Brazilian Seating

The Sotto bar height stool by Uultis Design is a refined expression of modern Brazilian craftsmanship, blending sharp geometry with luxurious comfort. Crafted from solid wood and finished in a rich matte black, the stool’s silhouette is clean and architectural, with subtle curvature that softens its strong lines. The seat and backrest are padded with medium-density foam and upholstered in black faux leather, offering supportive comfort with a sleek finish that’s easy to maintain. Ideal for contemporary kitchen islands, breakfast bars, or upscale commercial environments, the Sotto stool...

Original Condition

This classic 1970's Brazilian Modern sofa has leather webbing support and olive green leather cushions. Lacquer finished rosewood frame. Professional, skilled furniture restorati...

A black-painted iron and cane rocking lounge chair designed and produced in Brazil, c. 1950s. Heavy oxidation to iron legs and frame. Overall Dimensions (inches): 33.625” H x 31.5”...

Available today, this Mid-Century Modern swivel armchair in metal & black leather was designed by Jorge Zalszupin and manufactured by L’Atelier Moveis in 1970 and is stunning! The name of the model is “Low Commander” and has become an icon of Brazilian Modernism recently. This armchair was conceived to attend Brazil’s growing market of office furniture. The first model (with casters) was developed in 1973 and latter then, a fixed model. The armchair consists of a seat/back made of fiberglass where the black leather rest. The armrests and feet are in well-made cast aluminum pieces. Not only beautiful but well designed, this piece is also known for its comfort, with a reclining mechanism and a swivel base. The piece has the heritage plaque under the seat. The armchair has been reupholstered in black leather with some of the finest upholsters in Rio de Janeiro and the aluminum polished. Besides the marks of age, the piece is in excellent condition. A beauty like this will look awesome in any Mid-Century Modern, Modern or contemporary office or home office. Literature (attached images) • Jorge Zalszupin book, p.217 • L’Atelier spec sheet from the 70s • Product catalogue from the 70s • Vintage publications About Jorge Zalszupin: A native of Warsaw, Poland, studied architecture at Bucharest’s Ecole des Beaux Arts. While working as an architect in Paris, he found inspiration in articles about Brazilians Oscar Niemeyer and Roberto Burle Marx and immigrated to Brazil. His work as an architect created a demand for decoration and furniture proposals that suited the style of his projects and, for many years, Zalszupin designed and executed them for his clients. The demand was as great as the desire to grow and expand his business, and he then decided to found Atelier Móveis in November 1959. A significant part of Zalszupin's furniture production is tributary to his architecture. He used new design language and tendencies, while maintaining a functional view of Ambience for internal spaces. L’Atelier was a design collective of architects, engineers, craftsmen, and a full-scale team of professionals that did everything from researching materials to finalizing the product. Jorge Zalszupin has developed some of the most iconic models in Brazilian Modern furniture and has grown a lot in popularity in the last few years. The “Petala” Coffee table, “Paulistana” armchair or the “Brasiliana” sofa...

Jolie set de six chaises par Joaquim Tenreiro ( possibilité de douze) Tout est d’origine.

This pair of armchairs, created in the 1970s by the designer Percival Lafer is extremely comfortable and is capable of bringing a sense of personality and style to any decor. The str...

Refined and inviting, this sofa embodies Joaquim Tenreiro’s commitment to lightness and modern proportion. Its curved profile and tapered jacarandá legs lend the piece a quiet sophis...

A rare opportunity to acquire a pair of "Gaivota" seagull armchairs, produced by the Ricardo Fasanello Studio, in Rio de Janeiro Brazil. The bold lines, yet visually pleasing propor...

A Sotto teak wood bar stool designed by Uultis Studio with gray fabric upholstered seat and cane back. *Please check availability prior to purchase*. The Sotto bar stool is a refine...

A pair of wood, leather and fabric slipper chairs designed and produced in Brazil, c. 1960s. Overall Dimensions (inches): 27.75” H x 25.4” W x 26.4” D Seat Height (inches): 18” Al...

Contemporary tropical bench made in freijó or "Brazilian 'walnut" hardwood and natural ramie cord. The rope which draws the arms and the backrest of ...

This mid-century lounge chair, designed by Italian-born Brazilian designer Giuseppe Scapinelli in the 1950s, exemplifies the bold yet elegant characteristics of his designs. Known fo...

Extremely rare 'banco revisteiro’ designed by Jean Gillon and manufactured by Italma Woodart in Brazil in 1965. Beautiful slat bench made from solid rosewood with its red/brown warm ...

Dry chair collection. The Dry chair concept is to work in a mixture of distinct references resulting in a modern classic in a dance between the retro and the modern. A heavy and i...

Jorge Zalszupin / Cubo Lounge Chair With Original Label / Wool, Wood Brazil, 1970s Designed in the 1970s, the Cubo collection consists of sculptural seating and tables defined by bo...

Brazilian rosewood bench designed by Sergio Rodriguez crafted of solid, dark brazilian rosewood and upholstred in the original black vinyl. Sturdy.

Scarce easy chair by Lina Bo Bardi. Nice patina.

This armchair is the result of several experiences with hand-woven natural fiber rush. On this armchair project we focused on exploring the in numerous possibilities of contrast and ...

Single armchair Designed by Lina Bo Bardi Manufactured by Pau Bra Brazil, 1959 Measurements 56 cm x 72 cm x 79h cm 22 in x 28,5 in x 31h in Provenance Private collection, Sao Paulo

A black-painted iron and rattan stool designed and produced in Brazil, c. 1950s. Heavy oxidation to iron legs, light discoloration to wicker backrest. Release to wicker, light touch...

This lounge chair is an unique piece in pequi wood made in Brazil in 2017, by contemporary designer Hugo França, famous for his sculptural furniture using reclaimed wood and preserving the organic forms of the tree. This piece was originally a canoe manufactured by the Pataxó indigenous people, in south of Bahia, Brazil. In the early 80s, Hugo França abandoned his previous career as an industrial engineer in São Paulo to be closer to nature, moving to Trancoso, Bahia. Witnessing from up-close the rampant destruction of the local Atlantic Forest greatly impacted him, motivating his current work as a designer. França reverences the very trees salvaged by him as his main inspiration; he works intuitively, allowing his creative process to be guided by each tree’s organic...

Mid-century cylindrical armchairs, designed in Brazil circa 1970 by an unknown designer. Each armchair features a unique hammock-like structure of connected wooden slats, supporting ...

The Orixá armchair is a masterpiece of design that showcases the unique style and creativity of Ronald Sasson. The armchair is an embodiment of comfort a...

Original Condition

The Velo armchair by Uultis embodies sculptural simplicity, crafted entirely from sustainably sourced teak veneer. Defined by its dynamic silhouette, the Velo features an organically...

Evo chair collection. Our Evo collection is based in the harmonic fusion between geometrical forms and the modern interpretation of wood archetypes.  All elements that compose ...

A lounge chair designed by José Zanine Caldas for Mòveis Artísticos Z, Brazil, in 1949. It features Imbuia plywood, brass, and black-dyed leather w...

The Aurora collection aka Dawn marks a new exiting moment in our design history, in where we dove deep in to the creativity unknown, to create a collection that would be able to hold...

A pair of black-painted iron and yellow plastic band garden lounge chairs designed and produced in Brazil, c. 1960s. Very light oxidation to iron legs. Overall Dimensions (inches):...

Trator Stool With Backrest in Cast Brass by Studio Orth Dimensions: D 44 x W 46 x H 52 cm. Materials: Cast brass. Available in cast brass and aluminum finishes. Prices may vary. Pl...

Solid wood, processed in large width and thickness dimensions, and it adds life to this piece of straight and modernist shapes. In its artisan production, traditional woodworking ...

This pair of Imbuia Lounge chairs was designed by Martin Zipperer in 1950 and manufactured by the Brazilian company Móveis Cimo, a pioneer in Brazilian furniture industrialization. I...

Rare 1950s John Louis Graz Chaise Longue, Inset Woven Raffia Offered for sale is a rare chaise longue attributed to the Swiss born designer John Louis Graz (1891 - 1980). Graz moved...

Original condition.

A Shell dining chair designed by Sérgio Batista for Uultis with walnut finish, upholstered in ivory fabric. The Shell dining chair is a stunning fusion of elegance and functionality,...

The inspiration for the design features comes from the Italian name Pietra: The translation Stone, an element of organic nature that brings a feeling of biophilia and well-being to t...

Blending timeless elegance with modern ergonomics, the Sotto Counter Stool by Uultis is crafted for those who value design and function in equal measure. Its chocolate-hued solid woo...

The Pudica Chair (MMXVI) is an artefact that seeks syncretism between the rationalist style of the early twentieth century and the Brazilian colonial expe...

Polished Cast Brass Monobloco Armchair by Studio Orth Dimensions: W 58 x D 50 x H 71 cm Materials: Cast metal. About: Studio Orth is a multidisciplinary furniture and interior des...

Minimalist beech armchair attributed to Otto Gerdau for Cimo (Brazil), featuring its original black cotton sling seat and an added vintage wool flokati throw styled over the sling. T...

The Wave chaise lounge by Uultis merges sculptural design with luxurious comfort. Crafted from richly grained imbuia wood and upholstered in soft beige leather, this indoor chaise...

Dating back to the 1970s, this "Cuiaba" dining chair with armrests designed by Sergio Rodrigues has been meticulously restored and remains in excellent condition. Crafted from Brazil...

This rocking chair by Liceu de Artes is a strong example of 60s Brazilian design, combining a solid rosewood frame with a suspended natural leather seat and headrest. The chair featu...

The movement of stars around planets—drawn together, orbiting in graceful circles—felt like the perfect inspiration for our brand-new armchair launched this year in collaboration wit...

A pair of Zani dining room chairs designed by Sérgio Batista for Uultis, with walnut finish and light brown upholstery. *Please check availability prior to purchase*. This elegant pair of Zani dining chairs embodies the perfect blend of style, comfort, and quality. Featuring a sleek walnut wood finish, the chairs are upholstered in a pet-friendly, high-performance Anchor Grey fabric, providing both durability and sophistication. The light brown upholstery on the backrest is complemented by a hand-woven cane detail, enhancing the chair's visual appeal while allowing for natural ventilation, ensuring maximum comfort for the user. Designed to bring a touch of elegance to any dining space, the Zani dining chairs combine traditional craftsmanship with modern sensibilities. Their ergonomic design, including a supportive seat and backrest, ensures a comfortable dining experience, while the sustainable materials used reflect a commitment to environmental responsibility. The rich walnut finish adds warmth to the chairs, making them an ideal match for various dining room aesthetics. Perfectly suited to pair with a variety of dining tables, these versatile chairs offer endless styling possibilities. Delivered fully assembled and sold as a set of two, the Zani chair...

Percival Lafer Vintage MP-25 Sofa Brazil, 1967 *Matching Armchairs Available* The MP-25 model, designed by Percival Lafer in 1967, combines elements from earlier models: the MP-13 ...

Available today, this Brazilian Modern “Jangada” lounge chair with stool in hardwood & leather by Jean Gillon designed in the 1960s is absolutely gorgeous! The chair's name, "Jangada," was named after the small rustic fishing boats used by fishermen along the northern coast of Brazil. The “purplish” tone of the wood chair contrasts nicely with the iconic caramel leather upholstery, adding to its luxurious and elegant appearance. The upholstery took three months to make and was done by some of the best upholsters in Rio de Janeiro following Gillon’s upholstery methodology (as is showcased in the vintage publications attached). Remains of the manufacturing seal can be seen in the wood base. The nets are new. Owning a "Jangada '' lounge chair is not just about acquiring a beautiful piece of furniture; it's also about possessing a part of Brazilian design history and culture. This chair is a testament to Jean Gillon’s creativity and vision, and it would make an excellent addition to any interior space that values and appreciates the significance of this design. Beyond its physical beauty and unique design, the "Jangada" lounge chair also embodies the Brazilian spirit, an specific aspect of Brazilian Modernism that can be seen in other brazilian icons like Sergio Rodrigues, the Tres Pies chair of Joaquim Tenreiro or the Canoa sofa of Liceu de Artes e Oficios. The gorgeous set is showcased in our showroom next to a Novo Rumo rosewood credenza, a bar cart designed by Geraldo de Barros and the convo looks nothing less than spectacular Size: H32.5, W36, D41.5, SH15.5 (in) H82.5, W91.4, D105.4, SH39.4 (cm) Jean Gillon is a Brazilian furniture designer born in Romania in 1919. He studies at the Architecture and Fine arts Schools at the National University. He founded his first company Fábrica de Móveis Cidam in 1961 after emigrating to São Paulo, Brazil in 1956. Gillon's firm designed many luxury hotels throughout Brazil and homes and stores. He was known for his one of a kind tapestries. His second furniture company, WoodArt, produced full lines of Brazilian rosewood furniture...

Pair of Mid-Century Modern Brazilian rosewood tan leather upholstery foot stools benches.

The Trapézio four-seater bench merges architectural precision with modern elegance, making it a refined choice for residential or commercial spaces. Crafted from sustainably sourced ...

This stunning set of eight MT 552 chairs, designed by Geraldo de Barros (1923-1998) and produced by Unilabor, features solid Hardwood frames complemented by cane backrests and seats....

These very rare and documented set of Percival Lafer 'MP-75' lounge chairs, designed and produced in the 1970s. This rare set of four (4) lounge chairs which feature Brazilian Rosewo...

This beautiful set of 8 chairs showcases a refined Caviuna frame with fabric seats, blending lightweight design with remarkable strength and durability. Their Brazilian modern style ...

Pair of modernist chairs by the pioneer of Carioca design Sérgio Rodrigues, in ebonized beech wood covered in velvet. The chairs synthesize a unique combination of Shaker, De Stijl a...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

Porto low tables are composed of a circular top that seems to rest on a sturdy oblong base. Lightness and weight overlap creating a harmonic and unconventional monoblock. The unagreement between the geometry of the elements generates irregular pieces capable of evoking movement, as they elude the gaze, changing according to the viewing angle. The tables give continuity to the Porto collection, whose inspiration comes from the weight and scale...

Wood, Brass and Glass Poltrona Canoa by Atelier Andre Ferri Dimensions: W 57 x D 60 x H 69 cm. Materials: Wood, Steel, Brass. ANDRÉ FERRI André Ferri is from Belo Horizonte, bor...

Canapé concha by Joaquim Tenreiro circa 1950, La tapisserie n’est pas dans une belle condition.

Introducing an ultra-rare "Amazonas" lounge chair designed by the incomparable Jean Gillon for Italma Wood Art. This now iconic chair is the epitome of Brazilian or Tropical Modern D...

With their refined silhouette and thoughtful detailing, this pair of Sotto dining chairs exemplifies the Uultis commitment to quality, comfort, and design integrity. Crafted in teak ...