1920s Centerpieces

Art Deco centerpiece around 1920s Polished and stove enameled Original glass inside Diameter without handles: 20,5cm Diameter with handles: 29cm The glass is in good condition.

Art Deco centerpiece cut glass and brass execution around 1920s Brass polished and stove enameled.

Val St. Lambert, Belgium. Elegant two-part Art Deco centerpiece in art glass. Handmade crystal glass with air bubbles from production. Ca. 1920s/1930s. Classic design. Marked. In per...

Porzellanfabrik, Thuringen, Germany, circa 1920s, by Aelteste Volkstedter. To set a breathtaking table, first give each guest their own unique porcelain sculpture …. This dramatic co...

Early Georg Jensen large and impressive champagne cooler / centrepiece in hammered sterling silver, adorned with handles and ornamentation in the form of grapes. In very good condit...

This charming Italian Art Deco centerpiece, made of brass and dating from the 1920s, is a decorative object of great value and elegance. The rectangular shape with rounded corners is...

A circa 1920's French shell platter with etched and jeweled bronze base. Measurements: Height: 6" Length: 9" Width: 8"

Val St. Lambert, Belgium. Large centerpiece in crystal glass and metal. Handmade. Glass with air bubbles from production. Ca. 1920s. Classic design. Marked. In perfect condition. Dim...

A large and heavy sterling silver Georg Jensen oval "Cherry" centerpiece bowl. This is one of Georg Jensen's later designs, from a brief period in 1925-1926 when he lived in Paris. T...

A large early Georg Jensen sterling silver ornate grape bowl, design #468A by Gundorph Albertus from 1926. The bowl serves as a weighty centerpiece, elegantly poised on three delicat...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

A fabulous example of cased, wheel-cut glass from the height of the Art Deco period, this large footed bowl or centerpiece features large scenes of Hercules subduing the Erymanthian ...

This bribe is typical of the work of JC Givet. This floral decoration with its green and Red colors, can be found in the tiles of the Paris metro, whose ceramic decorations...

Ceramic: Pierrefonds, made in France, 351 In 1903, Count Charles Henri Olivier Hallez d'Arros founded a ceramics factory in Pierrefonds in the Oise . He was joined, in 1912, by the c...

Zaccagnini wall plate/centerpiece Ceramic, 1930, Italy.

Lovely small laquered Chinese stand with gilded carved decoration. Beautiful on a console or coffee table as special embellishment.

The perfect centerpiece for your table features a round column placed on a classic pedestal holding a glass ornamented with typical Art Deco motifs, such as flowers, fruits

Brass dish silver plated with five original cryslar glass panels with a star cut on the bottom undamaged from the 1920s.

Material: silver plated iron and ceramic Louis Auguste Dage We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1...

Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads ...

A fine antique George V English sterling silver cake / fruit basket; part of our silverware collection. This fine antique George V sterling silver cake / fruit basket has a plain ci...

Tranquebar rare faience centerpiece. Decoration number 11/1093. Denmark, 1920s 1st. factory quality. Measures: 12.5 x 12.5 cm. Good condition.

Swedish Art Déco centerpiece / bowl 925 Sterling Silver, Gothenburg 1920s The puristic and light-footed bowl from the 1920s Sweden captivates with its delicacy and floating charac...

Attributed to Sue et Mare this art deco centre piece is composed of a silver plated oval recipient, and its original cut cristal liner. The decor is a beautiful example of the Frenc...

This early 20th century piece of Italian lustreware was made by the renowned Rubboli family pottery in the Umbrian town of Gualdo Tadino, Italy. Italian lustreware Majolica production traces its origins to the Renaissance. The art was revived in Gualdo Tadino during the last quarter of the 19th century, largely due to the efforts of ceramist Paolo Rubboli. Rubboli established his pottery in the region around 1870, and became known for the high quality of his distinctive cobalt, red and gold Neo-Renaissance lustreware. Rubboli's wife Daria and sons Lorenzo and Alberto continued Paolo's efforts after his death in 1890, and joined the newly formed consortium Societa Ceramica Umbria in 1920. Rubboli pieces dating to the period are marked with a blue underglaze "SCU" in a triangle mark along with a conjoined "PR" monogram in homage to Paolo's work. This large ceramic Neo-Renaissance Rubboli double handled compote is finished in cobalt, red and gold lustre. The piece consists of a round bowl at the top with elongated applied handles at either side, all of which rest upon a pedestal base. The bowl features two bas-relief winged mask heads on the exterior which have been depicted with open mouths sprouting handles in the form of serpent-like forked tongues. The exterior is also painted with pairs of imposing gryphons, each of which flank a large urn. The interior of the bowl is also heavily decorated and bears a fantastical winged lion set at the center of a series of scrolling acanthus leaves and urns, best seen in image 8. The remainder of the piece is finished with foliate and geometric motifs. It is of note that a similar piece was included in the traveling exhibit of important Majolica and lusterware entitled 'The Rubboli Collection - Italian lustre pottery in Gualdo Tadino' held in the Chiesa Monumentale di San Francesco between July 17 – October 3, 2010. The compote is in excellent original condition with no restorations or repairs. There are some glaze skips present on the piece as well as minor chips at the base of the pedestal foot which do not detract from the appearance of the compote and are mentioned for accuracy. The underside of the piece bears the blue underglaze Rubboli family Società Ceramica Umbra mark cited above consisting of the letters “SCU” within a triangle along with the entwined Paolo Rubboli 'PR' monogram, which was used from 1920 to 1931. The 3lb 5oz compote stands...

A Fine Metal & Acid Etched Glass Centerpiece. The ebonized wooden plinth on which the three legged centerpiece raises. Featuring three mythological figures, Neptune, Vulcan etc. Also...

Ceramic: Sign: Made in Belgium, Boch F. La louviere Fabrication Belge The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another...

Ceramic: Sign: Made in Belgium, Boch F. La louviere Fabrication Belge The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another...

Jugendstil silver-plated brass centrepiece is an original decorative set realized in the 1920s-1930s. Silver-plated brass. Realized by WMF. Made in Germany. The WMF label is...

Pair of Art Deco silver candleholders with flower vase in the middle. Very nice set, in good conditions. Marked 900. We have specialized in the sale of Art Deco and Art Nouveau and ...

Ceramic: Sign: Boch Belgium, French ironwork The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy...

Ceramic Sign: Revernay 86 19b "Around 1896, the company Sarreguemines Utzschneider et Cie created an art workshop responsible for producing Art Deco artistic ceramic. This workshop...

Rare center piece in white ceramic designed by Louis Sue and André Mare Circa 1925's Piece documented and located in plenty museums

This is by far our most unique offering. We are so happy to present a pair of large vases, centerpiece bowl and a pair of candlesticks. An incredible five-piece suite. Made (and s...

Elegant silver jardinière with an elliptical ground plan, the vertical wall slightly flared at the bottom and decorated with large-scale floral openwork, below a constriction and the...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of high society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest community of Italians outside...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Ceramic: Pierrefonds, 995 In 1903, Count Charles Henri Olivier Hallez d'Arros founded a ceramics factory in Pierrefonds in the Oise . He was joined, in 1912, by the ceramist Emile Bo...

Your table will be magnificent when you set it with this three-piece centrepiece set of handblown Venetian glass. The unusual and rare color of amethys...

Ceramic: Pierrefonds, made in France, 436 In 1903, Count Charles Henri Olivier Hallez d'Arros founded a ceramics factory in Pierrefonds in the Oise . He was joined, in 1912, by the ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of High Society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest Community of Italians outside...

This three-piece set is both practical and unusual. Consisting of a tall center piece and two low ones, the guests are never obscured by the decorations. Each piece retains the origi...

Gorgeous brass wheelbarrow shaped centerpiece having neoclassical decoration of chariot scenes and original ebonized wood liner.

Vegetable or soup old tureen with ladle: a good idea for Christmas gift! Made and guaranteed by Meridien B.Company - USA - Ladle by: A.H.&F.H.L.5. ref. O/3564     

Attributed to Salviati, this set of four hand blown candlesticks and matching footed centerpiece, will be the focal point of any table setting....

Charles Schneider (1881-1953) A fine Art Deco Schneider glass and wrought iron bowl, circa 1920 clear amber glass with orange, purple and pink powders, on patinated wrought iron c...