20th Century Folk Art

N. S de Guadalupe Patron and Virgin of Mexico Original Oil painting on Copper Wooden frame, Charles IV style Puebla J. Lecuona. 20 Th Century Guadalupe, mother Virgin of all Mexi...

This sign was manufactured by Rawson & Evans sometime during the late 1800s and early 1900s. Rawson & Evans was best known for glue chipped glass signs and gold leaf signs. This sign...

An early and rare weft faced Ewe cloth woven in strops of brightly coloured red, blue, yellow cream, lime green and ivory. A great example, large size. Con...

Botanical beauty in large floral gem with tons of blush, berry hues, sangria, marbling strawberry and more About: Huge and Beautiful Botanical Design. The designs of these partic...

This handsome leather studded trunk with antique brass nailheads is a 20th Century American piece which is a decorative object or makes an incr...

A toy model of Folk art, steam train, consisting of two elements, the locomotive and a coal wagon. Made of oak wood with metal details. the chimney, like the round elements that run in the upper part, is made of brass with traces of gilding. Wooden bars to emulate the arms of the wheels. Washers and screws secure the wheels, complete with spokes. The service car...

Sir Thomas Lipton's yacht "Erin" of 1899 model in glass and mahogany display case with separate table stand. Lipton's great passion was to win the America's cup and Erin served as hi...

Heriz carpets are the staple of the furnishing market and remain the most popular of all NW Persian carpets. They were produced for the rapidly growing US market in the late 19th to ...

This is a serene landscape painting that captures a quiet forest scene bathed in soft, diffused light. The composition is dominated by tall, vertical tree trunks in the foreground, t...

Native American Pueblo painted drum. Classic and colorful cottonwood drum with rawhide skin sides painted red, white and blue. Period: Mid 20th century Origin: Southwest, Cochiti ...

Large pair of Native American beaded Cree gauntlets. Featuring five multicolored flowers and zigzag pattern banding done in colors of red, yellow, black, blue, green, and white. 18" ...

Native American Navajo crystal weaving. Featuring classic crystal design in colors of grey, black, white, and red. Bold and dark Great for floor or wall display in a Southwestern sty...

Whimsical outsider, Folk Art oil painting by William R. Straly, excellent use of color. Texture and space.

Early 20th Century Pende “Giwoyo” Sickness Mask, Kwilu Region, D.R. Congo (ca. 1920) Exceptional Pende sickness mask (Giwoyo) from the Kwilu region of the Democratic Republic of Co...

Toussiana Plank Bird from Burkina Faso Mid XXem Provenance: private Swedish collection , auction The TOUSSIAN live in the Southwest of Burkina Faso. The mask presented here is a Loni...

Vernier Nautical Sextant, G.W. Butters, London. A fine curved frame vernier sextant, the polished silver arc signed G.W. Butters, London. Eng...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and ...

Large scale "Smuggler" running horse weathervane, last quarter 19th Century attributed to Harris and Co, Boston MA, the full bodied copper weathervane captured mid-stride, with legs ...

This lamp is in the spirit of Diego Giacometti who used a stylised tree motif as stand-alone sculpture and also as sculpture to embellish his bronze furniture. A pair of these tree s...

West Anatolia is one of the largest weaving regions in Turkey. Since the 15th century, Turkish rugs have always been on top of the list for having Fine oriental rugs. Measure: 6' x 8...

Atmospheric oil painting of a red deer in a richly decorated frame. Dated around 1910/1920. 65cm high, 47cm wide.

Tulu is the English pronunciation for the Turkish word, "tüylü" meaning hairy. It is pronounced “two-lou”. Tulu rugs are characteristically long-piled and woven with large knots. "Fi...

West Anatolia is one of the largest weaving regions in Turkey. Since the 15th century, Turkish rugs have always been on top of the list for having fine oriental rugs. Antique Turki...

20th Century Antique Carved Wood Mask, African Art Solid wood, hand-carved, Africa probably century Very decorative. Comes from a Berlin private collection.

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. She was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Despite the quality of her work and despite the energy and skill with which she worked both to develop her own talent and to further the progressive movement in American art, Weinrich received little recognition during her lifetime and is only recently being recognized for her leadership as an important female artist bringing the modern movement to the USA. The painting shown is an important example of her mature phase of her work. Exhibitions This is a selective list of exhibitions in which she participated during her life. Its main source is Louise Noun's article on Weinrich in Woman's Art Journal, supplemented by contemporary news accounts in The New York Times, the Brooklyn Daily Eagle, the New York Evening Post, The Philadelphia Inquirer, and The Christian Science Monitor. 1915 onward: Provincetown Art Association 1917: Pennsylvania Academy of Fine Arts 1917: Pennsylvania Academy of Fine Arts, Philadelphia 1917-23: Society of Independent Artists, New York 1919: Art Institute of Chicago 1920: Boston Arts Club 1926 onward: New York Society of Women Artists 1928: Grace Horn Gallery, Boston 1929: Pennsylvania Academy of Fine Arts, Philadelphia 1932: Boston Public Library 1936: Harley Perkins Gallery, Boston (solo) 1938: Boston Society of Independent Artists 1938: Washington Public Library, Washington, D.C. 1939: Corcoran Gallery Biennial, Washington, D.C. 1939: Fogg Art Museum Twentieth Century Club, Boston 1939: Witherstine Gallery, Boston 1939: Institute of Modern Art, Boston 1945: Woljeska Gallery, Brooklyn, New York    Detailed Biography: Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others. In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles. On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[ In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

A bold and striking 20th century American blacksmith's sign with an arm swinging a hammer against a block of metal on an anvil, and with sparks flying from the impact. We've had this...

Vladimir Emilevich Gorevoy (born 1944) was a notable Russian sculptor known for figurative works, including busts of historical figures like painter Ivan Aivazovsky and artist Ivan K...

A ceramic vase with glazes decoration by Michel Lanos (1926-2005). 7.1 x 6.3 inches. Perfect original decorations. Artist monogram under the base, circa 1990. Unique piece.

A ceramic plate with glaze decoration by Michel Lanos (1926-2005). 21.6 x 16.9 x 2.7 inches. Perfect original decorations. Artist monogram under the base, circa 1990. Unique piece.

Set of four rustic Folk Art carved wood face mountain man. This is a wonderful example of Austrian carving. This can be used as a Wall decoration in y...

Discover the charming simplicity and enduring artistry of American folk craft with this Vintage American Hand Hooked Rug, meticulously handcrafted in the 1st quarter of the 20th century. This delightful piece features a classic stripe pattern, brought to life with a harmonious palette of serene blue, verdant green, classic red, and earthy taupe. The tradition of "hooking" rugs originated in New England, starting as a creative pastime for farmers during the long, cold winter nights of the Northeast in the early 1800s. These rugs, once functional pieces for the home as either table decorations or wall art, embody a unique blend of folk art creativity and simplicity. Historically, hooked rugs from the late 19th and early 20th centuries were resourcefully made using recycled materials, often narrow strips cut from old clothing. The pattern was typically stenciled onto a burlap foundation, then filled with these recycled strips (and later, yarn) using the distinctive hooking technique. This rug's special design and brilliant colors make it a truly artistic creation. Due to the inherent delicacy in the material and construction of vintage hand hooked rugs...

Bottles in Savoyard Folk Art Set of 40 Vintage Design Set of forty glass bottles, Savoyard popular art with wooden decoration inside. Additional information: Materials: Glass, Wood...

Johannes Wilhelmus Van Dartelen copper art fossilized stone signed Brazil made and presented for the crew of the Pan American. This is a one of a kind piece of art by Johannes...

Pair of large French planters. Origin France, circa 1900. Attributed roun. Excellent condition. Material: porcelain. No restorations In 1644, Nico...

Vintage Concrete Seagull Sculpture

Antique carrom large wooden game board double-sided. Antique Carrom Company 1907 wood game board double sided, made in USA. Each corner of the boar...

African mask. Mid 20th century. Carved wood. H 9-1/2" W 6-1/2"

Albert Chubac (1925-2008), Composition, Mixed media on paper, Signed lower right, Framed, circa 1980, France. Measures : Width 50 cm, Height 65 cm. Albert Chubac was born in Geneva in 1920. After studying decorative art, then at the Beaux-Arts in Geneva, he obtained grants to travel to Italy, Algeria, Spain, Egypt and Greece, stages which will mark his work. He settled in 1964 on the Côte d ‘Azur in Aspremont in a very Spartan house, attracted by the light, the sun and the colors of nature. The year 1967 is the year of the establishment of the School of Nice. He will work and exhibit alongside Aman, César, Tinguely, Gilli, Ben, Rayse, etc ... In 1990, it was the consecration with the opening of MAMAC in Nice. Albert Chubac then becomes accessible to the general public. He will use solid primary colors, will develop modifiable structures and then develop the collages in three dimensions. Gradually, he broke away from his classical training and figuration to move towards abstraction through the encounters and influences of contemporary artists. Always in search of simplicity, He will radically limit the plastic means with a reduced palette, geometric shapes and simple gestures to concentrate on minimum conditions of possibility. His work, which lies between constructivism and geometric abstraction, is playful and imbued with the artist's joie de vivre. In 2004, following the major retrospective at the Museum of Modern and Contemporary Art in Nice, he donated around one hundred works to the City of Nice. Albert Chubac died in 2008 in Tourrette-Levens, near Aspremont. Bibliography: - Albert Chubac, MAMAC Nice, Cultures Nice Editions, 2004. - Albert Chubac, Galerie Harter, 2013. - Albert Chubac, a lifetime of artist, Patrick Boussu and Cynthia Lemesle, South Art éditions, 2021. During the workshop auctions in Nice and Marseille, the Harter Gallery acquired the largest part of his work. Personal exhibitions: - 1950: Personal exhibition in Athens at the Zappéion museum. - 1954: Exhibition at the Arman Gallery in Geneva. - 1956: Exhibition at the Galerie Connaître in Geneva. - 1957: Exhibition at the Galerie La Palette in Zurich. - 1958: Exhibition at the Galerie L’Entracte in Lausanne. - 1960: Exhibition at the World House Gallery in New York. - 1967: Exhibition at the Galerie Loo in Geneva, at the Salon Comparaison in Paris, Aspects in Chexbres in Switzerland. - 1968: “Paintings” exhibitions from March 30 to May 11 at the Galerie Alexandre de la Salle. - 1970: Exhibition at the Maison des Jeunes et de la Culture de Magnan in Nice, at the Maison de la Culture Le Corbusier in Firminy entitled "Chubac recent works" and at the Galerie Royal Luxembourg in Nice. - 1971: Exhibition at the Galerie Germain in Paris and at the Fernand Léger School in Malakoff. - 1972: Exhibition on the village square of Aspremont, at the Galerie Royal Luxembourg in Nice. - 1973: Exhibition at the Galerie Ferrero in Nice. - 1974: Exhibition at Art-club in Antibes. - 1975: Exhibition at the Galerie Jacques Boudin rue de Dijon in Nice. - 1978: Exhibition at the Galerie Anne Roger in Nice. - 1980: Exhibition at the Galerie de la Salle in Saint-Paul de Vence from August 8 to September 9. - 1981: Exhibition at Lieu 5 in Nice from February 13 to March 20. - 1983: Exhibition at the Galerie d'Art Contemporain in Nice, at Anne Roger. - 1984: Exhibition "Lille Nice" at the Galerie GodArt in Lille from April 14 to May 17 and at the Galerie Luisella d´Alessandro in Turin. - 1985: Exhibition in Thonon les Bains at the Galerie Galise. - 1988: Exhibitions at Galerie Argéco in Nice and Galerie Triade in Barbizon - 1989: Exhibitions at the Galerie de la Salle, at Lola Gassin's in Nice, in galleries in Nice - 1990: he made four mobiles for the MAMAC in Nice, Exhibitions at the Galerie François Moulin in Lyon and Golden Gallery, ArtJunction in Nice. - 1991: Exhibition at the Galerie de la Salle in Saint-Paul. - 1992: Exhibitions at the Espace du consulat suisse in Nice, Besançon and opening of the Espace Chubac in Tourrette-Levens. - 1993: Exhibition at the Maison Comoni in Revest-les-Eaux, at the Galerie François Moulin in Lyon. - 1994: Exhibition at the Espace Caravadossi in Aspremont. - 1996: Exhibition at the Espace Dellile in Nice. - 1997: Exhibition at the Galerie de la Salle in Saint-Paul. - 1998: Last personal exhibition at the Galerie de la Salle in Saint-Paul. - 2000: Exhibition at Lympia college in Nice. - 2001: Exhibition at the Espace Chubac in Tourette-Levens. - 2002: Exhibition at the Galerie Scholtès in Nice and in Carcès in the Var entitled "Albert Chubac-Couleurs mobiles". - 2004: Great Albert Chubac retrospective at MAMAC in Nice. - 2011: Permanent exhibition at the Galerie Harter in Nice. - 2012: Exhibition at the Olympia Show in London at the Christopher Jones Gallery and at the Serge Castella Interiors Gallery in Bascara, Spain. - 2013: Exhibition at the Municipal Contemporary Art Gallery of Pochettes in Nice. - 2019/2021: Exhibition of works belonging to the permanent collection of MAMAC in Nice and exhibition "Geometry according to Albert Chubac" at the Galerie Harter in Nice. - 2021/2021: Permanent exhibition at Galerie Atelier 55...

This vintage 20th-century pitcher, labeled "Campo Piano Orezza at Lava," is a striking example of craftsmanship. Measuring 9.4 inches (24 cm) in height, 8.3 inches (21 cm) in diamete...

Glazed stoneware dish with floral decoration produced by the Søholm workshop in Denmark in the 1960s/70s. Located on the famous island of Bornholm off the coast of Denmark, which has...

This offer is for a collection of four Swedish Dala Horses by Nils Olsson. These are hand carved painted wood. The larger one is approximate 6 3/4" high, 6 3/8" wide and 1 7/8" deep....

This vintage Art Deco large Limoges porcelain plate by D.R.B is a stunning piece that will add elegance to any dining setting or collection. Measuring 12.2 inches (31 cm) in diameter...

This Navajo Indian weaving , Crystal trading Post is in fine condition ,really mint condition.Very unusual color combo.

This exquisite vintage African tapestry, dating to the mid-1900s, features a flat-woven kilim textile hand-crafted using natural dyes in striking indigo blue and white. The alternati...

African Cameroon 20th-Century red, black, white and yellow beaded totem walking stick with a black square base Good, shows minor patina, no bead loss observed, stray threads, metal ...

"Mangbetu Terracotta Vase, Early 20th Century, Formerly In The A. Francotte Collection (Belgium)" Mangbetu Vase, early 20th century. Elegant terracotta vessel from the Mangbetu peopl...

20th Century gilded swell bodied copper rooster weather vane on modern stand. Rooster standing atop a pointed directional. Nice bright copper age on slim black base. 24"L x 22"H x 2 ...

This was a really fun find! "All Elks and Their Ladies." Hand painted event and dance signs for Elks Club. These appear to have been used over a 40 year period. They would recycle each year by repainting dates and prices. Sometimes covering up with a new piece of cardstock and repainting the info. Admittedly done by an accomplished sign painter...

6071 Folk Art wall sculpture made from old plaster wood latts carved out in the shape of a group of geese and then painted Signed Segroot

Substantial yacht windlass built from brass and iron. The yacht name has been obscured from too much polishing over the years. This relic is fitted with a ratchet pole to crank the g...

Breitschwerot German Puppet Folk Art.

Cast Iron Statue of a Seated Hunting Dog A very serious Chap, he is sitting on a deep plinth he is fully 3 dimensional and looks good from all sides Our faithful hound is sitting ...

Beautiful original landscape scene by acclaimed artist Lee Reynolds. This piece titled “Marshland” from the 1960s showcases a sunset marshland landscape done in a vivid, expressiv...

Rya rugs are the traditional Scandinavian rugs made in Sweden and Finland, and word “Rya” actually means Rug. The vintage Scandinavian Rya rugs that were made in Sweden have extremel...

Large square ceramic wall decor or tile features hand-painted Folk Art style decor with charming detailed motif of two white birds standing next to large flowering plants and red gra...

This seemingly straightforward sign is open to several interpretations. Is it a statement of aspiration or having arrived? Might it be Richard's nickname? In any case, it is wonderfu...

Presenting a glorious piece of original Dutch art, namely, a scene of Dutch ice skating oil on canvas by Van Buiksloot. J. Van Buiksloot was a Dut...

Bamileke throne made with wood, coated with jute, embroidered with polychrome glass beads, cowrie snails, embroidery with glass beads that are missing in some areas. In the Grassfiel...

An early 20th century (possibly late 19th century) African Legband (ankle bracelet) of copper alloy, from Mongo Peoples of the Congo. These legbands were both currency and status sym...

Mid Century Vintage Syroco Viking Ship Wall Art This is a Vintage Syroco Viking Ship Wall Art from 1960 made in Plastic This decorative piece will add a character to any room it is...