Mother-of-Pearl Furniture

This late 19th century spectacle case has an elegant design of lacquered papier-mâché with mother-of-pearl inlay. The inlaid decoration depicts a spray of various flowers and is bord...

Beautiful pair of antique mother of pearl shell servings spoons with silverplate handles. The spoons are neatly framed in a shadowbox b...

An exceptional, fine and impressive antique Edwardian English sterling silver and mother of pearl fruit/dessert cutlery set for 12 persons, boxed, an addition to our dining silverware collection. This exceptional antique Edwardian sterling silver and mother of pearl fruit/dessert flatware set / service consists of twelve knives and twelve forks. The blades of the knives have a rounded form and the forks each have four tines/prongs. The anterior surface of each knife is embellished with fine and impressive bright cut engraved foliate decoration accented with a simplified border to one side. The anterior surface of each fork is ornamented with a bright cut engraved stemmed floral design accented with single leaves. The reverse surface of each piece is plain and unembellished; apart from the featured hallmarks. Each piece of this silver dessert set is fitted with the original carved mother of pearl handle...

An Edwardian cased-box designed by Verger Frères. This is a beautiful rectangular pocket case-box for cards, created in Paris France during the Edwardian period, back in the 1905. T...

Moroccan square side table with mother of pearl, ebony and various fruit woods inlay. With geometric, triangular and star pattern inlay over the entire surface. The top and sides wit...

French 19th century Ormolu mother of pearl egg shaped perfume box on foot A beautiful egg shaped perfume bottle box, with interior of 2 perfume bottles wh...

The name Aquarama is derived from the iconic speedboat design by Riva in 1962, first test-driven by Gianni Agnelli. The boat features lacquered timber with contrasting cream detailin...

The Radiant mirror, shown here, was inspired by an age-old Vietnamese craft of applying strands of mother of pearl on a black lacquer ground and then sealing the application in mult...

The name Aquarama is derived from the iconic speedboat design by Riva in 1962, first test-driven by Gianni Agnelli. The boat features lacquered timber with contrasting cream detailin...

Direct from a private mansion in Paris, a magnificent 299 pc. antique French sterling silver flatware set by France’s premier s...

The name Aquarama is derived from the iconic speedboat design by Riva in 1962, first test-driven by Gianni Agnelli. The boat features lacquered timber with contrasting cream detailin...

A very finely made antique French Palais Royal ormolu mounted mother of pearl desk stand with pen dating from around 1900. The stand comprises of an ornate looped wire work carrying handle with a candle holder mounted on a shaped metal body embossed and engraved with floral designs and with a coiled pen support one with a snake head terminal and other with a flower with a polished mother of pearl bowl...

An exceptional French antique Napoleon III inlaid ebonized & ormolu mounted marble top secretaire chest, circa 1860. This superb antique French secretaire abattant has a black & white veined marble top, with a reverse breakfront gilded bronze frieze below, the front of the secretaire is very finely inlaid with Mother-of-Pearl & gilt bronze 'rope twist' decoration. The chest has eight drawer fronts with gilded cast bronze garland decorated lock escutcheons, three of the drawers are dummy & form the fall front for the pull down secretary, which has the original blue velvet writing surface and engraved lock-plate. The interior is made of the finest flame grained satinwood and has two drawers with lozenge shaped inlay, the top of the chest with a pair of very finely cast gilt bronze caryatid brackets, the base with a corresponding pair of gilt bronze acanthus shaped brackets. The secretaire is raised on turned bun feet with gilt bronze mounts and a shaped skirt also with a gilt bronze mount, the sides of the chest with inlaid bronze stringing. Condition is excellent, this exceptional French antique secretary chest...

Petite 19th-century armoire in ebony veneer, adorned with brass inlay decoration. 
It opens with two doors with panels of Chinese lacquer from the 17th century, featuring birds on fl...

This is an vintage decorative jewellery case. A Japanese, lacquer and Mother of Pearl lidded box in Art Deco taste, dating to the early 20th century, circa 1930. Appealing example o...

Introducing our exquisite Mother of Pearl Dresser, handmade with the finest small mother-of-pearl pieces through the age-old technique of inlay...

Gorgeous mother-of-pearl and bronze caviar dish by Maitland Smith, circa 1970s. The piece features a MOP shell on a base of 3 bronze fish and is in very good vintage condition with ...

A Rare Mughal Indian Gold and Enamel Mother of Pearl Spoon with Diamonds Discover the exquisite craftsmanship of Mughal India with this rare and...

Impressive antique Moroccan tall chest handcrafted in walnut featuring a custom glass top with a scalloped front and matching top drawer over four flat front drawers below having blu...

Antique 19th Century French gold mounted on mother of pearl, extensive traveling etui set, of elongated octagonal form, the gold mounted with polished mother of pearl panels and the lid applied with cast and enamelled floral decoration, the lid opens with a push-button. Inside enclosing the original gold and steel implements:, scissors, pen knife...

Beautiful 19th century French Sterling silver and mother-of-pearl fish cutlery, service for 8 people. 8 Forks and 8 knives. French punch (minerve) and Stamp R&C of the silversmith....

Long ago, this elegant rosewood box was used by a Qing-dynasty lady to store her favorite pieces of jewelry, each drawer filled with jades, pearls, coral necklaces, and hair pins. Th...

A beautifully crafted silver-plated pitcher by Los Castillo, one of Taxco’s most iconic silversmithing families. This piece features stylized cut-out bird and floral motifs inlaid wi...

A stunning objet d'art that will add a lavish and refined accent in a private study or living room, this desk was crafted of wood covered in black walnut veneer. The surface of the p...

Bloch & Eschwege 273pc. Flatware Set – Description 1st Dibs Direct from Paris, A Stunning 273pc. Privately Commissioned Napoleon III Sterling Silver Flatware Set with Rare Mother-of-Pearl Handled Knives, Original 5 Drawer Lockable Storage Chest and 25 Amazing Serving Pieces by Two of France's Premier Silversmiths "Bloch & Eschwege" Silversmiths to the French Elite, in Superb Condition - circa 1930s. The history of silver-smithing in France is rich and illustrious, and many prominent firms have contributed to its legacy. Among these, Bloch & Eschwege stands out as an exemplar of craftsmanship, innovation, and artistic excellence. Founded in the 19th century, this renowned silversmith firm has left an indelible mark on the world of decorative arts. Bloch & Eschwege was established in the mid-19th century by two remarkable artisans, Joseph-Alexandre Bloch and Emile-Robert Eschwege. Both men were passionate about the art of silver-smithing, and their partnership laid the foundation for a firm that would set new standards of excellence in the craft. Joseph-Alexandre Bloch was born in 1828 in the heart of Paris, a city renowned for its artistic heritage. As a young man, Bloch exhibited an exceptional talent for metalwork, earning an apprenticeship with a prominent Parisian silversmith. This experience provided him with valuable training in the art of working with silver and other precious metals. Bloch's dedication and skill earned him recognition in the silversmithing community, setting the stage for his future partnership with Eschwege. Emile-Robert Eschwege, born in 1832, hailed from a family of skilled metalworkers. His upbringing was steeped in the traditions of silver-smithing, and he showed a remarkable aptitude for the craft from a young age. Eschwege's family background and his own determination to master the art of silver-smithing made him a formidable candidate to join forces with Bloch. In 1855, Bloch and Eschwege joined hands to establish their silversmith firm in Paris. Their partnership was not only rooted in a shared passion for the craft but also a vision to create exceptional pieces that would capture the essence of French artistic expression. The early works of Bloch & Eschwege were characterized by a fusion of traditional silversmithing techniques and innovative designs. Their creations included intricately designed flatware, tableware, and decorative pieces that showcased their mastery over silver, gold, and other precious metals. Their creations soon gained recognition among the elite of Parisian society, attracting a growing client base. Bloch & Eschwege's reputation grew rapidly due to their dedication to artistic excellence and innovation. The firm's artisans continuously pushed the boundaries of silver-smithing, employing novel techniques and materials to create one-of-a-kind pieces. As Bloch & Eschwege's reputation continued to grow, they attracted the attention of European royalty and aristocracy. Their works found their way into the homes of kings, queens, and nobles, solidifying their status as one of the premier silversmith firms in Europe. The firm's most prestigious commissions came from members of the French royal family, including Emperor Napoleon III and Empress Eugénie. These commissions included exquisite pieces such as ornate candelabras, intricately designed tea sets, and opulent dining services. Bloch & Eschwege's creations not only adorned the palaces of the Tuileries and Compiègne but also graced the tables of state banquets and diplomatic events. Bloch & Eschwege's works were showcased at various international exhibitions, earning them accolades and awards. Notable exhibitions included the 1867 Exposition Universelle in Paris and the 1873 World's Fair in Vienna. The firm's contributions to these events highlighted their role in elevating French silver-smithing to the world stage. Each stunning sterling piece in this amazing set is skillfully handcraft with the fine workmanship that has made the "House of Bloch & Eschwege" a favorite amongst the French Elite. Renowned for their elegant styling and the legendary quality of their flatware sets, this set is an exemplary testament to the quality and luxury typical of early 20th century France - La Belle Epoque ! This set is in extraordinarily good condition. Each sterling piece bears the hallmark of Master French Silversmith "Bloch & Eschwege" in addition to the French Government's Head of the Minerva 1 hallmark certifying a minimum of 950 sterling silver. The sterling silver knive blades are by Charles Marseille. This set is of exceptional quality and craftsmanship - check the weights and measures below, all weights and measures approximate: 18 Dinner Knives - Mother of Pearl Handes 24.70 cm. 48 grams 18 Dinner Forks 21.50 cm. 82 grams 18 Tablespoons 21.50 cm. 88 grams 18 Luncheon Knives - Mother of Pearl Handles 20.20 cm. 28 grams 18 Luncheon / Dessert Forks 18.50 cm. 46 grams 18 Luncheon / Dessert Spoons 18.50 cm. 54 grams 18 Dessert Knives - Mother of Pearl Handles & Sterling Silver Blades 20.20 cm. 34 grams 18 Fish Knives 21.00 cm. 54 grams 17 Fish Forks 18.20 cm. 53 grams 17 Oyster Forks 12.00 cm. 22 grams 18 Ice Cream Spoons 13.00 cm. 20 grams 17 Teaspoons 12.50 cm. 19 grams 17 Cake Forks 13.50 cm. 22 grams 18 Knife Blade Rests - Sterling Silver 7.00 cm. 18 grams 1 Berry Serving Spoon 18.00 cm. 55 grams 1 Small "bonbon" Serving Knife 15.20 cm. 23 grams 1 Small Berry Serving Spoon 13.70 cm. 32 grams 1 Small Tart Server 13.20 cm. 25 grams 1 Small "bonbon" Serving Fork 13.70 cm. 23 grams 1 Cheese Serving Knife 19.50 cm. 35 grams 1 Butter Serving Knife...

MIRROR NO. 3 J.M. Szymanski d. 2023 Inspired by the sparkling diversity of the vast solar system, this special mirror sculpture holds diverse and precious elements to illuminate the...

Tortoiseshell tea caddy with inlaid mother of pearl from England. Metal lined under two lids.  Excellent condition, circa 1860.

Wonderful Art Deco Cabinet designed by Maurice Dufrene and manufactured by La Maitrise around 1940. The cabinet is made from rosewood and has mother of pearl inlays. Rosewood-vene...

Extraordinary 19th century English ladies secretaire desk or writing table. The two part desk was made in the Chinoiserie revival period of Europe ...

Portal clock Vienna around 1825 with integrated musical mechanism Signed: “A.Olbrich in Wien” and number 215719157. Alabaster columns, blackened wood, gilded carving in the form of...

Tole Chippendale shaped tin tea tray with black ground, centered on mother of pearl inlays highlighting a bouquet of roses. The border is embellished with gilt tracery. England, cir...

A large Holy Land mother-of-pearl, abalone shell and olive wood icon Jerusalem, early 20th century Icon: height 55.5cm, width 52cm, depth 18cm Case: height 15.5cm, width 61.5cm, depth 57.5cm In fitted case, presented by the President of the Senate...

Georgian (George III) Period, sterling silver-mounted etched mother-of-pearl octagonal snuff box with hinged lid, London, year-hallmarked for 1803. The iridescent mother-of-pearl lid...

18th century Italian gilded candlestick mounted with a pearlescent oyster shell and adorned with gold leaf shells. The 18th century Italian candlestick is originally from a histori...

An antique Chinese wedding cabinet offers hardwood construction with double doors having arched mirrors, inlaid mother of pearl decora...

Pair of French Art Nouveau iron twin beds with green patina and decorated tole trim with pearl inlay (includes: headboard and footboard only does not in...

Pair of 18th century Italian fragments with a gold flower relief decorated with natural forming baroque pearls to emulate the flower on a matrix of barite and double terminated calci...

We are delighted to offer for sale this exquisite original circa 1815 Regency ebonised gold leaf painted and mother of pearl inlaid occasional bergere chair A very good looking we...

The long rectangular top with serpentine front above three pairs of cupboard doors opening to drawers and shelves and flanked by columnar stiles, raised on short cabriole feet. Docum...

An antique Korean lacquered small chest of drawers with Mother-of-Pearl inlays circa 19th century (late Joseon Dynasty). The tabletop box with multiple small drawers of various sizes...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

An exceptional, fine and impressive antique Victorian English 9-carat yellow gold and mother of pearl handled butter knife, boxed, an addition to our diverse flatware collection. This exceptional antique Victorian 9-karat gold butter knife has a sabre style knife blade, with a broad incurved shaped form. The anterior face of the concave curved blade is ornamented with a segmented panel of impressive bright cut engraved foliate ornamentation, all on a matte background. The reverse surface of the blade is plain, apart from the feature hallmarks. This antique knife retains the original, fine and impressive carved mother of pearl handle...

The worlds of luxury and craftsmanship often intersect in fascinating ways, exemplifying the pursuit of perfection through design and skill. Two iconic brands that embody this union of artistry and elegance are Puiforcat, the French silversmith, and Hermès, the esteemed fashion house. Despite their distinct histories and expertise, both brands share a common thread of dedication to craftsmanship, quality, and timeless design. The House of Puiforcat (now owned by Hermes) was founded in 1820 by Emile Puiforcat, a visionary silversmith who sought to redefine traditional craftsmanship with a modern perspective. The brand quickly gained recognition for its commitment to exceptional quality and its avant-garde designs that pushed the boundaries of silversmithing. In its early years, Puiforcat became a favored choice for French aristocracy and European nobility, solidifying its reputation as a leading silverware manufacturer. Hermès, a name synonymous with luxury, began its journey in 1837 as a harness workshop in Paris. Founded by Thierry Hermès, the brand initially focused on crafting high-quality leather goods, primarily for horse riders. Over the years, Hermès expanded its offerings and ventured into the world of luxury fashion, establishing itself as one of the most prestigious names in the industry. What sets Hermès apart is its unwavering commitment to craftsmanship and its dedication to the creation of enduring, exquisite pieces. The relationship between Puiforcat (Hermès) and its artisans is a testament to the brand's commitment to excellence. While Puiforcat and Hermès operate in distinct domains—silversmithing and fashion—both brands share a deep-rooted commitment to traditional craftsmanship and quality. This commitment extends not only to the materials used but also to the expertise of the artisans who transform these materials into exceptional creations. The stories of Puiforcat and Hermès, though distinct in their origins and crafts, converge in their shared commitment to craftsmanship, tradition, and timeless design. The legacies of these two iconic brands are not just tales of luxury but narratives of artistry, dedication, and a pursuit of perfection. Puiforcat's innovative silversmithing and Hermès's enduring leather craftsmanship stand as beacons of excellence in their respective fields. Together, they remind us that true luxury is not just about wealth or opulence but is a manifestation of the enduring connection between art and craftsmanship. Puiforcat and Hermès have...

This beautifully crafted mother of pearl tea caddy from circa 1860 is a true testament to English craftsmanship and elegance. The exterior glows wi...

This exceptional eight-panel Coromandel screen is a rare example of traditional Chinese lacquer artistry, offering a dramatic narrative focal point for a grand interior. Each panel i...

Vintage jewelry box in faux tessellated tortoise shell with mother-of-pearl and Abolone shell edge, circa 1970s. Simple, elegant and unique. Bin #N Jj

This exquisite tallboy dresser showcases the timeless beauty of handcrafted inlay artistry, designed to elevate interiors with its soft peach base and delicate floral motifs. Each dr...

Louis Majorelle French Art Nouveau Signed Cabinet, Inlays and Ironwork Offered for sale is a fine French Art Nouveau cabinet by Louis Majorelle (French, 1859-1926). This cabinet is...

2 Pairs of Mother of Pearl Table Lamps

A very good looking and well made suite, the table is rosewood with mother of pearl inlay, the central section has peacocks which symbolised dignity and beauty and was favoured throughout the Republic period. The peacocks are surrounded by hearts and then on the outer edge flowers. We are delighted to offer this lovely suite of Chinese Republic circa 1930's rosewood with mother of pearl inlay dining...

A rare and striking antique French Napoleon III Second Empire Period (1852-1870) convertible rafraichissoir wine cooler drinks table by the ébéniste to the Emperor Jean-Pierre-Alexandre Tahan (1813-1892) Crafted by Jean-Pierre-Alexandre Tahan, the esteemed cabinetmaker to Napoléon III, this wine table is a remarkable example of 19th-century European artistry, ingenuity, and fine craftsmanship. Executed in timeless Louis XV style, ebonized fruitwood featuring sophisticated Boule style Queen marquetry with inlays of mother of pearl and brass, adorned with ornate patinated bronze mounts, having a pierced brass galleried top fitted with a cartouche shaped handled serving tray, lifting to reveal a spacious open well with removable ice bin metal liner. Over an elegant scalloped apron, rising on long shapely cabriole legs affixed with eye-screws to accommodate the serving tray converting it to a stretcher style lower shelf, terminating on casters. circa 1860 Signed, retaining the original metal label that reads "TAHAN FOURNISSEUR DE L’ EMPEREUR Paris" (Tahan Supplier of the Emperor) to the interior compartment. Could also be used a bar cart, tea service table...

Delight your loved ones this holiday season with the perfect gift set, featuring the Ariol Cocktail Pick (2 Pieces) and the Perla Napkin Ring (Set of 4). Designed to bring elegance a...

A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...

Cathrine Horsbøl (1873–1947) Jewelry box in solid mahogany with inlays of lighter woods and mother-of-pearl forming an abstract facial motif, reminiscent of a stylized ape. Denmark, ...

A stunning and extremely decorative Italian 19th century ebonized Fruitwood, brass, bone, and mother of pearl side table. The table is raised by fine casters below the beautifully sc...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

A Moroccan Moorish style armchair from the early 20th century in the manner of Carlo Bugatti, with mother of pearl inlay, geometric décor and carved base. Hand crafted in Morocco in ...

Antique fish flatware set, sterling silver with mother-of-pearl, set of 18 Landers, Frary & Clark Fish Set - Aetna Works Qty: Set of 18 pieces (as pi...

18th century Italian cross mounted on a polished pink hematite quartz heart and adorned with aurora (sunset) quartz and a natural-forming cross shaped baroque pearl. The 18th centu...

Small namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden). Mon style decoration (...