1870s Furniture

This is a beautiful antique French Louis XV Revival ormolu mounted king wood, burr walnut and floral marquetry shaped rectangular console / card table, circa 1870 in date. The shape...

Carpet From The Aubusson Manufacture, 19th Century, Napoleon III Period - 315x286 - No. 1592 Artist: Manufacture Aubusson Period: 19th century Style: Napoleon 3rd Condition: Perf...

This is a fascinating antique tarot parlour table. An English, oak centre table richly carved with Zodiac decoration, dating to the Victorian period, circa 1870. A remarkable piece o...

Wonderful images of game birds Chromo-lithographs Published by Cassell, C.1880 The measurement shown relates to one of the prints Unframed. Free shipping

Statuette depicting the Love Putto in Meissen porcelain, made in 1800. The figurine may have undergone restoration. Ø cm 10 Ø cm 6 h cm 13 Meissen porcelain is considered one of th...

"The Holy Bible" By Rev. John Brown, 1870s Old and new testaments. Marginal references and illustrations; An exact summary of the several books; A paraphrase on the most obscure or i...

Circa 1870s English Gothic Revival writing slope desk box. A letter box is flanked by the original brass collared & hinged inkwells in brass surrounds (the hinges now a bit loose fro...

A finely decorated Chinese Export Rose Medallion porcelain plate dating to the Qing Dynasty, circa 1875. Hand painted in vivid enamels, the plate is richly detailed with alternating ...

This set of nine antique porcelain small dessert dishes with a matching cookie or serving plate was made in France circa 1870. The porcelain is white with finely detailed gilt decora...

This is a gorgeous antique Davenport desk which is crafted from beautiful burr walnut, circa 1870 in date. The desk has a rear stationery compartment which encloses a divided interi...

Victorian Majolica Sardine Georges Jones dated august 1873. Decorated on the lid with sardines and seaweeds.

Handcrafted mechanical lunarium with cast iron base, second half of the 19th century, surmounted by a globe made by cartographer Jan Felkl. Turning the crank placed under the circle...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Pierre-Jules Mène - Bronze hunting dog France Bronze around 1870 Dimensions: H × W × D: 21 × 30 × 13 cm Description: Antique bronze sculpture of a short-haired hunting dog carryin...

Massive Victorian Era Renaissance Revival hall tree and umbrella stand, circa 1870s. Made from walnut with a large glass plate pier mirr...

Vibrant Victorian Butterfly Lithographs: Delicate Portraits by Frederic C. Moore This remarkable pair of lithographs, created by Frederic C. Moo...

Antique Japanese History book Meiji era, circa 1878 Woodblock print book Book dimensions: 182 mm x 121 mm There are damages because it is antique item as we show on the photos.

A large and impressive Victorian era dome top steamer trunk, circa 1870s. Features a tooled leather frame wrapped in black metal with oak banding ...

Victorian Period/Aesthetic Movement sterling silver calling card/business card case having a hinged lid and its original chain, Gorham Manufacturing Co., Providence, Rhode Island, Ca...

A rare and unusual antique English Aesthetic Movement majolica ceramic Japanese design casket by renowned makers Joseph Holdcroft and dating from the 1870’s. At the time there was ...

Antique Italian Neo-Renaissance parlor settee / loveseat / bench, circa 1870s. Made of walnut featuring Neoclassical styling with high relief figural carvings of cherubs / puttis, N...

Charming angel adorned bowl by Gorham Manufacturing Co. circa 1870's-80's, perfect for candy or pot pourri. This bowl was inscribed to Louisa De Hart Phipps who resided in Mo. and ...

Torricellian mercury barometer, French manufacture from the second half of the 19th century, made of mahogany veneer wood with cedar wood edge threading complete with rare thermomet...

This is a fine antique personal diary repository, originating from Scotland during the Victorian period, circa 1870. This striking book form keepsake case showcases the craftsmanship...

Very Rare and Elegant Antique Baccarat Glass Paperweight with complex Millefiori, made in France probably during the 1870s. (Not signed) Beauti...

An English circa 1875 solid oak server, still-trolley, etagere, or open shelves of rectangular three tier form having Aesthetic Movement style line-turned ball finials and stiles at ...

Fabulous and freshly painted mid victorian cast iron garden bench Strong and stable as the day it was made with a cross x stretcher between the 4 legs Ornate with precise castings of...

Tellurium or representative and demonstrative mechanical model of the solar system composed of the Sun, Mercury, Venus, Earth, Moon and Mars, realized by the Prague geographer and ...

Wonderful bird prints Chromo-lithographs Published by Cassell, C.1880 The measurement shown relates to one of the prints Unframed. Free shipping

This is a fantastic and highly decorative antique pair of French gilt bronze mounted Empire Revival fauteuil armchairs, circa 1870 in date. They have been crafted from fabulous sol...

A stylish Napoleon III cigar cabinet, crafted with ebonized wood, brass inlays, and a distinctive medallion at the top, this late 1800s piece reflects the refined style of the Napole...

The image displays a collection of six chromolithographs depicting various plant species. These illustrations are characterized by their botanical accuracy and aesthetic appeal, typi...

19th Century green Majolica tureen with stand signed Sarreguemines Majolica, circa 1870 With grapes leaves. Height / 7.5", diameter / 8 inches.  

Two antique Italian Renaissance parlor armchairs, circa 1870s. Made of walnut featuring ornate carved and reticulated design with figural puttis / angels / cherubs adorned throughou...

This is a very early stone ware glazed piggy bank from New England. This is a handmade piggy bank in very good condition.

A stunning large antique French wood Vernis Martin five panel display cabinet in the Louis XV manner and of extravagantly shaped Bombe form, circa 1870 in date, with exquisite hand painted decoration and exquisite ormolu mounts. It has five decorative Vernis Martin panels with beautiful hand painted decoration, the central panel depicting a courting couple and the others with classical figures in pastoral country scenes. The central panel bears the artists signature, Le Brun. The large central clear serpentine glazed door opening to a large capacious cupboard below, flanked by clear glazed serpentine panels, with further shaped glass on the sides. It is smothered in gorgeous gilded ormolu mounts, the shaped apron with foliate mounts and sabots, standing on cabriole legs. The mirror backed interior is fitted with glass shelves, the lower shelf lined with golden velvet, to display your collection of china or silver beautifully. This magnificent piece is in excellent condition and the quality and attention to detail throughout is second to none. Add a touch of unparalleled style to your home. Condition: In really excellent original condition having only been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: height 193 x width 115 x depth 50 Dimensions in inches: height 6 foot, 4 inches x width 3 foot, 9 inches x depth 1 foot, 8 inches Vernis Martin is a lustrous lacquer substitute widely used in the 18th century to decorate furniture and such personal articles as brisé fans...

A set of 14 antique French porcelain dishes made in the last quarter of the 19th century circa 1870-1880. Attributed to the factory of ...

13 STAR RIBBON, WOVEN SILK, circa 1876-1910 13 star antique American flag ribbon, made of woven silk, of the type encountered in military, political, and fraternal badges and ribbon...

A handsome and very well crafted English break-front bookcase or bibliotheque in solid mahogany by S.E. & R. Johnson of Warrington, England, circa 1870. Features six doors with glass panels in the upper section over a base with ten drawers on each side, flanking a middle section consisting of three doors with wooden panels. There are two adjustable shelves in each of the three upper sections, with a total of ten interior drawers. Original tear-drop pulls on doors turn to release a lever allowing the doors to be opened with the pulls as well as locked, a most unusual and attractive feature. All of the hardware is original to the bookcase including the locks. Comes with working locks and keys. Measurements: 13' 8 1/2" long x 21 1/2" - 27 1/2" deep x 101" high (8'5" high) All of the drawers are stamped with the cabinetmaker's stamp, "S.E. & R. (Ralph) Johnson, Warrington". This fine bookcase was manufactured prior to 1880 in Warrington in Cheshire, England. While information is scant, it would seem that S. E. would have been Ralph's father's workshop listed at 78 Bridge Street in Warrington, England, circa 1878. Ralph would have likely been an apprentice at that time. He opened his own workshop, presumably when his father retired. By the Edwardian period, Ralph had become a cabinet maker of some renown. Drawer locks are original and stamped "Chance Son & Co. W Chance, Son, & Co" and are listed in the 1850s directories as "Merchants and Factors" in Birmingham, England. They would have been middlemen having various merchandise made for them, primarily for export to North America. The type of locks employed in this bookcase is a lever combination lock. In the cabinet lock trade, lever locks became available circa 1855 and superseded the earlier tumbler and back-spring locks. Some points about the breakfront to note are that it is made entirely out of solid mahogany which is unusual; there are no veneers. Even the drawer sides, backs and bottoms are made of mahogany. The interior wood, i.e., the back and the insides of the cabinet is pine. One of the great features is that the upper door hardware has a dead latch that operates with the tear drop pull. You can lock the doors, but if you don't want to lock them, you can use the tear drop pull to operate the dead latch to open and close by turning it to the right. There are 20 exterior drawers and 8 interior drawers. Lower cabinets each have 1 fixed shelf; upper cabinets have 2 adjustable shelves each. There are enough extra original cast iron shelf...

This Fine french four glass mantel clock has a beautifully gilded case with thick bevelled glass panels and doors. the eight day movement with visible jewelled Brocot escapement is m...

Antique Victorian Era Stepback Dresser & Mirror, c. 1870s. Made from walnut with crotch walnut veneered drawer fronts. Features a wishbone swivel mirror over two gloveboxes and a ca...

Exceptional cascade pendant with leaves glass Murano oversized around 30 cm with GILT GOLD structure. The Design and the quality of the glass make this piece the best of the italian Design. This unique Mazzega cascade...

This is a beautiful antique Victorian oak open breakfront bookcase, Circa 1870 in date. The breakfront top above a frieze, the solid oak superbly c...

This is a beautiful antique pair of French Sevres style porcelain and ormolu mounted twin handled urns, in the Louis XV manner, Circa 1870 in date. The bleu celeste...

Rare 19th century English Caneware game pie, circa 1830. A large partridge on the lid, decorated with ear of wheat and woodcocks.

Victorian walnut-stained beech campaign style day bed with caned seat designed to be folded up it's ratcheted on all three sections to adjust to numerous positions including flat, se...

This is a truly superb large French antique Renaissance Revival ormolu table lamp, circa 1870 in date. It is relief cast with grapevines, cherubs and acanthus leaves, the serpentine handle rising to a seated winged amorini and descending to a mask at the figural relief cast body with waisted stem and terminating in a circular base. This gilt bronze 19th century ewer...

A very elegant antique 19th century repousse work sterling silver perfume flask, London, 1873. The circular top twists and locks in plac...

Featured is a pair of French Napoleon III neo classical Encoignure cabinet's in rosewood mounted with gilt bronze foliate and heavily inlaid with neoclassical themes throughout. The ...

A refined 19th century French cave à liqueur, beautifully decorated with intricate marquetry in various woods. The hinged lid is inlaid with the word Liqueurs in elegant script, surr...

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right, 'A Pollen...

19th century Italian Dante armchair. Beautiful walnut Savonarola armchair with ornately carved decoration throughout. This stately x-base legged chair has rich velvet upholstery, golden fringe and tasseled seats. It is as functional as it is comfortable. Making a fine statement in any area of your home, the walnut folding chair...

Rare Minton Majolica Posy small vase modelled as three upright yellow bamboo canes all supported on an earthy ground.

Augusto Baptista de Carvalho Portuguese Palissy Majolica wall plate which features a snake, two frogs and a tortoise, surrounding a central well. Colouration: green, grey, brown, are...

Fantastic leather four panel room divider hand painted and hand crafted screen from the latter part of the 19th century France. Hand painted cherubs with floral accents in outstandin...

19Thc Wool velvet log cabin quilt with striped border and unusual corner blocks.The back has a interesting corner blocks.This quilt was found in Lan...

Collinson & Lock attributed. An Aesthetic Movement walnut six leg octagonal two tier center table with fine turned legs and out swept feet. The construction has radiating stretchers ...

Victorian walnut & Mahogany cockfighting chair Circa 1875, atrributed to Wright and Mansfield The Chair frame & legs made of walnut, its backrest ...

A large Victorian armchair or club chair newly re-upholstered in a crushed burnt umber coloured velvet. The roll back and arms with piped edges, new brass casters with studded legs. ...

Antique Country French Desk or Dining Room Table from the 1800's. We acquired our Antique Desk from a noted Interior Designer so we unfortunately do not know much of the Antique Fren...