18th Century Ceramics

A sublime Chinese celadon glazed shallow dish or charger, Qing Dynasty, mid 18th century, China. Beautifully glazed, with a carved decoration of a group of lotus, leaves, stalks and blossoms. The interior wall with radiating S-shaped lines, a motif that is repeated on the wide rim of the dish. The back undecorated. Glazed all-over with an even bright celadon glaze, with some attractive areas of crackle. Ex. Butterfield's, San Francisco. Plate stand for display...

18th century polychrome earthenware shoe slippery A shoe slippery in polychrome beautiful colors, blue tones, yellow, green, some red and deep purple in the floral decor made by Mak...

This elegant antique jar was hand-crafted in Spain circa 1760; round in shape with narrow base and neck, the vessel features a rolled rim at the top accented with a mustard color gla...

This large, beautiful and bold blue and white platter is Japanese Imari from the Edo period (18th century). This impressive early porcelain Imari ware is saturated in rich cobalt blue underglaze hand painted in an unusual cross pattern. It features four round medallions of lotus flowers and landscape vinettes and finishes in blue rimmed scalloped edges. A hand painted leaf design is repeated on the underside. Condition: Very good condition especially for it's age. One tiny chip is touched up. Nice wear and firing stilt marks on back. Measurements: 16" diameter x 2" depth Weight: 6 lbs. Experience and expertise - Clune Art And Antiques Studio.

18th C Chinese Export Famille rose tea pot, in the French taste, of typical form the drum shape with twisted strap handles, and straight angled s...

Italian, late 18th century watch holder with Father Time. The robed figure of Father Time is standing on a raised plinth with rocks and a koi fish or carp....

Dutch Delft Blue and White Vase, 18thc. Garlic head form decorated with chinoiseries in cartouches with floral scroll and lappets. 13.5” h. x 7” diam.

Heading : Grand Old Duke of York Prince Frederick Creamware Mug Date :c1794 Period : George III Marks : None Origin : Staffordshire Colour : Transfer printed Features : Named depicti...

Largest collection of Portuguese tiles in the world 18th Century Portuguese " Saint Antony " Measures: 266 cm x 126 cm Important note: This panel is with the tiles restored 18th c...

An 18th century European ceramic pitcher, most probably from Germany, with glazed decoration in blue colour representing flowers on a beige background. It has most probably been used...

A large Chinese Export Famille Rose charger with pink lotus and other flowers. Painted in bright vivid colors of blues, reds and yellow accents.

These are NINE Delft ceramic wall tiles, all with different blue and white hand painted patterns, made in the Netherlands, from the 19th Century to the 17th Century, but mainly 18th Century. Each tile is nominally slightly over 5 inches square.. All nine tiles are unique, being individually hand painted with different scenes and patterns featuring various scenes with buildings, trees, watersides, boats and one floral, with most having spider motif corners. They are all enamelled in cobalt blue, using different shades of blue, which varies slightly from tile to tile as expected:- please see the images. Two of the tiles have scenes within double blue circles. NOTES: The central floral pattern tile is slightly thicker and dates to the 17th C Seven Tiles are 18th Century and one is 19th Century ( blue tinged glaze) Overall a beautiful set of individual hand painted antique Delft tiles...

Large Hispano-Moorish earthenware plate, 18th century Diameter: 41 cm Good condition

A pair of French Directoire period ceramic lidded apothecary jars from the late 18th century, with hand-painted foliage motifs, labeled Tamarind and Ext. Cicutæ A:F, from the Deroche...

Meissen K.H.C. Royal Saxon Court Pantry Red Dragon Charger A Meissen porcelain charger in the Red Dragon pattern marked with blue crossed swords for Me...

In the past, this pair of very beautiful ceramics carafes, was utilized in a Pharmacy to contain erbs and spices infusions. The carafes show all signs of the time, they remain a pai...

The decoration of ceramics in blue tones on a white background was common in Europe as far back as the 17th century (Dutch and English pieces, works in Talavera de la Reina in Spain,...

Glazed ceramic spice rack. Talavera de la Reina, 18th century. Spice rack with three wells in the shape of an equilateral triangle, made of ceramic and decorated with high-temperatu...

Centerpiece light blue maiolica shell Ferniani factory, early period: 1693-1776 Faenza, 1700 circa 5.5 in x 14.72 in x 13.77 in (14 cm x 37.4 cm X cm 35) lb 4.40 (kg 2) State of con...

Exceptional, scalloped Delft Charger having crane, floral decoration, Mid-18th C., bears axe mark of De Porceleyne Bijl workshop.

Pair of Chinese plates with floral motifs from the Compagnie des Indes dating from the 18th century. It is decorated in the centre with a flower...

Maiolica tureen Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 9.05 x 12.59 x 9.05 in (23 x 32 x 23 cm) ...

In the past, this pair of beautiful ceramics carafes, was utilized in a Pharmacy to contain erbs and spices infusions. The carafes shows all signs of the time, but they remain a pai...

Maiolica tureen Pasquale Rubati Manufacture Milan, circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 6.69 in x 11,02 x 8.26 (17 x 28 x ...

Heading : A Lowestoft porcelain coffee pot and cover Date : c1775-80 Period : George III Marks : none Origin : Lowestoft. England Colour : Underglaze blue Formation: Pear-shaped bod...

Coffee assortment with “barbotine” decoration Manufacture of Pasquale Rubati or Felice Clerici Milan, 1770- 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). ...

Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...

Chinese Export pseudo-tobacco-leaf pattern platter, circa 1770.

18th century Spanish Ceramic plate with a Country scene.

Largest collection of Portuguese tiles in the world 18th century Portuguese " Azulejos " Countryside Scene" Measures: 326cm x 115cm 184 tiles Important note: This panel is with th...

Largest collection of Portuguese tiles in the world 18th Century Portuguese "Saint Antony" Measures: 266 cm x 294 cm Important note: This panel is with the tiles restored 18th ce...

A gorgeous pair of 18th century Chinese Export porcelain plates decorated in stunning famille rose enamels, Yongzheng Period, circa 1730, China. The small plates decorated in bright and bold famille rose enamels, with pink dominating the color palette. The center of the plates featuring large floral sprays featuring magnolia and peony blossoms among other flowering plants. The rims of the plates with alternating half blossoms of pink magnolia and pink lotus against a dense diaper ground. Gilt painted ribbons scroll around the rim and down the cavetto, holding peaches and Daosit emblems, including castanets, a flute, a drum, and a ruyi scepter...

Chinese export porcelain Fitzhugh pattern tureen, cover and underplate, 18th century. Very Unusual and rare pattern, beautifully hand painted in green enamels and 24-karat gold, havi...

Pair of small coffee pots. Manufacture of Pasquale Rubati Milan, 1770 Circa Maiolica polychrome decorated “a piccolo fuoco” (third fire). a) height 7.87 x 5.51 x 3.93 in (20 x 14 x ...

This beautiful and impressive Rouen earthenwear in the shape of a young bacchus seated on a blue barrel holding a bottle in his right hand and a glass in his left hand. Polychrome de...

Very large and heavy, 18th Century or earlier hand-painted Italian majolica glazed pottery charger plate depicting Mary. Central polychrome painted scene of Mary, with geometric bord...

Beautiful big bucket vase with two steel handles, Famille verte. Excellent decorated with women and young boys in a walled garden and princess on horseback...

Centerpiece white maiolica shell Ferniani factory, early period: 1693-1776 Faenza, circa 1700 Measures: 5.6 in x 14.72 in x 13.46 in (14.3 cm x 37.4...

Meissen teapot decorated with countryside and riverside scenes populated by traveling figures and framed by raised and gilt foliage designs against a pastel green background embellished with floral motifs and raised foliage designs. Spout and handle feature gilt accents and foliage designs and the lid is finished with a floral design in high relief and two scenes of figures in the countryside. Marked on underside with blue crossed swords hallmark. Provenance: Collection of Martin and Helene Schwalberg, owners of The Meissen Shop founded on June 23, 1978, on Worth Ave...

Set of five 19th century Hand painted delft vases including 3 Lidded Urns, also known as a garniture, elevate the blue & white art form to a special place, all having been hand-paint...

Largest collection of Portuguese tiles in the world 18th century Portuguese "Citywide " Measures: 168cm x 126 cm 108 tiles Important note: This panel is with the tiles restored 18...

Five oval maiolica dishes with pierced edge Manufacture of Pasquale Rubati Milan, 1770-1780 Three small oval dishes 10.23 in x 7.67 in (26 cm x 19.5 cm) Two large oval dishes 10.82 in x 8.85 in (27.5 x 22.5 cm) lb 3.5 (kg 1.8) State of conservation: intact The five dishes of different sizes have an oval shape, a mixtilinear edge and a molded polylobed shape with a surface enriched with a relief weave motif extending to the brim and forming a perforated basket...

Two maiolica pharmacy flasks Milan, Felice Clerici Manufacture, 1770-1780 They each measure 9.44 in (24 cm) in height x 6.10 in (15.5 cm) in diameter l...

Maiolica flower pot “a mezzaluna” decorated with tulip Pasquale Rubati Factory Milan, circa 1770. Measures: 4.7 in x 4.7 in x 8.6 in 12 cm x 12...

Largest collection of Portuguese tiles in the world 18th century Portuguese " Virgin wedding " Measures: 196cm x 168 cm 168 tiles Important note: This panel is with the tiles rest...

Delft charger, London, painted in blue with a house in a stylized landscape, 18th Century. diam. 14.25 in.

Largest collection of Portuguese tiles in the world 18th Century Portuguese "Saint Antony" Measures: 266 cm x 280 cm Important note: This panel is with the tiles restored 18th ce...

Largest collection of Portuguese tiles in the world 18th Century Portuguese "Saint Antony" Measures: 252 cm x 294 cm Important note: This panel is with the tiles restored 18th ce...

Largest collection of Portuguese tiles in the world 18th Century Portuguese " Angels " Measures: 84 cm x 70 cm 30 Tiles. Important note: This panel is with the tiles restored 18th...

Dutch Delft Kolf Tile. An early Dutch delft blue and white golf tile - hand painted with a Kolf scene depicting a pair of Colf/ Kolf players. The blue image is on an off white backgr...

This finely decorated Qing-period rose medallion or rose mandarin bowl is beautifully hand-painted with four vignettes depicting courtly scenes.

Largest collection of Portuguese tiles in the world 18th century Portuguese " Azulejos " Romantic Scene" Measures: 252cm x 140cm 180 tiles Important note: This panel is with the t...

Largest collection of Portuguese tiles in the world 18th century Portuguese " Virgin wedding " Measures: 154cm x 140 cm 110 tiles Important note: This panel is with the tiles rest...

18th century Continental, most likely French, Faience Earthenware Serving Bowl with fluted sides; hand painted vignette of a chinoiserie character with an umbrella flanked by images...

Hand-Painted ceramic jug with lead lid, dated from 1762, initials G. and R. and signed at the bottom, with scenes of windmills and a house.

Largest collection of Portuguese tiles in the world 18th century Portuguese "Lady " Measures: 262 cm x 170 cm 228 tiles Important note: This panel is with the tiles restored 18th ...

An early Meissen porcelain teapot made circa 1715, decorated by a Dutch hausmaler circa 1730-1740. The teapot is decorated in a Kakiemon pa...

Largest collection of Portuguese tiles in the world 18th century Portuguese " Azulejos " Panel "Battle Scene" Measures: 120cm x 140cm 90 tiles Important Note: This panel is with t...

Largest collection of Portuguese tiles in the world 18th Century Portuguese " Saint Antony " Measures: 266 cm x 126 cm Important note: This panel is with the tiles restored 18th c...

Chinese plate, 18th century Measures: H. 2 Dia. 23 cm H. 0.7 Dia. 9 in.