American Settees

From our US Based custom upholstery and tannery workshop, this Chesterfield sofa is customizable and made with one of our many available types of leather. Available with a weathered ...

A molar settee or loveseat designed by Wendell Castle and manufactured by Beylerian, circa 1970s. The molar series is a playful design from Wendell Castle...

An elegant and perfectly sized settee. Beautiful as is, or ready for your customization. Pictured here in wool, mineral and medium French finish walnut.

Ryan Dart is no ordinary designer.This year winner at the New York AD show "Best in Design" 'Above, The Quarry Collection Settee,fine craftsmans...

A very nice 1950 sofa by royal metal company, it has the original fabric, and it is in very good condition, the sofa has the style of Warren MC Arthur, we ha...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

1960s Vintage Wendell castle molar sofa white fiberglass organic midcentury Beautiful fiberglass molded settee by Wendell castle from the 1960s. ...

Small Settee in the neoclassical taste Boston, Massachusetts (active 1804–17), about 1810 Mahogany (secondary woods: ash) Measures: 35 1/8 in. high, 59 3/4 in. long, 19 1/8 in. deep Although the diminutive scale of this settee places it in a unique category, the piece itself partakes of a vocabulary that is common in Boston furniture of the Late Federal period. Its sabre legs, for example, as seen straight on from the left and right ends, are closely related to the legs, as seen from the front, on a group of chairs of undisputed Boston origin, including a spectacular armchair with scrolled arms (see Stuart P. Feld, Boston in the Age of Neo-Classicism, 1810–1840, exhib. cat. [New York: Hirschl & Adler Galleries, 1999], p. 37 no. 6 illus. in color), as well as a number of side chairs, including a set made for Nathan Appleton (see Page Talbott, “Boston Empire Furniture, Part I,” The Magazine Antiques, CVII [May 1975], p. 887 fig. 12). In all, the legs are ornamented with two bold, somewhat flattened reeds set between corner beads, a pattern which is repeated here on the front and end seat rails as well. The superb quality of the piece is further demonstrated in the finely drawn profile of the arms, as well as the delicately bulbous surface of the fronts of the arms and legs. As in the best of the related chairs, the sabre legs end in delicately carved paw feet. The added refinement of the beautifully carved rosettes at both the fronts and backs of the arms suggests that the piece may have been designed to be used in the round. Stylistically harmonious with these pieces is also a group of larger sofas with frontally set sabre legs and scrolled arms (see Page Talbott, “Seating Furniture in Boston, 1810–1835,” The Magazine Antiques, CXXXIX [May 1991], p. 963 pl. 11) that represent an indigenously Boston form. Although none of the furniture in this group has been effectively attributed, they can certainly be related to various Boston card tables...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

The Havana bench shown here in blacked walnut and figured bubinga can be made in custom sizes and various wood combinations and finishes. The same design details apply to all possible variations. The Havana bench also listed separately features a blackened solid walnut base with a sculpted and bowed stretcher supporting a "floating" seat made of solid figured English elm. The elm seat is comprised of two pieces derived from on long plank. Each piece was selected and cut to reveal the best overall grain pattern with the richest unified composition of the"pippy" figure. The top is cerused with lime wax in order to create a stunning contrast within the top itself and also with the blackened walnut base. The rich organic patterning on the top is a pleasing counter balance to the strict structure of the base. Each element is shaped, joined and finished so as to create a united design. The Havana bench is designed and made at the Black Creek...

The renowned designer Paul Mathieu has re-interpreted this classic form. Originating in 16th century France and known as a “Chaise Longue”, or “long chair”, it was adopted by the Bri...

Green say sofa by Gentner Design Dimensions: D 271 x W 86 x H 63.5 cm Materials: fabric COM available. Strong formal lines and geometric shapes seem like puzzle pieces that com...

This fabulous high-back Hush two seat sofa takes inspiration from the classic wing-back chairs style. Designed to be comfortable and supportive but with an upright positive seating ...

Fleurdetroit presents for your consideration this lovely and delicate settee. Delicate hand-painted early (American folk?) settee. We are uncertain and therefore can not verify that this piece is indeed European. We have seen several examples closely resembling this settee in early Sotheby sales from English Country Home...

An elegant whitewashed wood frame upholstered French Provincial armless settee. The diminutive size, 44 inches long with a newly covered linen seat with brass nailhead trim. there ...

A "gutter back" settee / sofa in grey wool on splayed oak dowel legs.

An armless settee on laminated mahogany "sled" base. Dunbar mo. 3448

A four loose cushion settee perched upon tubular, chromed steel legs.

This fabulous Architecture and Associes residential Settee designed by Pierre Beucler and Jean-Christophe Poggioli of Paris-based Architecture and Associes offer a casual comfort wit...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

Louise Settee from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise Console” when he created his more feminine version of Louis XV (1730-1760) furnitu...

A stunning 1970s Milo Baughman style Two-Seat Settee upholstered in fabulous Brown polyurethane leather on Chrome base. Features a slim angular silhouette with six loose seat and ba...

The renowned designer Paul Mathieu chose the name “Louise” when he created his more feminine version of Louis XV (1730-1760) furniture. The characteristic cabriole leg, curving outwa...