French Pitchers

This antique water pitcher was crafted in Northern France, circa 1880. The jug, titled "Cochon au Jambon" (pig with ham), features a pig sculpture with a laurel leaf crown carrying a...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Carafe of clear glass in the form of a drop, the wall divided into four segments by vertical cuts, three segments with elaborately cut floral, foliate and volute bindings, fourth seg...

Large ceramic pitcher or vase by Roger Capron from the 60s. Enameling in shades of light gray and white. Sober and pure design decorated with a f...

This delightful pitcher/vase showcases Guillot's stunning, painterly work as a ceramicist.

This elegant and colorful antique ewer was sculpted in Brittany, France, circa 1890. The unique large pitcher stands on a octagonal shaped base and featur...

Pair of gilt and patinated bronze ewers on marble plinths, circa 1840.

French Provincial terra cotta pot featuring a rare spouted form, made in Provence around 1870. Finished in a warm ochre glaze, with hand-pulled side handles and a deeply worn base. T...

An Art Deco water pitcher in pear-shaped stoneware, France, mid-20th century, with a superb patina and in perfect condition.

Add to your pitcher collection with this colorful antique Majolica water pitcher; sculpted in Clairefontaine, France, circa 1890, he ceramic jug...

Water jug and basin 1767 Lille, North of France, 1767 Lille manufactory faience Washstand set hand painted with charming French Country side scene, Decorated with a beautiful floral drawings and gold borders. Hand painted marked Lille 1767...

Depicting a walking turkey on one side and a coat of arms on the other.

This is a vintage ceramic pitcher crafted by the Accolay pottery collective, renowned for its mid-20th-century designs blending art and functionality. The pitcher showcases a rich br...

Atypical majolica pitcher with two snakes in a leafy and woody environment. A true find for a majolica collector !

The "Model B" pitcher designed by Claude Dumas in 1955 is a quintessential example of mid-century ceramic design, embodying the era’s affinity for understated elegance and refined, m...

A ceramic pitcher from France, produced circa 1960. This sculpted pitcher is modeled into the distinctive shape of a grape canopy, suggesting the vessel's continents. Appearing with ...

Big ceramic jug or vase by Paul Quéré. Floral decoration on Beige Gray Engobe. Signed Le Minotaure at the base.

Accessorize a kitchen, bar, or entryway with this elegant pair of antique copper and brass water pitchers. Crafted in Normandy, France circa 1950, each vessel showcases a beautifully...

A pair of elegant Antique Silver & Cut Glass Claret Jugs. This lovely pair of Antique French Wine Jugs have beautifully chased Silver Neck, Handle and lid mounted on clear cut glass ...

Art Deco Rene Lalique Decanter "Reine Marguerite" made in clear and frosted glass with sepia patina and original brown heated enamel created by René Lalique in 1913. Original metal s...

Water Holder Jug Pottery Handmade Pitcher Flower Vase Antique LA CA centerpiece . 19th Century Basque Gourd handmade water pitcher. Unlike the Talavera pottery and the Spanish Talavera de la Reina and the Majolica ( faience ) or tin-glazed earthenware ceramic , the Art Pottery handmade and hand crafted such as this piece was common to hold the water and keep it fresh and cold in the shade on a hot summer day . They were not painted to allow perspiration but sometimes they had a simple design pattern in blue green gray and milky white with traces of orange peel color. This decorative item will decorate A console or as a bibelot in a library , on a side table in a living room, even as a decorative object on a kitchen counter as a fruit bowl or a vase for sunflowers , in a rustic farm or traditional setting. Antiques Dealer Los Angeles CA West Hollywood La Cienega Melrose Ave Beverly Hills . Pottery to hold water and oil been used since the Roman times. Also called " búcaro " bucaro or botijo . the nice handmade pieces by the artisans perfect addition of history and tradition and the magic of the old world charm Provençal provincial home and in a Spanish decor...

This 23 cm tall Art Nouveau pitcher is a striking piece from the Denbac ceramics manufactory, renowned for its organic forms and flambé glazes. The pitcher features a bulbous body wi...

This ceramic pitcher, crafted by Jean Marais in Vallauris (France), reflects a rustic yet refined aesthetic. Its rich brown glaze enhances the curves and smooth surface, while the ar...

A crystal ewer blown and carved with facets in silver mounts. The crystal is engraved with flower baskets or baskets of flowers. The neck of the ewer is finely chiseled with floral motifs and grape vines. The beak is closed by a lid whose grip is adorned with a floral pattern in relief. The interior is vermeil. The ewer has an handle decorated with foliage. The base is decorated with a stylized laurel frieze. Measures: Height 30 cm Silver hallmarks. Head of Minerva. From 1838. Hallmark of master silversmith: Edouard Ernie...

This charming ceramic pitcher, attributed to Jacques Innocenti, stands 14 cm tall with a 12 cm diameter. Its elegantly flared shape, reminiscent of traditional pottery, is enhanced b...

Decorate a shelf or a kitchen counter with this elegant Majolica antique pitcher. Created in France circa 1890 and attributed to Sarreguemines, the pi...

Box of 12 small silver-plated spoons dating from the beginning of the 20th century. Monogram on each handle "FP". Very beautiful foliage decoration. Box stamped from the Lyonnais res...

French Palissy Majolica ewer which features a bearded man and a faun. Colouration: ochre, cobalt blue, brown, are predominant.

Very nice 20th century French Ceramic Barbotine Cat pitcher. Stamped 7486 France under. Brown and green colors. Very good condition.  

Beautiful pair of anthropomorphic pitchers called "JACQUOT" in porcelain representing Jacquot and Jacqueline in Paris Porcelain dating from the 19th century. Jacquot is represented r...

Important vase in polychrome enameled ceramic by Jean de Lespinasse, Vallauris, France circa 1950.

Drinking set designed by Jean Pierre Vitrac, France, 1970s. Design set in food-grade plastic consisting of a carafe and six stackable glasses. In excellent condition.

Pair of porcelain characters realized by Jacob Petit a famous French manufacturer located in Paris. The pair represents two anthropomorphic monkeys dressed in a fancy way reminding t...

Decorate a wet bar or a shelf with this charming, sculptural Majolica pitchers suite, crafted in Normandy, France circa 1880, each colorful pitcher features a happy man's sculpture d...

This beautiful vintage orange stackable set is made from ABS plastic. Composed of a pitcher, two stirrers, and six cups,, of which all are stackable. Very convenient for storage,...

Elegant Art Deco pitcher shaped with melon-style ribs on a quatrefoil base designed by Christian Fjerdingstad who was a Danish sculptor born in 1891. When he came to France, he creat...

High pitcher or ceramic vase of Roger Capron from the 60s from Vallauris. Enameling in shades of light gray, black, green. Nice geometric decoration on the vase. Very nice vintage co...

This Bron-ir-or pitcher was designed in 1991 by Éric Jourdan and edited by Ardi. The pitcher is made of casted aluminium with a walnut handle. This model was showcased during the 19...

Vallauris, France, ceramic jug. Luster glaze. 1960s-1970s. In excellent condition. Marked. Dimensions: H 18.0 x D 20.5 (including handle).

The silver mounts chased with Art Nouveau flowers and plants against a wavy background. The glass with a frosted background reserved in clear glass and gilt with a floral pattern. Si...

Pair of beverage dispensers in caramel-colored lacquered tin. They are decorated with monochrome village scenes and landscapes dotted with ruins. Th...

Very nice vintage ceramic pitcher with a cat shape rolling his eyes up. Large dimension. (small scratches on the ears) Good general condition.

This 19th Century Large Hand-Painted Faience Jug/Pitcher is a Wonderful Addition To Any Country Kitchen or Casual Dining Setting. Lovely Shape and Colors!

Elegant toiletry kit consisting of a pitcher and its bowl. In white earthenware enhanced with a green and yellow floral frieze. Art Nouveau, France, circa 1900. Signed Keller & Guér...

Georges De Feure Designed Glass Pitcher, c1910 One of only three known glass designs by the artist and designer Georges de Feure and the rarest of all. It is worth noting that this pre-dates Schneider. Additional information: Date : c1910 Origin : France Colour : Orange with tangerine and red flecks transitions to emerald green Base : Polished pontil signed G de Feure...

Roger Capron, the celebrated French mid-century ceramist, created a large body of work notable for its elegance, varied sources of inspiration, and expert execution. This beautiful, ...

Glazed ceramic yellow pitcher from France.

Pitcher and six matching cups with a sang de boeuf glaze. Inscribed: 1972 Pol Chambost France Monogramed under the cups.

Set of specter and glass decanters.

Gustave Reynaud ceramic figurine pitcher/vase c. 1960.

Glazed Ceramic Pitcher, France, 20th Century Beautifully textured hand-thrown ceramic jug with a translucent glaze that moves between creamy white, to lightly glazed beige. Additio...

Glass Dutch jug with long neck and two handles. It is decorated with glass ribbons worked with pliers and with grape and bird motifs. It is made of blown glass, stretched and engrav...

Antique early 20th century French solid silver and blown glass decanter. Of very large size, modelled as a riffle, glass mounted with elegant silver mounts and screw on stopper. This...

French 19th century early faience pitcher beautifully decorated.

located in NY

Pair of carafes made of clear glass on a square stand, tapering towards the top to a round cross-section, ground in the lower quarter with an arc-shaped facet, in the upper half delicate flower bouquets and festons in matt cut, ground star, silver fitting with hinged lid with thumb rest and profiled, in the upper area angular, J- shaped handle that tapers downwards. Dimensions: height: 27.0 cm / 10.62 in width: 14.5 cm / 5.70 in depth: 10.0 cm / 3.93 in Hallmarks: Minerva Head - 'Minerve casquée, French official hallmark for 950 Silver, 1838-1973 G & B next to heraldic lily in diamond...

Antique French hand-painted faience pottery porcelain tankard with pewter top, Circa 1870's.

Each of spiral-fluted form with trefoil necks and applied clear glass handles, on circular bases.