Late 19th Century Furniture

A rare elegant Japanese vase cast of metal, possibly brass, featuring a baluster shaped body and a wide short neck. The surface is decorated with a delicate image of a thistle flowe...

Beautiful Antique Highly Carved English Oak Hanging Wall or Freestanding Corner Cabinet, Medicine or Spice Cabinet with Interior Shelves Carved double doors with 3 open she...

Limited-edition vintage lithographic reproduction poster of "Le Théâtrophone" by Jules Cheret, published in 1968 by The Sunday Times (London). The print is offered unframed. Ship...

Fine Pair of French Art Nouveau Candlestick Holders, c.1900 A fabulous pair of Art Nouveau candlestick holders dating to around 1900, beautifully crafted with the flowing organic li...

A pair of Japanese cloisonne enameled brass vases. They feature a narrow neck, rounded body, and are decorated with an intricate pattern of floral designs in various colors, and gilt...

Pair Antique Renaissance Revival Ebonized, Gilt & Inlaid Walnut & Burl Stands c1890 Measures - 27 3/4" x 22 1/4" x 22 1/4" A pair of antique Renaissance Revival stands crafted from...

This is an old Japanese drawer. The original red color has balanced with soot from its long use in an old house with an irori hearth, and has turned a natural reddish-brown. The pee...

You walk into your bedroom, it's 1895. As you approach your well appointed vanity, you see it and smile. How could anyone miss this stunning piece of art in glass and sterling, captu...

Originally part of a French balcony, this late nineteenth century hand forged iron console table with beveled marble top was acquired from a chateau in the Loire Valley. The iron bas...

A late 19th century French enameled cast iron parlor heating stove. This antique stove features a tubular shaped body with two doors and a removable Cer...

Elegant French bergère in the Louis XVI style, featuring an arched crest and caned back and sides. The padded back and loose cushion seat provide comfort, while the delicately carved...

An Exceptional Quality Late 19th Century Mahogany Deim Lune Pier Table, Or Console Side Table, Of Very Useful Small Proportions, Having Exceptionally Figured Veneers Throughout, The ...

Elegant pair of French candlesticks in Empire style, circa 1880–1890. Made of finely cast and engraved bronze with a beautiful contrast between the gilded and dark patinated sections...

American Art Nouveau Tiffany style lamp featuring a stained glass shade with a floral design having an ornate metal base and two bulb sockets with pull chains

Beautiful Handmade Religious Ex-Voto A striking and delicately crafted religious Ex-Voto, sourced from an estate sale in Parma, Italy. The piece appears to be made from thin, lightw...

Long a beloved part of Japanese culture, the "fuzukue" (writing desk) originated as a piece of furniture for writing, literally meaning "a desk for writing," and has accompanied quie...

French oak table made in the late 19th century called vineyard's table. The "tables de vigneron" were used by the winegrowers who installed it easily between the rows of vines to eat...

This rare pair of wall lights dates back to the 1890s. They came from a middle-class apartment in Hanover, the state capital. They are made of solid brass and painted white, and the ...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Late Victorian American Walnut Dining Table. Features a rectangular frame with rounded corners over turned legs. The base is foldable allowing the table to be stowed away . Dimens...

An extremely rare and probably unique, tall grotesque figural ewer or spoon/ladle warmer by Robert Wallace Martin for the Martin Brothers dated 1880. The stoneware ewer is of tall cy...

Circa 1880 round extending Regency Revival dining table, English. Of the finest mahogany timbers. 2 leaves - 23.75" & 23.63". This crank extending table expands from amply seating 4 ...

This handsome hand pegged French library ladder from the late nineteenth century is constructed of oak and features a hand rail on the left side, providing stability when climbing fo...

A stunning and beautifully painted antique French porcelain metal mounted trinket box decorated with exotic birds and made by the world-renowned Limoge Porcelain factory and believed...

A finely decorated Chinese Export Rose Medallion porcelain plate dating to the Qing Dynasty, circa 1875. Hand painted in vivid enamels, the plate is richly detailed with alternating ...

A beautiful pair of Japanese cloisonne enamel vases from the school of Goto Seizaburo, Meiji period circa 1890. Each vase is decorated on a rich black ground with an elegant lotus...

This fine and very large French style bakers rack is in fine condition.This rack / shelf has custom made sized glass. This rack is in very good condition. This is the largest bakers ...

Large Antique Hudson River School Oil On Canvas Landscape Painting Signed By T. E. Morelst C1890 Measures - 40 1/4" x 50 1/4" x 4" A large oil on canvas landscape painting by T. E....

Swans on a Quiet Lake – Graceful Antique Bird Chromolithograph c.1880 This serene late 19th-century ornithological chromolithograph depicts a peaceful lakeside scene with swans in different stages of maturity, presented within a broad, open landscape of calm water, grassy banks, and distant trees. In the foreground, an adult white swan glides across the water with its neck elegantly curved, while nearby a grey-brown juvenile swan and an older, darker bird stand at the water’s edge. The composition gently illustrates growth and variation within the species, a common and instructive theme in natural history illustration of the period. The swan, long regarded as a symbol of grace, purity, and tranquility, was a favored subject in 19th-century European ornithological works. The contrast between the bright white plumage of the adult bird and the softer grey tones of the younger swans is rendered with great sensitivity, emphasizing differences in age and development. The surrounding landscape is deliberately understated, allowing the birds to remain the focal point while conveying a convincing natural habitat. Produced using chromolithography, this print displays soft, harmonious coloration and smooth tonal transitions. Pale blues and greens dominate the water and sky, complemented by gentle earth tones along the shoreline. Fine feather detailing and subtle reflections in the water demonstrate the technical quality of late 19th-century chromolithographic printing, which sought to combine scientific accuracy with decorative appeal. This print is ideal for collectors of antique bird prints, waterfowl imagery, and pastoral wildlife scenes. It also works beautifully in interior settings such as living rooms, bedrooms, nurseries, country houses, or calm contemporary spaces, where its balanced composition and soothing palette add a sense of elegance and quiet refinement. Condition report Good antique condition. Light foxing and mild age-related toning visible, mainly in the margins, consistent with chromolithographs of this period. The image area remains clean and well preserved, with no major tears or losses observed. Framing tips Frame with a wide off-white or soft beige mat and a natural wood, walnut, or simple black frame. This enhances the gentle color palette and gives the print a timeless, museum-style presentation. Keywords antique bird print, swan illustration, swans on a lake, waterfowl art...

This powerful Antique Caucasian Kazak Rug is a robust and geometrically dominant tribal textile from the South Caucasus, dating to circa 1880. Measuring 143 x 247 cm (approx. 4'8" x ...

This is a fine antique personal diary repository, originating from Scotland during the Victorian period, circa 1870. This striking book form keepsake case showcases the craftsmanship...

A rare cased lacquered brass vernier sextant by A Heath & Co of New Eltham London, dating from the late 19th Century. With silvered scale, stamped mark and New Eltham, London, with ...

Beautifully Carved Antique French Chestnut Breton Double Door Bookcase, Armoire Bonnetiere, Linen Cabinet Barley Twist with Drawer~~c. 1890s Highly requested classic French...

Exceptional 19th century ornate French brass and glass chandelier, in very fine, original, clean and working condition. This outstanding chandelier features 12 candle lights, each...

Antique Oil On Canvas Painting “The Proposal” Signed By H. Bland Sparks C1890 Measures - 34 1/2" x 29 1/2" x 3 3/4" An antique oil painting titled 'The Proposal' by H. Bland Sparks...

Antique W. & L. E. Gurley Co. Brass Surveyor’s Transit/Theodolite Signed C1890 Measures - 15" x 7 1/2" x 7 1/2" An antique brass surveyor’s transit/theodolite by W. & L. E. Gurley ...

Pair of French Louis XVI Style Carved Footstools. Footstools feature wonderfully aged painted and gilt frames. Each stool displays classic Louis XVI detailing such as fluted tapered ...

Large French Black Forest wood box, circa 1900. 11.8 by 7.3 inches , H / 5.3 inches. Music instruments Jewel box.

19th Century French Louis XVI painted marble top demilune console will make a beautiful accent for an entryway, hall or staircase! Resplendent with stunning architecture and embellis...

A pair of antique Chinese Famille Rose porcelain vases. Each vase has an urn shaped body with a fluted mouth. The exteriors are brightly enamelled with the Hundred Butterflies patter...

An applied bullnose molding creates a step-down edge to the top of this beautiful little chest of four hand-cut dovetailed drawers. The top front corners are chamfered, as are the ...

Discover the timeless elegance of this 19th century Aubusson tapestry in shape of a Valance. Woven extremely finely with precision in wool at a renowned workshops in Aubusson, usin...

This is an original antique oil on plate landscape painting estimated to be from the late 1900s. The painting displays a romantic scenery in the forest with a small arched bridge cr...

Victorian milk glass vase with hand painted enamels and gilding - featuring birds and foliage - unsigned - United Kingdom (likely) - late 19th century...

19th century hand painted swedish pine side table circa 1880. Lovely traditional swedish side table in original striking blue paintwork. Rectangular slightly over-sailing top with ...

A refined late-19th-century French Louis XVI style dining table sourced in Provence. The oval top is beautifully crafted with chevron-laid rosewood veneer and a central floral marque...

English ironstone platter circa 1890. Chinoiserie or Imari style, decorated with flowers.

This is an antique copy of Sixty Years a Queen by Sir Herbert Maxwell Bart, published in 1897 to commemorate Queen Victoria’s Diamond Jubilee. This richly detailed royal record chron...

This coffee table is made from an old Japanese mortar. It is made of zelkova wood and is thought to date to the Meiji period. The harmonious black color, which has naturally change...

A 19th century French faux bamboo hall tree with small mirror and six large hooks for coats and hats. Made of beech wood with turned spindles and decorative finials. Missing the zinc...

Antique table lamp or wall sconce by William Arthur Smith Benson, England, ca.1900. Glass, bronze and brass. Very fine shade in vaseline glass. Bronze and brass fixture. Can be used...

French Majolica bird swallow plate signed Sarreguemines, circa 1880.

A fine set of a lacquer kiseruzutsu (pipe case), tabako-ire (tobacco pouch), and kiseru (pipe), signed on both the Pipe and Pipe Case. Decorated with a sake gourd suspended from a ma...

Large 19th-Century Staffordshire Pottery Spaniels, 14.75" High, Exceptional Scale Expression A striking and unusually large pair of Victorian Staffordshire pottery spaniels, d...

Antique Walnut 3-Drawer Marble Top Commode With Carved Pulls C1890 Measures - 33 3/8" x 39 5/8" x 17 1/2" An antique walnut commode from cir...

Rare Antique Balinese Carved Teak Door in Original Frame, circa 1900 A rare antique Balinese carved teak door with its complete original frame, dati...

Offered is an absolutely stunning, 1890s or older wall console or shelf. Minor patina gives this piece a classy statement. Made of hand craft wood and gilded. Use just as a decorativ...

Antique Traditional German Lidded Glass Jug Beer Stein Pewter Porcelain German Glass, Pewter, Porcelain Late 19th Century Dimensions: H x D: 18cm x 14cm Crafted in the late 19th century, this German beer stein exemplifies the enduring tradition of the classic drinking vessel. Beer steins originated in 14th century Germany, when new sanitation laws required beverage containers to have lids to prevent contamination. This led to the creation of the lidded stoneware mug with a thumb lever for ease of use, eventually known as the beer stein. From the 16th to the 18th centuries, German artisans refined the craft, producing beautifully decorated examples made from stoneware, pewter, glass and porcelain. By the 19th century, beer steins had become both practical drinking vessels and artistic expressions of German culture, often featuring intricate reliefs and regional or historical themes. Their popularity spread throughout Europe, reflecting not only the rich brewing traditions but also the artistry and craftsmanship of the era. The present example features a glass body adorned with circular cut facets throughout. Its bulbous handle provides a comfortable grip and is topped with a pewter lid. The lid’s porcelain plaque displays a transfer-printed scene depicting a man standing on the edge of a cliff with a rifle, gazing towards his hunted prey. Scenes such as this were popular at the time, emphasizing German pride and the fine craftsmanship for which these steins became renowned. The thumb lever, cast in the form of a mask surrounded by scrolling motifs, is generously sized to make lifting the lid effortless. With its intricate porcelain plaque and finely faceted glass body, this antique stein...

A gorgeous antique Eastlake Victorian two-door step back bookcase cabinet In the manner of Herter Brothers USA, Circa 1880s Carved walnut, with burled walnut panels, glass front d...

An antique Victorian Eastlake marble top coffee table. Features a rectangular form made from walnut with burled panels and carved accents. The ta...