Italian Sterling Silver

A pair of fine signed Italian gilt silver placecard holders. By Tiffany & Co. In gilt sterling silver. Each in the form of a rosebud with leaves and stem. Fully marked to the rev...

Italy, a country that produces great wines and an ancient agricultural tradition, could not fail to dedicate its art also to create prestigious objects concerning this excellence for...

Box Black and Red enamel is Inspired by drawings by Louis Cartier from the early 1900s in Art Deco style and recreated for Cartier USA in the 1980s. It is in 925/1000 sterling. Box B...

A rare art deco straw holder designed by Gio Ponti for Bar Pasticceria Alemagna at Piazza Duomo in Milano. The shape is simple and sleek and elegant. ...

4640-5320 - Rectangular tray with rounded corners in 925/1000 sterling silver with translucent fired enamels on guilloché, cm. 9 x 17.5. For fountain pen (4568-5201) with two-tone st...

Box shaped enamel is in 925/1000 sterling. Box shaped enamel has handpainted fired enamels miniature. Box shaped enamel is engraved and fire-enamelled ornaments. Box shaped enamel is...

Antique Italian 800 silver vermeil flatware cutlery carving set of 8 pcs, Handles decorated with Art nouveau stylisation embossed. .

Tureen in sterling silver in Baroque style. The dish measures 31cm in diameter and was left smooth with the brim raised. On the plate, scrolls and shells typical of the Italian Bar...

Rectangular shaped table box in 925/1000 sterling silver gold plated with fine hand-engravings fire enameled hand-painted like lapis lazuli stone and beautiful hand-painted enameled ...

nspired by traditional European continental size sterling silver flatware. Each place setting is made in a true Continental Size, and in a heavier-than-standard weight. Giorgio I...

Shaped oval photo frame in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and Louis XVI French Empire style ornaments. External dimensions cm. 13.5 x...

This stunning Picture Frame is in 925/1000 sterling silver. Picture Frame Louis XVI has a squared shape with green and sky blue color for the fire enameled surface on guilloche and h...

Salt/pepper/toothpick set in 800 silver and crystal, Italy, 1990 Intact, never used. Small signs of ageing. Regularly stamped with state marks. Found in a noble apartment.

Small table clock in gold-plated 925/1000 sterling silver with translucent enamel fired on guilloche, with columns in neo-classical Hellenic style. Swiss mechanical movement from Mai...

Stunning in its simplicity, this tray's elegant and Classic design is ideal for serving hors d'oeuvres and drinks during parties and festive gatherings. Handmade of 925 silver, it fe...

Couple of bowls. Excellent condition.

Rectangular table box in sterling silver 925/1000 gold plated with very fine hand-engraving Baroque style on the lid, fire-enamelled in 2 colours. In the center an ancient oval plate...

Specifically designed to serve and display risotto dishes because of its generous surface and deep bowl, this elliptical dish is a sophisticated addition to the Frutta collection. It...

This vintage-inspired mug is an excellent way to serve a refreshing drink, improving the taste of any beverage while keeping it perfectly chilled. From the Animals collection, the el...

Baroque oval silver tray. Made in Milan, Italy in the mid-19th century. Completely hand engraved with scrolls and central flowers. The swirls and flo...

Semi-round and flattened 800 solid silver vase. The vase was completely handmade in Milan - Italy - by the silversmith "L'artigiano del cesello" for Arva...

Solid sterling silver bull and bullfighter miniature. Both the bull and the bullfighter were made with the casting technique and then chiseled to bring out the details. The precisi...

Beautiful game box, hand made by Ottaviani in Italy Rocanati, this box has R mark and also shows 925 sterling mark on side of the R. All chips and card seem to be in the box and some...

Heart-shaped table box in 925/1000 sterling silver with translucent enamel fired on guilloche above and below. Contemporary modern style. Dimensions cm. 9 x 9.5 cm high. 3.Weight gr....

Console miniature in 925 silver with mirror and marble top, wooden details. This miniature was made in 925 silver with the fusion technique. The supports under the top depict three...

Shaped snuff box in 925/1000 sterling silver gold plated with fire-enameled stripes and fine oval enameled miniature in center cm. 3 x 4 hand-painted by ...

Evening bag in the shape of an envelope in 925/1000 sterling silver with black fired enamel. Measure cm. 8.2 x 4.7 x 13.5 - interior with beveled mirror and velvet lining. With trian...

Italian sterling bread plate. Vintage oval sterling silver shallow bread dish with outward curving rim of sleek and simple design; a chic bread p...

A pair of early 19th century (1828 – 1859) Italian Antique silver oil lamps (Lucerne) by Vincenzo Belli II. They are in the “Retour d’Egypte St...

.800 Silver Miniature Artist Easel and Modern Painting Trompe l'Oeil Sculpture Italy, Later 20th Century  A tour de force of miniature silver scu...

Hanukkah season has passed but it’s not too early to start thinking of next year. A sterling silver menorah becomes a family heirloom and gets passed down fro...

Italian Neoclassical Silver Coffee Pot. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with parrot l...

Box shaped like a “flowers” playing card suit in 925/1000 sterling silver with black fired enamel in Art Deco style, early 1900s. With lost hinge, i.e. semi-invisible. Dimensions cm....

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with beautiful fire enamelled miniature hand painted by the painter Simone Dainelli inspired by the paintings of Boris Vallejo, in fantastic contemporary style, with hand-engraved frame. Designed by Franco Salimbeni in 1967 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Four-leaf clover shaped table box in 925/1000 sterling silver gold plated with translucent fired enamel on a radial guilloché. Modern contemporary style. Dimensions cm. 17 x 17 x 3.5...

Elegant set consisting of 2 boxes containing 12 shell-shaped placeholders in solid 800 silver. The placeholders were made with the casting technique and finely chiselled. The finish ...

From Milan a 19th century Italian silver and crystal compote bowl in good condition from a private collection. This antique Neoclassical covered compote bowl has a very fine hand-chased vegetal decoration and engraving, a lovely cast engraved silver 800/000 finial and shows silver-maker’s mark for Cristoforo Corbella active in the first half of 19th century in Milan, contrada degli Orefici 3194. This antique silver compote of supreme craftsmanship stands on a three-lobed pedestal base with B L monogram engraved in the central part, features tripod legs decorated with neoclassical motifs, scrolls, flowers, rosettes supporting a circular upper ring adorned with elegant acanthus leafed piercing. Engraved crystal cup and a cover finely engraved with geometrical and vegetal pattern, surmounted by a cast gem finial. The following marks can be seen on the bottom of the foot and the upper edge of the compote, (the original descriptions are reported, as they appear on the documents of the State Archive of Milan): 1) “Forma eptagona. Globo col Zodiaco ed i setti (sic) Trioni” Heptagon form. Globe with the Zodiac and the seven Trioni (seven stars of the Ursa Major) Mark of the Guarantee Office in use in the Napoleonic Kingdom of Italy from 1812 for works with a title of 800 thousandths. 2) "Aratro" Plow Mark of the Guarantee Office in use in the Napoleonic Kingdom of Italy from 1812. 3) "insegna della Luna Piena...

Oval frame in 925/1000 sterling silver gold plated with two-color translucent strips fire-enameled on guillochè and hand-engraving and with French Empire Napoleon III style ornament...

Established in Venice in 1846, Missiaglia is one of the world's premier makers of the finest jewelry objects, as well as a select number of bespoke sterling silver tabletop accessories. This handcrafted puffer salt Shaker and pepper mill showcase the skill and impeccable craftsmanship of Missiaglia's artisans. Each puffer fish features a hand-hammered dappled skein with an abundance of protruding conical spikes, as well as striated dorsal, tail and pectoral fins. Their whimsically refined faces offer stylized eyes consisting of concentric circular forms with a concave depression at centre, and an ovoid mouth with protuberant lips. The larger vessel holds pepper- artfully concealed within the body of the piece- which is ground by rotating the tail fin. The salt Shaker has an abundance of holes adorning the forehead of the smaller puffer...

This lovely sterling silver goblet has a Art Deco design. It has four balls in the center intercepted by rings. It stands on a non-weighted base that gives it a tall regal appearance...

Rectangular table frame for oval photos cm. 3 x 4 in 925/1000 sterling silver gold plated with translucent fired enamel, plum purple, on guilloche, with French Empire Louis XVI style...

Gianmaria Buccellati, sterling silver 2-piece salad set in Old Italian pattern, consisting of a fork and a spoon, both measuring 10'' in length, and bearing hallmarks as shown. This ...

Silver vase is a precious decorative object realized in the mid-20th century. Very refined vase in the shape of an Amphora, made in the mid-20th century. Kgs. 0.76 Finely decor...

Round box with Swiss musical mechanism (music box) by Maison Reuge. In 925/1000 sterling silver with black and white fired enamels in Art Deco style. Diameter cm. 7.4 total height cm...

Box shaped like a “quadri” playing card suit in 925/1000 sterling silver with red fired enamel in Art Deco style, early 1900s. With internal hinge. Dimensions cm. 10.4 x 12.3 x 1.8. ...

Playing card suit-shaped box “heart” in 925/1000 sterling silver with red fired enamel in Art Deco style, early 1900s. With lost hinge, i.e. semi-invisible. Dimensions cm. 9.5 x 10 x...

Box shaped like a “spade” playing card suit in 925/1000 silver with black fired enamel in Art Deco style, early 1900s. With internal hinge. Dimensions cm. 9.5 x 10.7 x 1.8. Weight gr...

Small Italian Art Deco Silver Planter. 800 silvermark Probably for small Cactus.

Rectangular table cigarette box in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè and fine miniature hand painted...

This type of centerpiece was very much in vogue in the prestigious and aristocratic houses of the 1700s. It was used to contain fruit or be decorated with floral compositions and po...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Small round frame with flat edge in 925/1000 sterling silver gold plated with translucent fired enamel on guilloche, English style, early 1900s. External diameter cm. 7.2, internal c...

A rare pair of Sterling Silver mugs designed by Ubaldo Vitali for Bulgari. Sterling Silver. Italy/USA c1980 Dimensions: 13cm High x 10cm Wide

A Milanese sterling silver 20th century fountain centrepiece Measures: Height: 33cm, width: 47cm, depth: 42cm. This stunning centrepiece is an Italian sterling silver fountain, made in Milan in the twentieth century. The piece, set on fish-shaped legs, and decorated with mythical sea-monsters from whose mouths the water flows, consists of a rectangular shaped basin divided into four shell-shaped quadrants which are adorned with small silver crabs. A smaller basin...

Gianmaria Buccellati, a rare and exceptional Italian silver bobcat, circa 1990s. Made in Milan, Italy. Retail price in the Buccellati Boutique was $72,000 USD + Tax. Very fine qua...

Hanukkah season has passed but it’s not too early to start thinking of next year. A sterling silver menorah becomes a family heirloom and gets ...

Large rectangular tabletop jewelery box with inward corners in gilded 925/1000 silver with translucent fired enamel on guillochè also on the sides and finished with fine hand engraving. In the center, a beautiful rectangular miniature cm. 4 x 5.5 hand painted in tempera on vegetable ivory plate by Roberto Masi depicting the portrait of Madame Boucard by Tamara De Lempicka (1931). Size cm. 14 x 19 x 3.2. Weight gr. 1,248. Designed by Giorgio Salimbeni in 1998 and manufactured in Florence in various specimens with different subjects and colours, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous glazing firings at high heat about 800°C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

Large round centerpiece in sterling silver. The centerpiece plate was made in the Empire style, without using borders but embossing and chisel...

Solid 925 sterling silver smooth round shape flower box with base. The perforated lid has a knob in fusion with blackberry and leaf, On the edge of the bowl it is decorated with blackberries and leaves made in silver casting. The object being perforated on the lid, in addition to a planter, can be used as an elegant diffuser of essences Italian silverware...

Gorgeous handmade sterling silver champagne bucket. The body is shaped, embossed and chiseled completely by hand. Four shells of two d...