Early 1800s Furniture

Designed & engraved for Lamberts History of London by E.Shirt sc. Published by M.Jones No 1 Paternoster Row. Dated April 30th 1805. In a modern frame, probably a book plate. Nice ...

A George III satinwood four division Canterbury, of rectangular form with concave dividers and a handle, the frieze with a single drawer and painted with flowers, on the original bra...

An elegant hand carved round table with inset marble top. The intricate carving in the apron is gilded as is the carved Pharaohs head and feet....

The patch box is of an unusually large oval form, with a pull off cover. The cover is decorated with an outer prick dot and arrow head border, around a set of contemporary script ini...

George III oval mahogany and king wood banded Pembroke table of lovely color. The centre panel is banded in kingwood as are the two flaps. The whole raised on square tapering leg...

Elegant, hand carved, circa 1800, walnut divan from the Piedmont region of Northern Italy, featuring pierced, flared side rails and fluted legs. Relief carved apron is filled with fl...

Large Pierced Serpentine Shaped Brass Fender This is an early 19th Century antique fender unusually this one has a serpentine shape, the fender has an attractive woven iron front ...

A fine Regency lady's writing cabinet in figured mahogany with black ebony inlay: Good colour and patina. Opening writing flap with lidded compartments for ink bottles and pens.  

A wonderful Spanish walnut table of large scale with a thick one plank top of superb colour. The table retains the fantastic original metal work and could stand well as either a side...

Solid walnut dresser of Spanish origin, entirely threaded with floral motifs, with initials and coat of arms of the house; the shelf bears the name of the owner and the date of manuf...

American brass and porcelain candle holders from the 1800s are a popular collector's item among antique enthusiasts. During this time period, candl...

We are delighted to offer this lovely original pair of circa 1800 primitive Chinese bamboo framed occasional chairs A very rare and highly decorative pair of bamboo framed chairs,...

A pair of Italian candlesticks with engraved mirrors. Two of the mirrors are cracked. Italy,   circa 1800. 

The butter spade is of an unusually large size, the largest we have offered over the years. The spade is modelled in the Old English pattern and the triangular blade is unusually pie...

EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington, through the fabled story of the cherry tree), were made circa 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information. This kerchief and its companion piece are documented in Threads of History, Americana Recorded on Cloth, 1775 - the Present, by Herbert Ridgeway Collins (1979, Smithsonian Press), p. 63, items 38 39.* The two pieces pictured are in the collection of Cornell University, but the Collins text also cites an uncut pair to be present in the collection of the Western Reserve Historical Society, Cleveland, OH. The name "Germantown Print Works" is printed on the Western Reserve examples. Another example of the textile in question is documented in "Running for President, The Candidates and Their Images, 1789-1896" by Schlesinger, Israel, and Frendt, (1994, Simon Schuster), p. 15. I have seen three different color variations of this textile, including sepia, mulberry red, and blue. This particular example has a hand-sewn binding along the top, lower, and left edges. Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples. The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter. * Collins relates that Germantown Printworks was operated by the Hewsons. In doing so he cites one of Worthington Chauncey Ford's books on George Washington, but it isn't clear which one (there are many) and no page numbers are given. John Hewson was an Englishman who came to America and opened his printing business on the advice of Benjamin Franklin. He was one of the first “calico printers” and is the earliest documented to have advertised printed kerchiefs. His ads for bandanas appear as early as June 20th, 1774. He is suspected of having produced the very first American kerchief that pictured an American president, which is documented in Collins as item 1 on page 48. Linda Eaton, curator at Winterthur, in 2012, is currently doing in depth research on the three printers of fabrics that were operating in Germantown in early America. She discovered that the owner and/or operator of Germantown Print Works, while not currently known, was not John Hewson. This information is not yet published. She also noted that Winterthur possessed examples of the two George Washington textiles...