Leather Serveware, Ceramics, Silver and Glass

Mondrian-inspired coasters are quintessential art and design for your table. Made from high-quality leather, they exhibit the geometric precision and chromatic boldness distinctive ...

Mondrian-inspired coasters are quintessential art and design for your table. Made from high-quality leather, they exhibit the geometric precision and chromatic boldness distinctive o...

A unique take on an everyday object, this exquisite napkin holder elevates any table setting with its charm and visual balance. The piece is made using woven leather to create a func...

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

Great glass pitcher with a natural cognac leather handle and cover.

Vintage set of one jug and three small glasses by Carl Auböck II, Vienna, circa 1950. Every piece of the set is made of handblown glass; every small glass has a 2,5 cm wide stripe o...

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

Beautiful in form and highly functional, this model M132 carafe/ coffee server by Gordon & Jane Martz for Marshall Studios has a great organic shape, is glazed in their signature sub...

A new pattern, a new removable cover, the elegance is the same as always. We welcome Sophie, our new glass carafe available in 1 and 1,5L capacity, now ready to make his entrance ...

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

Vintage pitcher by Carl Auböck II, Vienna, 1950s. Made of handblown glass, it is covered by a band of leather which develops in a handle with hand s...

Jumbo big game-era safari flask. Made by George Unite in Birmingham in 1888. Glass body. Upper part encased in leather with cut-away vertical windows. At bottom detachable sterling silver cup engraved...

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

This exquisite napkin holder, echoing an everyday object, elevates any table with its charm and visual balance. The object is made of leather with a piping system, in which thin stri...

This exquisite napkin holder, echoing an everyday object, elevates any table with its charm and visual balance. The object is made of leather with a piping system, in which thin stri...

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

This exquisite napkin holder, echoing an everyday object, elevates any table with its charm and visual balance. The object is made of leather with a piping system, in which thin stri...

A superb 20th Century solid silver, blown glass and bound in sumptuous crocodile leather hip flask, of rounded rectangular form, with a pull off cup, top mounted with a large hinged ...

A Silver and Leather Bezalel Book Binding from Israel circa 1940 is an important piece of Judaica. Bezalel, the name associated with the Bezalel School of Arts and Crafts in Jerusalem, is known for its significant contributions to Jewish art and craftsmanship in the early 20th century. The Bezalel School was founded in 1906 by Boris Schatz in Jerusalem. It aimed to blend European artistic traditions with Middle Eastern and Jewish themes. By the 1930s, the Bezalel School had established a reputation for high-quality, handcrafted Judaica that incorporated traditional Jewish motifs and modern design elements. A Bible printed by a publishing company in London, Great Britain in 1932 is bound within an original brown leather binding. Vine, grape cluster motifs, two winged lions flanking a crowned Decalogue, and a flaming Ner...

We are delighted to offer for sale this stunning Holden & Vintage Classic made Car drinks decanter portable picnic set A very good looking well made and decorative picnic trunk...

Pincer in Brass and Braided Leather by Carl Auböck, 1950's Additional Information: Material: Brass and braided leather Style: Mid century, Europe Produced by Carl Auböck workshop in...

red leather trim Leopard Print Fendi fabric,glass insert tray with leather fendi Lable..two Available

A simple design that will add a refined touch to any table, this napkin holder is made entirely by hand from Foglizzo aniline leather. Crisscrossed and secured with a metal stud, it ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Carl Auböck set of two leather and steel bottle openers, Austria, 1960s.

A fine leather case containing a set of four hand blown glass bottles with silver screw tops, hallmarked London 1924. Original retailer's mark stamped on the lip of the case; Finniga...

A Rare Leather and Silver Bookbinding by Bezalel made for a Bible, in Jerusalem Israel Circa 1913. Besides the unique craftmanship that went into making this attractive leather bind...

Antique early 20th Century Edwardian solid silver and leather 'bombard' jug, crafted from wet leather shaped in a mold and stitched to form the vessel and handle, with a solid silver rim mounted on top. Created by Frederick James Ross...

Beautiful and Antique bar set , bottle holder in fully leather and decorative fabric with the original key.

Pair of book ends in glazed ceramic with leather base, circa 1950's.

Decanter by Austrian industrial designer Carl Auböck, circa 1950. The glass decanter is set in an brass stand with leather wrapped stem. Marked Germany. Dimensions 17” length x 1...

The Karamazov tray, expertly crafted from fine Foglizzo leather, is a work of art that combines the elegance of traditional Italian craftsmanship with modern design. What makes it tr...

The Karamazov tray, expertly crafted from fine Foglizzo leather, is a work of art that combines the elegance of traditional Italian craftsmanship with modern design. What makes it tr...

Mondrian-inspired coasters are quintessential art and design for your table. Made from high-quality leather, they exhibit the geometric precision and chromatic boldness distinctive ...

Mondrian-inspired coasters are quintessential art and design for your table. Made from high-quality leather, they exhibit the geometric precision and chromatic boldness distinctive ...

Mondrian-inspired coasters are quintessential art and design for your table. Made from high-quality leather, they exhibit the geometric precision and chromatic boldness distinctive ...

Mondrian-inspired coasters are quintessential art and design for your table. Made from high-quality leather, they exhibit the geometric precision and chromatic boldness distinctive o...

19th century Victorian set of six silver table salts and spoons, each of circular form, on three ball feet, mounted with a beaded crown boarder, parcel gilt inside and engraved with ...

Set of early 20th century antique silver teaspoons by J. Tostrup Norwegian, 1911 Measures: Spoons height 13.5cm, width 3cm Box height 4cm, width 29cm, depth 7.5cm Consisting of twelve teaspoons, this beautiful silver set features ornate detailing on each stem. Within a finely engraved border, each teaspoon's stem is marked with tiny pattern detailing and a central lettering. The undersides are marked 'S.830. J. Tostrup. 1911', indicating the silver purity, maker and date. J. Tostrup was a Norwegian silversmith firm founded in Oslo in 1838 by Jacob Tostrup...

Great leather bottle stopper with the original leather string.

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

A simple design that will add a refined touch to any table, this napkin holder is made entirely by hand from Foglizzo aniline leather. Crisscrossed and secured with a metal stud, it ...

This simple napkin holder adds a striking accent to both modern and classic tables. The simple silhouette is made of stainless steel, partially coated with exclusive Foglizzo leather.

This simple napkin holder adds a striking accent to both modern and classic tables. The simple silhouette is made of stainless steel, partially coated with exclusive Foglizzo leather.

This simple napkin holder adds a striking accent to both modern and classic tables. The simple silhouette is made of stainless steel, partially coated with exclusive Foglizzo leather.

Shizé S “The centerpiece draw its inspiration from Nature. The irregular shape of Shizè comes from the stones found in rivers.” Like a big rock sitting on furnishings in the home, this container has a soft, organic form. And it plays with the contrast between the ample size of the woven wicker part and the leather-clad plate that rests on the rim of the vessel. Complex in the making due to the asymmetrical form, and for the so called “passatemorte”, passages where the strand does not complete its circuit. Use and maintenance All the items are made with raw materials and are guaranteed for interiors. If it is necessary, they can also be installed outdoors as long as they are sufficiently protected from atmospheric agents and not directly exposed to the sunlight or water, in spaces like verandas, gazebos, arcades or protected spaces. The raw materials used for weavings could be not extremely homogeneous due to different physical properties and the items could have dimensions a bit different from descriptions listed in this document. The colors could change for the same reasons. Those features are the demonstration of authenticity of each product that is unique and handcrafted in Italy by Mogliano’s masters. Woven wicker is extremely resistant over the years, if it is stored in a dry place and without excessive temperature changes, and it could also change color or nuances due to its sunlight exposure based-on nature. The weaving by the craftsman is performed with soft and wet material, and the material dries naturally with the passage of time losing its elasticity. For this reason, avoid excessive pressures, overloads of heavy weights or impacts. The bases or wooden parts are entirely in solid wood: with the aging they could change in size and present natural micro-cracks. Avoid direct and long exposure to the sun, completely avoid wetting. About the lamp usage, in normal condition the items don’t require special maintenance. Technicals About item technical details and bulbs specifications, please refer to the technical data sheets. Cleaning Use a soft cloth for cleaning. Don’t use any chemicals, acids, scourers or steel brushes. The base in natural wood must be cleaned and dusted using a soft cloth, even slightly damp. Immediately wipe again with a soft, dry cloth. For lamps cleaning, unplug the appliance from electric power...