Modern Folk Art

Hand crafted weed pot with scribble design and green and orange glaze. signed J.bock80.

A royal allure for this gorgeous Cachepot. A perfect balance between leather and brass, where the bright nuance of the leather harmonizes with the cachepot's edges. The two handle...

A stylish all-rounder, bringing sophisticated storage indoors. That's why we can't get enough of these new storage baskets. Nadia is the new family of our laundry baskets, made in recycled leather...

A chic and sleek aesthetic for our wastebasket with a black pedal. Available with a 3 and 5 liter capacity and a soft closing function that will avoid any loud noises. Finished i...

Masterful artisanal craftsmanship. Pinetti rectangular tissue box, made in ABS with chrome or gold finishing is covered with genuine waterproof leather and is available with gold ...

It’s easy to understand why they are called best seller. This is Poseidon, our square bathroom set entirely covered in soft and waterproof genuine leather. Our Rialto tray, together with a square soap dispenser, a toothbrush holder, and a cotton pad holder with simple and minimal design perfect for contemporary and traditional bathroom suites.

It’s easy to understand why they are called best seller. This is our Poseidon round bathroom set entirely covered in soft and waterproof genuine leather. Our Rialto tray, together with a round soap dispenser, a toothbrush holder, a cotton pad holder and a small box for rings to create a complete set. Five accessories with simple and minimal design perfect for contemporary and traditional bathroom suites.

The Rio collection, smooth and soft design specially studied for your closet. A box made with the resistant regenerated leather with two practical holes as handles on the short si...

Lovely Pinetti round wash clothes holder, part of Almeria collection. Four different water resistant sizes fixed at the end with chrome pins. The woven...

A real eye-catcher. Part of the Demetra series, Pinetti low rectangular basket is strictly hand woven. Made with water-resistant and washable bonded leather useful also for outdo...

LIMITED EDITION 30 SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY GUILTY PLEASURE COLLECTION YEAR 2024 “Hiding With Art Folding Screen,” a breathtaking masterpiece born from ...

Black bear paw by Georges Jouve, signed, 1960's

A triptych panel painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-2023). Entitled "Tingari Cycle", the artwork was painted in 2002 for Art Mob, Tasmania in oil on c...

Oil on canvas, signed, dated and titled on the back. Work on stretcher. Unique work with certificate of authenticity. Ali Hassoun was born in Sidon (Lebanon) in 1964. In 1982 he move...

Filmmaking is a reflection of the culture it arises from, and Bollywood cinema has been forever intertwined with the Indian identity. The posters from the 1970s, especially the 1975 Alakh Niranjan, resonate with a formative period in the evolution of Bollywood, where the socio-political landscape was continuously shaping the narratives portrayed on screen. The film industry began to explore more complex character representations, especially those of women by integrating them as central figures. During this period, Bollywood began to solidify its role as a cultural touchstone that mirrored the aspirations and anxieties of Indian society. The presence of the panther that the actress holds on a leash is not only a stylistic choice; it reflects themes of power, dominance, and the connection between nature and human emotion, frequently explored in the films of that era. In Hinduism (Sanatana Dharma today), Alakh Niranjan is a term commonly used to refer to the Creator. It is also referenced to describe the qualities of both God and the Self, known as the Atman. The word Alakh translates to “that which cannot be perceived or seen,” while Niranjan means “free from blemishes or impurities.” Similar to Ghanaian horror posters that reflect the unique cultural fears and narratives of their society, Bollywood posters...

A striking abstract painting by Australian Aboriginal painter Walangkura Napanangka (1940-2014), one of the matching pair painted in 2007 in Alice Spring. Entitled "Kutungka", acrylic on Belgium linen, inscribed on reverse with gallery catalog no. "Kutungka" depicts the landscape of a country where an old woman named "Kutungka" travelled from Malparingya to Kaltarra in Western Desert during the Dreamtime creation. The highly abstract forms are the dreamtime memory of the land features, such as rock piles and waterholes. Provenance: Grasstree Gallery, Australia. It comes with a COA from the gallery as well as progressive photos taken during the creation of this painting by the artist in 2007. Brief biography From Australian Art Gallery artist...

Michael Kagan (b. 1980). Concorde, 2021. Screenprint in colors on Somerset paper. 28-3/4 x 37 inches edition of 100. Archival pigment print on cotton paper. This print sold out ins...

Boris de Freitas has been painting since the early 1990´s. The pictures often dwell in a spiritual expression towards an image of forever being

Listed for sale is a gorgeous pair of C. 1950 vintage cognac leather Butterfly chairs, designed by Jorge Ferrari Hardoy, Antonio Bonet, and Juan Kurchan for Knoll. This is a vintage ...

A luminous meditation on memory and structure, "Rue dy Lyon" by Louis Shields offers a poetic abstraction of place, where echoes of architectural form rise through veils of pigment a...

Baoulé portrait mask, carved wood, lacquer and pigments, circa 1940, Africa. Height 29 cm, width 17 cm, depth 14 cm.

I found this interesting cardboard study in a New York Flea Market almost 50 years ago. It been on the shelf all that time and never gave it a 2nd thought. Its unsigned and I have no idea if its important or not... It is what it is...

Mel Smilow, 1988, an assemblage of cut foam blocks in an array of modern abstract image of shapes assembled in a grid pattern, covered in a gray purple and dark blue acrylic. Trimmed...

Banksy's 'Weston Super Mare' print is a captivating example of the elusive artist's poignant social commentary, rooted in his distinctive street art origins. Banksy, whose career has...

The initial inspiration for the elemental top collection by Alvaro Uribe for Wooda was wooda’s iconic logo of a tree. We felt it captured the company’s synergy for working with wood ...

A truly breathtaking work by renowned Japanese born ceramic master Jun Kaneko. Kaneko studied with Peter Voulkos, Paul Soldner, and Jerry Rothman and was exposed to such artist as Ken Price and John...

The Moon Goddess oil painting on canvas. Great colors with a lady under the moon with a cat and owl around her. Very fine contemporary painting, stretch...

magnificent and rare vintage Berkel's Model 23 flywheel slicer, a true gem of engineering and design. This model was produced in the historical period between 1928 and 1936, and is p...

What happens when design transcends the ordinary and embodies a realm of perpetual harmony? Enter this exquisite hand-knotted rug, a testament to the timeless artistry thriving in ru...

A small studio pottery vessel by ceramicist Otto Heino. This rounded bud vase features a base of red and orange tones ornamented with a black crazing type of texture. The texture of ...

A hand-carved stone coin from Indonesia, white color. Round center. Mounted on a black metal stand. Dimensions: 30 inches in diameter, 3 inches thick. Height: 35 inches (mounted on a...

A truly fantastic, large, heavy charger/plate/platter by American master potter/artist Peter Voulkos who is known for his abstract expressionist ceramic pottery pieces and sculptures...

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. She was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Despite the quality of her work and despite the energy and skill with which she worked both to develop her own talent and to further the progressive movement in American art, Weinrich received little recognition during her lifetime and is only recently being recognized for her leadership as an important female artist bringing the modern movement to the USA. The painting shown is an important example of her mature phase of her work. Exhibitions This is a selective list of exhibitions in which she participated during her life. Its main source is Louise Noun's article on Weinrich in Woman's Art Journal, supplemented by contemporary news accounts in The New York Times, the Brooklyn Daily Eagle, the New York Evening Post, The Philadelphia Inquirer, and The Christian Science Monitor. 1915 onward: Provincetown Art Association 1917: Pennsylvania Academy of Fine Arts 1917: Pennsylvania Academy of Fine Arts, Philadelphia 1917-23: Society of Independent Artists, New York 1919: Art Institute of Chicago 1920: Boston Arts Club 1926 onward: New York Society of Women Artists 1928: Grace Horn Gallery, Boston 1929: Pennsylvania Academy of Fine Arts, Philadelphia 1932: Boston Public Library 1936: Harley Perkins Gallery, Boston (solo) 1938: Boston Society of Independent Artists 1938: Washington Public Library, Washington, D.C. 1939: Corcoran Gallery Biennial, Washington, D.C. 1939: Fogg Art Museum Twentieth Century Club, Boston 1939: Witherstine Gallery, Boston 1939: Institute of Modern Art, Boston 1945: Woljeska Gallery, Brooklyn, New York    Detailed Biography: Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others. In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles. On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[ In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

These handsome but quirky brothers designed by Miguel and Ilse Silva for Wooda are the result of an engaging mix of personality, love, fun and mischievousness. Los Hermanos Calavera(...

Scandinavian modern sculpture of a bird in metal and copper, wooden base

A lovely diptyque paintings by Australian Aboriginal artist Raelene Kerinauia (1962- ). Born in 1962 (Tiwi People), Wurrumiyanga, Mantiyupwi Country, Bathurst Island, Northern Terri...

Have you ever longed to bring the enchanting hues and architectural wonders of Jaipur into your living space? The Jaipur Wunderkammer Collection by Matteo Cibic for captures the spir...

A mixed media painting by Italian artist Mauro Fornari. This layered abstract features coral and soft peach hues with charcoal accents. Signed ‘Mauro Fornari MMXXIII’ on the bottom l...

This cast bronze sculpture depicts a woman, captured in a moment after she just finished a swim at her favourite lake. She’s gazing upon the view, reclining on a rock as she air drie...

The intricate design of this stunning rug from our Unstring by Kavi collection features a blend of antique white and deep teal hues, creating a striking visual impact that instantly ...

Pinball machine with marbles - Made in Italy 1970s

A wonderfully crafted and beautifully glazed framed pottery fragment by famed American/California ceramicist Beatrice Wood featuring her highly coveted, often experimental, gorgeous ...

Vintage Curtis Jere Black Brutalist Brass Ribbon Textured Wall Art Sculpture. Item features woven steel metal construction, brutalist textured finis...

Reduce by Kajsa Willner Dimensions: 30 x 1.6 x 30 cm Materials: Disposable Plastic casted in biobased plastic Swedish designer Kajsa Willner has cu...

Green ceramic vide de poche by Chambost

Sophisticated Italian chess set from the 1970s, crafted in rich tortoiseshell-pattern Lucite with polished brass accents. The board lifts to reveal a fitted interior tray that neatly...

Untitled 37 by Neshka Dimensions: 20 x 20 x 55 cm Material: Charred cedar and wenge wood stand Neshka ( Agnieszka Krusche ), is a native of Kraków, ...

Signed stoneware sculpture by the French sculptor Isabell Vigo. Raw , unglazed stoneware.

What happens when the precision of machines meets the spontaneity of nature? Explore the answer with our contemporary rug, where beauty emerges from imperfection. The rug is a unique...

Igneous is a design made from carbon powder and using Custhom’s innovative process of hand-foiling wallpapers, creates a unique distressed or highly polished finish in a wide range o...

This rug is an exquisite blend of traditional craftsmanship and contemporary design, presenting a visually striking addition to any living space. This rectangular rug features an exq...

Creative phantasy sculpture signed by the artist

Our backgammon set, a must of board games. Expertly crafted with canaletto walnut wood and dressed on the outside with a textured calfskin leather covering, its interior delivers ...

Vintage Inuit 'two faced' stone carving - fine Modernist carving with spare decoration - signed PAUL (in Roman) on the base - Canada - mid 20th century. ...

A distinctive studio ceramic vase has a tall narrow shape, brown, with an outer glossy glaze and speckled white detailing. The cylindrical form contains an unglazed area at the neck ...

One of a kind large square room size with a happy-go-lucky large camel sitting on an ivory ground. The wool on this is phenomenal. it's soft on the feet. The hump on the camel has a ...

A wonderful. Whimsical piece by Hawain artist Russ Graff. Made from Hawaiian exotic and Kauai inlaid woods and a tree of natural driftwood. Signed an...

Brass and snakeskin pipe stand by Austrian industrial designer Carl Auböck, c.1950s. The curved brass frame is partially wrapped in a tan and brown snakeskin. Dimensions: 5" widt...

Cover #2 by Neil Nenner and Avihai Mizrahi Cover Story Dimensions: H 39.5 x L 15.5 x W 26 cm Materials: iron Avihai Mizrahi (b. 1979, Jerusalem)...

A magnificent work by 20th century master wood-turner/artist Ed Moulthrop who is recognized as the father of modern woodturning, and credited with moving woodturning from a simple cr...