Art Deco More Carpets

With a touch of timeless retro glam, Art Hide’s Astila skilfully combines luscious natural cowhide tones of natural grey with dyed greys and a bold combined...

Our stunning new Olio rug is an exciting new development from Art Hide that skilfully blends a mix of grey, light caramel and taupe premium hide with lush grey and beige high-quality...

Part laid back and part packing a punch, define your ultimate style with the charismatic Nueva Raya in pink! This stunning rug offers your space a whole lot of personality with natur...

A room-size tradtional Chinese rug with a rare pumpkin color ground Measures: 9' x 11'6''.

77463 Oval Antique Chinese Art Deco Rug, 02'06 x 04'05. An exquisite celebration of ornamental refinement, this antique hand-knotted Chinese Art Deco rug represents an extraordinary ...

A vintage Chinese Art Deco room size carpet handmade during the Mid-20th Century. Measures: 8' 11" x 11' 7".

A vintage Persian Tabriz throw rug, with an Art Deco style geometric pattern, handmade during the mid-20th century. Measures: 3' 6" x 5' 8" Persian rugs carpets: Persia (Iran) is a moderately large country with a very long history and an enormous art/craft/industry built around the handmade carpet. Until the discovery of oil, carpets were the largest Persian export. The craft goes back to ancient times, although the history is more broken than one might expect or desire. The Pazyryk rug...

51952 Distressed Vintage Turkish Sivas Rug, 03'09 x 06'08. Immerse yourself in the quiet grandeur of this hand-knotted wool distressed vintage Turkish Sivas rug—a textile that transc...

Decorated with a unique colour pallet of gold, red and deep blue this fantastic wool rug is sure to uplift any room it's introduced to. Featuring a detailed all-over medallion with a...

The reality weave features curved organic shapes mixed with clean contrasting lines. This bold and modern style is the perfect hero piece for any space. This soft, sophisticated and ...

Large tribal carpet or rug with magnificent vivid colors and interesting Art Deco motifs. A wonderful example displaying a vibrant tribal sensibility, carpets like this also draw upo...

A vintage Persian Art Deco style Mahal rug in runner format handmade during the mid-20th century. Measures: 3' 5" x 14' 3".

A vintage Chinese Art Deco rug handmade during the mid-20th century predominantly in red, green, and antique white, and with accent colors in silver, beige, pink, blue, and orange , ...

77408 Antique Chinese Peking Rug with Chinoiserie Style and Pagoda Design 08'03 x 09'07. This hand-knotted wool antique Chinese Peking rug features a large pictorial scene of a pagod...

Deep red field Chinese Deco Nichols rug. Bright colored floral design in two corners. One or two small discolorations (shown) but truly nice overall condit...

A fine antique Ningxia blue and beige handmade silk rug. This contemporary silk rug exudes a truly joyful aura. Its design is based on geometric figures regularly located on the e...

An antique Chinese Ningxia square throw rug handmade during the early 20th century. Measures: 2' 3" x 2' 4" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

A vintage Turkish Art Deco style room size carpet handmade during the mid-20th century. Measures: 9' 10" x 13' 7".

52006, Zeki Muren Distressed Vintage Turkish Sivas Rug With Industrial Art Deco Style, 06'00 x 08'11. This distressed vintage Turkish Sivas rug with modern Industrial Art Deco style ...

This Orley Shabahang jellyfish Persian carpet from the Art Deco collection measures 10’ x 13’4" and depicts an abstract aquatic scene of jellyfish gently floating through the ocean. ...

A rare and unique modernist oriental rug, distinguished by an ivory open field partially embellished by groups of three stylized fish in a rich burgundy red. The arrangement of these...

77122, vintage Turkish Oushak rug with modern Luxe style and bold Art Deco design. Combining hard angles, a bold geometric pattern, and symmetry, this hand-knotted wool vintage Turki...

A vintage Turkish Anatolian Art Deco style room size carpet handmade during the mid-20th century. Measures: 9' 2" x 11' 3".

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 3' 1" x 4' 11".

Earthy, natural and calming, the Desnudo is a beautiful, versatile design combining rich, textural and warm tones. The Desnudo is created from premium Argentinian cowhide leather,...

The luxurious Faceta is a sumptuous, elevated statement piece. With its fragmented proportions and tonal, unexpected, irregular shapes, this is covetable style defined. The Faceta...

Immerse yourself in relaxed opulence and evoke Classic glamour with the stunning new Optico from Art Hide. Think Mad Men Art Deco meets 1970s iconic rock star glam, and you’ve nailed...

An antique Chinese Peking long gallery carpet handmade during the early 20th century in shades of cream and blue. Measures: 5' 9" x 16' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century in shades of green and cream. Measures: 9' 0" x 11' 10".

A vintage Persian Mahal accent rug handmade during the mid-20th century with an Art Deco design inspired by Edward McKnight Kauffer.

A vintage Persian Kashan small room size carpet, in the Art Deco style, handmade during the mid-20th century. Measures: 7' 5" x 11' 4".

A vintage Turkish Anatolian Art Deco style rug in runner format handmade during the mid-20th century. Measures: 1' 11" x 8' 1" Turkish Rugs Carpets: Until the Great Persian Carpet Revival in the later 19th century, the “Oriental rug” was Turkish. For nearly six centuries, Turkish rugs, both scatter, room size, and even larger, thoroughly dominated the European import market. Whereas the Persian carpet can be divided into urban, village, and tribal types, in Turkey and its predecessor the Ottoman Empire, rugs almost exclusively came from village weavers and from a small number of urban workshops. Ninety percent village, nine percent city, one percent tribal. Turkish weavers have, with very few exceptions, always worked with the symmetric (Turkish) knot. Wool foundations are standard practice among both town and village weavers. The exceptions, very finely woven 20th century and recent Herekeh silks from near Istanbul, and early 17th century Ottoman Court rugs from Bursa, constitute only a tiny part of the total. Always pricey, they appealed and still appeal to the clients who want lots of knots and perfect execution instead of individual personality. The urban workshops have been centered around the western Turkish city of Oushak and its attendant port town of Smyrna. Oushak weaves with the trends in fashion. When color saturated medallion carpets were needed, Oushak was ready in the 17th and 18th centuries. When coarse red and blue carpets...

Hand knotted rug from Spain Carpet from Cuenca – Antique Spanish Rug with Historical Significance Discover the fascinating world of Spanish rug craftsmanship with our high-quality carpets from Cuenca. These unique pieces combine centuries-old artisanal skills with Spanish history and are true works of art for your home. Cuenca, a picturesque city in central Spain, is renowned for its rich cultural tradition and its significant role in carpet production. The region has a long history of creating high-quality textiles dating back to the Middle Ages. The carpets from Cuenca are characterized by their intricate patterns, durable materials, and meticulous handcrafting. Historically, Cuenca was an important center for Spanish rug art, closely linked to the Royal Tapestry Factory in Madrid. Founded in the 18th century, the Real Fábrica de Tapices played a central role in producing magnificent carpets for royal palaces and important institutions. The tradition of this royal tapestry factory lives on in the antique Spanish carpets from Cuenca, reflecting the high quality and artistic design Spain is famous for. Our antique Spanish carpets from Cuenca are not only impressive decorative pieces but also valuable collectibles with a touch of history. They bring a regal elegance to your living room or bedroom and are an excellent choice for lovers of traditional Spanish craftsmanship. Immerse yourself in Spain’s history with an authentic carpet from Cuenca – a luxurious, timeless piece that combines history and craftsmanship in your home. Design: allover Length: 11 ft / 335 cm Width: 10 ft / 305 cm Color: Yellow, Brown, Black Material: wool Material (Warp): 100% Jute Age: Vintage, circa 1940/50's Condition: Good with age-related patina and restorations. Shape: Rectangular Fringes: No Underfloor heating: Suitable A beautiful Cuenca Spanish...

A vintage Chinese Peking throw rug handmade during the mid-20th century with a cream border and light blue field. Measures: 2' 6" x 4' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

Traditional Bakhtiari textiles dating back centuries actually provided the inspiration for this design, not the New York landmark from which it derives its name. The simple patternin...

A vintage Turkish Art Deco style small room size carpet handmade during the mid-20th century. Measures: 7' 8" x 9' 6".

With dramatic geometry and bold shapes, the decadent new Curvo evokes old-school midcentury glamour. The desert sunset inspired retro shrimp color recalls glamorous Palm Springs vintage...

With dramatic geometry and bold shapes, the decadent new Curvo evokes old-school midcentury glamour. The desert sunset inspired retro shrimp color recalls glamorous Palm Springs vintage...

With dramatic geometry and bold shapes, the decadent new Curvo evokes old-school midcentury glamour. The desert sunset inspired retro shrimp color recalls glamorous Palm Springs vintage...

The incredibly elegant Sueno rug is a contemporary take on a traditional Persian rug, but with a twist. The gorgeous woven patterns on the rug are created using a unique tiling...

A terracotta, 1970s Palm Springs inspired update on our luscious Trilogia design. This rug is guaranteed to will reinvent and refresh your interior like nothing else. Out of this world and glam on a major scale! The rugs are pieced together using commercial grade nylon thread. It has a ribbon edge finish. Size guide...

Art Hide's elegant Mosaica rug now has a second beautiful colourway called Lilac Ash. We actually created this colour especially for our client Farah in New Jersey, and it was so pre...

The Oleada is a striking yet free flowing, soft geometric pattern, creating a laid back elegance. Our new lab dipped muted colours for this style inspired by desert succulents and s...

Art Hide's best selling Hornet now has two beautiful new colours - Moss and Blue. The Moss Hornet features splashes of Moss, Khaki and Charcoal against a backdrop of natural greys, w...

The retro, science fiction inspired Hornet features bold pops of vibrant color with luxe gold detailing. Playful yet evocative, the Hornet takes its cues from the rich colors of t...

Midnight blue & Charcoal are the headline colours in our alluring new Blue Hornet. Striking gold dusting features across the rug contrasting with the deep, moody blues. The retro, sc...

A striking, Stand-out design contrasting deep, shiny black with rich, creamy white for maximum impact. The Degradé is created from premium Argentinian cowhide leather, cut and joi...

Fun, new Minimalist Scandi inspired rug, the Dalmata, features black and white Argentinian cowhide tiled into a Dalmatian style pattern. Small measures 2 x 14.m (4’6” x 5’9”). Large ...

Reinvent your space with the bold graphic design of Art Hide’s Buenos Aires rug that’s a twist on the Classic monochrome. The Buenos Aires is created from premium Argentinian cowh...

There’s just something timeless and sophisticated bout this design, as testified by its enduring popularity with Art Hide’s loyal customers. The Division brings a feeling of warmth and texture to an interior through its calm and considered palate. Minimal, yet definite in its design, this is a distinguished heritage rug...

Literally the jewel in the crown, this luscious Trilogia will reinvent and refresh your interior like nothing else. Out of this world and glam on a major scale! Art Hide cowhide r...

Literally the jewel in the crown, this luscious Trilogia will reinvent and refresh your interior like nothing else. Out of this world and glam on a major scale! Art Hide cowhide r...

Literally the jewel in the crown, this luscious Trilogia will reinvent and refresh your interior like nothing else. Out of this world and glam on a major scale! Art Hide cowhide r...

Literally the jewel in the crown, this luscious Trilogia will reinvent and refresh your interior like nothing else. Out of this world and glam on a major scale! Art Hide cowhide r...

Relax with the sublime – yet relaxed and sophisticated – coastal vibe of the new blue colourway of Art Hide’s best selling Nueva Raya style. Perfect for bedrooms, chill out spaces...

Relax with the sublime – yet relaxed and sophisticated – coastal vibe of the new blue colourway of Art Hide’s best selling Nueva Raya style. Perfect for bedrooms, chill out spaces an...

Relax with the sublime – yet relaxed and sophisticated – coastal vibe of the new blue colourway of Art Hide’s best selling Nueva Raya style. Perfect for bedrooms, chill out spaces an...

Relax with the sublime – yet relaxed and sophisticated – coastal vibe of the new blue colourway of Art Hide’s best selling Nueva Raya style. Perfect for bedrooms, chill out spaces an...

Relax with the sublime – yet relaxed and sophisticated – coastal vibe of the new blue colourway of Art Hide’s best selling Nueva Raya style. Perfect for bedrooms, chill out spaces an...

Relax with the sublime – yet relaxed and sophisticated – coastal vibe of the new blue colourway of Art Hide’s best selling Nueva Raya style. Perfect for bedrooms, chill out spaces an...