21st Century and Contemporary Cupboards

Hand forged and inspired by the Umbrian-Tuscan tradition of the late 1900s, Aurora is a classic, tra- ditional collection that, thanks to its forms, ma- nages to create a romantic, r...

Assembled by a French artisan, this painted buffet has incorporated two pairs of antique shutter doors into the deux corps (two bodies) constr...

A Brutalist geometric block wood beech cabinet in the style of Percival Lafer with brass detail on the base and two front doors, with solid beechwood top.

Traje de Luces Bar Cabinet encompasses an exploration of delicate forms and a richness in details found while travelling through the south of Spain. Elegance, tradition and superior ...

From our Hand-Painted Furniture Collection, we are pleased to introduce you to our Light Taupe & Green Padua Armoire with raised gesso white details. This special Piece is studied ...

Hand-sculpted side cabinet with original Thulite stone, Pierre De Valck Oxidized and waxed aluminium-unique and signed Measures: W 55 x D 34 x H 70 cm Materials: Stone, Aluminium....

The Sand Senses cupboard features materials made with sand and surface that stimulate senses when touched. Sand seems to have no limit. Burnt sand makes the Murano glass transparent. Concrete incorporates more than one type of sand - one comes from the river and the other one has been transformed through a chemical process. Wood is sandblasted and treated with oil-wax to obtain the smoothest surface possible. Geometric shapes can be found in the concrete legs, in the cupboard doors, as well as on the top enriched with openings in colored Murano glass. With its four colorful doors, two drawers and several shelves, this piece turns out to be a very aesthetically pleasing and practical cupboard; representing the perfect solution for both storing and showcase use...

The Mixage TV furniture has multiple functionality thanks to its length, its closed unit and its drawer: video games, console game gears, magazines, books will be easily put away. ...

Blend is inspired by the thought that out of one and the same tree, the same wood, different kind of patterns and structures can be gained. BLEND is based on the idea to visualize th...

A striking contemporary sideboard, new and made-to-order, designed and handcrafted by Justfurnituress. This statement piece combines refined artisanal workmanship with bold architect...

Object 022 Cabinet by NG Design Dimensions: D66 x W38 x H120 cm Materials: Powder coated steel, Tempered Glass. Also Available: All of objects available in different materials a...

Il Moro Cupboard by Valentina Giovando Dimensions: W 163 x D 48 x H 198 cm. Materials: Wood, Fabric, Fiberglass, Brass, Zinc. Valentina Giovando, Lives and works in Sarzana, in Li...

The suitcase provides a drawers with plenty of storage room and the top of the suitcase can open as well. The leather suitcase is perfect to use as a bedside table or as a sidetable....

Cusco sculpted Marquetry cabinet, signed by Stefan Leo CUSCO cabinet Straw Marquetry, brass Measures: 143 x 45 x 140 cm Atelier ...

The two-door cabinet Curved front two-door cabinet in a satin linen color finish with inset decorative painted doors. Raised on tapering block feet. Doors open to reveal three s...

Green Lacquered Cabinet with Islamic Pattern and Hand-Crafted Brass Handle. Our Andalusia Art Deco cabinet is inspired from our rich Islamic heritage....

Sideboard in dark Tay wood with doors and marble top. Metal feet. With lighting. Avaiable in dark Tay, light Tay or American walnut.

“Semainier” refers to a French piece of furniture with seven drawers (Fr. Semaine = week). It is part of the Louise Collection designed by renowned designer Paul Mathieu. A remarkabl...

Cabinet with stone (Jasper) Oxidized and waxed aluminium-unique and signed Measures: 75 x 46 x 96 cm Medium sized cabinet with two hinged doors an...

Sideboard characterized by the soft curvy shape. Available in two versions: completely veneered in Sycomoro dark frisè (CR62B) or in Pama (CR62). Both ver...

Walnut China Cabinet with Brass Framing and Mother-of-Pearl Handle. A sleek and modern cabinet accentuated with mother-of-pearl and brass d...

Object 001 cabinet by NG Design Dimensions: D 115 x W 50 x H 76 cm. Materials: powder coated steel. Also available: All of objects available in different materials and colors on...

Ritual cabinet by Jude Di Leo Dimensions: W 102 x D 51 x H 183 cm Materials: Ink dyed Hemlock, Blackened Steel & Bronze Mirror Ritual Cabinet is an exploration in contrast. Utilizing humble materials and high aesthetics it presents a dichotomy of rough and refined. Designed during the American coronavirus shutdown of 2020, material supplies dried up, human interaction became extremely limited, and the world filled with a sense of uncertainty. It was a time to reflect and recalibrate. Spending many mornings in meditation, going inward to move beyond fear and welcome in growth became a mantra. The concept came to use the basic construction materails available and treat them as precious. Primarily composed of Hemlock, tradionally used as framing material, the cabinet opens to an Oak interior, blackened steel details, and a bronze mirror at the back, giving both the sense of retreat and reflection. There is also a drawer below. The materials are unified with a coating of black ink, leaving only the texture of the materials visible. Jude Heslin Di Leo...

Four-door sideboard in matt lacquered wood with printed figures by Mimmo Paladino on three sides. A vortex-sculpture in metal fixed on the surface with three hanging ceramic cups bea...

We are delighted to offer for sale this sublime condition Kennedy Military Campaign TV media stand with large single drawer retailed through Harrods Lon...

Object 021 cabinet by NG Design Dimensions: D66 x W38 x H120 cm Materials: Powder coated steel, Tempered Glass. Also Available: All of objects available in different materials a...

Object 023 TV cabinet by NG Design Dimensions: D 160 x W 46 x H 56 cm Materials: Powder coated steel, tempered glass. Also Available: All of objects available in different mater...

Shelving Unit model Nuage designed by Charlotte Perriand in 1952-1956. Relaunched by Cassina in 2012. Manufactured by Cassina in Italy. Authenticity and avant-garde characterise Charlotte Perriand’s Nuage...

We are delighted to offer for sale this stunning pair of lovely vintage Burr Yew wood lamp end wine side table cupboards each with a single drawer and shelf. A good looking and we...

Cupboard in Chinoiserie style Ebony Wood, Pearl Mosaic, Gold Plated Elements This Cupboard in Chinoiserie style is the heart of the limited edition "Forbidden City" collection, desi...

The Casi Elm Bench The artisanal construction methods highlight the elm woods beautiful grain pattern & knots and fissures from its past life. The most authentic materials are hand ...

"Brown" is a side cabinet, designed by Stephane Lebrun and manufactured by Dessie', 17.7" or 19.6" deep with black painted glass top, internal shelf with an adjustable height and 3 +...

With the 2023 collection we introduce contemporary furniture in line with the current interior trends. Our artisan knowledge meets the point of view of the young designers from Cono ...

Can you tame a star? The textural nature of wood lights up through a kaleidoscope of different species arranged in a sunburst: the optical effects represented by the stone inlay work...

Thandi tall girl by TheUrbanative Dimensions: W50 x L50 x H100 cm Material: Kiaat, Ash and Powder coated, Powdercoated MDF TheUrbanative is a contemporary South African furnitur...

This Heavy Metal furniture series was launched during the Dutch Design Week in October 2011. As a unique feature these furniture items can be customized to the needs of the client in...

Shelving Unit model Nuage designed by Charlotte Perriand in 1952-56. Relaunched by Cassina in 2012. Manufactured by Cassina in Italy. Authenticity and avant-garde characterise Charlotte Perriand’s Nuage shelving unit...

Add a touch of luxury to your space with the Alessandro Mendini Limited Edition Cristallo Cupboard for BD. This furniture piece is a true masterpiece, with only 99 pieces available w...

Shelving Unit midel Nuage designed by Charlotte Perriand in 1952-1956. Relaunched by Cassina in 2012. Manufactured by Cassina in Italy. Authenticity and avant-garde characterise Charlotte Perriand’s Nuage shelving unit...

A luxurious piece of furniture with an implied provocation in its polygonal surface. Definitely an elementary piece of design for bold personalities. Cantina from the Rocky Collecti...

Shelving Unit midel Nuage designed by Charlotte Perriand in 1952-56. Relaunched by Cassina in 2012. Manufactured by Cassina in Italy. Authenticit...

The 2-door Ojai cabinet features board and batten doors with iron details and adjustable shelves. Available in two sizes and in American walnut and white oak. The Lawson-Fenning C...

This Two Door Strip Quilt Cabinet stands as one of the clearest expressions of Jim Rose’s legacy, uniting his commitments to material honesty, historical...

This Two Door Chinese Coin Quilt Cupboard represents a mature synthesis of Jim Rose’s legacy, where material ethics, cultural reference, and formal discipline converge with exceptional clarity. The cabinet’s surface draws directly from the visual language of Gee’s Bend quilts, particularly those incorporating circular or coin-like motifs, whose rhythmic repetition and improvisational structure resonate strongly with Rose’s own compositional instincts. As with his other quilt cabinets, the color and pattern here are not authored through paint but assembled through selection. Every colored panel is fabricated from found, pre-painted steel salvaged from signage, industrial machinery, and utilitarian structures, and all hues remain in their original state. Rose did not alter these surfaces; instead, he composed them with the care of a quilter, honoring their prior function and embedded histories. This approach situates the work within a lineage of resourcefulness and reuse, aligning Rose’s practice ethically as well as visually with the Gee’s Bend tradition. The dark steel framework provides a stabilizing armature, its rectilinear grid holding the animated interior panels in balance. The cabinet form itself—familiar, grounded, and domestic—anchors the visual complexity, ensuring that the piece remains furniture first, not image alone. The “coin” references introduce a subtle circular counterpoint to the otherwise linear composition, deepening the sense of rhythm and movement across the doors. Within Jim Rose’s broader body of work, this cupboard stands as a powerful statement of continuity: between craft traditions, between past and present, and between material life cycles. It exemplifies his enduring contribution to contemporary furniture—demonstrating how objects can carry cultural memory not through imitation, but through thoughtful reuse, disciplined composition, and profound respect for the origins of both material and form. Jim Rose Two Door Chinese Coin Quilt Cupboard hot roll and found painted steel 38.25h x 53.88w x 21d in 97.16h x 136.84w x 53.34d cm JR0249 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...

This 2 doors cabinet is a handmade and modernized interpretation of the French Directoire style at the end of the 18th century. This period style is remarkable with its straight, cla...

BODEGA CABINET Bodega Collection refers to cellar art or better known as chiaroscuro, a technique of extreme contrast of light and shadow used by Caravaggio. Cabinet designed by Jo...

Petit demilune cabinet with raised diamond door fronts, animal style feet and dental molding. Interior shelves. Can be made in any size and finish. Made in Los Angles by Dos Gallos S...

Shelving Unit model Nuage designed by Charlotte Perriand in 1952-56. Relaunched by Cassina in 2012. Manufactured by Cassina in Italy. Authenticity and avant-garde characterise Char...

Designer Jasper Morrison Jasper Morrison’s series started with his appreciation for a simple wine crate. Based on this familiar, found object, the Crate Series has developed over tim...

A luxurious piece of furniture with an implied provocation in its polygonal surface. Definitely an elementary piece of design for bold personalities. Cantina from the Rocky Collecti...

Italian craftsmanship with this luxurious Black Italian Luxury Sideboard, a unique masterpiece in Mid-Century style, currently available at auction. Crafted meticulously by skilled...

Murano Glass Cabinet with a 3D Optical Effect in blue and gold, a masterpiece of modern craftsmanship that combines the timeless elegance of Mid-Century design with the unique artist...

Pair of Limited Edition Cristallo cupboards Design by Alessandro Mendini Limited Edition of 99 pieces A furniture piece made of MDF and lacquered in different colors. The interior...

Shelving Unit model Nuage designed by Charlotte Perriand in 1952-1956. Relaunched by Cassina in 2012. Manufactured by Cassina in Italy. Authenticity and avant-garde characterise Charlotte Perriand’s Nuage...

Add luxury finishes with artistic design to your furniture, branch like decor to bring nature into your space! What we love about this piece, is the minimalistic tree like design, th...

Shelving Unit model Nuage designed by Charlotte Perriand in 1952-56. Relaunched by Cassina in 2012. Manufactured by Cassina in Italy. Authenticity and avant-garde characterise Charlotte Perriand’s Nuage...

This Two-Door Strips Quilt Cupboard stands as a concise and confident expression of Jim Rose’s legacy, encapsulating his commitment to reuse, historical dialogue, and disciplined making. The cabinet’s surface draws directly from the strip-quilt tradition of Gee’s Bend, whose layered bands, irregular rhythms, and intuitive compositions offered Rose a powerful model for organizing difference within order. As in those quilts, the surface here reads as both structured and improvisational—anchored by repetition, yet animated by variation. Crucially, the color in this work is entirely inherited rather than applied. All of the colored panels are fabricated from found, pre-painted steel salvaged from signage, industrial machinery, and utilitarian sources, and the hues remain exactly as discovered. Rose did not paint or alter these surfaces; instead, he selected and composed them, allowing scratches, wear, and traces of former use to remain visible. This approach aligns his practice materially and ethically with the Gee’s Bend tradition, where resourcefulness and reuse are fundamental acts of making. The dark steel framework and cylindrical corner posts provide a stabilizing architectural armature, holding the vibrant strips in quiet tension and grounding the piece firmly in furniture rather than image alone. The familiar two-door cupboard form reinforces Rose’s belief that even the most visually complex surfaces must ultimately serve domestic function and daily life. Within Rose’s broader body of work, this cupboard exemplifies his enduring contribution to contemporary furniture: demonstrating how objects can carry cultural memory through material itself, how restraint can coexist with richness, and how thoughtful reuse can transform industrial remnants into furniture of warmth, dignity, and lasting presence. Jim Rose Two-door strips quilt cupboard Hot roll and found painted steel 36 H x 35 W x 18 D in 91.44 H x 88.90 W x 45.72 D cm Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy...

The cabinet Navajo Canyon reinvents the glorious majesty of Arizona cliffs with their twists and turns along the Colorado River. With the identical proportions and tones of the rock ...

Double door cabinet in birch dyed black structure with applications of details in resin and mother of pearl effect on the front for Dilmos Milano. Inside with multiple shelves. Size...

Hand-sculpted cabinet with original Lapis Lazuli - Pierre De Valck. Off-round cabinet with stone Lapis Lazuli. Oxidized and axed aluminum, unique and signed. Measures: ø 96 x D 22...