Iron Armchairs

This early 1950's pair of armchairs by Hauner for Móveis Artesanal is amazing and super rare set of chair. The design for these armchairs resembles the Executive Armchair by Saarinen...

His & Her are complementary collections whose aim is to affirm the brand´s aesthetic. These two collections are inspired by artistic movements from the beginning of the 20th century,...

2 armchairs It is repainted before delivery. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disp...

Designed with comfort and design in mind, the Much chair with wooden arms is a versatile chair that offers a unique and elegant solution for your home. Crafted from a sturdy black e...

Periodo del design 1950 - 1959 Anno 1950 Periodo di produzione 1950 - 1959 Paese di produzione italia Stile Mid-Century Stato Molto buono Restauro e condizioni dettagliate L...

Rare and fantastic selrite three-seat settee with red wool upholstery. Also have nine dining armchairs out of the same estate. Would look great in kitchen or dining room

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Set of armchair and footrest Manufactured by Forma Moveis,  Brazil, 1950 Iron structure, fabric upholstery Pair of purple velvet Mid-century modern velvet armchairs made in Brazil. Measurements: 100 cm x 60 cm x 70 H cm (armchair) 39.37 in x 23.62 in x 27.56 H in (armchair) Literature Brasilian modern: The rediscovery of 20th century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 (similar model). Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair model “Shell” Manufactured by Forma Moveis Brazil, 1950 Iron structure, fabric upholstery Measurements 70 cm x 78 cm x 74h cm. 28 in x 27,5 in x 31h in. Literature Brasilian modern: The rediscovery of twentieth-century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

During the Palazzo Monti artist residency, Fredrik Paulsen collected scrap material as souvenirs from the workshops they visited during the residency. By combining them with custom metal beams developed together with local artisans, he wanted to celebrate the ad-hoc furnishings often used on the workshop floor. The use of color is based on the green doors...

Handmade Trono Del Re Del Vento by Le Meduse Unique piece Dimensions: W 95 x D 55 x H 113 cm Materials: Iron, Exotic Woods, Red-Lacquered Boxwood. Each model is unique because ...

1950s Set of Six Iron Chairs Painted in Blue

Dino armchair by Jaime Hayon Dimensions: D 90 x W 74 x H 111 cm Materials: A rigid polyurethane structure covered with polyether foam cushioning and polyether foam headrest, seat ...

Dino Hayon edition red armchair by Jaime Hayon Dimensions: D 90 x W 74 x H 111 cm Materials: Main body made of rigid polyurethane covered with polyether foam cushioning. A fixed h...

Deck chair with footrest made of painted metal rod. C1950s chair 82x95x61 cm footrest 35x60x54.5 cm Defects

Pair of armchairs with lacquered iron structure in black. Seat, backrest and armrests in teak wood.

Extremely rare armchair in white rattan (original painting from the fabric) in an elliptical format, made over an iron structure with cufflinks. This model was featured in several publications of the time, above it is in an "Casa Jardim...