Granite Furniture

Round dining table By Alfred Hendrickx for Belform - Circa 1960 Belgium design - Vintage Measures : Ø 120cm H69cm Material : white laminated wooden top - Granite Wear consistent wi...

Dating to the 1800s, this hand-carved granite farm trough was discovered on a property in Normandy, France. Areas of the trough have moss accumulation, adding tints of green to the d...

Mid-Century Modern Raw Side Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Raw marble side table celebrates the interplay between refined crafts...

This elegant square table embodies the refined simplicity of mid-century modern design. The top is crafted from black granite with subtle flecks and reflective inclusions that catch ...

Mid-Century Modern Ignis Wall Decor Piece, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ignis modern wall decor is inspired by the inner fire that fu...

A modern teak rolling dry bar/bar cart on four wheels. This bar table is both stylish and highly functional and would work well in a sunroom, pool house or outdoor deck. The upper ti...

Originally an architectural for the roof of a Belgian building, this granite finial dates to the 1700s. The foliate finial has deep carvings, making it presentable from all sides. La...

This is a very rare and extremely unusual figurative solid bronze handcrafted sculpture. The figure is most likely Inca-Mayan and worshiping Inti, also called Apu-punchau,-in Inca religion the sun of God. The work is incredibly detailed, starting with the man’s feet...

Bordeira Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira modern coffee ...

Vintage oval dining table designed model Samo, by Carlo Scarpa and Manufactured by Simon, Italy 1970s. Light grey granite dining table with o...

Floor lamp with vintage brass finish and black granite base, timeless elegance. Light up your interior with this floor lamp, featuring a vintage brass finish. Its bamboo-inspired ba...

Modernist White Marble Sculpture, hand made by Michel Elia, French, circa 1970s. It measures an impressive 18.75" height. Elia's sculpture has been compared to Jean Arp. Elia's work ...

Pair of Queen Anne style cabriole leg coffee tables, England, 19th Century. Great patina. New stone tops.

Pair of table lamps in patinated brass with black granite base. This pair of patinated brass table lamps will add an artistic touch to your decor. It features a sculptural body with...

Table Lamp Retro Barnes with structure in solid brass in antique finish, with frosted clear glass plates, with black granite base. With 1 black cotton shade included. Lamp holder typ...

Each with circular inset black granite tops with metal banded edge and three curved legs and conforming small shelf, all ending on paw feet.

Modern floor lamp, vintage brass finish, black granite base. Discover this floor lamp, designed to add a touch of elegance and ambiance to any room. This timeless floor lamp feature...

VIntage 1970's pair of chrome and granite side tables. Minor scratches and marks to base and tops. Very handsome pair!

Vintages Springer style granite dining table with bronze banded base Offered for sale is a large and substantial granite pedestal dining table with a bronze banded base. This tabl...

An elegant piece of minimal Dutch design from the early eighties. Reminiscent of Poul Kjaerholme’s work the simple construction consists of a metal frame which rests on top of a cont...

More information coming soon… A large granite trough, hand-carved in Brittany, France, during the 1800s. The stone has inherent contour to the sides and a unique patination consisti...

Large Stone and Metal Obelisk: Measures: 8.5" x 8.5" x 28.5 Weighs: 45 LBS.

Once a common sight in courtyards throughout rural China, this textured stone vessel was used as a grain or water trough for chickens and other barnyard fowl. Chiseled from a block o...

Table Lamp Rings Brass with solid brass rings base in vintage finish, on granite base. Including a white lampshade in fabric, shade dimensions: L50xD50xH27cm. Rings diameter: 27cm. 1 bulb, lamp holer...

Once a common sight in courtyards throughout rural China, this textured stone vessel was used as a grain or water trough for chickens and other barnyard fowl. Chiseled from a block o...

Green Rectangle Marble Top Cylinder Crome Stretcher Base Dining Table Desk MINT!

Pair of side tables in Red Granite. The diameter given applies to the table top.

A particularly fine pair of Antique Urn Form carved Granite Garden Stools with fluting and pedestal bases. . The Stools with gently domed tops are perfect for demarcating garden pa...

Carved from red granite, "Ribbon Disk', by Robert Winslow, has a fluidity that belies the material from which it is made. Winslow (b. 1950) paints and sculpts in a variety of media -...

Cupid and Psyche A patinated bronze group by Auguste Moreau, originaly and initialy mounted in gueridon, then adapted to be a table later, the model was made in the XIXth Century, a...

A monumental and elegant pair of Italian 19th century Neo-Classical st. granite columns. Each circular column is raised by a square base below a mottled socle pedestal. The columns d...

Once used on a provincial Chinese farm to hold water or animal feed, this 19th-century stone trough is celebrated today for its organic form and rustic authenticity. Hand-carved from...

Pair of table lamps, with a patinated brass finish and black granite base, offering beautiful quality and sophisticated style. This pair of table lamps with a patinated brass finish...

Italian modern black marble, wood, serena stone and granite console Belvedere by Aldo Cibic for Memphis, 1980s Iconic console mod. Belvedere with  demi-lune shaped top in black marbl...

Stunning vintage Italian adjustable bird's-eye maple and granite coffee table designed by Giovanni Offredi for Saporiti in Italy, circa 1980s. This table has a fascinating design, wh...

Conference table or dining table with high quality Star Galaxy granite plate oval. stands on 5 steel columns. ideal for the office or at home as a dining table. some scratches on th...

Marcus Vinicius De Paula is a Brazilian-American sculptor based in New York. De Paula’s practice centers on exploring his identity as a child of immigrants from Brazil, with a father who has gone from a small town in São Paulo to directing missions to Mars...

This extra-large bar cart is crafted from an antique autopsy table. The reclaimed autopsy table base is made from heavy-duty steel and the base is newly ...

Polished stainless steel abstract sculpture, "Two Forms" by Roy Gussow (American, 1918-2011), marked and dated with coin seal inlaid to marble base. Similar to his "Three Forms". New...

These Monumental pair of Brutalist lamps were designed by Richard Barr for the Laurel Lamp Company, Newark, N.J. This pair is much larger than most we have had in the past and were o...

PK 54 Round dining table with granite by Poul Kjærholm for Fritz Hansen.

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

Pair of end side tables or nightstands gray granite marble stone top, brass and black lacquered metal base. In the mood of Sottsass, Memphis, Mendini, Michele De Lucchi, Matteo Thun,...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

This rare pair of granite stone planters were found in a Villa in Tuscany. They are very heavy and great on top of a substantial pedestal to hold their weight. They would also be ama...

Once a common sight in courtyards throughout rural China, this textured stone vessel was used as a grain or water trough for chickens and other barnyard fowl. Chiseled from a block o...

A powerful post-modern design by Leon Rosen for Pace Collection, this model 3250 "Plaza" end table features a steel base and a charcoal granite top. The three legged table...

More information coming soon… Hand-carved in the 1800s, this granite farm trough is from Normandy, France. This is a versatile item that can be used inside or outdoors, functioning...

DELTA T Coffee Table Rainbow Avocado Granit by Frédéric Saulou Limited edition : 2/8 Dimensions: L 150 x W 60 x H 34 cm Materials: White glass, Inox, Rainbow Avocado granit Weight :...

Bordeira coffee table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Co...

Pair of tall granite urns, carved from one piece of solid stone. Unpolished. They are heavy! The depth of the inside opening is 7.5”. Diameter of opening is 12”.

A large and elegant original French Art Deco bronze sculpture of a nude female figure poised in a graceful, balletic step. Signed E. Popineau on the bronze and bearing the original...

Granite and chrome side table in the style of Nicos Zographos Polished chrome base with a black granite top. Measures: 18.5" x 18.5" x 17".   

Vintage Italian Regency Steel and Brass Wall Mount Console Table with Slate Top. Item features has a Rectangular inset slate top, stool metal frame, brass accents, scrolling supports...

A contemporary pomegranate menorah in blackened brass with gilt accents, designed for Jewish ritual use during Hanukkah. This menorah presents a sculptural tree-like form, with branc...

21st Century Black Granite Fireplace Mantlepiece The Cool Beauty Of This Hand Carved Stone Fireplace, A Versatile Choice For Period Or Modern Settings. Georgian-influenced, It Has ...

Knoll Black Granite and Stainless steel coffee table, 1970. Original.

Custom coffee table, architectural commissioned interior by Platner Studio, manufactured by Lehigh Leopold. Honed Luna Pearl granite top with bronze base.  

Handcarved sculpture of a abstract shape in brutalist style, This sculpture with in a stunning pink granite texture emphasizes the strong abstract shape. This sculpture with its r...

Unusual Tramp Art / Folk Art Wood and Stone (granite) Clock, sculpture. cabinet.. Amazing decorative item.Antique hand crafted,Stone ,granite cylinders,