco ashtray by Maison Desny, Paris, dating from the 1930s. This refined piece fea...

Classic Model T330 Nude Art Deco Flapper girl Ashtray stand by the Frankart Metworks company, a classic piece of luxury artwork from the 1920s. The stand features a splatter metal wo...

Art Deco ashtray or vide poche in ceramic. Green color. Made in France. Fishes Patern.

Marble Ashtray with solid cast brass holder vienna around 1920s Hight quality work

A rare solid bronze dish or ashtray depicting a Helios sun disk -bursting sun - au Soleil d'or. It was made in France circa 1920-40. It has no markings. t has a rich and deep natural...

Tiffany & Co Sierra Triangular Clear Cut Crystal Bowl Ashtray. This stunning Tiffany & Co. cut crystal candy dish is a must-have for any collect...

Art deco ashtray c.1940s, USA. The ashtray has a button that opens as a 'trapdoor' to hide the ash.

This is a wood ashtray, with a beautiful patina, in brown and crème color. This is vintage, from France. Measures: Diameter 12 cm High 5 cm.

René Lalique opalescent glass 'Canard (duck)' Cendrier rond/ashtray. Engraved makers mark, 'R. Lalique France '. Book reference: Marcilhac 283.

A substantial English black marble ashtray or catchall vide-poche, circa early to mid-20th century, England. Piece is predominantly jet black with traces of light gray, as shown. Great for its indented use, for tobacco products, cigarettes, cigars, etc., or as a catchall vide-poche for coin change, jewelry...

A gorgeous pair of Art Deco period sterling silver leaf-shaped catchall trays or jewelry dishes By Tiffany & Co. (signed to the underside) USA, Circa 1940s Each measures: 3"W x 3....

A beautiful Chinese Art Deco period champlevé enamel and bronze bird ashtray or sculpture, circa 1920s-1930s, China. Dimensions: 2.63" Depth x 3.25" Width...

Antique Italian bronze ashtray with putti figure, 20th century

Salmon colored dish or ashtray in submerged/partially collapsed handblown 'Salmon' or Rose glass. Designed by Elis Bergh and manufactured by Kosta Boda in Sweden circa 1930-40. We ha...

Vintage Ashtray Marble Stone - Black White Striped Optical Illusion - Art Deco Italy 1930s - Gift Idea Geometric, Elegant Table Decoration This exquisite vintage marble ashtray from...

Large vintage American Film Industries Incorporated large ceramic beige ivory and gold ashtray. Vintage American film industries incorporated large sized ashtray. Art Deco style la...

This 1920s white metal table lighter and ashtray features a Devil/Satyr bust above a smoking nymph with her bare breasts exposed capturing th...

Art Deco Silver-Plated Metal Ashtray, Hermès Paris, France, ca. 1930s An elegant silver-plated metal ashtray crafted by Hermès Paris, France, circa 1930s. The piece features a restr...

A gorgeous set of three Art Deco period sterling silver leaf-shaped catchall trays or jewelry dishes By Tiffany & Co. (signed to the underside) USA, Circa 1940s Each measures: 3"W...

One of the most elegant and sophisticated examples of Art Deco silver artisanry we have ever offered, this dish with a pierced lid (originally serving as an ashtray) features a curli...

Classic leather and glass catchall / ashtray by French modernist designer Jacques Adnet. Rich oxblood leather base with stitching around the...

American Art Deco Gothic wrought iron snake shaped smoking stand with coiled base and brass ashtray.

Murano. With silver applications. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...