Hand-Carved Native American Objects

This fine hand carved end of the run horse and rider plaque is in great condition.

Presenting a gorgeous piece of native American art, namely, “Sleepy Mountains” Sculpture by RD Tsosie, made from polished agate. By the renowned Na...

A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

A beautiful, somewhat benevolent mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood and hand painted/ decorated with pigment. The mask seems to represent some sort of smiling, benevolent spirit or character. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

A whimsical large Inuit Eskimo carving in soapstone of a Bear holding a rock to throw at 2 Walrus. The tusks of one walrus are likely bone, and th...

Northwest Coast polychrome totem with multiple bird figures atop a turtle. Hole drilled for clamp. Well painted and carved with bright colors of red, black, blue, white, and brown on...

Matching pair of Northwest Coast carved model totem poles. Polychrome decorated with carved humanoid and bird figures. Each twice signed "Betty Sanners" back and bottom. Provenance Hudson Bay Fur Company, Seattle, Washington. 29"H Period: Early 20th century Origin: Northwest Coast Size: 29" base 4 1/2 x 3 1/2 Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American carvings & totems native American Indian native American totem poles n.

Presumed to date from the late 19th century, this life-sized Folk Art carved and hand painted study depicts a Native man dressed in traditional attire and holding a staff. The artist is unknown and this sculpture is unsigned and done in a very realistic style. The carving, likely done in Cyprus wood...

Extremely rare and very special pair of 18th century native American tobacco store hanging trade figures, hand carved in the half round full length figur...

Pacific Northwest coast carved cedar killer whale rattle, by Coastal Salish - Squamish artist Stan Joseph, signed and dated 2012, a beautiful and deeply carved hollow cedar dance rattle in the form of a Killer Whale, with relief carved eyes and mouth, surface striations, and three human faces on the back and tale, with applied pectoral and dorsal fins. Mounted with simple whittled cradle on cedar block base (signed and dated on bottom of base). Hollow interior rattles with entrapped pebbles. The carving was never polychromed and remains in its original natural finish. Excellent condition. Stan Joseph is a Coastal Salish artist from North Vancouver. He began carving in 1962 at the age of twelve, and also ventured into painting and designing totem poles. In 1972 he carved an 80 foot and other huge poles which sold to Germany. In 1980 he carved a 60-foot pole for Sea Span and another one for the Chief Joe Matthias Centre, as well as the welcome figure on the West Vancouver Pier. Stan is now an outstanding master carver who teaches his craft to the next generation of young artists. Stan is also accomplished at making silver and gold jewelry, and teaches this art at the employment center. Stan has been interested in the spiritual dances of the Coast Salish...

19th century hand-carved bark canoe bailer from Minnesota. Fur trade era. Period: 19th Century Origin: Minnnesota size: 9" x 6" x 5" Family Owned & Oper...