Glass Vitrines

An Exceptional Quality Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine The marble top above ormolu frieze and scro...

A handsome and most impressive French 19th century Empire st. ormolu cabinet vitrine. The vitrine is raised by striking paw feet with luxuriant pierced palmette designs. Above the st...

A fine vitrine in the manner of Francois Linke Constructed in kingwood, with gilt bronze mounts, in the Louis XVI Transitional style; rising from bronze foliate sabots, with gent...

A stunning and large scale Italian 19th century Venetian st. giltwood cabinet vitrine. The most impressive and uniquely shallow vitrine is raised by a bombée and scalloped shaped bas...

A very interesting late 19th century gilt bronze mounted transitional style vitrine pedestal The square rouge marble top above a frieze, a single central door opens to a red velve...

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine By Paul Sormani Paul Sormani Bronze gallery above a centered glass door, flanked by glass panels, four bronze mount...

Highly-prized coromandel, or East Indian ebony, was used to create this beautiful Victorian vitrine. Featuring delicate inlay in the Victorian/Edwardian style and glass panels framed in the equally luxurious satinwood, this cabinet is constructed to fit flush against a wall with baseboards. Elegant cabinets such as this are perfect for displaying one's treasures, but with original locks, keys, mirrors and fleur-de-lis fabric, this case is a prized possession unto itself, circa 1890. Measures: 30" wide x 14 ½" deep x 41 ½" high. Coromandel ebony is variegated brown and black, often called "streaky," wood. It is considered a highly valuable wood for turnery, fine cabinet...

French kingwood parquetry and ormolu-mounted vitrine. In the Louis XV-XVI Transitional style, of kingwood and tulipwood crossbanding and o...

A superb quality English Victorian Sheraton Revival rosewood, parquetry inlaid and brass mounted bijouterie table dating to circa 1880. The circular hinged top with rosewood and sati...

A most elegant and extremely decorative pair of French 19th century Louis XVI st. Napoleon III period, ebony, bone, giltwood, ormolu and glass cabinet vitrines. Each striking vitrine is raised by charming bun feet. Leading up each side are striking square and circular columns with ormolu foliate plinths and capitals, fine inlaid bone fillets and beautiful giltwood flutes. The door retains its original glass pane and is framed within a lovely beaded ormolu band. The ebony frame has fine inlaid bone fillets and intricately carved giltwood rosettes, which is repeated at each side of the cabinet. Inside are three upholstered shelves...