Neoclassical Furniture

A Swedish early 19th century neoclassical style longcase painted wood clock with carved crest, circular head and linear body. This Swedish painted wood grandfather clock features an ...

Stunning Roman Nude Male Marble Sculpture Italian or statue of David. Well executed and wonderfully proportioned figure of David as a youth, copied from the original by Michelangelo ...

Large pair of fluted garden urns by the Galloway Terracotta Company of Philadelphia in classical form with great bone white wax matte glaze. Measur...

set of 4 circa 1920’s Caldwell etched mirrored backplate sconces with Cobalt blue glass

Beautiful Italian electrified wall sconce, originally candlestick made of brass and bronze in the 1950s. The wall panel is accented with neoclassical motifs on a textured surface. Th...

Magnificent pair of matching benches or small settees made in the French Louis XVI neoclassical taste . Beautifully carved green painted frames decorated with a neoclassical motif vi...

This beautiful mirror is made of a burr walnut marquetry surrounded by two brass frames. This is French work, circa 1960.

This elegant pair of 20th-century Swedish console tables showcases the timeless beauty of neoclassical design. The tables feature clean, rectangular tops resting on finely tapered, f...

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

French neoclassical Jacques Adnet brass and smoked glass magazine rack, newspaper stand.

This sculptural pair of cast stone garden urns, each composed of a classical urn resting on a pedestal base, was made in Italy circa 1960 and is signed by Italgarden, a noted mid-20t...

18th/19th century French Neoclassical period fireback. The fireback is made of cast iron and has a natural brown patina. Upon request it can be made black / pewter. The fireback is ...

A fine and well-drawn George II design country house library/drawing room wing chair. This chair is unusual in that it has extremely generous proporti...

A French green opaline glass cachepot with gilt mounting. 20th century.

Pair of 19th century French bronze marly horse statues after the original models by Guillaume Coustou (1677-1746).

A bold Empire style sideboard. Carved cherry wood having ebonized columns with Burlwood top and diamond front brass pulls. E.J. Victor Fine Furnishings circa 1990. Excellent overall...

This is a vintage gilded wrought iron Georgian inspired coffee table. This neo classical style coffee table has a hand blown glass top that has a ripple effect. The coffee table has ...

A collection of antique Statuary Carrara marble chimneypiece/mantelpiece tablets from the 18th and 19th century’s. The collection consists of 41 carved elements, including centre ta...

Large Italian Empire crystal and gilt tole chandelier circa 1815-1835. Gilt tole repousse rings strung with crystal beads and pendants. Six gilt-iron arms – each supporting a candela...

Impressive American classical spindle bed crafted from fruitwood. The bed features exaggerated tall bobbin or spool turned bed posts that give the bed a dr...

A fabulous vintage weathered red wooden washing machine that someone with imagination can use as a side table or found object that adds warmth and curi...

An impressive and richly detailed neoclassical-style console table by Maitland-Smith, handcrafted in the Philippines. This statement piece is constructed from solid mahogany and feat...

19th century French Neoclassical Period fireback with two pillars of freedom and a decoration. The pillars symbolize the value liberty, one of the three values of the French revoluti...

A fine Wedgwood jasperware candlestick, neoclassical style item decorated with white antique-style characters and trees on a sky-blue backgroun...

each of conical form in a deep cerulean blue opaline glass; with brass caps and bases; good vintage condition with no chips or cracks; 18.25" (top of glass)  29.25" (top of shade)

Henkel-Harris Neoclassical Mahogany Framed Wall Mirror. Measures 44.5" in width x 34.5" in height.

Circa 1780 Luneville neoclassical reticulated faience basket with typical floral spray central reserve & rose pink edge, the exterior latticework sprinkled with rose & yellow florets...

These magnificent 20th-century American cast iron garden urns exude timeless elegance and charm with their neoclassical design. With ruf...

Exceptional antique (late 19th century) mantel clock with movement by Japy Freres.

Antique early American schoolhouse / country / farmhouse writing desk. Made of poplar featuring a slanted top and dovetailed joinery. Dimension...

Russian malachite and silver table by Imperial silversmiths the Grachev Brothers Russian, 1884 Measures: Height 85cm, width 113cm, depth 63cm This beautiful silver table was man...

A set of two large rustic French concrete garden planters. This pair of garden planters sit upon square concrete bases. The fluted sides feature scalloped stylized decorations. This pair will be fabulous flanking a front door, or on a patio. We also love the idea of filling them with ice and Veuve or Moët champagne...

SET of 6 Italian Neo-classic (19/20th Century) celedon and white matted engravings showing landscapes and classic architectural building in black frames (PRICED AS SET)

Nice pair of German Neo-Classical hand painted blue and white bedside tables. These are very unique and have a great patina!

This is a good looking cabinet! This is a neo-classical style cabinet by Baker Furniture Company. The top portion is lit, and it is two pieces. The cabinet is marked and in very good...

Elegant and finely crafted silver-plated wine cooler by the renowned French silversmith Ercuis. Featuring a neoclassical design with bold lion mask handles and beaded rim detailing, ...

Statue of Saint Michael the Archangel, Composite, Marble Base, Italy, 20th c. A composite state of satin Michael the Archangel on a black marble base. Signed illegibly. Composite, ...

Pair of 19th C. French Empire Neoclassical Flame & Lion Brass Paw Andirons & Bar. Item features an ornate pair of cast brass andirons with flame finials, mounted with lion heads and ...

A handsome and richly detailed French 19th century Neo-Classical st. patinated Bronze and Ormolu statue of Aeneas and Anchises. This wonderful statue after a model by Pierre Lepautre...

These are a pair of engraving, in color. They are representing, monuments of the city of Paris. They have been done durong the 19th century in France.

This elegant pair of cabinets by Henri Lancel, dating from around 1940, showcases the refined craftsmanship and neoclassical inspiration characteristic of French Art Deco design. Th...

This is a pair of striking mid-century bench-made side tables. They have a beautiful finish with unique carved legs. I particularly like the platform that has four gilded circular fe...

This stunning 20th-century French chandelier, inspired by the timeless elegance of Coco Chanel, beautifully blends vintage charm with refined craftsmanship. Its gilded metal frame is...

Vintage French Neoclassical Style Verdigris Bronze Large Bacchus Cherub Putti Grouping Sculpture Weighing Approximately 80 lbs. Circa Mid 20th Century. Measurements: 25" H x 24" W x ...

An extraordinarily comfortable & solid French Curule Throne chair fully restored sparing the original lustered patinated finish, newly upholstered in sumptuous Teal Mohair. Seat: 17"...

Pair of bronze dore' neoclassical style two arm wall sconces with the head of a Roman or Greek bearded god. The beautifully cast and chased head crowned wit...

A reclaimed neoclassical plaster wall plaque with a stunning painted matte black frame. In a large landscape form, this handcrafted plaque is decorated in relief depicting a romantic scene of cherubs or putti accompanied by a dog while they gather around a fire in an enchanted woodland...

Pair of 19th century Italian upholstered X-frame stools Italian, c. 1840 Height 53cm, width 49cm, depth 40cm This pair of refined stools features a plush, upholstered seat and an el...

A 19th-century French console table with its original Carrara marble top. The carved ebonized wood base is richly ornamented—floral reliefs, roped edges, and a central medallion comp...

This is a very unique photographer's posing chair from the early 20th Century. Chair features original upholstery, tooled leather, ornately carved wood fr...

Pair of wall lantern or wall sconces, made of solid brass , beautiful patina, beveled glass , four 60/watt lights each lantern, Suitable for wet ...

German chandelier made of 3 level of rectangular crystal prism on a cylindrical brass structure, designed by Kinkeldey in the 1960’s 70’s. - Lustre allemand composé de 3 niveaux de c...

Late 20th Century American Classical Maple Double Dresser with clean lines and wooden knob drawer pulls. Measures 66" in width, 18.75" in depth and 36.5" in height.

Lovely pair of Wedgwood jasperware vases, beautiful neoclassical style item decorated with white antique-style scenes on a sky-blue background...

Very large French silvered bronze jardinière in the manner of Christofle French, Late 19th Century Height 45cm, width 102cm, depth 56cm This stunning silvered bronze jardinière is...

French Red Alabaster Pedestal, early 20th century, with a square revolving top, on a tapering pedestal, stepped socle and square plinth. 28.75" H x 12" W x 12" D.

Set Of Four Italian Brass Chiavari Chairs. Offered is an unusual set of 4 brass Chiavari high back chairs. These versatile chairs would be great flanking a console table or chest, ...

Pair of important Russian gilt bronze and metal vases Russian, circa 1820 Dimensions: Height 98cm, width 43cm, depth 38cm This monumental pair of vases are exquisitely crafted in gilt bronze and metal. They both feature twin scrolled handles, which are decorated with leaves and foliate patterns, as well as classical profiles at the top. These touch the ormolu rims, which feature an egg and dart pattern. The body of each vase is of ovoid form and features further ormolu mounts, including a thick band underneath the waisted neck, twin dog heads at the base of the handles, flowers, stars and more Classical masks with foliate scrolls. The vases are supported by square plinths, with socle form bases and decorations of fluted ribbing and scrolled foliate forms. Heavily inspired by the neoclassical style, which was popular in Russia in the late 18th and 19th centuries, the vases are decorated with gilt bronze relief scenes which allude to motifs in classical mythology. On a rich burgundy ground, the metal body of the vases show figures flanked by palm trees. One vase shows a woman dressed in a classical draped fabric garment playing two flutes and leaning on a pedestal with twirling ivy, while a baby stands...

Neoclassical style rectangular side or end table in the manner of Maison Bagues. The beautifully patinated brass base features an egg and dart relief motif with an X-Base stretcher ...

A refined set of four French chairs, circa 1950, crafted in wrought iron with brass accents and designed in the elegant neoclassical style associated with André Arbus. Each chair fea...