Minimalist Furniture

ERY is a light weight bench for indoor and outdoor use in galleries, museums, and waiting areas. Designed by Andreas Saxer in 2012, it is discreet and ele...

Designed to be positioned on the floor or on a console, the Alpi Floor/Table Lamp is a work of Abstract Art for the home. The exact arrangement of this Sculptural Decorative Piece ca...

Room size Turkish Kilim in ivory and brown made from recycled cotton and goat hair material giving it an old world, vintage feel. 10'3'' x 13'4''

Gently rounded coffee tables “Freyja” created as an homage to femininity and natural beauty. These sculptural and sensual tables, named after Freyja, a Scandinavian goddess of love, ...

Joined is a collection of side tables. The name speaks for itself. The tables have one thing in common, they all exist around a crucial part, the joint, keeping all pieces together. ...

Amphora - white Measures: H: 25 cm / L: 19 cm H: 10 inch. / L: 7.5 inch. - Stoneware fired at high temperature finished with transparent glossy glaze inside. - Raw exterior...

The SAKURA Table from the Origami Collection is a sculptural masterpiece inspired by the delicate art of Japanese paper folding. Its striking design is composed of two angular forms ...

Malevich Vase — part of the Suprematic Collection by NOOM — is a tribute to the visionary genius of Kazimir Malevich and the bold geometry of the Suprematist movement. This early 20t...

Side Table: 'Black Ocean 2' from collection 'Future Vestige by THE SHAW STUDIO Polished stainless steel H.60 x 32,5 x 32,5 cm About the collection: "I opened my eyes, it was still...

The Yuba Coffee Table was designed to be simple, versatile, and functional: a go-to coffee table meant to withstand the rigors of daily life. We focused on a quiet, pragmatic design ...

Designed to be positioned on a bedside table or on a console, the Alpina is a work of abstract art for the home. The exact arrangement of this sculptural decorative piece can be adju...

A bold composition of light, geometry, and emotion. Part of NOOM’s Suprematic lamp collection is more than lighting — it's a sculptural reflection of the early 20th-century Supremat...

Lune Two Lights is composed by a solid Brass Sphere and Two Hand-Blown Glass Globes. The Light gets out from the two Brass rod crossing over the spheres, and through them, it is dif...

Plain solid field square-shaped mid-20th century Kilim with linen backing. 8'7'' x 8'9''

'AB019' Wall Desk in Lacquered Oak by Anker Bak for Carl Hansen & Son In collaboration with Carl Hansen & Søn, Danish designer Anker Bak has designed a desk that has been pared bac...

A contemporary Belgian design, handcrafted in natural plaster with a textured, earthy character. The surface is stain-resistant, easy to maintain, and pleasantly soft to the touch, u...

A_Stool bar height stool in hot-dipped galvanized steel. A minimal, backless design in steel with a durable coating of zinc. Also available in brushed, sanded, or polished finish. Si...

A contemporary Belgian design, handcrafted in natural plaster with a textured, earthy character. The surface is stain-resistant, easy to maintain, and pleasantly soft to the touch, u...

Designed by Kateryna Sokolova, the EL Collection is a sculptural lighting series inspired by the geometric purity of the early 20th-century Suprematist movement, paying homage to ico...

Part of NOOM’s Suprematic lamp collection is more than lighting — it's a sculptural reflection of the early 20th-century Suprematist movement led by Kazimir Malevich. With its interp...

Minimalist Orbis™ round mirror with an elegant solid brushed copper frame. The detailing and finish, including visible copper plated screws, emphasise the craft and quality feel of t...

The Block Side table is a sculptural pair of minimalist forms crafted from 3" thick Douglas fir, finished with a hand-applied satin oil. Designed and produced in Vermont by Scott Gor...

This contemporary table redefines interior aesthetics with its fluid lines, organic curves, and avant-garde presence — ideal for collectors, architects, and design-forward homeowners...

Turkish Kilim in khaki and brown.

The Marblelous Ring Tray is a minimalist style round shaped centerpiece made of treated Carrara marble, manufactured according to traditional methods. Josep Vila Capdevila, head des...

Highly decorative modern pair of grand size ceramic stallion heads, made in Italy. Realistic representation with flowing ruffled mane, the black and white colors highlighted by the q...

Some pieces are created to belong, to merge seamlessly with their environment through proportion, material, and intention. The SPOT bowl transforms daily routines into a quiet gestur...

EL collection of lighting is inspired by the geometric works of the great Suprematist artists El Lissitzky and Kazimir Malevich. Suprematism is a modernist movement in the art of the...

Bold in scale and minimal in line, the Elevation Console brings sculptural clarity to any space. Crafted in Vermont, it features a ½" thick blackened steel base and a live-edge walnu...

This Poro L set of chairs offer the highest comfort with elegant simplicity. The chairs are some of the most ergonomic and comfortable chairs on the market. Manufactured with care f...

Handmade ceramic table lamp, designed and signed by the artisan Rulo and the artist Manolo Eirin. Vitrified piece in white. The electrical connection of the lamp can be wired accor...

An original design by Scott Gordon and sold exclusively through Vermontica, the pressed vase is made from cast steel. Shown here in a blackened steel finish. Overall dimension: 4.25"...

A dark, sculptural presence in steel and stone. The Crush Side Table features a blackened steel base joined with exposed mortise and tenon detailing — a nod to traditional craftsmans...

Beautiful in its imperfection, this green glazed lidded jar from Yunnan province is an offering vessel, or spirit jar, originally filled with ritual offerings such as coins, shells, ...

The Crux Coffee Table embodies minimalist structure and sculptural clarity. A cruciform base, precision-crafted from 3/8" hot rolled steel, supports ...

Minimal round chandelier 1980 black Murano glass Ettore Sottsass Style.

The PHI table in solid 3/8 inch thick aluminum top with 1/4 inch edges. The legs are 1-inch diameter CNC-milled solid aluminum legs. The tabletop and legs are sanded, polished, and w...

-Ananas Mirror with Shelf, which has a simple, circular design and is topped with a hand-crafted oak wood shelf, can be suitable in your corridor, bathroom, or above your couch. --In...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

A playful nod, as the name suggests, to the world of cartoons, Mickey floor light is a contemporary standing lamp composed of two closely positioned glass spheres of different sizes....

The table's design is a "tribute" to the influential German architect, illustrator, and furniture designer Bruno Paul, who is recognized for his Typenmöbel, standardized furniture th...

Exemplifying Lemon's unwavering commitment to elegance and artistry, the Ashby console encapsulates the brand's ethos with perfection. Its magnificent de...

The Cantilevered Coffee Table, designed by Scott Gordon and handmade in Vermont, features solid Douglas fir beams suspended over offset patinated steel legs. The floating effect of t...

Contemporary and minimalist sofa named 'FEMME Modular' signed by Danish design studio Friends&Founders Model shown on main image: - 3 seater: 255cm - depth: 85 cm - fabric: Axel by...

Constantin I is a simple but charming candleholder with a geometric shape with circles. The body is in solid oak wood. The cylinder in natural brass on the top is the place where to put an 18 mm candle. In the same collection 3 different models of candlesticks in wood...

The Dressage Table, designed by Scott Gordon and handcrafted in Vermont, is a study in balance and refinement. A 1" x 48" x 48" walnut top rests effortlessly atop a precisely enginee...

The Arc Console Table features thick legs and rounded edges. Our first console table, I know it took a while for us to get one out. It’s a versatile piece designed to age beautifully...

Masterfully handcrafted in Italy, Kazimir is not only a perfect divider for a minimalist or classic room, but also a symbolic bridge, linking design to art, functionality to decorati...

Console table designed by Batten and Kamp. Minimal structure furniture made of stainless steel and natural stone.  

Masterfully handcrafted in Italy, Kazimir is not only a perfect divider for Minimalist or Classic rooms, but also a symbolic bridge, linking design to art, functionality to decoratio...

Italian contemporary design black glass dining table, fully made in Italy. The principal features of this beautiful and very elegant table ...

Karim Rashid for Leonardo Germany Limited Edition New Move Silver Glass Vase, ca 1999. Measures 8” high, base 3-1/2” wide, and mouth 2-1/4” wide. There is a small scratch of silver finish/coating on glass (we've posted an image of the interior and exterior at the area of the scratch). There is also a faint area of small blemishes at the base See images for more detail. If there’s one thing karim rashid hates, it’s trophies. The 40-year-old designer has more than 40 of them, from big international ones like the 1999 George Nelson Award (given for breakthrough furniture design), to quaint little Canadian ones like Designer of the Year 2001. “It came with a little pin,” says Rashid, “and a … a … very nice …” He tries to describe the shape of the award with his hands but gives up. “It’s time that whole trophy thing changes. It’s kitsch. They’re functionless things.” Rashid was asked to design one for the DaimlerChrysler Design Awards (he’s a past recipient). “I was going to make it electro-luminescent. When the lights go out, it has a sensor so it turns on,” he says. But the trophy-as-night-light, a reminder of one’s worth in the darkest hours, didn’t impress Chrysler’s people. He never heard back. They may well be gnawing their knuckles over that decision right now because Rashid’s conquest of the realm of product design is all but complete. A lush and suitably worshipful retrospective of his work, Karim Rashid: I Want to Change the World (Thames & Hudson; 249 pages), hits Australasian bookstores this month. There was a crowd around anything with his stamp on it-including stools, chess sets and storage units-at the recent International Contemporary Furniture Fair in New York City. More than 2 million North Americans are throwing their rubbish into a receptacle he designed, while 750,000 or so park their rears on one of his cheapo plastic chairs. It’s not just in North America. He has been dubbed Der Poet des Plastiks by a retailer in Germany and the prolifico progettista Americano by Interni magazine in Italy. Trophies he may despise, but accolades Rashid can handle. The problem with being the Most Famous Industrial Designer in All the Americas is that you’re still less famous than someone who got kicked off Survivor the first week. Most people cannot name the designer of one nonclothing item in their homes. Rashid, who was born in Egypt, raised in Canada and is living in New York City, is more than happy to bring an end to this anonymity. Not just because he wants to be famous, although there seems to be that, but because he believes design should be a bigger part of the social discourse. “I have been almost alone in this country, trying to make design become a public subject,” he says. His chief method of persuasion is to make the banal better so that people notice design more. He likes creating expensive furniture and perfume bottles just fine, but what really gets his juices going is the everyday: manhole covers, a cremation urn, disposable cigarette lighters, garbage bins, salt and pepper shakers, plastic pens. “I want American Standard to come to me to do the toilets for Home Depot,” he says. In many ways Rashid is more like an itinerant industrial evangelist than a designer. He traveled 200 days last year. He claims to have been to every major mall in America, where he signs his products in high-end design stores and trolls about observing humans interacting with the objects around them. He has taught at design schools for more than a decade, and his work has been in 11 art shows in the past eight months. But mostly he has proselytized the corporate barbarians. And like any good missionary, he has learned to speak the language of his converts. One of the first things he does when he gets new clients is tour their factories to understand their manufacturing capacity. He also visits the retail outlets to see how the product might be displayed. And he really knows how to sell, especially himself. “I work with a guy in L.A.,” says Rashid, declining to name him. “He made a lot of really bad furniture. His business was hand-to-mouth. I proposed seven or eight projects. The pieces I’ve done for him have already become iconic.” The subtitle of his monograph, I Want to Change the World, is not ironic, just characteristically immodest. “Most industrial-design studios try to interpret a client’s needs and come up with a style,” says Paul Rowan, co-founder of housewares manufacturer Umbra. “Karim has his own personal vision.” It helps that Rashid’s vision incorporates things that Rowan needs, like a design that will stack and ship easily and that creates little waste in the making. Rashid’s father was a set designer for Canadian TV who rearranged the family furniture every Sunday. So perhaps it was ordained that Karim would grow up to become one of the pioneers in non-cheesy plastic, making objects that have energy and personality but aren’t wacky. He, like many of his generation, has championed the could-only-be-designed-with-computers blob. But his is not just a blob for its own sake. His Oh Chair...

Urn Shape Vase Bai Jade Peking Glass Hand Blown Glass Hand Carved Peking glass refers to the high-quality glass art produced by the imperial and Commercial workshops in Beijing during the Ching Dynasty, China 1644-1911. Since then, ‘Peking Glass’ has become synonymous with the Chinese technique of glassmaking. Robert Kuo glass...

This vintage oriental kilim is a great example of Minimalist kilims woven in the 1940s. It has been handwoven with a simple colour palette including colours red, blue and ivory. With...

Lune two lights is composed of one solid brass sphere and two handblown glass globes. The light gets out from the two brass rod crossing over the spheres, and through them, it is di...

Perdehs were employed as tent dividers by the Kurdish tribes of eastern Anatolia, creating partitions inside their dwellings. Each flat-woven wool panel is individually dip-dyed with...

The FOAM Coffee Table is a striking contemporary designer table that seamlessly blends sculptural form with everyday function. Inspired by the natural movement of sea foam across the...

Ekster Vase — part of the Suprematic Collection by NOOM — is a sculptural tribute to the genius of Kazimir Malevich and the pure geometric vision of the Suprematist movement. Born in...

Beautiful modern Gabbeh style hand-Loom wool rug with a red field. This Gabbeh-style rug has blue and white accents in a gorgeous all-over geometric minimal design. This rug measu...

AM Floor Shelf in welded quarter inch thick aluminum plate with a polished and waxed finish. Designed to display objects and books and double as a room divider.