Early 19th Century Furniture

This is a very decorative oval shaped serving dish or platter by Mason's Ironstone, Lane Delph, England in the "Rock , Leaves and Flowers" Pattern, dating to the very early period of...

Pair White Neoclassical Campagna Vases. Pair of Paris Porcelain all white glazed porcelain two part vases with double mask handles. France 1810. Dimensions: 9.5" diameter x 13.5" ...

This 19th-century Italian chest, circa 1800, is a beautifully crafted piece that reflects the rustic elegance typical of Italian craftsmanship from this period. Constructed from soli...

An antique rectangular fountain basin or in the style of the late Hellenistic period with minor repairs. This garden ornament features impressive mythological carvings of the art mus...

Elegant Table Lamp in bronze. Originally an Empire candlestick from France made during the 1820s. The middle part in the form of a column. Richly decorated with leaf and period Empir...

Large Biedermeier chest of drawers with three drawers and brass fittings in the shape of flowers. The drawers are flanked by smooth full columns, with the top drawer resting on their...

A Fine Well Figured Rosewood Fold-over Games Table of outstanding quality, early Nineteenth Century, possibly Regency Period and of English origin. The rectangular top with rounded...

Large Neoclassical creamware tureen. Large neoclassical creamware zuppiera of tripod form with lion masks with rings supported on fluted monoped...

A very fine antique English Staffordshire pearlware blue and white plate decorated with a shepherd with his sheep dating from around 1820. The...

A large and unusually tall 19th Century Regency pierced polished brass serpentine firegrate, with elaborate etched urn finials, all supported on tapered legs. To the centre, a pierce...

This early 19th-century Wedgwood black basalt vase is a rare find...beautifully proportioned and irresistibly versatile. Its rich, matte finish complements...

Painted Chest dated 1800 Technical information: Period: Dated 1800 Origin: Alpine / Central European area Wood type: Fir Height: 43 cm 16.93 in Width: 112 cm 44.09 in Depth: 57 cm 2...

Exceptional Chippendale settee, loveseat, sofa, in leather upholstery with decorative nailhead stud trim, and gutsy ball and claw feet. This extra...

UK / 1830 / dining table / wood / Antique / English / Victorian Beautiful extendable molded and carved wooden dining table. Crafted in the UK around 1830 in Victorian style. This ta...

This set of eight antique English porcelain plates features vibrant hand-painted floral decoration. Made at Derby circa 1825, each plate features an exuberant bouquet of garden flowe...

This is a beautiful bowl or soup plate produced by the Spode factory and made of ironstone pottery, which they call Stone China, in the early 19th Century, Circa 1820 The chinoiseri...

Rhodes embroideries are renowned for their bold palettes, geometric structuring, and symbolic decoration. Such pieces were traditionally made for a bride’s dowry and used as bed vala...

Swedish original painted pine armoire with blue panels and trim, standing on aged bun feet. The original painted finish has been distressed through generations of use, resulting in t...

Rare Set of Twelve Early 19th Century Empire Dining Chairs in Mahogany, Inlaid Brass and Velvet This is a very large and rare set of twelve elegant dining chairs from the (late) ‘em...

A rustic early 19th-century French Country farmhouse table or kitchen island, sourced from Provence, France. Hand-crafted from solid oak, the piece features a 6'6" long three-plank t...

A stunning pair of late 18th-Century to early 19th-Century Italian carved gilt wood tripod floor pricket altar candlesticks or torchieres. These gorgeous cathedral candlesticks...

Make-up table and desk as transformable furniture England Mahogany early 19th century Dimensions: H x W x D: 80 x 120 x 75 cm Description: Extremely rare and refined multifunction...

Rowac swivel desk chair by Robert Wagner, 1920s.  Rare industrial chair with industral patina. It was made in Germany in the 1920s and designed by Robert Wagner, Rowac. The chair is ...

Antique Swedish corner cabinet from the early 1800s, around 1820. The cabinet is a country house furniture made in the gustavian style. Two parts with a rounded front, double doors a...

Antique settee 1825s in full Charles X era. The settee is made of solid walnut hand carved. Particular shape called a boat. Large size compared to other ...

This exquisite, early Biedermeier walnut chest of drawers was made in Vienna circa 1825. Viennese Biedermeier is renowned for its refined proportions, elegant lines, and exceptiona...

This small scale early nineteenth century French Empire period console table is constructed of solid burl elm and features a black marble top. A single drawer of dovetail constructio...

The case of the grandfather clock is made of mahogany and was possibly made by the watchmaker Nathaniel Edgecombe. The clock is from Bristol England, circa 1830. + The ship in the d...

A late Georgian settee having upholstery to front and back with mahogany frame featuring reeded top edge, balustrade turned column arm supports and four tapered ring turned legs to f...

An unusual English circa 1830 George IV, William IV period regency form armchair or bergere, the solid mahogany frame having shaped crest rail and scroll arms with caned back, sides,...

Genuine Swedish long case clock from Hälsingland. The clock is genuine and honest with a traditionally hand-made case with a rococo shape. Made in Swedish pine with the original blue...

Early 19th Century Chinese Coromandel Eight-Panel Screen — Provenance: Perret Vibert, Paris Early 19th Century Chinese Coromandel Eight-Panel Screen with Palace Attendants and Schola...

Dark Green Painted Wardrobe Dated 1830 Period: 1830 (dated) Origin: European Alps Wood essence: Fir Dimension : Height: 166 cm Width: 123 cm (127 cm to the corners) Depth: 50 cm (54 cm to the corners) Description Antique alpine wardrobe...

A good Spode dessert service comprised of a round sauce tureen on flaring foot with cover and stand (7.5" x 6.25" x 6.5" high); a pair of fluted,...

A superb quality pair of Regency period library or salon chairs, attributed to Gillows of Lancaster and London. English, circa 1825. Why we like them Quite possibly the most comfor...

An exceptional and important circa 1825, English regency, George IV period, parcel-gilt rosewood center table by the legendary firm Gillows of Lancaster, the large circular tilting t...

An early 19th century painted and parcel-gilt Empire trumeau mirror with horse and chariot scene.

A fine set of four English Regency dining chairs in mahogany with carved bugles resting on back chair rail below the top slat which is line inlaid, with turned front legs and saber r...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A very handsome dining table with antique classical Grecian-form, stepped pedestal base in figured West Indies mahogany (circa 1825), with a newly-made rectangular top and ogee apron...

Wilson, Alexander Charles Lucian Bonaparte American Ornithology; Or the Natural History of the Birds of the United States by Alexander Wilson; with a continuation by Charles L...

Decorated blue leather covered camphor wood trunk, bound with brass and mounted with cast brass bail handles. China, made for the Western Trade, circa 1825.

An early 19th-late 18th century antique Persian Bidjar carpet. The culmination of a centuries-old weaving tradition, the finest Bidjar antique rugs...

A rare Swedish Gustavian period buffet, late 18th century, retaining its original yellow-painted surface with beautifully aged patina. The warm ochre tone, scraped back to its authen...

PRESENTING an AMAZING, EXTREMELY RARE and EXTENSIVE Early 19C Davenport Longport Imari China Dinner Service from circa 1805-1820. HIGH REGENCY PERI...

Rare corner cabinet from northern Sweden made during the first years of the 19th century, 1810 to 1820. The cabinet is pine and made in two parts. It has the original decoration paint with the authentic patina of time. The paint is unusually intricate and varied with both floral motifs and marbling. That points to it being an expensive cabinet...

Hello, This fine cherry Viennese Biedermeier chairs were made circa 1825. Viennese Biedermeier is distinguished by their sophisticated proportions, rare and refined design and excel...

This large cup and saucer were hand-painted by Flight Barr and Barr Worcester at the Worcester Porcelain factory around 1820. The vibrant blue ground features an extraordinary shade ...

Monumental English Regency mahogany serving / console table. D shaped top with rounded edge and bowed ends. resting on an apron carved with bellflower swags and ribbon panels. Single...

Early 19th c Gaudy Welch Personalised Commemorative Birthday Mug. "George Taylor Born August 23 1839." The term "Gaudy Welsh" refers to the style of brightly colored, heavily decorat...

A fine English console or hall table of mahogany from the Georgian era, featuring a moulded top over a frieze of what appear to be four beaded drawers but is actually a top long draw...

An Italian early 19th century walnut three-drawer bedside chest from Vicenza with, inlaid banding and Classical brass hardware. This early 19th-century Italian walnut bedside chest f...

This is a fine example of an English George III period, porcelain serving platter or large oval dish, made by Spode and hand painted in candlelight Pattern 967, during the early 19t...

Multiple Secret Compartments From our Writing Boxes collection, we are delighted to introduce this extensive Captains Campaign Military Writing Box Compendium. The Writing Box comp...

Antique print titled 'Arch of Titus'. Large aquatint of the Arch of Titus'. The Arch of Titus is a 1st century AD honorific arch, located on the Via Sacr...

Early 19th century Swedish painted wall cupboard circa 1822. Fine quality Dalarna region wall cupboard.  Hand painted in orange, reds and greens.  Shaped cornice below which the ini...

Early 19th century hand painted swedish folk art coffer circa 1810. Good quality swedish blanket chest presented in original paint with hand painted floral wreath to the front, init...

Spode New Stone China Dinner Service- Eighty Four Pieces, Pattern #3504, Circa 1820 The service is decorated in an Imari pattern in iron red light and...

This exquisite Biedermeier half cabinet, crafted around 1820, is a fine example of Central European craftsmanship. Made from beautifully grained cherrywood with a warm, honey-toned f...