Silver Furniture

This is a beautiful Antique English sterling silver duck head handle walking stick bearing  hallmarks for London 1909. This charming walking cane features a finely cast sterling sil...

Superb Moscow School antique Russian vermeil silver and enamel icon of Christ Pantocrator, All Powerful, Sustainer of the World Moscow, 1848 The icon of Christ Pantocrator is one of ...

Louis XV style inkstand with chinoiserie design, lacquered top. This rare and stylish inkstand is a work of the house Boin-Taburet, goldsmith in Paris. This impressive size inkstand...

Vintage Sheffield USA Victorian Style Silver Plated Chafing Dish Buffet Food Warmer with 2 Qt Pyrex Glass Dish. Circa Late 20th Century. Measurements: 9" H x 17" W x 8.5" D.

A fine quality Art Nouveau style art glass vase, by Loetz the historic glass maker from the municipality of Austria featuring Alvin Sterling Silver overlay. Overlay in form of open and horizontal patterns with stylized leaves and scrollwork. A great find, handcrafted vase skillfully made using centuries old techniques of art glass works from the world-renowned maker, Loetz. Simply stunning this Art Nouveau glass vase with Alvin Sterling Silver overlay by Loetz would enhance any shelf, table, nightstand or countertop. This is a rare antique Loetz Green Glass...

Vintage Garnet and Seed Pearl Cocktail Ring - Gold-Plated Silver, Floral Cluster Design A dramatic and elegant vintage cocktail ring, this piece features a central deep red garnet en...

You are viewing a gorgeous Edwardian silver plate cake stand or platter Piece is Sheffield silver plate and stamped by the London makers Mappin and Webb Circa 1910 Has a mirrored top...

A beautiful and exclusive Italian design object from the 1950s, created by the renowned designer and silversmith Alessandro Magrino. Entirely laminated in 1000-grade silver, it depic...

A vintage pendant necklace designed by Bjørn Sigurd Østern for David-Andersen, Norway. This piece, titled “Bjørn’s Lykkeskip” (Ship of Good Fortune...

Very elegant "Queen Anne" table lighter from Ronson in silver metal from the mid-20th century. This lighter works on gas. This pretty lighter has an elongated, oval shape decorated with pearls and gadroons. The lighter has a flame adjustment dial Under the lighter is engraved the Ronson brand, as well as a label with the control number. Ronson Queen Anne was a very popular wick lighter...

Exceptional silver plate tray, of oval form having a pierced trim gallery, ornate handles and decorative feet. The center surface is finely and intricately decorated, the workmanship...

Lovely Art Deco silver-plated decorative bowl from France, 1930s. Beautiful piece with oval shape bowl and wavy edge. Original finish shows nice age and patina. Perfect as a decorati...

Set of 12 Midcentury Modern sterling silver highballs. Made by Manchester in Providence. Each: Tall and cylindrical bowl with flared mouth rim. Fully marked including maker’s stamp a...

Quality antique Silver plated egg warmer by Mappin and Webb having a small circular handle to the top opening to reveal a removable compartment with circular shaped insets, having th...

Small hand blown Murano glass open wings duck / bird figurine with silver flecks. Attributed to Archimede Seguso, Italy 1950s. Cute open wings sta...

Beautiful Silver plate Art Nouveau Decorative Bowl or Center piece. The curvaceous floral and vine details give the the classic art nouveau. A wonderful Vessel for a unique floral a...

Ornate sterling silver serving spoon featuring an engraved floral handle that is twisted where it meats the bowl.. The spoon area is an oval with ridges inside and a scalloped edge. ...

Thomas F. Garvin Trophy, 1925 Aviation Trophy, by Wilcox Silver Plate Co. Measuring approximately 14 inches high by 11 inches wide and 11 inches deep, this silver-plated trophy stands...

A fine signed Greek silver paperweight. By Lalounis. In sterling silver. In the form of a scallop or cockle sea shell. Marked to the base. Simply a wonderful Lalaounis shell...

Antique 1900s Silver Tray Mirror Plateau Victorian Forbes Silver Co Vanity round Centerpiece Plate quadruple silver plated Shows wear yet retains beauty and function. 12 Diameter x ....

Beautiful vintage Murano hand blown black and silver flecks Italian art glass Snoopy puppy dog sculpture / figure. Documented to the Gambaro & Poggi workshop, with original clear and...

A fine antique English tea caddy. In sterling silver. By Crichton Bros. With shaped sides having 4 convex ridges. Marked to the lid with English hallmarks and to the base with ad...

Antique silver plated coffee and tea set by Elkington & Co made in the United Kingdom in the 1880s. Elkington & Co are one of the most important names in English Silver and Silver Plate. Elkington started in Birmingham in 1836, and experimented with innovative gilding techniques. By 1838 they had discovered and patented a new way to electroplate one metal on to the surface of another. By 1840 production was already underway with silver electroplated wares. The company received financial backing from Josiah Mason in 1842 (renaming the firm Elkington, Mason & Co between 1842 and 1861) and was extremely successful. It introduced electrotyping as a new method of production for silver plated items. Elkington & Co exhibited at the Great Exhibition of 1851 with enormous success. Elkington held Royal Warrants for Queen Victoria, King Edward VI, King George V, King Edward VIII and King George VI. The Elkington & Co. name is still in use today as manufacturers under the auspices of British Silverware Ltd. The antique silver service...

Exquisite large sterling silver souce or bowl ladle, sterling handle. Excellent condition, stamped with the Minerva Hallmark and the Makers initials LP. Solid and heavy piece ( 97 ...

A pair of circa 1920's Caldwell one light sconces with scalloped backplate

A well made pair of vintage silver plate fighting cock / rooster sculptures, circa 1970s. The set is in very good vintage condition with a nice patina and measures 10"W x 5"D x 7"H....

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Set of four circa 1930's French silver plated single light sconces with star on back plate. Sold per pair. Measurements: Height: 12" Width: 6" Depth: 6.5"

ABOUT An original mid-century bottle opener by Juvento Lopez Reyes. Crafted of fine quality Mexican Sterling silver. Depicts a figural mallard duck with orange glass eyes. Marked St...

Dutch Colonial ebony box with silver mounts, large silver hinges and the original steel lock and key. This rare box was likely made in the Dutch East India possession of Sri Lanka, o...

Beautiful letter opener in Sterling Silver 925, 14k applicated gold and a small sapphire in the middle between the blade and the handle. Marked EB.

An elegant early Art Deco "Swedish Grace" polished 3-arm silver plated chandelier designed by Elis Bergh for C.G. Hallberg silversmith. Original canopy with Hallberg mark impressed. ...

Unusual accent decorating piece; a silver plated or silver alloy (unmarked) late Victorian British diminutive watering can, circa 1895, that would have been used to water interior pl...

Rare Box with Silver bas relief Luigi Genazzi, Milano Italy, 1906 "Esposizione Iternazionale Milano 1906" embossed silver plaque of Italian silversmith and chiseler Luigi Genazzi Gr...

Part of our Lumfardo Luminaries contemporary collection, this LUhans indoor outdoor sconce inspired by Scandinavian mid-century design is o...

This sophisticated three-panel silver tea leaf folding screen is a striking decorative element, finished on both sides for maximum versatility. The front features a grid of rectangul...

A Large Buccellati Italian Silver Model of a Realistic Lobster Expertly crafted to capture the essence of the real lobster, this model features exquisite detailing and lifelike realism. Every segment of the lobster is intricately designed, showcasing Buccellati’s renowned artistry. The model boasts realistically textured surfaces that reflect the natural beauty of the Caribbean spiny lobster. The antennae are articulated and detachable, adding an extra layer of sophistication and realism to the piece. Featured in Architectural Digest By Hannah Martin, May 6, 2024: "The Buccellati Lobster Is the Surreal Icon We Need Right Now Can any object elevate a tablescape quite like a sterling silver crustacean?" Marked M. Buccellati and 800 on back of tail. 9” high x 16” wide x 6" wide Very good condition, ready to place. A fun and unique piece, - very attractive. *See our other listings for another, larger Buccellati silver...

A extraordinarily rare sterling silver rhinoceros lighter by Gianmaria Buccellati with blue stone eyes, 20th century. Exhibiting stunning and precise detail, this whimsical and yet s...

A fine signed antique silver footed plate or tray. By Tiffany & Co. In sterling silver. With laurel wreath border and engraved decoration to the rim centered on 8 stylized flower...

Octagonal notched photo frame in 925/1000 sterling silver gold plated with fine fire-enamelled baroque style engraving. External dimensions cm. 14.2 x 17.8, internal oval cm. 8 x 12....

Mario Buccellati, a rare and exceptional Italian silver goat circa 1940. Made in Milan Italy. Very fine quality and workmanship and very large in size. Measures: 12" high x 14" w...

**Magnificent Late 19th-Century Neo-Renaissance Figural Nef, ca. 1880s-1890s** This exquisitely crafted table vessel embodies the grandeur of Renaissance-inspired artistry, reinte...

Here we have a collection of 7 silver plated trays dating from 1920 to 1950. 2 circular, 4 oval and 1 tray rectangular. Some minor plate loss and marks.. Please see individual pic...

A small sterling silver wall mirror designed by an Italian Designer, Italy, 1930s.

Zenith pocket watch Grand Prix Paris, 1900 A Swiss pocket watch marked Zenith and 0,800 ( silver 800) A triple case with outside silver and on ...

Antique Gorham & Co coin silver Mary Todd Lincoln tea and coffee set, 1861. Gorham & Co had made this set and it was gifted to Mary Todd Lincoln dur...

A truly exceptional and monumentally scaled Argenta vase/floorvase, hand-thrown by Wilhelm Kåge for Gustavsberg, Sweden, circa 1930s. Measuring 35 cm (13.8 in) in height and 27 cm (1...

Vintage Mexican Silver Stone Inlay Birds fighting Cocks– Taxco (Stone/Agate Egg Bodies) A delightful pair of vintage Mexican Taxco silver bird sculptures...

The Junius lamp makes a bold statement with its geometric stacked elements that appear almost to float above one another. The lamp is constructed with a po...

Edwardian Classical sterling silver coffee and tea set. Made by Tiffany & Co. in New York. This set comprises six pieces: Hot water kettle on stand, coffeepot, teapot, creamer, sugar...

A highly sought-after silver plated jug designed by the famous French designers (see below) Louis Süe and André Mare for the Orfèvrerie Gallia / Maison Christofle c.1925. Just back from our silversmith's workshop, it has been professionally cleaned and polished, restoring it to it's former glory; any shading are reflections; minor wear to the interior commensurate with age and use. A magnificent piece of history and as relevant for today's interiors as it was nearly 100 years ago. Excellent condition spanning 7 1/2" handle to spout x 4" x 7" tall. Any black marks seen on the body of the jug / pitcher are shadows not marks. Item: 44016 FREE Worldwide Registered Airmail Directly From the UK Sue et Mare The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today. Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare. André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design. The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England. In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl. Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.

Origin: Holland Value: 2 pennies / 2 stuiver Date: 1724 A VOC Akerendam shipwreck treasure of nine 2 stuivers minted by the Province of Holland ...

This beautifully detailed and well balanced Reed and Barton Francis I Pattern Sterling Silver Serving Spoon & Fork Set originates from the Unit...

This is a beautiful antique French silver gilt pommel handled walking stick, circa 1890 in date The striking stick features an ornate pierced gilt ball-shaped handle featuring super...

Set of decorative silver-plated quail salt and pepper shakers, Italy 1960s. Signed Gucci and Made in Italy on the bottom. Good general condition. On the buttom, the silver platin...

Classic Gaetano Sciolari chandelier with a wonderful combination of silver plated bars with on each a lightbulb and metal panels on the arms. The metal panels hold each other with a ...

A pair of French circa 1940's mercury glass samovar-shaped table lamps. Measurements: height of Body: 23.5" height to Rest of Shade: 36" diameter: 8".

Tiffany Company and George Paulding Farnham, A rare, lavish and monumental sterling silver centerpiece with original mirrored-glass sterling silver plateau, circa 1900. Museum quality. In the George III style, designed by Paulding Farnham for Tiffany and Co, New York. Of palatial and monumental size. Centerpiece: 15" high x 30" wide x 27" deep Plateau: 3" high x 39" wide x 34" deep In excellent condition, ready to place. Of oval form, the everted rims formed of openwork scrolling classical foliage and bellflower swags, the tops applied with standing scrolling foliage with four silver caryatid female figures, the bases overlaid with acanthus and palmettes. The original, silver mirrored plateau...

Elegant and sculptural sterling silver necklace designed by Antonio Castillo for the renowned Los Castillo workshop in Taxco, Guerrero, Mexico, circa 1950s. This exquisite piece feat...

Tik-Tak petrol lighter made by the Arthur Dubsky Company. This is a beautiful and rare pocket petrol lighter, original from the art deco period. Created in Vienna Austria by the Art...