Canvas Furniture

A Barbizon stylle scene painting of a bucolic scene with an old painter painting a lady on an easel from the 19th century. Painting signed Pierre Morinville. Frame 61 x 47 cm Canv...

Introducing Oscar, a bold reinterpretation of a classic armchair, drawing inspiration from modernist architecture. With clean lines and functional elegance, Oscar seamlessly marries ...

Peer Lorentz Dahl (1915-2005). 'Sealandscape with persons. Oil on canvas 1950s-1960s. Signed Peer Lorentz Dahl. Original framed. Norwegian artist. Provenance: Danske Bank Denmark

Three lions concealing the drainpipe, cast iron and terracotta façade decorations, circa 1880

Abstract Oil Painting by Costa Rica artist Cristian Navarro Rivera, in modern art style , signed and dated by the artist in the back . We have 3 more paintings by this artist on 1std...

Igor Formin, born in Belarus, 1975, men blowing glass oil on canvas.

Cotton Canvas Mariposa Lounge Chair by Cuero Design Dimensions: D 86 x W 87 x H 92 cm. Materials: Cotton canvas and chrome. Finish: Off-white cotton canvas and chrome frame. Weight: 12 kg. Available in different upholstery and metal color options and finishes. Prices may vary. Please contact us. You’ve just come home after a long day. You kick off your shoes, loosen your tie, or slip off your heels, and all you want to do is sink into a comfortable chair and lose yourself in the latest bestseller or a classic movie. Will you read The Old Man and The Sea by Ernest Hemingway? Or perhaps you feel like watching Casablanca? For this, you need a classical masterpiece to sit in. Beautiful raw cotton that breathes This cotton has a very high fiber count, making the chair sturdy and strong. You will find it very comfortable on both warm and cold days. Air is trapped in the fibers and warmed by the body, making the canvas butterfly chair...

This is a Stainless Steel and Leather "Siesta" Lounge Chair, initially designed by Ingmar Relling for Westnofa in 1965. This example dates to the 1970s, and was produced in Denmark. ...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

This 18th century English School portrait of a gentleman attired in garb befitting an earl is a fine example of aristocratic portraiture, a ...

Interesting tri-fold screen that has been painted in an abstract manner in yellow, orange, black and white. The image has quite a bit of movement to it and will add excitement to you...

English oil on canvas horse portrait in burl walnut giltwood and beaded molded edge frame. Signed & Dated by Artist "J. Brown Coventry 1866"

Portrait of Augustus Schwartze, Founder of the Union Manufacturing Company, Baltimore, Maryland American School, c. 1810–1820 This striking early 19th-century American portrait depicts Augustus Schwartze (1785–1844), prominent Baltimore industrialist and founder of the Union Manufacturing Company, one of Maryland’s earliest and most important textile mills. Executed in oil on canvas and attributed to an unidentified yet accomplished hand within the American Federal portrait...

Very rare lounge chairs model JK720 designed by Jorgen Kastholm and manufactured by Kill International in Germany in 1970. These chairs have an interesting looped shape sled structur...

An exquisite and complete Louis Vuitton trunk from the early part of the 20th century. An absolutely essential item for elite travellers of its time the trunk is adorned in the iconi...

We are pleased to present this 18th-century Italian school oil on canvas. A splendid religious painting that sensitively depicts the Holy Family. The Holy Family was a very common d...

Ergelax folding canvas lounge chair designed by R. Gleizes For RG. True Americana style, circa 1950s. Very unique and rare vintage American folding c...

Exciting painting of jockeys in a race where you can practically feel the wind going by as the horses speed by. Signed Ninetta Butterworth 1922-2010 Listed English artist Custom Fra...

Painter of ruins xviii century: "capriccio with classical ruins and four figures" , pendant with "capriccio with classical ruins and three figures" Oil on canvas cm 140 x 95 The ...

Heshi Yu Abstract Cityscape/Village Naive Chinese Modernist Oil Painting on Canvas. Signed Delightful, intricately detailed, vividly hued, modernist village by Chinese-American art...

Painting of a Native American man with a head dress believed to by a tribal chief. This is signed and dated by Fred Grosson in 1981.

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Pastoe Kubus Armchair FM62 designed by Radboud van Beekum The Netherlands, 1981 Cube-shaped metal frame with new harness canvas upholstery. This cube-shaped chair from the eighties...

A wonderful, unique, and quite engaging original painting titled "Snake And Milky Way Dreaming" by indigenous Australian Aboriginal artist Janet ...

A nice nude on a thick stretcher that is signed F Mautner lower right corner and on the back. Nice composition. There are some surface scratches particularly lower left which are pic...

A fabulous vintage Boho original oil painting. A chic western country side in pale neutral colors. Acquired from a Palm Beach estate.

This richly detailed genre scene was painted circa 1880 and depicts three Catholic cardinals in a lavish interior, engaged in animated conversation. The central figure gestures towar...

Antique Portrait Painting of Boy and Dog Signed "A. Stoff 1878," Alois Stoff, 19th Century (1846- c. 1922) Austrian painter. A pupil of Karl Mayer (1810-1876...

Fitted Steamer Trunk or Cabin Wardrobe, by Excelsior USA A Superb piece of history dating back to the time when your luggage would be taken to your cabin. This one is canvas and me...

Italian painting from the first half of the 20th century. Oil on canvas artwork depicting a contemporary copy of the famous painting by Gino Piccioni, Nude on the Beach (Florence, Fr...

Antique Original Oil on Canvas Painting A wonderfully energetic depiction of an Eastern battle scene, probably depicting the medieval Crusades including knights on horseback, pikem...

Belle Époque Portrait of a Lady in Open Black Lace Bolero — In the Manner of Jean-Louis Forain, c.1895 A striking late 19th-century oil portrait of a fashionable Belle Époque lady, ...

Artist: Jean Carolus Painted: 1862 Medium: Oil on board Interior Scene Period: Romanticism Signed & Dated: Lower left J. Carolus 1862 Dimensions: H: 24 3/4 / 62.8 cm W: 18 3/4...

"Cabot" A Fine Oil on Canvas Portrait of a Dog by Georges Lemmers (1871 - 1944) Belgian artist, born in Antwerp in 1871 he was a pupil of the Academy o...

Mid-century original oil on canvas abstract painting by Patricia Sloane, circa 1960s. Sloane was an American painter, author, and professor of Fine Arts at NYC Technical College of t...

1970s, Danish loungechair by Farstrup. Original brown furniture leather, canvas, bent wood. Original very good condition: no smells, no stains and stable construction. Manufactured b...

For your consideration is a vivid, framed oil painting on canvas, depicting nude men on rocks by the sea, hand-signed by August Torsleff. In excellent ...

Flemish school of the mid-17th century. Oil on canvas artwork depicting a splendid hunting scene. On the right is a group of characters dressed in the 17th-century fashion of Norther...

This continental large size turn of the century (19th-20th) oil painting on canvas is set in an antique giltwood frame. The scene is placed in w...

“Bloomsday” SALE June 16, 2024 Nighttown, oil on canvas, 1991, 88” x 54" by Heather Ryan Kelley. This painting is based upon James Joyce's "Ulysses." Th...

W.R. Thrasher (1908-1997) An American well listed painter, who specialized on painting of landscapes and country scenes. Oil on canvas, signed ...

Bring a sense of pastoral charm and timeless beauty to your interior with this oil on canvas landscape by K. Razin. Executed in a traditional Impressionist style, the painting depict...

Large oil painting on canvas still life in original wood frame, signed Lentz.

AMERICAN TONALIST Late 19th/early 20th century A Moonlit Nocturnal Landscape Oil on canvas Unsigned 20" H x 25 1/16" W x 7/8" D [frame] 15 1/4" H x 20 1/4" W [canvas] This late ...

Crashing waves: a painting by Virginia Lynn, oil on canvas, 20th century. Expert brushwork from this American artist shows the tide crashing upon basalt ...

Orientalist Framed Painting of an Arabic City Dated 1884 Measurements with frame: 35.5x43x4cm.

J Truman (British, Active 19th century) White Horse in its Stable, Oil on canvas, Signed on the reverse and dated 1870. J. Truman was a highly respected eq...

FLEMISH SCHOOL 18th century "Resting on the Bluff" - a Pair Circle of Pieter van Bloemen (Flemish, 1657-1720) unsigned later engraved attribution plaque on each frame executed in oil on canvas Item # 911TRM16W A vibrant and complex pair of Italianate landscape scenes of travelers resting on a bluff overlooking the valley and cities beyond, they are a powerful presentation with exquisitely painted animals. Notable influences of anthropomorphic Romanticism in the features of the horses lend a certain humor and lightheartedness to the scenes; in one a cheery rider arrives on a donkey and engages a resting woman and her child...

Michael Perez Figurative Dimensional Wall Sculpture in Resin on Canvas, 2025 Figurative 5 Offered for sale is a new original work by the Florida artist Michael Perez. This is a pow...

Erwin Kettemann Landscape in the Tyrolean Alps, Oil on Canvas ca. 1930 An original antique painting showing alpine meadows with moutains in ...

This magnificent Goyard hat trunk is very special . Indeed, its proportions are very rare. It features the very sought after chevrons pattern canvas, two large leather side handles, ...

An extraordinary and monumental oil on canvas portrait by renowned Scottish artist Sir Henry Raeburn (1756–1823), depicting Lieutenant General Hay MacDowall in full military regalia....

Beautiful oil painting on canvas from the early 1700s depicting a Venetian landscape with port, figures and castle. The manufacture is Venetian and can be attributed to the school of Jacob De Heusch...

Vintage framed oil painting on canvas, 1970. Depicts a woman with pill, standing in a moonlit landscape. Signed with R.Boutens, 70. Dimensions: 108 W x 88 H x 3.5 D cm.

captivating oil on canvas portrait of a monk, likely created in the 18th century by an artist of the Spanish school. The sitter is depicted with solemn intensity, his expressive fea...

A beautiful waterscape painting " A view on the Amstel " by William Raymond Dommersen (British, 1859-1927) Signed, Signed with initials, and Inscribed on reverse, late 19th Century in date. The painting has a captivating illuminating light with beautiful vibrant colours, it depicta a busy waterway with fishing and sailing boats in the foreground and the town of Amsterdam in the back ground. William Raymond Dommersen was a painter of genre and landscapes in and around Scotland and Northern England. His works are widely exhibited throughout the European and North American continents and are on show at many galleries worldwide. William travelled quite extensively in Europe on painting expeditions with his father Dommersen’s paintings have been much admired over a period of time and it is evident that he is now firmly established in the history of architectural painting as is refelected in the auction prices at Christies: Nineth century European Art: 12 September 2007, London South Kensington, Lot 29 £4,750 The Arthur Ackermann and Peter Johnson Collection: 8 May 2008, London, South Kensington, Lot 42, £4,000 Old Masters and 19th Century Art 9 November 2010, Amsterdam, Lot 110 £5,250 Nineth century European Art: 28 April 2010, London South Kensington, Lot 221 £5,250 Condition: In really superb condition the painting and frame having been beautifully cleaned, please see photos for confirmation. Dimensions in cm: Height 59 x Width 50 x Depth 7 - Frame Height 34 x Width 44 x Depth 7 - Canvas Dimensions in inches: Height 1 foot, 11 inches x Width 1 foot, 8 inches x Depth 3 inches - Frame Height 1 foot, 1 inch x Width 1 foot, 5 inches x Depth 3 inches - Canvas William Raymond Dommersen was born at the end of 1859 in Stratford, West Ham, London as the only son of the Anglo / Dutch fine art painter Pieter Cornelis Dommersen and Anna Petronella Synja. His parents had moved from the Netherlands in 1855 to London, England. His uncle, Cornelis Christiaan Dommersen, was also a painter in the Netherlands. It is possible that when his father received British nationality that they changed their family name – van Dommershuijsen – into the more English sounding surname Dommersen. Dommersen painted between 1875 and 1927 genre pieces, landscapes, marine scenes, village- and town-scenes of quality. His best known works are the European villages and towns along rivers and canals...

Dutch School (18th century) Still Life with Lobster and Fruit oil on canvas 68 x 98 1/2 cm (26 3/4 x 38 9/16 in). framed 86 1/2 x 117 x 6 cm. (34 x 46 x 2 2/5 in.)

Venetian school of the mid-18th century. Oil on canvas painting depicting an invented landscape composition of remarkable pictorial quality. On the right is a ruined building, probab...

Lars Bertle (born 1925), listed Swedish artist. Oil on canvas mounted on panel. Abstract composition. Colorful palette. Impasto brushstrokes. Title: "Natur...

This is a large scale Mid-Century Modern style signed oil on canvas painting in gold and blue hues. It depicts geometric inter-locking patterns. It is unframed and signed T.Fisher on...