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Period: 17th Century
17th Century Wooden Sculpture Saint Sebastian Original Polychrome North Italy
Located in Esbeek, NL
Beautiful carved 17th Century Wooden sculpture of Saint Sebastian. Original polychrome and very good condition. North Italy Nothing is known about St. Sebastian's youth other than...
Category

Italian Antique 17th Century More Furniture and Collectibles

Materials

Wood

Couple of torchero angels. Carved and polychrome wood. Spanish school, 17th c.
Located in Madrid, ES
Couple of torchero angels. Carved and polychrome wood. Spanish school, 17th century. They have faults. Pair of human-shaped carvings made of polychrome wood that show two angels ra...
Category

Spanish Baroque Antique 17th Century More Furniture and Collectibles

Materials

Wood

Road Map, John Ogilby, No 54, London, Yarmouth, Britannia
Located in BUNGAY, SUFFOLK
The Road from London to Yarmouth com. Norfolk. By John Ogilby, His Majesties Cosmographer. Containing 122 miles, 5 furlongs. No 54. From Standard in Co...
Category

English Baroque Antique 17th Century More Furniture and Collectibles

Materials

Paper

Rare 17th Century Baroque Cabinet, South Germany Probably Augsburg, Wunderkammer
Located in Worpswede / Bremen, DE
A small architectural table cabinet, veneered in walnut and mulberry, the centre doors enclosing an arrangement of nine various sized drawers with bone knobs, behind a central door a...
Category

German Baroque Antique 17th Century More Furniture and Collectibles

Materials

Brass

Devotional Pendant, Saint James the Great, Bronze, Spain, 17th Century
Located in Madrid, ES
Devotional medal, Santiago Apóstol. Ormolu, 17th century. Openwork devotional medal with the image of Santiago Apóstol in the center, on a pedestal and holding a staff and a book, surrounded by a crown of leaves knotted with two loops above and below. Copies similar to the present one are found in the Museum of Pilgrimages in Santiago de Compostela...
Category

Spanish Baroque Antique 17th Century More Furniture and Collectibles

Materials

Bronze

Frame with Vellum Painting, 17th Century
Located in Madrid, ES
Carved and gilded frame with painting on vellum, "Virgin of the Rosary with Santo Domingo de Guzmán and Santa Catalina of Siena", 17th century. Registration in the back zone (Mr. Jos...
Category

European Baroque Antique 17th Century More Furniture and Collectibles

Materials

Leather, Wood, Paint

large apothecary s ivory mortar - 17th century
Located in Bruxelles, BE
Large apothecary's ivory mortar Indo-Portuguese 17th century 16,7 x 10,4 cm Cites certificate number 2022/BE01446/CE
Category

Indian Renaissance Antique 17th Century More Furniture and Collectibles

Materials

Ivory

17th Century Tripod Apothecary Skillet Dated 1698 from The Ward Rvmens Family
Located in Brussels, Brussels
17th century tripod apothecary skillet dated 1698 by Ward Rymens. The skillet is in superb condition and has had a restoration on one of the feet. bronze with a very beautiful patina.
Category

British Georgian Antique 17th Century More Furniture and Collectibles

Materials

Bronze

Decorative Vintage Green Velvet Pillow with Art Deco Design
Located in New York, NY
Vintage Green velvet American Art deco Pillow; size 22” x 19”.    A vintage decorative pillow with art deco design in a green central field, size 22” x 19”. This lovely decorative pillow features a vintage fabric of a American Green velvet Art deco style on front and back which is characterized by art deco design in a green field. An elegant pillow...
Category

Antique 17th Century More Furniture and Collectibles

Materials

Wool

Italian Antique Wooden Bookstand with Finely Worked Brass Insert, Late 1600
Located in MIlano, IT
Italian antique Wooden bookstand with finely worked brass insert, late 1600 Wooden bookstand. bookrest with double support for books, one of which has...
Category

Italian Antique 17th Century More Furniture and Collectibles

Materials

Brass

Cast Iron Twenty-Four Ring Umbrella Stand
Located in Cheshire, GB
Cast iron twenty-four ring umbrella stand of rectangular form, with raised finials to each corner and circular apertures, the ends with foliated decoration above with drop-in drip tr...
Category

British Antique 17th Century More Furniture and Collectibles

Materials

Iron

17th Century Pair of Carved and Gilded Wooden Mensulae with Birds
Located in Marbella, ES
17th century pair of carved and gilded wooden mensulae with birds.
Category

Spanish Antique 17th Century More Furniture and Collectibles

Materials

Wood

Original Oil on Panel of St. Anthony of Padua , by Unidentified Artist
Located in Miami, FL
Original oil on panel of Saint offering the Child, by an unidentified artist. --This painting represents St. Anthony of Padua. The scene is one that is often chosen to represent ...
Category

Spanish Baroque Antique 17th Century More Furniture and Collectibles

Map Road Strip Britannia Sheet 2 John Ogilby London Aberistwith Islip Bramyard
Located in BUNGAY, SUFFOLK
From John Ogilby's, 'Britannia, an Illustration of the Kingdom of England and Dominion of Wales'. First published in 1675 it remains the greatest advance ...
Category

English Baroque Antique 17th Century More Furniture and Collectibles

Materials

Paper

17th Century Lantern Alarm Clock by Johannes Quelch, Oxford
Located in Oxfordshire, United Kingdom
An English 17th century lantern clock made of brass and iron, circa 1665-1670. The clock consists of going and striking trains, as well as a...
Category

British Baroque Antique 17th Century More Furniture and Collectibles

Materials

Brass

17th century apothecary s ivory mortar - Indo-Portuguese
Located in Bruxelles, BE
17th century apothecary's ivory mortar Apothecary's ivory mortar 9 Indo-Portuguese 17th century Cites certificate number IT/CE/2023/MI/01108 11 x 9,5 cm
Category

Indian Renaissance Antique 17th Century More Furniture and Collectibles

Materials

Ivory

17th Century Spanish Talavera Pharmacy Jar in Blue Glazed Ceramic
Located in Marbella, ES
17th century Spanish Talavera pharmacy jar in blue Glazed ceramic.
Category

Spanish Antique 17th Century More Furniture and Collectibles

Materials

Ceramic

"Virgin with Child Jesus". Spain, End of the 17th-Early 18th Century
Located in Madrid, ES
Spanish Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and its form of expression arose from the people and from the deepest ...
Category

Spanish Baroque Antique 17th Century More Furniture and Collectibles

Materials

Wood

Console in Polychrome Carved Wood-17th Century-Spain
Located in Brussels, Brussels
Elegant carved and gilded wood from the 17th century - Spain Very beautiful patina and in very good condition Can serve and served in the past as a base for a wooden sculpture.
Category

Spanish Renaissance Antique 17th Century More Furniture and Collectibles

Materials

Giltwood

Walnut Trunk from the 17th Century
Located in Cesena, FC
Walnut Trunk from the 17th Century 17th century walnut case A walnut chest, dating back to the 17th century, is an authentic chest that has spanned the centuries, carrying with it the grandeur of its era. This small bench, dating back to the late 1600s and early 1700s, embodies the artistic skill of craftsmanship from solid walnut wood, finely finished with decorated frames on the sides and front. Although the passage of time has left its mark, this chest presents itself as a captivating antique piece ready for restoration. We extend the opportunity to breathe new life into this walnut treasure from the past, giving a renewed existence to a unique object that tells stories of a bygone era. Main features: Authentic 17th century walnut chest...
Category

Italian Antique 17th Century More Furniture and Collectibles

Materials

Walnut

Reredos Fragment, Gilded Wood, circa Second Half of the 17th Century
Located in Madrid, ES
Altarpiece. Wood carved and gilded. Baroque, towards the second half of the 17th century. The Solomonic column was an element already known in the Renaissance (and before) that was popularized in art, in large part, thanks to the Baldachin of St. Peter's Basilica of the Vatican by Gian Lorenzo Bernini (1624-1633), where he presented branches. In Spain, this type can already be seen in the Silver Tabernacle of the Cathedral of Seville (Juan de Alfaro, 15931596), used in altarpieces from the 1620s; nevertheless, the apogee of the Solomonic column will come from the hand of José Benito de Churriguera, whose altarpieces have an extraordinary importance since the second half of the 17th century and already at the beginning of the 18th century (note similarities and differences between the present altarpiece and that of the Convent of San Esteban...
Category

European Baroque Antique 17th Century More Furniture and Collectibles

Materials

Wood

Arcon Chest Coffer Leather Armorial Spanish Baroque Gilded Brass Studwork Domed
Located in BUNGAY, SUFFOLK
Rare, early 17th century, Spanish, leather, ‘Arcon’ or domed travelling coffer with a gilded armorial & ornamented with brass studwork. Surviving utalitarian pieces such as travel...
Category

Spanish Baroque Antique 17th Century More Furniture and Collectibles

Materials

Leather

Enamel plaque depicting St. Peter receiving the key of Christ, Germany, 17th c.
Located in Gorssel, GE
Rectangular enamel plaque depicting St. Peter receiving the key of Christ, with The dome of Saint Peter’s Basilica in Rome in the background. Germany, 17th century. Dimensions: 13 ...
Category

Antique 17th Century More Furniture and Collectibles

Materials

Copper, Enamel

17th Century Leather Case for a Chalice
Located in Round Top, TX
A very rare and beautiful Italian 17th century case, box, to store a chalice. Beautifully crafted with embossed leather. A fantastic accent piece, whether displayed as a single piece...
Category

Italian Antique 17th Century More Furniture and Collectibles

Materials

Leather

Road Map Britannia No 32 the Road from London to Barnstable John Ogilby Framed
Located in BUNGAY, SUFFOLK
A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...
Category

English Charles II Antique 17th Century More Furniture and Collectibles

Materials

Paper

Road Map John Ogilby London St David s Britannia No 15 Abingdon Monmouth Framed
Located in BUNGAY, SUFFOLK
John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. No 15. The continuation of the r...
Category

English Baroque Antique 17th Century More Furniture and Collectibles

Materials

Paper

Virgin Mary (dress-up). Wood, etc. Spanish school, 17th century and later.
Located in Madrid, ES
Virgin of Dress. Carved and polychrome wood, etc. Spanish school, 17th century; later clothing. Has damage. Polychrome wood carving of the type of dress or dress that has a series ...
Category

Spanish Baroque Antique 17th Century More Furniture and Collectibles

Materials

Other

Edinburgh, Scotland Coast: A 17th Century Hand-Colored Sea Chart by Collins
Located in Alamo, CA
This hand-colored sea chart is entitled "Edinburgh Firth" from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England" by Captain Greenville Collin...
Category

English Antique 17th Century More Furniture and Collectibles

Materials

Paper

Dartmouth, England: A Hand-Colored 17th Century Sea Chart by Captain Collins
Located in Alamo, CA
This hand-colored sea chart of the area around Dartmouth, England is from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England", first published ...
Category

English Antique 17th Century More Furniture and Collectibles

Materials

Paper

Plymouth, England: A Hand-Colored 17th Century Sea Chart by Captain Collins
Located in Alamo, CA
This hand-colored sea chart of the area around Plymouth, England from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England", first published in 1...
Category

English Antique 17th Century More Furniture and Collectibles

Materials

Paper

17th Century Hand-Colored Map of a Region in West Germany by Janssonius
Located in Alamo, CA
This attractive highly detailed 17th century original hand-colored map is entitled "Archiepiscopatus Maghdeburgensis et Anhaltinus Ducatus cum terris adjacentibus". It was published ...
Category

Dutch Antique 17th Century More Furniture and Collectibles

Materials

Paper

Hampshire County, Britain/England: A Map from Camden s" Britannia" in 1607
By John Norden
Located in Alamo, CA
An early hand-colored map of Britain's Hampshire county, published in the 1607 edition of William Camden's great historical description of the British Isles, "Britannia". This map was drawn by cartographer John Norden (c. 1547-1625) and engraved by William Hole (active 1607-1624) and William Kip...
Category

English Antique 17th Century More Furniture and Collectibles

Materials

Paper

Dutch Map and City Plan of La Roche-sur-Foron, France, 17th Century Hand Colored
Located in Alamo, CA
"Rupes Allobrogum vulgo La Roche" by Dutch engraver Coenraet Decker (1650-1685) is from the atlas Theatrum Statuum Regiae Celestudinis Sabaudiae Ducis, published in 1682. This richly...
Category

Dutch Antique 17th Century More Furniture and Collectibles

Materials

Paper

Road Map Britannia 1675/6 No 5 Road London to Barwick, London Stilton Grey Frame
Located in BUNGAY, SUFFOLK
John Ogilby (British 1600-1676) cosmographer and geographick printer to Charles II. A road map from Britannia, 1675/6. No 5, The road from London to Barwick: London to Stilton In a grey painted and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan, and by a number of professional surveyors. The result was an outstanding plan of London, on a scale of 100 feet to an inch, on 20 sheets, although it was not printed until after Ogilby's death. Ogilby then turned his attention to publishing geographical descriptions of the wider-world. In 1667, he issued 'An Embassy from the East India Company of the United Provinces to the Grand Tartar Cham, Emperor of China.' Buoyed by the response to this volume, Ogilby conceived an ambitious project, a multi-volume description of the world. The volumes were joint collaborations, in conjunction with the Dutch publisher Jacob van Meurs. 'Africa', published in 1670, was the least original of the three, both in terms of the text, maps and illustrations. In a similar vein, he issued the 'Atlas Japannensis' (1670), the 'Atlas Chinensis' (1671), and 'Asia' (1673). In 1671, Ogilby published the 'America', translated from Arnold Montanus' Dutch text. The 'America' is certainly the most original, and most important, of Ogilby's various geographical volumes, and its influence and popularity was immediate. With its completion, Ogilby turned to a project nearer his heart, the description of Britain. Ogilby originally intended to devote one volume to Britain, but as the project evolved, he became more ambitious, as revealed in a prospectus issued in about 1672: "This having oblig'd our Author to take new Measures ... to compleat within the space of two Years a Work ... considering the Actual survey of the Kingdom, the Delineation and Dimensuration of the Roads, the Prospects and Ground plots of Cities, with other Ornamentals ... into six fair volumes. The Four first comprehending the historical and geographical description of England, with the County-Maps truly and actually survey'd. ... The fifth containing an Ichnographical and Historical Description of all the Principal Road-ways in England and Wales, in two hundred copper sculptures, after a new and exquisite method. The sixth containing a New and Accurate Description of the famous City of London, with the perfect Ichnography thereof ..." In the proposals, Ogilby emphasised the scale of the undertaking; no-one before him had attempted such a vast project. He estimated the total costs would be £20,000, a staggering amount. The cost of the complete set of six volumes was to be £34. At that time, Wenceslas Hollar...
Category

British Charles II Antique 17th Century More Furniture and Collectibles

Materials

Paper

Cross of Caravaca 17th Century
Located in Madrid, ES
Cross of caravaca XVII century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 15x6 cm. Good condition.
Category

Italian Gothic Antique 17th Century More Furniture and Collectibles

Materials

Bronze

Pair of Miniatures, Frans van de Casteele Kasteels aka Francesco da Castello
By Francesco da Castello
Located in Madrid, ES
Frans van de Casteele (Kasteels) called Francesco da Castello (Brussels, ca. 1541 - Rome, 1621) Adoration of the shepherds Crowning with thorns First decade of the 17th century. Tempera and gold on parchment, 290 x 240 mm (with frame). Original wooden frame with trimmed silver foil applications; in the corners, medallions with the four evangelists. The two refined miniatures of the Adoration of the Shepherds and the Crowning with Thorns are works of the artist's full maturity, dating from the first decade of the 17th century, characterized by formal simplification and pure colors in the invoice of the garments that stand out from the eburoral incarnations of the characters. Among the numerous motifs comparable to those of other miniatures by Francesco da Castello, the small medallions with the Evangelists barely outlined on a golden background, closely recall the miniatures, of reduced dimensions, inserted in the compartments of the frame of the altar with the Mysteries del Rosario, as well as those of another box with compartments with the Tree of Jesse...
Category

European Baroque Antique 17th Century More Furniture and Collectibles

Materials

Other

17th Century Portuguese Tile Panel Representing "The Saints"
Located in Madrid, ES
17th Century Portuguese Tile Panel Representing "The Saints" restored 15cm x 29cm Amazing Unique Art Work.
Category

Portuguese Baroque Antique 17th Century More Furniture and Collectibles

Materials

Porcelain

Crown or Crest, Pinewood, 17th Century
Located in Madrid, ES
Top or top made of pine wood carved in color with a human bust in the center, located by grabbing two scrolls and thus creating an axis of symmetry for the...
Category

European Baroque Antique 17th Century More Furniture and Collectibles

Materials

Pine

Cross of Caravaca 17th Century
Located in Madrid, ES
Cross of caravaca XVII century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 14X6 cm. Good condition.
Category

Italian Gothic Antique 17th Century More Furniture and Collectibles

Materials

Bronze

Kneeler from 1600 in first patina
Located in Cesena, FC
Kneeler from the original 1600s, in cherry wood. Kneeler from the 1600s in first patina, with twisted columns; table tops can be opened with original hardware. Very nice shelf feet ...
Category

Italian Antique 17th Century More Furniture and Collectibles

Materials

Cherry

Road Map Britannia No 25 London to the Lands End, John Ogilby Brown Gilded Frame
Located in BUNGAY, SUFFOLK
The road from London to the lands end. Commencing at the Standard in Cornhill and extending to Senan in Cornwall. By John Ogilby His Majesties Cosmographer. A road map from Britannia, 1675/6. No 25. Continuing 308 miles, 3 furlongs. London Southwark to Brentford, to Hampton Court, to Hounslow, to Windsor, to Cobham, to Farnham, to Basingstoke to Winchester The handcoloured sheet free floated. In a brown painted and gilded, ogee moulded frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 15 London to St David's. Framed as a pair. Sheet width 48cm., 19 ”., height 38cm., 15 “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started i Black Linear Border around Map Length 44cm., 17 1/8" Height 32cm., 12 1/2" Full Sheet Length 58cm., 22 3/4" Height 38cm., 15" Frame Length 66cm., 26"., Height 56cm., 22" In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...
Category

British Charles II Antique 17th Century More Furniture and Collectibles

Materials

Paper

Map Road John Ogilby Britannia No 74 Ipswich to Norwich Cromer Framed
Located in BUNGAY, SUFFOLK
The Road from Ipswich com Suffolk to Norwich and thence to cromer on the sea coast com Norfolk. By John Ogilby, Esq, His Majesties Cosmographer. Containing...
Category

English Baroque Antique 17th Century More Furniture and Collectibles

Materials

Paper

Road Map John Ogilby No 75 Kings Lyn Harwich, Britannia Framed Wallhanging
Located in BUNGAY, SUFFOLK
The Road from Kings Lyn Co Norfolk to Harwich Co Essex. By John Ogilby His Majesties Cosmographer. Containing 76 miles, 1 furlong. From Lyn to Swaffam, to Stanford, to Thetford, To Icksworth, to Stowmarket, to Ipswich and to Harwich including ye Ferry, No 75, inscribed in pencil 1698 Hand colored and floated in the original black and gold frame, c1961. Some creasing commensurate with age. The back of the frame inscribed May 1961. Provenance : Private Collection, acquired c1961, along with No 74 Ipswich to Norwich & No 54 London to Yarmouth. All in the original black and gold frames. Sheet width 45cm., 17 ¾”., height 34.5cm., 13 ½“ Frame width 50cm 19 ¾”., height 40cm., 15 ¾” Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...
Category

European Baroque Antique 17th Century More Furniture and Collectibles

Materials

Paper

17th Century Emaille de Limoges Plaquette, Depicting Maria Magdalena
Located in Esbeek, NL
Emaille de Limoges Plaquette, frame bronze with emaille. Depicting Maria Magdalena, 17th century or earlier.
Category

French Antique 17th Century More Furniture and Collectibles

Materials

Bronze, Enamel

Road Map No43 London to Kings Lynn, Royston to Downham, John Ogilby, Britannia
Located in BUNGAY, SUFFOLK
John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham. In oak and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman...
Category

British Charles II Antique 17th Century More Furniture and Collectibles

Materials

Paper

Box Tobacco 17 Century Friesland Baroque Birch Sliding Lid Love Heart Horse Lady
Located in BUNGAY, SUFFOLK
This romantic and charming box has characteristic carving from the area. With chip-carved geometric decoration to the sliding lid and sides, carved with a horse, two hearts and a...
Category

Dutch Baroque Antique 17th Century More Furniture and Collectibles

Materials

Birch

Table Low Sofa Vintage 1950s Map Isle of Man John Speed 1610 Thomas Durham 1595
Located in BUNGAY, SUFFOLK
- The juxtaposition of modern design and this ancient map create a unique small table and conversation piece - This is the first map featuring the Isle of Man on its own. - It is also the first map of the Island based on an actual survey, undertaken by Thomas Durham 1595 and was first published by Speed in 1605-1611 and reprinted many times over the next century. This is the second state or print from 1610. The map is inset within a fruitwood box frame with a glass top. Supported by tapering stick legs. The map is based on a survey (and presumably a MS map) by Thomas Durham, of whom nothing is known other that he was paid by Sir Thomas Gerrard to make a survey of the Island. This survey, almost certainly for military purposes, arose from the disputed possession of the Island during which time Elizabeth had assumed control in order to prevent the Scots or the Spanish from using the Island as a base. Speed had used the Durham Map in his slightly earlier 4-sheet wall map showing invasions and battles of c1603/4 [ref: Shirley #261] - there are some differences from this 1605/10 map - Port Eran (rather than Earn on 1605);Knockalo point (= Contrary Hd) not on 1605;Spalbrecke shown west of Calf rather than E as on 1605/10. Thus it is possible that the Durham Map had even more detail than Speed used in his derived version. In sea are four mythical beasts with riders: to NW of Island Unicorn with Scottish flag...
Category

English Mid-Century Modern Antique 17th Century More Furniture and Collectibles

Materials

Paper

1990s Style Open Armchair
Located in New York, NY
1990s style open armchair made in Italy Size H. 29 .5" x W. 21.5, sold as is in raw unfinished beechwood Only one left.  
Category

Italian Chippendale Antique 17th Century More Furniture and Collectibles

Materials

Beech

Pair of Niches, Pinewood, 17th Century
Located in Madrid, ES
Pair of altar fragments or niches made of carved pine wood that are decorated with a series of important carvings with lots of plant-themed volume, scrolls, ropes, architectural deta...
Category

European Baroque Antique 17th Century More Furniture and Collectibles

Materials

Pine

17th Century Spanish Talavera Pharmacy Jar in Blue Glazed Ceramic
Located in Marbella, ES
17th Century Spanish Talavera pharmacy jar in Blue Glazed ceramic.
Category

Spanish Antique 17th Century More Furniture and Collectibles

Materials

Ceramic

Italian Blue, White Black Enameled Metal 1960s Umbrella Stand
Located in Varese, Lombardia
Cylindrical enameled metal umbrella stand in blue & black with white relief decoration. Good condition: some chips of enamel near the base, as shown in the pictures.
Category

Italian Space Age Antique 17th Century More Furniture and Collectibles

Materials

Copper, Enamel

17th Century Spanish Talavera Pharmacy Jar in Blue Glazed Ceramic
Located in Marbella, ES
17th Century Spanish Talavera pharmacy jar in blue glazed ceramic.
Category

Spanish Antique 17th Century More Furniture and Collectibles

Materials

Ceramic

17th Century Spanish Talavera Pharmacy Jar in Blue Glazed Ceramic
Located in Marbella, ES
17th century Spanish Talavera pharmacy jar in blue glazed ceramic.
Category

Spanish Antique 17th Century More Furniture and Collectibles

Materials

Ceramic

Renaissance Rock Crystal and Gold Agnus Dei
Located in New Orleans, LA
Rock Crystal and Gold Agnus Dei Late 16th, early 17th century Case made in Milan Agnus Dei in wax from the Vatican Among the most significant religious artifacts of the Renaissance, the Agnus Dei medallion exemplifies the height of Catholic devotional culture. Believed to hold sacramental blessings and even miraculous power, these sacred wax objects were crafted from the melted remains of the Paschal candle used in Rome and personally blessed by the Pope. Their rarity was compounded by their fragility—few survived intact, making them among the most coveted religious items of their time. This extraordinary example, dating from the late 16th to early 17th century, defied the odds of survival. Encased in its original rock crystal and gold setting, among the most luxurious materials available when it was made, the wax itself features subtle yet remarkably preserved imprints—an almost impossible feat given its delicate nature. It is the only known example outside of a museum, with possibly two others in institutional collections. Made for a patron of exceptional wealth, this late Renaissance masterpiece marries religious significance with extraordinary craftsmanship. The oval rock crystal frame encases the wax Agnus Dei, encircled by exquisite gold mounting with black enamel detailing and twisted gold cord. Rock crystal caryatids shaped as dog heads with gold collars transition into female busts that curve into scrolls, resting on teardrop elements adorned with vibrant enamel. Two elegant gold scrolls wrap around back-to-back dog muzzles at the top, crowned by an enamel-decorated knob and suspension ring—creating a devotional object of unparalleled artistic refinement. The fragile composition of Agnus Dei medallions meant that most were easily damaged—cracking, collecting dirt or crumbling over time. Their pristine whiteness held such sacred significance that in 1572, Pope Gregory XIII issued a Papal Bull...
Category

Italian Antique 17th Century More Furniture and Collectibles

Materials

Rock Crystal, Gold

17th Century European Justitia Wooden Sculpture Standing on Gold Gilded Pedestal
Located in Marbella, ES
17th century "Justitia" hand carved wooden painted sculpture standing on a gold gilded baroque pedestal. Missing pieces. Dimensions: 67 cm tall with pedestal.
Category

European Antique 17th Century More Furniture and Collectibles

Materials

Gold Leaf

17th Century John Speed Map of Denbighshire, c.1610
Located in Royal Tunbridge Wells, Kent
Antique early 17th century British very rare and original John Speed, hand coloured map of Denbighshire, dated 1610, by John Sunbury and George Humble. John...
Category

British Antique 17th Century More Furniture and Collectibles

Materials

Wood, Paper

17th Century John Speed Map of the Barkshire Described, c.1616
Located in Royal Tunbridge Wells, Kent
Antique 17th century British very rare and original John Speed (1551-1629) map of the Barkshire Described, J. Sud and Georg Humble, publication (1616 or lat...
Category

British Antique 17th Century More Furniture and Collectibles

Materials

Paper

Road Map Britannia No 15 London to St Davids John Ogilby Brown Gilt Frame
Located in BUNGAY, SUFFOLK
The continuation of the road from London to St Davids, commencing at Abingdon Com Berks and extending to Monmouth By John Ogilby Esq, His Majesties Cosmographer. From Abingdon to Farringdon, to Lechlade, to Fairford, to Barnsley to Gloucester showing Monmouth as the destination. A road map from Britannia, 1675/6. No 15. Hand coloured and floated on a cream mount within a brown painted and gilded ogee frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 25 London to Lands End. Framed as a pair. Sheet width 46.5cm., 18 ¼ ”., height 37.5cm., 14 ¾ “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...
Category

British Charles II Antique 17th Century More Furniture and Collectibles

Materials

Paper

Road Map, John Ogilby, London, Barwick, York, Chester, Darlington, Durham Framed
Located in BUNGAY, SUFFOLK
The continuation of the road from London to Barwick beginning at York and extending to Chester in ye Street. Plate ye 4th continuing 76 ½ miles. No 8. York to Burrowbridge, to Top...
Category

English Baroque Antique 17th Century More Furniture and Collectibles

Materials

Paper

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