Hardwood Vitrines

This exceptional English vitrine features the stylistic elements associated with the famed English furniture designer Thomas Sheraton, considered one of the three most influential En...

Solid beechwood colored hand painted. Oval one- drawered combered and four-sided glassed body on high, brass-painted four edged legs, ending in sabots. Border and cornicing with fine...

Beautiful one-door showcase cabinet, the body is made of pine wood with covered cherrywood veneer. The cabinet dates back to the Biedermeier period circa 1830. The glass is original ...

PRESENTING an OUTSTANDING, IMPORTANT and UNIQUE 19C French Empire Style Buffet/Vitrine by AME Fournier. Pieces by A.M.E. Fournier are EXTREMELY RARE and ...

Karges Fine Fruitwood Mid Century Modern Beveled Glass Breakfront Cabinet MINT

Form 5 by Radu Abraham A limited series of 10, currently at nr. 2 Materials: Ash wood, glass Dimensions: 25 x 25 x 82 cm Massive cube-shaped block of ash ...

Discover the elegance of the Mid Century Modern Vintage Desk Vanity Table by Meredew Danish Style, available exclusively at Mid Century Traders. This stunning universal vanity can al...

Antique French Louis XV Mahogany & Satinwood Mirrored Vitrine with Floral Marquetry & Lower Drawers C1890 Measures- 60.25"H x 25"W x 14.5"D A striking antique French vitrine from the...

Hand crafted vitrine/curiosity cabinet with 2 glass shelves Can stand on counter or hang on wall.

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A very fine quality French Louis XVI style gilt bronze ormolu mounted matched kingwood display cabinet / vitrine by the luxurious Parisian furniture maker Maison Krieger (1826-1910) Exquisitely hand-crafted in France in the early 20th century, exceptionally executed in sophisticated King Louis 16th taste, having a dramatically veined marble top, over glazed glass front and side panels, opening to single glass shelf and mirrored back, over ribbed cabinet...

Single-Door Beech Display Cabinet, Mid-20th Century This elegant vintage display cabinet from the mid-20th century is a true embodiment of timeless craftsmanship and classic charm. ...

Pair of nice mid-century modern bleached or cerused chestnut wall units curio cabinets for John Stuart. Solid brass hardware. Interior cabinets lights.

Monumental antique hand carved elmwood cabinet. Sideboard, 20th century.

Exceptional display cabinet with center opening door to fitted interior with three glass shelves that are moveable. It has a mirror back and mirror on the bottom. Two doors open on e...

An elegant 19th-century Louis XV-style vitrine, showcasing exceptional French craftsmanship and timeless sophistication. This stunning piece is crafted from luxurious kingwood, adorn...

Empire guillotine cabinet. Fine Neoclassical fruitwood and mahogany vitrine small bookcase cabinet with glass panel door àla guillotine above t...

Production palermitaine du début du XXe siècle, this impressive Empire-style vitrine is crafted from mahogany and elm burl, with refined bronze mounts. The structure features two pan...

An extremely high quality and elegant French late 19th century Louis XVI period mahogany and ormolu-mounted cabinet vitrine which is finished on all sides. The cabinet is raised by t...

Origin: England Designer: Ib Kofod Larsen Manufacturer: G Plan Era: 1961 Materials: Teak, Rosewood, Afromosia Measurements: 62″ wide x 18″ deep x 27.5″ tall (to top of desk), 48.5" t...

A magnificent example of 19th century French Decorative Arts. The vitrine is pure opulence and has had no expense spared, with exotic decoration and materials used from top to bottom...

Antique French Regence Violin Vitrine was crafted from hand-select hardwoods with a casework that resembles the form of a bass violin. The style is akin to a Louis XV style but with...

An antique French Louis XVI style lift top table vitrine offers oval form with display having glass lift top with satinwood frame having ebonized banding throughout, raised on straight and tapered legs with lower red velvet display...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

A fine and unusual English 19th century Edwardian style painted satinwood and silver-mounted two-door side cabinet with a twin-front-doors and a single apron drawer. The doors, sides...

An Austrian Biedermeier cupboard in cherrywood with carved, open fretwork gallery, with ebonized details above crown molding. Arched Gothic style tracery work on interior of glass do...

Beautiful small showcase table from the Art Nouveau period made of ash and oak wood. On all four sides are installed glasses with circumferential facet ...

Awesome china or display cabinet in a Mid-Century Modern and/or Scandinavian Modern style with a creamy white painted case on a plinth base and teak and glass doors. This piece is in...

This piece is a true artistic sculpture. The doors are in solid wood and modelled like a real leaf. Also the stump-base in elm briar is an unparalleled symbol of the tree. On request...

This piece of intense architectural value, expresses its lyricism in the running on of its lines and the rhythum ot its musicality. The structure is in slabs of solid cherry-wood enr...

Spectacular Widdicomb piece. Two independent display cases join together and are capped by a single crown that finishes off the piece brilliantly. Incredible details. The cabinet fea...

Art deco vitrines from preriod of around 1930s in very nice original condition, repolished with french polish, slight signs of use.

Drexel Pair of Large Tortoise Finish Vitrines Etageres Cupboards Showcases Glass Door Cabinets MINT!

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A fine French 19th century serpentine inlaid display or storage cabinet of neat proportions, cross banded and ormolu mounted throughout and with lovely patinated timbers comprising o...

Rare late Art Deco vitrine cabinet with a medium stained Macassar veneer and mirror backed bar on top. Underneath is a fold out secretary desk with two large doors which open up to adjustable shelving for storage. The exterior has great tall skinny...

This French figural bronze mounted collector’s cabinet vitrine in the manner of Adam Weisweiler is an exceptional example of late 19th to early 20th ce...

Antique French Louis XVI Kingwood and Bronze D'Oré Vitrine with Beveled Glass, Circa 1890.

Dimensions: 90x46x78 cm (Width x Depth x Height) This small minimalistic mid century modern teak credenza was designed by Rex Raab and produced in the 1950s by Wilhelm Renz in Ger...

This antique French vitrine is presumed to have been made in the Edwardian time period and is intricately inlaid with various fruitwood panels, ...

A very good quality late 19th Century French Kingwood veneered serpentine fronted, marble topped vitrine. Having scrolling foliate gilded ormolu mounts, adjustable glass shelves with...

A stunning early 19th century cherry and ebony Biedermeier vitrine, circa 1850. The vitrine is raised on square ebonized feet below a faux drawer with ebony trim. Above is a pair of ...

Unique kitchen shelf made from a former medicine ball shelf of the 1950s. High quality cast iron frame and solid pine and beech wood trays. Quality Features: very good workmanship h...

A very fine 19th century French Louis XV kingwood and parquetry designed viewing cabinet. Lined with a gold silk . Fine gilt bronze mounts. Stamped Haentges Freres Paris

IBISCO showcase - set of 4 modular modules, 1970s Display case mod. Hibiscus composed of display case with shelves, display case without glass with shelves, chest of drawers, two lo...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick brass, which remind us of the Mikado sticks game, ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

The “Levitating” Cabinet is a dramatic, art-deco style vitrine that is made by hand in Bloomington, Indiana. Featuring a dramatic combination of the finest quilted maple and macassa...

19th century German Biedermeier vitrine on cabinet base in fruitwood with ebonized and gilt accents. The display case with architectural pediment, fronted by glass panels with flanki...

Antique French Gold Bronze Mounted Kingwood Display Cabinet, Circa 1860-1870. Exceptional Quality Bronze

Antique English Satinwood Tabletop Vitrine, Circa 1880.

Louis XVI style satinwood vitrine with neoclassical ormolu mounts French, 19th century Dimensions: Height 180cm, width 177cm, depth 45cm This ...

A very good quality late 19th century French kingwood vitrine. Having gilded ormolu mounts, a single glass door, opening to reveal two shelves within. Raised on cabriole legs, termin...

Beautiful unadorned Biedermeier Vitrine or Top Showcase, display case or two-part bookcase in cherry veneer from south Germany around 1830. Cherry wood veneered on softwood. Upper pa...

Every piece of furniture that leaves our workshop from the beginning to the end is subjected to manual renovation, so as to restore its original condition from many years ago. Simpl...

Secession bookcase with fassetted glass, brass fittings. Professionally stained and repolished.

Art Deco vintage side table or vitrine from solid ash and veneer which features octagonal shape. A fantastic show case or display case topped with facet-cut glass. With an original k...

A vitrine in the Louis XV French styling, with 2 glass doors and a marble top. The case is veneered in Walnut with tulip wood and rosewood and the ormolu mounts give it a formal char...

A stunning quality satinwood display cabinet by Holland & Sons, the D- shaped outline form having moulded cornice above string inlaid frieze over a pair of glazed doors above fielded...