1790s Furniture

Celestial table globe Charles-François Delamarche Paris, 1791 It measures: 17.13 in in height, Ø max 27.7 in; the sphere Ø 7.09 in (h 43.5 cm x Ø max 27.7 cm; the sphere Ø 18 cm). W...

This exquisite compilation showcases two engravings (not framed!) of various fish species from *Histoire Naturelle*, a significant 18th-century work on natural history. The engraving...

18th or Early 19th Century New England Pine Grain Bin in original red stain, having a rectangular lid held by long strap hinges, above five board case with interior divided into thre...

A good antique late 18th century Welsh oak dresser, with plate rack and pot board below, circa 1790. This is a very attractive and honest piece of vernacular Welsh antique furniture...

An elegant French Empire-style mantel clock crafted in gilded bronze, featuring a classic bust of a gentleman as its central decorative element. This timepiece exemplifies the refine...

Pair of late 18th early 19th century South American carved wooden stirrups. Known as estribos, each are carved from a solid block of wood. Decorated with wonderful carvings of horse heads and grape vines, these are truly charming pieces. With wrought iron stirrup rings and the original leather straps. Rich chocolate patina that only comes from age and use. Worn by Chilean huasos, highly skilled horsemen akin to America's cowboys. Prized by collectors of horse memorabilia...

Ptolemaic armillary sphere Charles-François Delamarche Paris, ante 1798 Wood and papier-mâché covered with printed and partly hand-colored paper It measures 16.37 in in height x Ø 10.94 in (41.60 cm - Ø 27.80 cm) It weights 2.33 lb (1,058 g) State of conservation: consistent with its age and use, the paper shows some signs of use, stains and abrasions. The sphere is Ptolemaic, with the Earth placed at its center, surrounded by the Moon and the Sun mounted on two metal arms. The sphere is composed of six horizontal and two vertical rings (armillae), each bearing graduations and its own name. The first horizontal ring is illegible. The others, in descending order are: North Pole, Tropic of Cancer, Equator, Tropic of Capricorn, South Pole. The vertical rings consist of two double meridians. The sphere is then connected to the large meridian by two pins, a vertical ring inserted perpendicularly into the circle of the Horizon, in turn supported by four semicircles connected to the turned and black-stained wooden base. Each element is covered with printed paper. It contains various pieces of information: latitudes, length of days, names and zodiac symbols, calendar, wind directions, etc. The vertical circles mention the latitudes and longitudes of different cities: Rome, Bordeaux, Madrid, Boston, Batavia (Jakarta), Acapulco, etc. Even the small terrestrial globe is covered with printed paper: continents and oceans appear with numerous geographical markings indicating the most recent explorations. In the Pacific Ocean, west of South America bears the following inscription: GLOBE TERRESTRIAL à Paris chez Delamarche Géog Rue du Foin Jacques Au Collège de M.e Gervais The North American coasts are well delineated and California appears correctly as a peninsula - reports from Spanish explorers in the region had given rise to confusion as to whether it was connected to the mainland or not. The geographical nature of California was confirmed after the explorations of Juan Bautista de Anza (1774-1776). Alaska is not described and is only partially traced; it would become part of the United States in 1867. Various Pacific islands are indicated. Australia (the name definitely used from 1824) is called "Nouvelle Hollande." Tasmania is still represented as a peninsula and this is an important detail for the dating of our armillary sphere. The island is separated from Australia by Bass Strait, which was crossed by Matthew Flinders for the first time in 1798, showing that it was not a peninsula. Delamarche certainly would not have waited a long time to update such an important geographical datum: presumably he did so shortly after receiving the news. Charles-François Delamarche (1740-1817) founded his laboratory around 1770 and, in a few years, he became the most famous French cartographer and globe maker between the 18th and 19th centuries. After having acquired the laboratory of the late Didier Robert de Vaugondy (1723-1786; himself a renowned cartographer who continued the family business founded by his grandfather Nicolas Sanson in the seventeenth century) and after having purchased, between 1788 and around 1800, the businesses of Jean-Baptiste Fortin (1750-1831) and Jean Lattré (around 1750-1800), he began to call himself "Successeur de MM. Sanson and Robert de Vaugondi, Géographes du Roi and de M. Fortin, Ingénieur-mécanicien du Roi pour les globes et les sphères." Thus, at the end of the eighteenth century, Delamarche possessed the warehouse stocks, as well as the manufacturing skills of the globes of his main rivals in Paris. In addition to this aggressive acquisition policy, the key to its success also lay in the combination of high-quality cartography combined with extremely attractive globes and armillary spheres; and, of course, its famous red paint finishing touch. His laboratory was located on Rue de Foin St Jacques "au Collège Me. (or "Mtre") Gervais" in the Latin Quarter of Paris until around 1805, when he moved to rue du Jardinet No. 13. On the death of Charles-François in 1817, the reins of the company passed to his son Félix (1779-1835), who continued to publish, often in collaboration with the engraver Charles Dien, Sr. In 1835 the company first moved to rue du Jardinet No. 12 and a little later to rue du Battoir No. 7. Bibliography: Dekker, Elly, et al. Globes at Greenwich...

Pair of large branches of Mediterranean red coral (Corallium Rubrum). Gilt bronze bases with phytomorphic calyx stem. Connection with an oval element in Lapis Lazuli and two spirals ...

A rare pair of ormolu-mounted two-color Wedgwood drums with most unusual Wedgwood eggs these supporting Vandyke candle nozzles and drip pans hung with the finest quality pear drops.

This Dutch game table/console is made of mahogany with impressive satinwood marquetry, circa 1795. When in demilune form the beautiful marquetry motifs of flowers, overflowing vase, ...

English Regency mahogany two drawer drop leaf library / sofa table with cross banded satinwood inlay, lion head pulls, and resting on turned ringed legs with the original brass cup c...

A charming and rare antique English creamware pottery fox head stirrup cup probably dating from around 1800. The lightly potted large cup is ...

A French mahogany, three drawer Directoire commode, with brass mounts and inlay and a shaped variegated pale grey marble top.

Rare and highly legant cartonnier cabinet, crafted around 1780 in France and stamped by the renowned ébéniste Claude-Charles Saunier (1735-1807). This two-door mahogany cabinet stand...

18th Century French carnation plate , Manufacture of Sceaux. Border déchiqueté. Sceaux ceramics are presented at The Getty Museum and The MET. The ceramic manufactory at Sceaux, outs...

Hallmarked in London in 1790 by Hester Bateman, this handsome, George III, Antique Sterling Silver Tankard, is in traditional form, wit...

Georgian (George III), sterling silver, helmet-form cream jug/pitcher on square, pedestal base, London, year-hallmarked for 1795, Peter and Anne Bateman - makers. Measures 5 3/4 inches high (to top of handle) x 4 inches wide (from outer edge of spout to outer edge of handle) x 2 1/4 inches deep at deepest point. Weighs 3.190 troy ounces. Beaded border. Original script...

Classic Hepplewhite satinwood writing table featuring leather covered slide, a work basket and a divided drawer. Original finish, brass pulls and knobs. The silk fabric on the basket...

Italian table lamp model LT328 designed by Carlo Nason for Mazzega vetri di Murano composed of 4 pulegosi glasses and metal base, Italy 1970s Note that the lamp is original to the ...

Antique English Sofa Side Table Barley Twist Ebonized Library Desk Carved Oak. Direct from Europe, a beautiful antique English sofa table o...

Great images of monkeys Copper-plate engraving Published C.1790 Unframed.

18th Century George III mahogany secretaire breakfront bookcase, with four astragal glazed doors below dentil frieze and b...

Knight of the Order of the Thistle: Elegant 18th-Century Engraving by Schwan This exquisite hand-colored engraving portrays a "Ritter des Ordens von der Distel" (Knight of the Order of the Thistle), the premier order of Scottish chivalry. The knight is depicted in a stately black robe adorned with the iconic insignia of the Thistle Order, including the collar chain featuring the Thistle emblem and the accompanying badge and star. The figure exudes grace and dignity, with the refined details of his attire highlighting the prestige of this ancient Scottish...

Early oak Welsh wardrobe/armoire 18th century Livery tack, Harness Hall cupboard Bought in the South of England, this is a character rich early oak Welsh wardrobe used in fine houses for storage of livery, tack and harnesses - an early "mud room...

Antique George III mahogany gentleman’s wardrobe or linen press having two mahogany doors which open to reveal a fitted interior of four original sliding trays, one long drawer with ...

Author: Robinson, Mary. Title: Hubert de Sevrac, a Romance of the Eighteenth Century. Publisher: London: for the Author by Hookham and Carpenter, 1796. Description: First edition. 3 vols., 6-13/16" x 4-7/16", errata at the end of each vol., advertisement leaf at the end of vol. 3, vol. 2 M6 with early repaired tear at foot, without the half-titles, bound in fine contemporary full speckled calf, floral gilt decorated spines, gilt lettered red and green spine labels, covers ruled in gilt. Condition: Internally clean and bright, armorial bookplate of Sir John Eden to front pastedowns, extremely minor foxing to first and last leaves, inner and outer hinges fine, head and foot of spines fine, a handsom set. Additional information: An exceedingly rare gothic novel by Robinson (known as "the English Sappho") set during the French Revolution. In her lifetime Robinson was better known as an actress and lady of fashion as well as for a string of prominent affairs, including with George IV whilst he was still Prince of Wales whose portrait she wore encrusted with diamonds throughout her life but who she did not hesitate to blackmail for £5000 pounds when he cast her off. Her literary output, though derided at the time, has since been reassessed and Robinson herself now seen as a proto-feminist. Mary Robinson was one of those independent 'viragos' who upset so many conventional men at the end of the eighteenth century. She was admired by Mary Wollstonecraft...

This map, titled "A Map of the Colonies of the Descendants of Ham," dates to around 1790. It illustrates regions in Africa, the Middle East, and parts of Europe that were traditional...

English mahogany Chippendale chest on chest, featuring bracket feet, molded top above a line inlaid frieze and original rotunda mot...

Fine and rare inlaid late 18th century Shenandoah Valley of Virginia walnut tall case clock, likely made by Jacob Fry and dial painted by Caleb Davis of Woodstock, VA.

Grand Cross of the St. Stephen's Order: Magnificent 18th-Century Engraving This magnificent hand-colored engraving showcases a "Großkreuz des St. Stephans Orden" (Grand Cross of t...

A 1790s blue and white Chinese export plate depicting three islands with a dark border.

English oil on canvas portrait dating from the late 1700s painted in the manor of Joshua Reynolds. We believe the giltwood frame could be the original as it is right for the period. ...

This is an antique three-draw telescope. An English,walnut and brass navigational or astronomical instrument by Lincoln of London, dating to the Georgian period, circa 1790. Perfect for bird watching, landscape appreciation, wildlife, or maritime observation. Equally suitable for observing the night sky. A fine and tactile example of Georgian optical craftsmanship Crafted with a striking walnut main barrel, displaying warm amber tones Walnut exhibits a fine grain pattern, with minimal wear commensurate with gentle use Features three smoothly operating brass draw tubes, with bright golden hues Engraved to the rear barrel with 'Lincoln, London' – a noted maker of the period Fitted with a push-type dust cover to protect the 40mm primary objective lens Bright, functional optics with a clear image – suited for both display and gentle use A handsome piece for the collector of nautical antiques or scientific instruments Supplied with a London Fine oak and brass 'Captain's Stand' for display Further enhanced with the original leather carry sleeve, in lightly time worn order Elegant and evocative, this Georgian telescope...

This is a very handsome and rare 1795 map of the Americas titled "Amerique ou Nouveau Continent Dressee sur les Nouvelles Relations Decouvertes et Observations" by Jean Baptiste Noli...

1791 Engraving of a Knight Templar in House Dress by Christian Friedrich Schwan This finely detailed engraving, titled "Ein Tempelherr im Hauskleide" (A Knight Templar in House Dr...

A refined and decorative pair of Sheraton period cutlery urns, dating to the late 18th century, showcasing the balance and precision of English neoclassicism. Each urn features a dom...

A very impressive and simple late 18th century linen cupboard or armoire of pleasing proportions and a good, authentic finish to the Mahogany, not too shiny or to distressed, retaining its original giltbronze mounts. This would work equally well as a bar cabinet of TV trunk...

A fine diminutive 18th century American Chippendale mirror with cut-out scroll work crests and ears in mahogany retaining original dry surf...

18th Century French carnation plate , Manufacture of Sceaux. Border déchiqueté. Sceaux ceramics are presented at The Getty Museum and The MET. The ceramic manufactory at Sceaux, outs...

Late 18th century English mahogany bowfront hanging cupboard featuring string inlay on the doors with bone escutcheons, three curved interior drawers with brass pulls and four interior shelves. The intricate fruitwood inlay at the top of the cornice features carved dentals with seashells on either side of the Grecian lamp...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The plate is dedicated to "Chass...

18th c., England, a delightful George III cheveret lady's writing desk in two parts. The upper five-drawer cabinet with conforming guard over fitted drawers, resting on a table with ...

Pair of covered fruit coolers and liners, pair of covered sauce tureens on stands, 1 fruit compote, 4 lozenge-shape dishes, pair of square dishes, 4 shell-shaped dishes, 22 plates.

George III sterling silver tankard. Made by Peter & Ann Bateman in London in 1794. Girdled upward tapering cylinder; raised and spread foot. Cover hinged and double-domed with open-s...

Maltese Knight in Beaked Cloak: 1791 Hand-Colored Engraving of Ceremonial Dress This remarkable hand-colored engraving, titled "Maltheser-Ritter im Schnabelmantel" (Maltese Knight...

This is a graceful French Louis XV walnut armoire with prominent shaped cornice above a long door with cartouche paneling, flanked by paneled sides. Below the door a single drawer ...

18Thc Banister back chair from New England with hand woven early seat .The condition is very good and sturdy.

18th Century Hand Colored Map of "The State of Massachusetts from the best information," 1796, by cartographer and illustrator John Reid published in his "American Atlas," a period e...

Georgian period mahogany English bedside table commode featuring a full scalloped gallery top with pierced handles and two-paneled cupboard door...

1106 - a very beautiful 18th century Aubusson tapestry with very pretty color.

A fine example of a Chippendale mahogany oxbow slant front desk attributed to Salem cabinetmaker Nehemiah Adams (1769-1840). The desk features a compartmentalized interior with six f...

Circa 1800 English Georgian Hexagonal Glazed Brass/Bronze Verdigris Lantern Exceptional quality, rewired with original chain & hanging hook Measures: W33 x D33 x H57 cm.  

A fine antique 18th century pewter & glass beer stein. In the form of a glass stein mounted with a pewter lid and pewter foot rim. Monogrammed...

A wonderful, rare period Geo. III late 18th/early 19th century inlaid mahogany sideboard with its original tambour ribbed, slid...

Title: European Garden Spider Anatomy: Hand-Colored Engraving from Bertuch's "Bilderbuch für Kinder" (1798) Description: This detailed hand-colored copperplate engraving from Frie...

A rare pair of Gustavian crystal candelabra. The urns are made of carrara marble with mountings of gilt bronze. The chiseling of the bronzes is of unusually high quality and it is ra...

1798 Engraving of Mt. Vesuvius Eruptions - Lava in 1760, Ashes in 1794 Description: This 1798 hand-coloured copperplate engraving is from Johann Ludwig Bertuch's "Bilderbuch für Kin...

This rare and exceptional George III teapot is the work of preeminent Georgian silversmith Paul Storr, it is one of his earliest works, the date mark on this pieces of the year 1793 which is the first year Storr marked items with his own initials (P S) The teapot is designed in the neoclassical taste with some Chinese influences, or Chinoiserie taste, though the decoration shows signs of later 19th century enhancement in the technique and style of the chasing. It is very hard to impossible to find works from this early period with this interesting Royalty provenance. The family crest on the front is of the Tollemache family, and dating of The teapot indicate It belonged and probably commissioned by or as a gift to William Manners Tollemache, Lord Huntingtower, William, On 12 January 1793, at the Age of 26, he was created a Baronet, of Hanby Hall in the County of Lincoln. So this teapot was commissioned to celebrate the occasion. William Manners Tollemache: Lord Huntingtower (19 May 1766 – 11 March 1833), known as Sir William Manners, Bt, between 1793 and 1821, was a British nobleman And Tory politician. Born William Manners, he was the eldest son of John Manners and Louisa Tollemache, 7th Countess of Dysart. On 12 January 1793, at the age of 26, he was Ceated a Baronet, of Hanby Hall in the County of Lincoln.On his mother's Succession to the earldom in 1821, he was styled Lord Huntingtower, and adopted The surname of Talmash or Tollemache Paul Storr: (baptised 28 October 1770 in London – 18 March 1844 in London) was an English goldsmith and silversmith working in the Neoclassical and other styles During the late eighteenth and early nineteenth centuries. His works range from Simple tableware to magnificent sculptural pieces made for royalty Paul Storr was England's most celebrated silversmith during the first half of the Nineteenth century and his legacy lives on today. His pieces historically and Currently adorn royal palaces and the finest stately homes throughout Europe and The world. Storr's reputation rests on his mastery of the grandiose neo-Classical Style developed in the Regency period. He quickly became the most prominent Silversmith of the nineteenth century, producing much of the silver purchased by King George III and King George IV. Storr entered his first mark in the first part of 1792, which reflects his short-lived partnership with William Frisbee. Soon after, he Began to use his PS mark, which he maintained throughout his career with only Minor changes. His first major work was a gold font commissioned by the Duke of Portland...

This exceptional one-of-a-kind armoire from the area of Bremen has the original pink gesso appliqués, circa 1790.  Fabricated from a beautiful knot-less dense pine, the carved ribbed...

A neoclassical painted and gilded overdoor panel in the manner of Giuseppe Maria Bonzanigo, circa 1790.