Medieval Furniture

77769, vintage French Medieval tapestry, the Promenade tapestry. Drawing inspiration from a combination of Pieter van Aeist and French Medieval sty...

A Flemish carved oak panel in reliëf from the Gothic period, 14th - 15th century 21.2 x 38.5 cm

A 17th Century High Back Oak Box Settle The Settle has 3 carved back panels and further panels at the bottom the seat opens for storage The bench is a real country piece with very ...

A very early oak chest with lovely silvery patina of heavy plank construction raised off the floor with integral legs extending the depth of the edges, and a hinged ridged top with t...

Amazing period piece. A Gothic / medieval Carved oak Madonna Southern Netherlands/ Flemish Circa 1450-1550 Weathered, small losses and old repairs H:101cm W:35cm D:15cm Measurement...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

Affascinante sedia artigianale in ferro battuto con seduta e schienale imbottiti in velluto color bordeaux. Le linee sinuose della struttura metallica e le sfere decorative alle estr...

This extraordinary and remarkably well-preserved ensemble represents a complete set of late medieval German infantry armour, dating from the 15th to early 16th century. Forged entirely from high-quality steel plates and joined with traditional leather straps for proper articulation and fit, the armour embodies the superb craftsmanship and engineering of the German armourers of the period. The helmet is a finely made European bascinet, the classic combat helmet of the era. It features a gracefully pointed visor and hinged cheek plates, designed to provide both excellent facial protection and freedom of movement, while allowing sufficient ventilation and audibility during combat. The bascinet retains its original character and displays the subtle fluted detailing that became a hallmark of German armour-making in the transitional phase from the Gothic to the early Renaissance styles. The suit is mounted on an antique wooden mannequin stand measuring 175 cm in height and includes its original linen undergarment and chainmail shirt...

Mary Magdalene in Polychromed Carved Walnut 16th Century Devotional figure in carved wood, depicting Mary Magdalene. Walnut, most probably Flemish and from the 16th century. It de...

Early 20th Century Louis XIII carved oak armchair with solid velvet upholstery.

Striking wall mirror with handcarved geometrical 'flowers' and trefoil symbols. Via one of our foreign contacts we recently purchased this perfectly fine and deeply handcarved, sc...

Wonderful print of St Peter Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Large (46 by 25 by 4 inch) mid-century (1980s to 1970s) heraldic wall sculpture in the Anglo-Saxon medieval style depicting a knight's breastplate, battle axe, sword and arrow quiver...

Gorgeous handwrought torchère candle holder, Spain, 1940s This medieval style floor candleholder stands up on three legs tripod base. It has a terrific aged patina. It has a clean de...

Pair of gothic mahogany tabourets or end tables circa 1910, with superbly carved arches to each panel. Believed to be of English origin. Older restoration, holds up nicely. The tops ...

Attributed to Charles Bevan. A Gothic Revival side chair with scroll carvings to the upper sides and incised decoration framing the top backrest, finished with chamfered detailing. T...

A rare and remarkable authentic nearly 300 year old early French Gothic hand carved oak tabouret (today use as a stool, end table or plant stand) Crafted in France in the 17th/18th ...

More information coming soon… A French chayère throne chair, hand-carved in the late 1800s, using older Gothic-style panels. Multiple panels of Gothic tracery and linenfold were in...

Discover the elegance of this mid-century French screen-printed by hand tapestry featuring the exquisite design of a medieval museum tapestry This tapestry, a replica of the origin...

Belgium / 17th century / sculpted panel / oak / Gothic / Rustic / Antique A rare Belgian 17th century grotesque sculpted panel. Hand-carved with floral and foliage decorations with ...

painting on wood in the style of the Italian primitive, prayer choir, arched panel closing with two shutters, in a frame inscribed "ave maria", wear and small loss of paint, comes fr...

Wonderful print of St Julia of Corsica Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

very beautiful Aubusson style tapestry, with a design of a medieval tapestry That Tapestry has been created in about 1530 by B. Van Orley, creator of "Chasses de Maximilien" (acces...

Set of twelve oak dining chairs crafted in the Gothic style, featuring carved leaves, finials, and turned legs. The dark stained finish and old upholstery reflect age and use. Restor...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite arch gothic armoire cabinet with interior mirror. The ultra rare cabinet exudes an air of luxury and ...

Carved wood hand painted donation / offering ALM Box, Spain, 18th century. Polychromed carved wood church collection offering donation money box as wall decoration. This alms box is made of pine wood painted in shades of blue and gray with carved saint figures onamentations decorating the top. Wall hanging collection / donation money box. Originally used to collect donations at Christian churches/chapels. Interesting to be used as key box or key cabinet or as wall decoration Rare find. Provenance: Private collection. No key avaliable. Overall Measures: Saints Box: 33 cm H x 37 cm W x 14 cm D Poor...

More information coming soon… The half-octagonal form of this Gothic-style cabinet allows the amazing carved panels to be seen from all sides. Hand-carved circa 1870, the golden oa...

19th Century French Gothic Credenza ~ Cabinet is a testament to centuries of talented artisans handing down their trade to successive generations. The original style was birthed in ...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

This magnificent 16th-century German two-hand sword is a rare and historically important ceremonial weapon, hand crafted by renowned blade-smith Christoph Stantler (active circa 155...

Neo Gothic bronze architectural fragment mounted as lamp.

Meaningful and a monumental masterpiece: “La Vierge d'Albert” piece of the golden Virgin) by ), cast by Barbedienne, 1916. Step into the poetic depths of history with this extraordi...

76680 Vintage Persian Tabriz Hunting Rug 14’07 x 21’09. Reminiscences of an exotic journey and worldly sophistication, this hand-knotted wool vintag...

An exceptional and rare Gothic-Renaissance memento mori, sculpted in marble and surmounted by an original iron cross, originating from Austria, 16th century. Carved from solid marble...

Largest ever pair of Medieval Style chandeliers, over 5 feet tall. With 20th century lighting as one of our specialities we have seen and sold all kinds of light fixtures, but never...

A rare and beautifully preserved 15th-century German crossbow, created as a true weapon of war or defense,.This piece is a remarkable survival from the Gothic period, with all of its...

Medieval Inspired wall mirror, Walnut, Spain, 1930s. One of a kind carved walnut mirror framed by a spanish knight. This finely carved wall mirror has ...

Fabulous small Georgian tropical hardwood side cabinet Elegant gothic arch door panels with amazing figure in the grain Recently bleached I particularly like the simplicity of thi...

French Tapestry The Royal Hunt by Marc Waymel, created exclusively for Le Médaillier Franklin, France, ca. 1984. A colorful and beautiful vintage tapestry,...

An exceptional early German crossbow dating to around 1540, crafted from antler, wood, and iron. This finely made piece exemplifies the late Gothic to early Renaissance period of Ger...

French late 19th century mahogany center table or library table with two gorgeous fret-carved pedestals on each side recalling Gothic architectural motifs in a cathedral. The simple ...

Impressive sterling silver chess board medieval style chess set. The chess board, made by ARVAL ARGENTI VALENZA, was made in white marble and sodalite is supported by a STERLING SILVER frame made with the casting method and finished with a chisel, subsequently burnished and reproducing the bricks of a wall of a fortress. This "frame" is supported at the four horses two tone...

Magnificent hand-forged castle-style eight-light chandelier, radiates quality and craftsmanship. This good quality and all hand-forged, eight-light chandelier comes with some really...

Likely Spanish in origin, circa 1920. A pair of wrought iron floor standing candelabra. Each having 7 shaped candle holders that are adjustable in width from 14.5" to 39.75" extend...

Gothic style carved oak, king size bed.

An antique Italian wall mounted fountain basin in a late Gothic style with central sun in low relief or "bas relief" on a detailed pedestal in Rosso Verona marble with patina. Minor ...

Chess table and chess game in bronze and brass made with the ancient casting technique. After the casting, the finishing was chiseled and subsequently silvered and finished with 24-k...

This is a truly genuine one-of-a-kind Deep and Saturated Red, Afghan Khamyab with Geometric Medallions, Soft and Shiny Wool Hand Knotted, Runner Oriental Rug. It has been Knotted for...

This Neo-Gothic marble mantel was reclaimed from a NYC townhouse in the Upper West Side near Central Park. This striking mantel draws clear inspiration f...

HIGHLY CARVED Antique French RENAISSANCE REVIVAL Marble Top Highly Carved Walnut Console, Sofa Table, Sideboard or Server~~c. 1890s Original "rouge" marble top, two drawers with key...

English Gothic Revival style (19th Cent) oak high back carved and filigree Bishops throne chair with griffin finials.  

Shades of Brown, Wool and Silk, Hand Knotted, Modern Grass Design, Tone on Tone, Lush and Plush, Oriental Rug Primary materials: Wool & Silk Latex: No Pile height: 0.25 Inches Style...

Millennium Blue, Vintage Persian Tabriz with Colorful Field Design, Clean and Good, Pure Wool, Hand Knotted, Wide Runner Oriental Rug Primary materials: Wool Latex: No Pile height: 0...

This fabulous Hand-Knotted carpet has been created and designed for extra strength and durability. This rug has been handcrafted for weeks in the traditional method that is used to m...

In true Gothic fashion, these lamps illustrate the style of light common to many cathedrals of the time yet devoid of any religious symbols. Lights are of grand scale consisting of s...

This is an antique Glastonbury chair. An English, oak armchair in Gothic Revival taste, dating to the Victorian period, circa 1880. A superb example of the traditional Glastonbury fo...

This fabulous Hand-Knotted carpet has been created and designed for extra strength and durability. This rug has been handcrafted for weeks in the traditional method that is used to m...

A double-sided illuminated manuscript on parchment hand-written and coloured from the Gothic period (15th century) This is a page from a liturgical book such as the Psalters and cour...

This French fireproof strongbox, crafted circa 1880 by Bauche in the Marne region, showcases the period’s finest industrial security design. Constructed in heavy cast iron and weighi...

Discover the elegance of this mid-century French screen-printed by hand tapestry featuring the exquisite design of a medieval museum tapestry titled “Charade” This tapestry, a repli...