Canvas Furniture

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

A rare screen printed canvas wall hanging by the respected British graphic artist Abram Games. He designed this whimsical horse as an advertisement for the Times of London in 1962. G...

A prime example of Charles Hinmans' shaped canvas series. Signed and dated 1983.

Rendered with dramatic flair and architectural precision, this large-scale landscape painting by “Williams” captures the serene majesty of a tree grove at dusk. It unfolds in a richl...

Spanish Rococo Giltwood Frames with Flowers Paintings Giltwood Double Oval Hanging Frame with Pink Flowers Painting and Bow Ribbon Details. Spain, 1940s. These stunning oil on canva...

A Safari armchair designed by Elias Svedberg, Sweden, 1940s. Made of wood, brown harness leather armrests and dark blue canvas. The chair is in a very good used condition, beautiful ...

A striking 1948 portrait of a seated female figure by American artist, Howard Kuh. The painting refelcts the clean, geometry and expressive simplicity of the post-war modernist movem...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

Italian painting from 18th century. Oil painting on canvas, already backed again, depicting a subject of sacred art, Saint Francis of good pictorial quality. Large impact painting, a...

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

Hans Wegner inspired Danish dining chairs sourced from a Dutch church showcase the elegant simplicity of Mid-Century Scandinavian design. Each chair features a blonde wood frame with...

Alain Le Yaouanc (1931-2012) was a French painter and printmaker associated with the abstraction movement of the mid-twentieth century. He was known for his...

Wonderful 1960’s Mid Century Scandinavian Modern dining chairs Attributed to Johannes Andersen Juliane chair, set of 4 comprised of te...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

A wonderful, unique, and quite engaging original dot painting titled "Women's Ceremony, Ochre Pits, Milky Way" by indigenous Australian Aboriginal artist Janet Forrester Ngala (Born ...

A fine quality circa 1780 oil on canvas portrait painting of a gentleman in powdered wig, coat, waistcoat, and frilled shirt housed in a period giltwood frame having bead and lamb's tongue design. Red wax seal collection...

Beautiful oleograph of Mary and Jesus. Original tassels and bar on top and bottom to keep a good weight for hanging. One end of bar is missing. Found in a private chapel in a villa, ...

This French 19th century trumeau mirror combines the architectural with the artistic, fusing an oil on canvas work in the top panel above the rectangular mirror plate below. Set with...

Immaculate Conception. Oil on canvas. Colonial school, 18th century. Oil on canvas showing the Virgin Mary among angels, in a landscape and standing on a crescent moon, wearing a wh...

Ignacio Burgos "El Abrazo(The Hug)" Mixed Media Painting, Spain Offered for sale is a mixed media on canvas titled "El Abrazo" which translates to "The Hug" from a series of the sa...

Original oil on canvas painted panels form this impressive baroque style folding screen from the early 1900's. A city street scene with horse drawn carriage and lady walking along si...

Decorate a living room or grand entryway with this elegant pair of antique painted panels. Crafted in France circa 1830, each panel—measuring seven feet in height—is mounted within a...

18th Century German Old Master Painting “ Diana and Endymion “ Signed This exceptional and beautiful allegorical painting is executed in oil on canvas. The canvas is painted in a ma...

A lovely Louis Vuitton steamer travel bag in monogram canvas and natural tan leather, made in France in the latter quarter of the 20th century. Steamer bags have been produced by Lou...

Antique 18th-century Italian painting. Oil on canvas depicting a sacred art subject, the Marriage of the Virgin with Saints and Angels, with good pictorial quality. The painting unfo...

We present this splendid oil on canvas painting from the English school dating back to the end of the 19th century. The painting has a signature on the lower right but the author has...

This fine old painting is a typical pastiche of the kind popular throughout Italy and the world in the 17th, 18th and 19th centuries. The most commonly associated artist who really m...

This is a magnificent antique Italian oil on canvas painting of a group of Cardinals in the style of Francesco Brunnery, (Italian 1845-1929), circa 1890 in date. This beautiful pain...

Original Gilbert Stuart oil painting portrait of Henrietta Hillegas (Mrs. Joseph Anthony), ca. 1796 Exquisite portrait by the American painter Gilber...

A very large Art Deco style full length portrait of an elegantly dressed beautiful young woman. The woman in this painting is Millie Stokes. Oil on canvas in original silver gilt wood frame. Signed Frederic Tellander...

Decorate a library, study, or formal living room with this exceptional 19th-century Italian devotional painting. Created in Italy circa 1850, this large hand-painted oil on canvas i...

“40 Acres and a Mule” Satirical Folk Art Painting, American School, Late 19th Century Oil on Canvas, laid to stiff board. Measures: 22.875" w x 19.125" h A compelling and historic...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

A beautiful large Italian watercolour titled 'The Garden Recital' by Maria Martinetti (1846-1921), signed lower right and circa 1880 in date.   The theme of the painting features a g...

A serene 19th century pastoral landscape oil on canvas signed by F. Allen, depicting a tranquil countryside scene. The composition features cows drinking from a calm river beside a r...

An exquisite “malle haute“ (tall trunk) by Louis Vuitton, early 20th century. The malle haute is the largest of the standard sizes, any trunk larger than this one would have been cus...

Pair of Takeshi Nii Chairs and Ottoman, Japan, circa 1950 New indoor/outdoor canvas slings. 23.25" x 27" x 34" seat height 13.5" ottoman: 19.5 x 16.5 x 13.5 Reach out for alternat...

Alf Johansson (1934-2020), Swedish artist. Oil on canvas. Abstract composition. 1960 / 70s. The canvas measures: 64 x 43 cm. The frame measures: 5.5 cm. In excellent condition. ...

Framed Oil on Canvas, "A Day at the Beach" by Elisabeth R Fulda, NY, 1879-1968. Elisabeth (Elizabeth) Rungius Fulda was a painter, sculptor and etcher. This impressionistic painting ...

19th-century Artist Signed Miniature French Portrait Painting. Dimensions: Height: 5.5 inches, Width: 4.75 inches. --

A beautiful Expressionist landscape painting of Siena by Henry Sanders. 1918-1982 Henry Sanders (Helmuth Salomon) was born into a Jewish family in Germany. In 1933, he left for Holland and then England where he studied at Hornsey College of Art, under Russell Reeve and John Moody...

Sculptural canvas relief with a 17th century Italian Florence fragment by Elena Rousseau. The sculpted canvas is molded together with fresco plaster, g...

Oil on canvas, black wooden frame. Rolf Wertheimer was a versatile artist working across painting, sculpture, drawing, and photography. Trained at Académie Libre in Stockholm and la...

A 1960s “Safari” chair designed by Hans Olsen for Viska Möbler, Kinna, Sweden. This elegant Scandinavian design features a solid oak frame with beautiful joinery and organic lines th...

This pair of 19th-century oil portraits presents Adam Franz Bernhard, Baron von Hirschberg (1783–1864), and his wife, Charlotte Baroness von Hirschberg (1792–1857). Both are depicted...

A lively and vibrant work featuring shapes rendered in blues. In original frame in very fine condition. Unsigned but documented as a work by artist Dan Constant. Nice, usable size 48...

Ultra rare trunk from Louis Vuitton, the Alzer 80 is rendered in the classic Monogram coated canvas with natural Vachetta leather trim with running 'LV' pattern throughout. Finished with solid brass gold-tone hardware, three flip lock closures open to reveal a removable compartment and safety buckles . The Louis Vuitton Alzer...

Large painting by the French artist Alphonse Levy. The technic is oil on canvas and the piece is placed in its original frame. Very good condition, sig...

Art Deco oil on canvas painting depicting a female figure with a fawn.

Peasant. Oil on canvas. VELA ZANETTI, José. 1972. Signed and dated (bottom right). José Vela Zanetti (Milagros, Burgos, 1913–Burgos, 1999) was a painter best known for his murals...

1970s, Norwegian design by Ingmar Relling for Westnofa, model "Siesta". Original good condition: no smells, no stains and stable construction. Original brown furniture leather, bent ...

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right and verso, 'A Pollentine, circa 1870 in date. This beautiful landscape captures a striking view of the Grand Canal, it features a busy canal scene with gondoliers in the foreground, in the distance the facades of Santa Maria della Salute complete the painting. Housed in it's original and beautiful gilt gallery frame. Several examples of his work have sold at top auction...

Jean Paul Sinibaldi (French, 1857-1909) An oil on canvas of a Parisian artist in his studio with woman in Japonisme fashion, circa 1885. Sinibaldi studied at École des Beaux-Ar...

Born in Italy and lived mainly in France. He was an Italian post impressionist painter. He exhibited at the Societe des Artistes Inde'pendants and later at Salon des Tuileries and Sa...

A French Aubusson cartoon painting from the 19th century, with floral decor surrounding a cherub populated cartouche. Created to be used as a model to weave a tapestry in the Aubusso...

Matteo Lovatti (Italian, 1861-1909) A Fine 19th-Century Oil on Canvas Titled 'Church V. State - The Fencing Lesson'. The finely detailed artwork depicting an interior tavern scene, f...

Oil on canvas painting representing two clowns riding a unicycle in an empty field. Signed Alfano Dardari in the lower right. Titled Taxi on the frame. ...

XL Robert McCaine style Mid Century Modern Shore Birds Nautical Painting by S. Warren Exceptional, dramatically large, framed, Mid Century Modern, thickly applied impasto oil painti...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...