Canvas Furniture

Mid-Century Modern Twins Outdoors Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Twins curved sofa and its matching daybed share the same genes, ...

Spectacular in size as well as a novel approach to the subject matter. Poetic palette.

Lacquered Cloth Rectangle Tapered Legs Two Tier Bottom Shelf Beige End Side Lamp Table Stand MINT!

French three panel decorative painted canvas folding screen with dogs playing in landscape scenes, perched musical monkeys, and foliage motif. Early 19th century.

Luxurious 3-seat sofa with an elegant, attractive idiom, created by the talented Danish designer, Rikke Frost. Galore exudes the decadence of yesteryear in a contemporary interpretat...

Sculptural Light Object in Oak & Bio-Textile Canvas by Natural Material Studio Dimensions: D 10 x W 50 x H 60 cm. Materials: Oak framing, bio-textile canvas, and LED light. All our...

The late 1940s or early 1950s early S-Lounge patio chair by Walter Lamb predating his partnership with Brown Jordan. The chaise lounge is rendered in thick bronze tubing with a canva...

An English late 19th century oil painting of a dog sitting in an armchair with red cushion in giltwood frame. This exquisite animal painting features a short hair caramel colored dog, majestically sitting in a chair, in a manner reminiscent of Velasquez' depiction of Pope Innocent X. A red cushion, whose deep tones contrast beautifully with the dog's coat, assures us that the dog is very comfortable! Dog portraits became popular during the 18th century among the hunting aristocracy, and the establishment of The Kennel Club in 1873, further encouraged their popularity. This portrait is a perfect example of this trend. Set inside a lovely giltwood frame, this vertical format English dog portrait...

Girl with lantern - Oil on canvas, signed lower left - Unframed.  

This richly detailed genre scene was painted circa 1880 and depicts three Catholic cardinals in a lavish interior, engaged in animated conversation. The central figure gestures towar...

A large scale mid century abstract painting by the listed artist David Barry Lewis (1945-). Lewis resides between Texas and California The painting is signed and dated 9-75 in the ...

Eric Alfaro is an established, listed and well renowned contemporary artist known for his vibrant and colorful paintings depicting various themes. This Rabbit in soft orange tones c...

A very fine 19th Century Country House oil on canvas painting of massive proportions, the painting has been cleaned with the frame restored and is attributed to George Morland (1763 ...

Pierre Gaston Rigaud Oil on Canvas Painting "Arbres" Trees French School Antique . “Arbres” by Pierre Gaston Rigaud. French School Dated 1925. Oil on Canvas. Rigaud was a student of ...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Giovanni Battista Innocenzo Colomba (1713 – 1793) Landscape with figures Oil on canvas, Frame H 102 x L 112 x P 8; canvas H 77 x L 87 The valuable painting, attributable to the pai...

Giovanni Michele Graneri (Italy, Turin 1708-1762) Bambocciata (Farmers dancing in front of the inn) The painting, made in oil on canvas, depicts a moment of celebration where some p...

A luminous meditation on memory and structure, "Rue dy Lyon" by Louis Shields offers a poetic abstraction of place, where echoes of architectural form rise through veils of pigment a...

Antico dipinto ad olio francese del secolo XVII,cornice originale dell'epoca.L'autore si ispira alle opere di Francois Boucher,dimostrando una buona capacita' esecutiva ,in questo ca...

Vintage Art Deco Framed Oil on Canvas Painting Wall Art Wall Decor Cool large Art Deco painting in a silver frame. Signed

This work, which required months to complete, features the central figure of Akshobhyavajra, a Tibetan Buddha. Liu Yi, a Beijing-based painter and practicing Buddhist, paints each of...

The 19th Century Painting from Mexico in Gilt Frame is a captivating work of art that showcases the rich artistic tradition of the region. Set within an ornate gilt frame, the painti...

Koko Fukazawa (1903-1993), Japan. Oil on canvas. Arrangement with fruits. Mid-20th century. The canvas measures: 22 x 14.5 cm. The frame measures: 11.5 cm. In excellent condition. Signed. Provenance: Collection of French diplomat...

Offered is this floral beauty captured in oil paint in warm colors. Transform your space into an oasis of natural beauty and sophistication with this breathtaking oil painting of a g...

A decorative oil painting on canvas by swedish artist Gideon Borje who travelled extensively in europe over his career and was known for both his modernist style and classic traditio...

This refined 19th-century French still life painting captures a richly composed arrangement of ripe fruit and kitchenware, rendered with classical precision and dramatic lighting. At...

Beautiful soft paint palate of lines and columns on canvas by William Havlicek. Dr. William J. Havlicek has over 40 years of experience in fine art/studio production and exhibition,...

Børge Mogensen three-seat sofa new upholstered with cognac aniline leather and canvas. Legs of teak. Model 2213, made by Fredericia Furniture.

Decorate a den or a breakfast room with this elegant antique barnyard oil on canvas painting. Created in France circa 1880, and signed in the lower left by French artist Auguste Ange...

Stunning Norwegian / Scandinavian Art-- "Winter Mood" by A. SCHREINER. Oil on canvas, A Museum Quality antique art from Norway. Title: "Winter Mood / Vinterstemning" Medium: Oil on ...

Beautiful abstract large painting by Armenian American artist Barbara Yeterian , {1939-2019] , Title Hospital room unframed well excecuted piece nice colors .

Large 11' foot tall hand-painted artwork oil painting on a canvas featuring "Jazz" with two female hands holding a martini glass over a keyboard with the word against a cityscape background. This painting is fixed to a wood folding screen with a dark blue border. The Back of the frame is painted black. This large folding screen...

This oil on canvas painting from the late 19th century depicts a serene scene. In the center of the composition sits a busy canal, with a wooden bridge in the background. Along the c...

Verner Panton Bachelor Chair with Armrests Model 3351 Blue Sailcloth and Chromed Steel Tube Designed 1953, Produced 1955 The design of this...

Beautiful still life with lots of flowers and A shabby chic frame Oil on canvas Painting signed.

This commanding large-scale acrylic painting on canvas represents a significant work in Joseph Welna's abstract geometric vocabulary. Measuring an impressive 67" × 114", this monumen...

An elegant 18th-century oil on canvas, attributable to the circle of François Boucher, depicting Venus, goddess of love and beauty, accompanied by Cupid (Amore). Seated on clouds, cr...

Antique French early 20th century oil on canvas painting of a French infantry march during the Franco-Prussian War, signed "Edouard Detaille" (1848-1912).

Wonderful painting by renowned French listed artist Pierre Peti-Gerard (1852-1933) depicting horsemen marching in a group, possibly getting ready for battle. In the background are be...

Rectangular in a gilt wood frame. Men with horses and wagons on road with dog. Thatched house on hill. Signed lower left. John Frederick Herring. Herri...

Depicting napoleon and titled on the road from Waterloo to Paris. This museum-quality work is recorded by the royal academy as an exhibition picture by stone, see photos. Has recently been professionally cleaned and restored to excellent condition. Measures: 50 W x 40.75 H overall in frame. 35.75 W x 26.75 H visible area. Stone was a British painter and illustrator best known for his realist depictions of garden parties, literary scenes, and sentimental portraits, as in his hallmark painting In Love (1888). Notably, Stone also produced illustrations for books by Charles Dickens and Anthony Trollope. Born on July 4, 1840 in London, United Kingdom, he was trained from a young age by his father, the renowned painter Frank Stone...

A large and striking aboriginal painting by celebrated Australian artist Yannima Tommy Watson (1935s-2017; Pitjantjatjara people from Australia's central western desert). Stretched and ready to display (no frame). Medium: Acrylic on canvas Year of Creation: 2013 Title: Wati Kutjara An important aboriginal dreamtime story from the Western Australia (the song line is also known as Two Men Dreaming), the narrative is about two young lizard-men travelling all over the Western Desert. They covered a vast landscape from Kimberley in the north to Southern Australia. The two brothers often took the form of wind and left songs in their epic journey to enlighten the people they encountered with rituals and knowledge. As magical ancestral beings, they destroyed evil spirits and created sacred objects across all over the Western Dessert. Provenance: Agathon Galleries, Melbourne 2013 Art Yarramunua, Melbourne (accompanied by a certificate of authenticity) Private Collection, Melbourne 2017 About the artist (courtesy of Kate Owen and Japingka Gallery) Yannima Tommy Watson was a celebrated Pitjantjatara artist, born around 1935 in the desert west of Irrunytju in Western Australia. Tommy was a Law man of Karima skin group, and his traditional names were Yannima and Pikarli relate to specific sites near his birthplace at Anumarapiti, west of Irrunytju. As a young man Tommy learned the bush skills of hunting and gathering, living off the land. In these years his physical and spiritual knowledge of the land was deeply embedded in his life. Tommy Watson first met white people at Ernabella Mission in the 1940s. He then spent decades working as a stockman and laborer on cattle stations. Not until 2001 when he was in his mid 60s, did Tommy Watson pick up a paint brush and painted his first picture at Irrunytju art center established by a small group of artists. Watson's work became quickly recognized for his powerful use of colors and his mesmerizing creation of energetic movement. He exhibited in Alice Springs at Desert Mob and as a finalist at the Telstra NATSIAA Art Awards in Darwin. With his work becoming highly collectable, Tommy soon entered into an exclusive representation agreement with Jon Ioannou of Agathon Gallery. This arrangement marked the start of a second phase of Tommy's career and saw the creation of a large body of outstanding artworks which were to further propel Tommy into the upper echelons of Australian indigenous artists. This painting was created toward the end of that phase. In 2005, Tommy was commissioned, along with Ningura Napurrula, Lena Nyadbi, Michael Riley, Judy Watson, John Mawurndjul, Paddy Bedford...

Impressionist New York City, a snowy winter day on 5th avenue. Cars fill the street and snow fills the air. The city that never sleeps gleaming with patriotic pride with the famous E...

This 19th-century Biedermeier oil portrait depicts Julius Ferdinand Dreysel, an influential textile manufacturer from Plauen, Germany. Painted around 1840 on a solid panel, he is por...

The Inheritance Sofa by Stephen Kenn is as comfortable as it is unique. The design features an exposed construction composed of three elements - a steel frame, plush upholstery, and ...

Lynda Keeler is a Palm Springs artist that uses neighborhood Road Maps as her inspiration in original an abstract paintings. This brightly colored Mixed Media (Oil and other material...

A very beautiful mid-19th century oil-on-canvas painting of a young Saint Francis praying at an altar, circa 1860. The artist is Juaquin Vayreda (1843-1894). This painting is a copy ...

Immerse your space in the vibrant energy of the 1960s with this captivating original abstract oil painting on canvas, dating from 1966. This stunning piece exemplifies a unique blend...

A Classic romantic movement oil painting on wood panel depicting two lovers. They are dressed in Renaissance almost theatrical garments and they sit intimately close to one another on a bench. The atmospheric background is set in the middle of a wooded park in the early evening hours before dusk. Their faces are almost in shadow as the brilliant orange/red sun sets behind them. The painting is signed F. Heilbuth on the right hand bottom corner of the canvas and is dated ’76 in reference to 1876. It is set in a gold painted wood frame. Biography Ferdinand Heilbuth, (1826-1889), was a German-born French painter. He was born in Hamburg in 1826, and died in Paris in 1889 having become a French citizen in 1876, the same year he painted this work. He is buried in Père-Lachaise cemetery in Paris. This genre painter whose talent has the characteristics of nobility, liveliness of color and accent in expression, exhibited many times at the Royal Academy in London. His works were also shown in the Grosvenor Gallery...

Set of 82 French Kitchen Table Towels in Linen Canvas with Embroidery, 1920s Vintage Design Large lot of 82 old table towels in mixed linen canvas with 20th century embroidery - ...

Set of 2 NY chairs by Takeshi Nii, 1950s Japan. Minimalistic folding chairs with a chrome X-base, beech wood arm rests and reupholstered black ...

Mid-20th century sofa with veneered walnut wood frame and beige canvas fabric seats. Made in Brazil circa 1960s. The frame of the sofa has been refinished and the original fabric has...

Jules Leroy (French, 1856-1921) Kittens at Play, signed and dated 'J. Leroy / 1899' (lower right) oil on canvas 33.1 x 41.0 cm (13 1/16 x 16 1/8 in). framed 59.0 x 67.0 x 7.5 cm (23 ...

Oil painting on canvas with a motif of two children from around the 1860s Dimensions in cm: H:72 W:84 This product will be inspected thoroughly at our professional workshop by ou...

Painted canvas representing an elegant 1950s style woman, with her yellow capeline hat and her black trapeze or marquise dress, on a background decorated with geometric shapes, with ...

Maine landscape. Seagulls on the Rocks on Monhegan island - Oil on canvas, signed lower left.  

Composition abstracted from Charlotte Henschel (1905-1985), France, 1950, signed low right. Frame of origin, under glass. 99.5cm/72.5cm (off frame) Raise of the school of Paris, ...

Designed in 1972 by Italian duo Werther Toffoloni and Piero Palange for Germa, the ‘Hoop’ armchair showcases a striking geometric frame that enhances its sculptural presence. The str...

This piece of luggage is a magnificent Louis Vuitton Alzer monogramm suitcase. This 70 cm suitcase is almost the largest and surely the most luxury one made by Louis Vuitton. It feat...

A boldly stylized surrealist oil painting signed and dated by H. Nordeman, 1994. The composition depicts a fantastical, exaggerated female figure in a red bikini, posed against a sea...