Hand-Painted Porcelain

A set of three 19th Century French Sèvres fine gilded porcelain cups and saucers with tall scrolled handles. Hand-painted floral decoration. Sèvres mark to underside with red Château...

Vintage limoges France fine porcelain round decorative blue and gold. Elegant fine porcelain decorative plate hand painted scene with a romantic lovers scene in a garden, cobalt royal blue and rich gilding throughout, after the painting of French artist Fragonard, signed Fragonard on bottom right. Elegant precious Limoges fine porcelain to add to your French Porcelain collection. Hand painted and finely decorated collectible french porcelain in the Sevres Chateau France style. Limoges made in France...

A very beautiful Chinese porcelain baluster-shaped jar with lid and knob, painted in underglaze blue crackle with hand-painted cobalt blue and white decorations depicting a two-horne...

This is a little cup to drink sake, it is called Ochoko in Japanese. It was made around 1990 in Japan. On the back, the signature is written SOGA. Using it to make an offering at a ...

A very beautiful Italian porcelain oblong bowl with flower and leaf design and authentic Roman yellow gold by Ginori, Firenze (Florence), Italy, circa earl...

Herend Hungary porcelain "Rothschild" cachepots Herend Hungary porcelain cachepots with handles in the shape of shells Each cachepot has 2 diffe...

A fine pair of Chinese Export, 19th century porcelain bottle vases mounted with French ormolu as oil lamps. The well potted ovoid light pale-green porcelain pear...

Set of 2 demitasse cups and 2 saucers was made by Haviland Cie in Limoges, France. The Art Deco style form of a footed cups, with 3 small ball feet, is rather rare and hard to find, especially in coffee or demitasse size. In this set the pieces were hand painted by a professional artist in a decorating studio with Victorian style motif of pink English roses. Calm light pink and green colors are accentuated by bright gold rims and gold trim on handles and ball feet; crisp white color of semi-translucent porcelain showcases the soft, delicate decor without overpowering it. The pieces are marked with green underglaze manufacturer mark Haviland France that dates to 1894-1931. The set is in very good antique condition with minimal wear on gold that is appropriate to its age. The advent of Arts and Craft Movement created the notion that the aesthetic quality of everyday utilitarian objects could be improved by merit of craftsmanship, and many painters and artists felt inspired to merge their activities into decorative arts, such as ceramics, decor objects, or dinnerware. Large number of wholesale and retail firms, such as Pickard, Stouffer, or Brauer studios, and many high-end department stores that carried factory decorated Limoges's porcelain, had their own china decorating departments and produced high quality hand painted porcelain. Undecorated Haviland china...

Royal Copenhagen Flora Danica. Lunch plate in hand-painted porcelain with flowers and gold decoration. Painted outside the factory. Dating: 1949 Latin and Danish names. In excellen...

Pair of Empire gilt chinoiserie vases. Pair hand-painted and gilt French vases of the Empire period with mask handles and gilt surrounds centering on ...

Antique and rare Meissen porcelain plate with hand-painted birds, insects and gold decoration. 19th century. Diameter: 24.5 cm. In excellent condition. Stamped. 3rd factory qua...

A beautifully hand painted and gilt porcelain cabinet plate. This is a reproduction of a depiction of Die Parzen (The Three Fates). Of the Imperial Viennese period. Likely made in Germany per the marking on the back. Acrylic stand not included. The Three Fates is a Greek mythological story. In the story of Homer and the Fates...

A fine and scarce early English porcelain tea bowl and saucer painted with dry blue floral patterning by acclaimed makers Worcester and dating to the Dr Wall period 1770 – 75. The te...

This is a group of SEVEN individually different Chinese Export porcelain serving Spoons. Each spoon has similar nominal dimensions and they all have different hand painted decoration. They range in date from a beautiful Canton Famille Rose medallion spoon...

A scarce antique English Staffordshire bone china teacup and saucer hand decorated with a red lion by Thomas Wolfe (Factory Z) and dating from...

A lovely Mid-Century Modern white porcelain/ceramic vase from the 1960s. Original vintage good condition. Only one unique piece.

Tea service tête à tête in porcelain bearing the initials of Louis-Philippe in a garland of laurels. The service is composed of a tray, a teapot, two cups with their saucers, a milk ...

Meissen, Germany. Six dinner plates in porcelain. Hand-painted with floral motifs and insects in blue. Approximately 1920s/1930s. Marked. Third factory quality. In excellent conditio...

This beautiful plate was made by Coalport in about 1840 and would have belonged to large dessert service with the pattern 4/412, which we know has been done in many different colours...

A fine antique Royal Vienna porcelain charger. Hand painted with a mythological scene including a spinner or weaver, a man with a bear skin clo...

Sevres Porcelain Ormolu Tazza, 1838 Hunting Royal Service of King Louis Philippe This exceptional Sèvres porcelain ormolu-mounted tazza, dating to 1838, forms part of the renowned ...

A striking 19th century antique Imari plate with a scalloped edge. Featuring vibrant oranges, blues, and green. The border features several phoenixes.

A striking 19th century antique Imari plate with a scalloped edge. Featuring vibrant oranges, blues, and green. The multi-color design depicts traditional Japanese motifs, showcasing...

This is a very striking part dessert service made by Spode in about 1828, which is the Regency era. It is made of Spode's Imperial China and has the Frog pattern in mauve/purple. It consists of a high footed comport...

This is an Art Nouveau Royal Vienna Porcelain Portrait Plate. It depicts a round porcelain plate hand painted royal and light blue in its background. At the center of the plate there...

A very large and unusual 19th century French Louis XVI style dore bronze mounted Sevres cobalt blue ground box signed Sarat. This box is truly a masterpiece. Sevres boxes...

A painting on porcelain of a nobleman and nude woman with cupids, elaborately painted and highly detailed. The original gilt wood frame with reti...

Set of 12 teacups and with their saucers in Minton Bone China Porcelain. Famous Minton Haddon Hall model designed by John William Wadsworth (1879-19...

Meissen Porcelain plate/tray with hand painted floral motives and rich gold decor.

This gorgeous Chelsea Porcelain botanical dish was hand painted in England circa 1752-1756. The polychrome enamels depict fruits: apples, pears, plums, melons, and, in the center, a ...

Excellent lifelike depiction of an exotic bird sitting on a sturdy tree trunk, eating with the help of its claw, below crawling insects: Cockchafer, caterpillar and snail, and leaf t...

A Rare 19th Century Meissen Porcelain ‘Schneeballen’ (Snowball) Covered Bowl and Underplate with Encrusted Flowers, Vines, Leaves, and Birds. This piece is very rare and extremely hi...

This is a beautiful plate in the 8-lobed shape, with a deep pink ground and rich pale yellow and gilt acanthus and shell decoration, three scrolled reserves with exceptionally finely...

A very fine and exquisitely hand painted French porcelain cabinet plate with a scene titled Grande Cascade du Bois de Boulogne made by Lahoche et Pannier...

Rosenthal, a tea service for ten people. Including ten teacups with matching saucers. Hand-painted with purple flowers. 1920/30s. In perfect condition. First factory quality. ...

Rosenthal, Germany, six plates hand painted with fruits, butterflies and gold decoration. Approx. 1930. First factory quality. In perfect condition. Dimensions: D 18.0 cm.

A Monumental Meissen Porcelain Figural Group of Apollo and the Nine Muses on Mount Parnassus. Comprised of sixteen interlocking parts. Apollo standing holding a lyre and with Pegasus besides a tree, atop a rocky outcrop detailed with foliage and waterfalls above nine goddesses: Calliope, seated and shown writing, representing eloquence and epic poetry. Clio, seated with an open book and blowing a trumpet, representing history. Erato, seated and holding a kithara, representing science and the arts Euterpe, seated and holding a flute, representing music. Melpomene, seated holding a knife and with one hand to her head, representing tragedy. Thalia, seated and holding aloft mask, representing comedy and idyllic poetry. Urania, seated with telescope and globe, representing astronomy and astrology, Polyhymnia, standing with one hand raised and holding a book, representing sacred poetry. Terpsichore, standing, representing dance. Each piece exceptionally finely detailed and painted. The base portions with rocaille edges. On a later black polished wooden base. Multiple blue crossed swords marks. Each piece titled to underside. German, Circa 1880. Mount Parnassus, is a spur of the Pindus Mountains in central Greece and was sacred to the ancient Greeks and in mythology to Apollo, the god of music and poetry and of the Sun and light. Mount Parnassus the mythical centre of poetry, music, and learning in ancient Greece was a popular theme in Barqoue and Rococo art, often substitutable with Athena’s arrival at Mount Helicon from the fifth book of Ovid’s “Metamorphoses”, where she asks the Muses to show her the new spring which gushed forth from the spot where Pegasus “with his hoof of horn opened the earth” (V, 250-260). Here, the mountain, formed from rugged rock cliffs, culminates in a plateau on which the youthful Apollo stands and plays the lyre. The Castalian spring flows from beneath Pegasus’ hoof, representing the source of inspiration and attracting the nine muses, who embody the arts and inspire creation through song, music, and dance. Mount Parnassus was created at the Meissen porcelain manufactory as a table centrepiece and an earlier version, apparently with only five muses, is listed in the inventory of the pastry shop of the Meissen manufactory manager and cabinet minister Heinrich Graf Brühl in 1753. The storage in the pastry shop of approximately 3,000 objects and dishes, including many individual parts for centrepieces, is related to their function as table decorations, replacing decorations previously made by the confectioner from perishable materials such as sugar or wax. The purpose of this table decoration was as a feast for the eyes to accompany the feast of the banquet. The sculptural figurines often depicted a particular theme, with characters drawn from theatre and opera, from classical mythology or pastoral idylls. Allegories and mythological themes, such as the glorification of fine arts, were also popular. Stylistically, Mount Parnassus fits Kändler’s style of the 1740s, and was sold by Brühl in 1762 to Frederick the Great of Prussia who used mythology as a means of self-expression and had already ordered individual figures of Apollo and the Muses as table decorations in 1744. Today it is in the Museum of Applied Arts, Frankfurt (inv. no. M.L. 41). There is another version of Mount Parnassus, from the collection of Prince Alexander Dolgorukoff, in the Hermitage in Saint Petersburg. The present version dates to the second half of the nineteenth century when there was a great revival of Kändler rococo figurines which were reissued and a “Second Rococo”. Another nineteenth century example is in the collection of the Museo Francesco Borgogna, Italy (inv. 1906, XIII, 19-20). These nineteenth century versions were made by the Meissen factory using Kändler's period models. It is recorded that a new version of Mount Parnassus, dating to the 1880s, was part of the Royal Porcelain collection in Dresden: 'In the porcelain collection there is a new version from the 1880s based on the old models, the largest group of this genre, the Parnassus, which shows the named muses all around on the lower part of the rock, each practising their own art, while on the top there is Apollo with the lyre and next to it the Castalian spring rises from the hoofbeat of Pegasus. Each figure is executed individually with its rocky background, and all the pieces are then fitted together, as we have already seen in his earlier, larger compositions. The rock pieces are finished off like a pedestal at the bottom with Rococo ornaments.' (Jean Louis Sponsel, Kabinettstücke der Meissner Porzellan-manufaktur von Johann Joachim Kändler, Leipzig, 1900, pp. 203-204). Kunst und kunsthandwerk; monatsschrift herausgegeben vom Österreichischen museum fuer kunst und industrie, Vienna, 1894, v.7 pt.1, p.133. Kari Berling, Das Meißner Porzellan und seine Geschichte. Leipzig 1900, S. 99, 187-200. Helmuth Gröger, Johann Joachim Kaendler. Dresden, 1956. Peter W Meister, Franz Adrian Dreier, Figürliche Keramik aus zwei Jahrtausenden. Kat Museum für Kunsthandwerk, Frankfurt. Frankfurt 1964, Nr. 90. Rainer Rückert, Meißener Porzellan, 1710-1810. Kat. Ausst. Bayerisches Nationalmuseum München. München 1966. Stefan Bursche, Tafelzier des Barock. München 1974, Abb. 300. "Tafelaufsatz, Der Parnass", Auswahlkatalog, Museum für Kunsthandwerk (Frankfurt am Main, Germany), 1987, pp. 86-87. Alfred Ziffer, ‘Meissener Porzellanplastik für fürstliches Interieur und Zeremoniell’, Keramos, Issue 241/242, pp. 29–52. MEISSEN The production of Meissen porcelain began in 1710 at the manufactory at Meissen...

A Rare 18th-Century Meissen Porcelain Horse-Drawn Sleigh Group Featuring the Court Jesters Joseph Fröhlich and Gottfried Schmiedel, After a Model by Johann Joachim Kändler. This finely modeled and painted Meissen porcelain group, created circa 1750, captures a dynamic and theatrical sleigh ride featuring the court jesters Fröhlich and Schmiedel. The composition is anchored by a galloping white horse adorned with a blue cloth draped over its back, trimmed with gilt tassels. The harness, with delicate chains, connects the horse to an elaborately detailed sleigh with scrolling gilt accents and openwork elements. The sleigh glides over a textured, snow-covered base, sculpted to mimic the uneven terrain. At the center of this lively scene, Fröhlich, dressed in vibrant carnival attire with a green hat and yellow cape, stands on the runners of the sleigh, leaning forward to embrace and steal a kiss from Countess Friesen. However, the "Countess" is, in fact, Schmiedel in disguise, adding to the humor of the piece. Schmiedel wears a floral-patterned gown with intricate hand-painted blooms in shades of purple, yellow, and red, complemented by a white apron and a red bonnet. The finely painted facial features capture the moment's theatricality, as Schmiedel grips the reins while seemingly playing along with the jest. In front of them, a small monkey with wings sits perched at the sleigh’s edge, holding a dish with two burning hearts, reinforcing the amorous and playful nature of the composition. The back of the base bears the Meissen underglaze blue crossed swords mark, confirming its origin at the renowned German porcelain manufacturer. The model was first created by Johann Joachim Kändler in 1741, during his tenure as Meissen’s chief modeler. Kändler’s ability to animate porcelain figures with expressive gestures and dynamic movement is evident in this work, reflecting the theatrical influences of the period. Meissen, established in the early 1700s under the patronage of Augustus the Strong, Elector of Saxony, was the first European porcelain manufacturer to successfully produce hard-paste porcelain. The factory became synonymous with innovation, refinement, and technical excellence, with Kändler playing a key role in developing its sculptural traditions. Meissen’s 18th...

This is a hand-painted Chinese Export Kraak porcelain blue and white Side Plate or Dish, which we date to the Ming, Wanli period,( 1573-1620 ), datin...

Hortense Mattice Gordon R.C.A. (Canadian 1887-1961) - Fine and rare antique ceramic cabinet bowl - hand painted in the Art Nouveau style on an imported blank - featuring a display of...

An Elaborate 19th century Meissen Porcelain Figure of a Sultana Riding an Elephant. After the model by P.J. Reinicke and J.J. Kändler, the Sultana sitting on the elephants back and h...

A Set of 5 English Hand-Decorated Minton Fine China Espresso Cups with Saucers. The beautifully vibrant color hand painted small espresso cups and saucers, each single handle cup and...

This is a beautiful pair of Spode hand painted, artist signed "Sevres Green" porcelain vases with gilded graceful handles rising above the opening. Painted on both front and reverse ...

A 20th Century Meissen Blanc de Chine Porcelain Figural Couple, Lady and Man. A finely dressed couple engages in flirtatious courtship in this ...

A very large-scale gorgeous Italian porcelain mountain lion designed by Giulia Mangani and made for Oggetti. Wonderful lifelike details with beautiful hand-painted gold tones. Sign...

Set of 4 cups and saucers in the beloved strawflower or Strohblumenmuster. Reliefdecor "Gebrochener Stab" hemispherical cup with standring, handle and fine cobalt blue underglaze pa...

A magnificent pair of very large Meissen putti representing Day & Night by Heinrich Schwabe. Each figure wrapped in a cloth, float above the earth's atmo...

Presenting a stunning Le Mieux 7 Piece 24kt gold Porcelain set. Marked for “Le Mieux China …. 24karat gold … hand decorated” The Set consists of a...

Royal Copenhagen Flora Danica openwork plate in hand-painted porcelain with flowers and gold decoration. Model number 20/3554. Diameter: 23 cm. In perfect condition. 1st Factory q...

A 19th century Meissen Porcelain Model Of Empress Catherine II Of Russia's Favorite Dog (Russisches Windspiel). This delightful 19th-century Meissen porcelain model depicts Empress C...

An important, extremely rare, and rather large 18th century Meissen Porcelain Group of a Thalia with a Harlequin Child, By Johann Joachim (J.J.) Kändler, Circa: 1744. This is an incredible and extremely rare 18th century Meissen Porcelain piece modeled by the greatest Meissen modeler ever in the Company, Johann Joachim (J.J.) Kändler. Thalia can be seen seated on a gorgeous hand-carved and hand-painted flowered and vined porcelain pedestal. Her right arm is raised holding a Phantom of the Opera Black and White Mask, while in her other arm is a young Harlequin dancing and singing holding a hat. Thalia is wearing a gilt-edged dark blue bodice with white floral decorations over a black corset draped in a red-over-yellow robe...

This is a beautiful teacup and saucer made by New Hall around the year 1810. The set is decorated in the very desired but rare palm tree pattern with the number 484. We also have a ...

Rosenthal Studio-Line XL cup with saucer, suitable for a latte, soup, tea or your cereals. Andy Warhol, quite possibly the greatest pop art artist of our time. The Flowers print port...

This is a small cup for drinking sake. It is called Ochoko in Japanese. It was made in showa era around 1970s. It is made with porcelain and all hand painted. This is Kutani ware f...

This is a stunning and extremely rare dessert service made by John Rose at Coalport probably around the year 1800, shortly after Rose bought up the Caughley factory. It consists of a large centre piece comport, one sauce tureen with cover, two oval dishes, two square dishes, two shell dishes, and eight plates. The service is beautifully decorated in the Neoclassical style. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. John Rose had bought up the local Caughley factory in 1799. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. This service is made of pearlware, which leads us to believe that it might have been made at the old Caughley premises, which had kilns for pearlware - the later Coalport items are not known to be made of pearlware but the shape of the dishes and the sauce comport are clearly a Coalport shape. All items have a beautiful deep orange ground - they were done in different firings as the colour is not entirely consistent, which makes the service very charming. The rims are set off with a beautiful vine pattern in silver, which makes the service even more rare as this was not done often. The items are unmarked, as is usual for that era, except the odd "B", which is probably the gilder's tally mark. CONDITION REPORT The service is in good usable condition with some minor flaws: there is some crazing and wear throughout, which is to be expected of pearlware of this era. The centre piece comport has a slight crack through the side, which is not very visible. One of the plates has a chip on the front of the rim as well as three lines coming off the rim; one has a chip on the underside of the rim; and one has a line coming off the rim. Neither of these stand out and the plates are entirely stable. Antique British china...

This is beautiful plate made by the Yates factory in about 1825. The plate is decorated with in a white ground with finely hand painted flower reserves, gilt sprigs and a characteris...

Antique and rare Meissen porcelain plate with hand-painted birds, insects and gold decoration. 19th century. Diameter: 24.5 cm. In excellent condition. Stamped. 3rd factory quality.

This gorgeous 19th century French dessert set features botanical central decoration, each uniquely hand-painted with a different bouquet of mixed flowers. The composition is detailed...

A very unusual and rare pair of Meissen Schneeballen and intricately ormolu mounted potpourri vases with covers. The vases are supported by finely...

The dark blue background of the porcelain vases stand on a gilded carved octagonal pedestal. The base is decorated with gilt scrolls of acanthus leaves and foliage. The front center ...