Steel Cabinets

Step Bookcase by Doimo Brasil Dimensions: W 100 x D 30 x H 200 cm Materials: Structure: Aged steel, Shelf: Veneer or lacquer. With the intention of...

Circa 1900s. We offer this beautiful and Rare Wood, Steel & Glass Medical, Dr's Cabinet, made in oak, steel and porcelain wheels, Presents a metal plate with the legend PAT. APLD FOR...

Dutch designers Atelier Tejo Remy & Rene Veenhuizen is always experimenting with new techniques and (recycling) materials to create living spaces and furnitu...

Vintage Addressograph Industrial Steel Metal 30 Drawer Garage Parts Cabinet. Item features 30 drawers, steel metal construction, rubber wheels, t...

For sophisticated audiophiles, pro gamers, and gear heads: the James de Wulf concrete media console. Seamless concrete console holds two levels ...

Cromo is inspired by the duality of nature and technology. This collection is characterized by its ability to capture the essence of pure materials and create a juxtaposition between...

This is a Three-Door Basic Cabinet Series bar in walnut, initially designed by George Nelson for Herman Miller in 1946. This particular piece was produced ca.1950. Three cabinet door...

This Two Door Strip Quilt Cabinet stands as one of the clearest expressions of Jim Rose’s legacy, uniting his commitments to material honesty, historical...

This Two Door Chinese Coin Quilt Cupboard represents a mature synthesis of Jim Rose’s legacy, where material ethics, cultural reference, and formal discipline converge with exceptional clarity. The cabinet’s surface draws directly from the visual language of Gee’s Bend quilts, particularly those incorporating circular or coin-like motifs, whose rhythmic repetition and improvisational structure resonate strongly with Rose’s own compositional instincts. As with his other quilt cabinets, the color and pattern here are not authored through paint but assembled through selection. Every colored panel is fabricated from found, pre-painted steel salvaged from signage, industrial machinery, and utilitarian structures, and all hues remain in their original state. Rose did not alter these surfaces; instead, he composed them with the care of a quilter, honoring their prior function and embedded histories. This approach situates the work within a lineage of resourcefulness and reuse, aligning Rose’s practice ethically as well as visually with the Gee’s Bend tradition. The dark steel framework provides a stabilizing armature, its rectilinear grid holding the animated interior panels in balance. The cabinet form itself—familiar, grounded, and domestic—anchors the visual complexity, ensuring that the piece remains furniture first, not image alone. The “coin” references introduce a subtle circular counterpoint to the otherwise linear composition, deepening the sense of rhythm and movement across the doors. Within Jim Rose’s broader body of work, this cupboard stands as a powerful statement of continuity: between craft traditions, between past and present, and between material life cycles. It exemplifies his enduring contribution to contemporary furniture—demonstrating how objects can carry cultural memory not through imitation, but through thoughtful reuse, disciplined composition, and profound respect for the origins of both material and form. Jim Rose Two Door Chinese Coin Quilt Cupboard hot roll and found painted steel 38.25h x 53.88w x 21d in 97.16h x 136.84w x 53.34d cm JR0249 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...

Fantastic Italian Design chrome clothes hangers by Isao Hosoe for Valenti Luce, 1970s. Good general condition, with some signs of wear in the chrome.

Shanty cabinet designed by Doshi Levien in 2014 manufactured in Barcelona by BD. Shanty is inspired in the patchwork of corrugated steel sheets which are used to construct many te...

The Connect Credenza is designed to express the process by which each piece is created, with visible construction and fastening details that are integ...

Shanty cabinet designed by Doshi Levien in 2014 manufactured in Barcelona by BD. Shanty is inspired in the patchwork of corrugated steel sheets which are used to construct many temp...

Shanty cabinet designed by Doshi Levien in 2014 manufactured in Barcelona by BD. Shanty is inspired in the patchwork of corrugated steel sheets which are used to construct many temp...

This Heavy Metal furniture series was launched during the Dutch Design Week in October 2011. As a unique feature these furniture items can be customized to the needs of the client in...

Designed by Konstantin Grcic for Magis, the 360° drawer unit on wheels combines stylistic intuition with functional design. This versatile storage solution is ideal for contemporary ...

This heavy metal furniture series was launched during the Dutch Design Week in October 2011. As a unique feature these furniture items can be customized to the needs of the client in...

An Industrial Style brushed steel and glass etagere with illuminated interior and four glass shelves all with fine beveled edge. The etagere with cable elements that are looped around the horizontal supports. The crown with a knotted element...

The Moritz Cabinet Credenza proves that a storage solution can be an element of art in your home, not just a purely functional part of your space. With the right high-quality materials and a commitment to precision craftsmanship, even the most utilitarian piece achieves excellence. Our Moritz Cabinet design is meticulously handmade from solid teak timber, using sliding doors...

Spectacular large showcase counter in the style of German Modernism — an impressive display unit from the 1930s, originally produced for a luxury department store or high-end retail ...

Shanty cabinet designed by Doshi Levien in 2014 manufactured in Barcelona by BD. Shanty is inspired in the patchwork of corrugated steel sheets which are used to construct many te...

Storage Unit Manufacturer: Driade Model: HIDALGO Design: Driadelab Hidalgo Lacquered is a vertical storage unit that transforms functionality into art. With its unusual and sculptur...

This Two-Door Strips Quilt Cupboard stands as a concise and confident expression of Jim Rose’s legacy, encapsulating his commitment to reuse, historical dialogue, and disciplined making. The cabinet’s surface draws directly from the strip-quilt tradition of Gee’s Bend, whose layered bands, irregular rhythms, and intuitive compositions offered Rose a powerful model for organizing difference within order. As in those quilts, the surface here reads as both structured and improvisational—anchored by repetition, yet animated by variation. Crucially, the color in this work is entirely inherited rather than applied. All of the colored panels are fabricated from found, pre-painted steel salvaged from signage, industrial machinery, and utilitarian sources, and the hues remain exactly as discovered. Rose did not paint or alter these surfaces; instead, he selected and composed them, allowing scratches, wear, and traces of former use to remain visible. This approach aligns his practice materially and ethically with the Gee’s Bend tradition, where resourcefulness and reuse are fundamental acts of making. The dark steel framework and cylindrical corner posts provide a stabilizing architectural armature, holding the vibrant strips in quiet tension and grounding the piece firmly in furniture rather than image alone. The familiar two-door cupboard form reinforces Rose’s belief that even the most visually complex surfaces must ultimately serve domestic function and daily life. Within Rose’s broader body of work, this cupboard exemplifies his enduring contribution to contemporary furniture: demonstrating how objects can carry cultural memory through material itself, how restraint can coexist with richness, and how thoughtful reuse can transform industrial remnants into furniture of warmth, dignity, and lasting presence. Jim Rose Two-door strips quilt cupboard Hot roll and found painted steel 36 H x 35 W x 18 D in 91.44 H x 88.90 W x 45.72 D cm Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy...

Shanty cabinet designed by Doshi Levien in 2014 manufactured in Barcelona by BD. Shanty is inspired in the patchwork of corrugated steel sheets which are used to construct many te...

Palisé - description: The surface of this beautiful, slim-legged home mini bar made of pearwood will charm and shock you at the same time. Kreatippci studio...

Cabinet designed by Färg & Blanche manufactured by BD Barcelona. Manufactured in natural ash wood or stained in black. Structure in anodic black lacquered steel. The doors carry simple patterns made using the Wood TailoringTM technique. Blue thread is applied stained black finish. Materials: Sideboard in stained black. Structure in anodic black lacquered steel. Available in natural ash. Dimensions: D 180 cm x W 39 cm x H 67 cm D 71 in x W 15.3 in x H 26.3 in About the designers: Fredrik Färg and Emma Marga Blanche are a young couple of designers (with Swedish and French origins respectively) who sum up personality, technique and innovation. They have been developing a technique for various years in their Stockholm based studio, bapitising and registering it as Wood TailoringTM, which includes the use of sewing machines directly over hard materials like wood. The created patterns carry an aesthetic value and offer surprising and suggestive results much the same as the Couture armchair. Using the same technique which requires much artisanal ability, Färg & Blanche have also launched a very functional cabinet with simple decorations. About BD Barcelona: Accompanied with artisanal processes instead of mass production, their products always have more proximity to art than industrial design. Characterised by superior quality, short-series productions (and on occasion limited editions), and unique pieces due to crafted manufacturing. In the 70s, BD pleasantly surprised by editing Gaudí’s furniture...

The Connect Collection is designed to express the process by which each piece is created, with visible construction and fastening details that are integral to the final piece. Traditional joinery techniques are used in conjunction with mass manufacturing technology to create this unique metal cabinetry...

This cabinet combines three elemental materials, concrete, steel and wood to create a grounded, but elegant piece of furniture. The fascia is cold-rolled steel laminated to a walnut veneer core. The cabinet is topped with a cast-concrete slab...

Our 2- door serving buffet by Ercole Home is a touch latch buffet in a custom deep blue matte wood finish. The smoothness of the wood contrasts perfectly with the glossy shine of the...

A sensational 19th century Deux Corps cabinet soundly constructed from polished steel and brass. Origining from an estate in Paris. A terrif...

Natural walnut, blackened steel, satin brass, and merino wool felt. 5 Drawers - 40” wide x 36” tall x 24” deep. Custom dresser built in celebration of both craft and detail. The hand-finished, mitered wood cabinet is filled with felt-lined, dovetailed drawers. Machined brass pivoting pulls adorn the surface of the drawers juxtaposing contemporary with antiquity. Hand carved wood legs feature “honey-dripper” ribbing and allow for easy leveling of the cabinet on uneven floors. Made entirely by hand in our Chicago studio. Available in custom dimensions, configurations, and finishes with optional arched metal hutch...

Designed by Konstantin Grcic for Magis, the 360° drawer unit on wheels combines stylistic intuition with functional design. This versatile storage solution is ideal for contemporary ...

Designed by Konstantin Grcic for Magis, the 360° drawer unit on wheels combines stylistic intuition with functional design. This versatile storage solution is ideal for contemporary ...

"MIRROR", bar cabinet, artistic inlay, contemporary furniture, fine wood, Italian design, handmade. This bar cabinet takes inspiration from the work "MIRROR" by Marzia Boaglio, and i...

Shown in: various configurations and sizes in situ photo credit: Paul Dyer Photography in a project by Kendall Wilkinson Design The seamlessly weld...

This vintage metal locker features a tall, slim design with 6 compartments. The exterior shows a distressed finish with peeling paint, suggesting a history of use and wear that adds ...

Storage Unit Manufacturer: Driade Model: HIDALGO Design: Driadelab Hidalgo Lacquered is a vertical storage unit that transforms functionality into art. With its unusual and scul...

Glass Visibile G Vertical Hanging Cabinet by Angelo Alinea Dimensions: W 60 x D 38 x H 128 cm Material: tempered glass, 6 mm. Door: tempered glass, 4 mm , with lock frame: silver la...

WALL BOX was born from the concept of creating a modular shelf system, which would easily change its visual image. The Backplate of the box is removable as it is attached with magnets. This means that one can choose to mix and match colours. By rotating the WALL BOX 90 degrees, the effect of the light entering the box changes The back plate of the box is removable as it’s attached with magnets. Mix and match colors to create a dynamic flow with a setup of wall boxes in different color combinations. And because of the open side of the box, you can, by rotating the Wall BOX, change the light and visual image. Use it for your records or to show off your book collection. The box is made out of powder coated steel and is available in three different colours: Ash Grey, Ceder Green and Navy Blue. The back is made out of powder coated steel and is available in the following colours: Ash Grey, Ceder Green, Fig Purple, Indian Red, Navy Blue and Turmeric Yellow. If a Navy Blue Wall BOX is purchased a Navy Blue back plate will follow. If a Cedar Green...

Storage Unit Manufacturer: Driade Model: HIDALGO Design: Driadelab Hidalgo Lacquered is a vertical storage unit that transforms functionality into art. With its unusual and sculptur...

The Desk Organizer is a beautifully simplistic and easy table with slim and straight steel legs, stripped from any details or ornament, leaving only small drawers that can be mounted...

Original office storage cabinet made in Czechoslovakia in the 1930s by the Robert Slezák factories. A clean, modernist form with balanced proportions, warm wood veneer and contrasti...

19th century painted iron safe / document chest / braided mahogany interior,, Salvaged from Union Depot Station, Erie Pa., Great size,,wonderful original patina ,paint and surface,, ...

Vintage Functional Floor Safe by The York Safe & Lock Co., York Pa , New York, New york **Fully Functional with Combination** Great size,, Wonderful original condition, Amazing pat...

This large-scale custom display cabinet or bookcase was designed and manufactured in Los Angeles, featuring a striking architectural grid composition that balances industrial materia...

18th century Country French buffet with mermaids is a very unusual example of hand-crafted excellence, rendered from old-growth indigenous oak to last for centuries! Crafted on what ...

Cabinet buffet credenza in steel, copper, mirror and glass in a Brutalist style by the french artist designer Stéphane Ducatteau, signed and dated 2000 on the back, early piece from ...

One unit or four? Doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...

Name: Vleugelkast Commemoration Cabinet consists of solid wood and steel. The wings are made of solid Linden wood and cut by hand. The cabinet is made of solid cherry wood. The she...

This heavy metal furniture series was launched during the Dutch Design Week in October 2011. As a unique feature these furniture items can be customized to the needs of the client in...

Sketched is a collection of design furniture inspired by his passion for abstract Expressionist paintings. The workshop is where Joost engages with the experience of designing as an ...

WALL BOX was born from the concept of creating a modular shelf system, which would easily change its visual image. The Backplate of the box is rem...

SEM Gold collection, three doors sideboard. Corallo lacquered wooden structure, gloss finish. Available more colorway variants. External shell in 24-karat polished yellow gold-plated...

Prototyped in the weeks leading up to a solar eclipse, this bar cabinet is an exploration of partially obscured light. The laser cut lattice work on the bypass doors is an interpreta...

One unit or four? Doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...

Rare set of 3 Black first edition modules by Anna Castelli Ferrieri for Kartell, 1960s

Large walnut and steel minimalist shelf Dimensions: L 80 x W 18 x H 12 cm Materials: Steel W. powder coating, brass plating & walnut MDF. Also available in black ash MDF and siz...

This "highboy" features 4 deep drawers. The counter-top and base is cast concrete. The piece is wrapped and fully finished with steel that is employed as a veneer. The steel is black...

SEM Gold collection, two doors sideboard. Verdemare lacquered wooden structure, gloss finish. Available more colorway variants. External shell in 24-karat polished yellow gold-plated...

One unit or four? Doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...