Dining Room Sets

Art Nuveau dining room signed Pierre Mathieu Bielle-Lyon. Finished with typical floral decorations with finely carved whiplash lines. The room is forme...

Dining table designed by Umberto Mascagni of Bologna in the 1950s. The main body structure is in solid European wood, covered in brown veined vinyl and anodized aluminum. The legs ar...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Classic Danish Modernist Oval Expanding Teak Dining Table by Faarup Mobelfabrik ,, Stunning design, solid teak. retains it's original warm wood finish.. also retains one 19" leaf.. S...

Transform your dining space into a mid-century masterpiece with this stunning dining room set that combines iconic design with exquisite craftsmanship. This set includes six dining c...

Stunning Mid Century Modern 5 Piece Dining Set style of Knoll. Black glass on the table. 4 black gloss tulip form scoop back dining chairs. Black glass ...

Wonderful vintage Mid-Century Modern set of 4 Krueger chairs of molded fiberglass shell bodies with seats & backs of mottled creamy beige Naugahyde upholstery, and black painted sled...

This is a great looking mid century Broyhill Conover Furniture Co. dining room set including a table two three leg supports and one leaf, 2 arm and 4 side chairs. The entire set is ...

Overall Dimensions as Shown in Listing: 30″ x 72″ x 42″ high Materials: Steel, Pine, Douglas Fir & Alder Keep in mind that we can build these at any size with most materials, so if...

Vintage Salterini Style Wrought Iron Small Garden Patio Bistro Dining Set - 3 pc. Listing includes (1) small round dining table, (2) dining side chairs, pierced fretwork design to ta...

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

A spectacular dining table, modernist, constructivist, free-form, bamboo structure with dynamic lines, large wooden top inlaid with wicker checkerboards, by Audoux-Minnet, France 197...

Early Charles Eames Dining Set, This set consists of Four DCW Dining Chairs in Birchwood and Rare DCW-1 Walnut Dining Table. Tables measures; 29¼ h × ...

This elegant Scandinavian modern dining set consists of one large wooden table and nine finely crafted chairs. The table is a perfect example of minimalist design, constructed in two...

Streamline Deco Table and Chairs. Walnut with Walnut Burl top. Pink Mohair seats.

A fine Mid Century Modern 54" coffee table set with four slipper chairs, designed Tomlinson Lounge Chair by John Lubberts & Lambert Mulder for Tomlinson & signed "Tomlinson Sophisti...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

Exquisite set of 4 Charles Rennie Mackintosh “309 Ingram” dining chairs for Cassina in stained cherry and black leather. The 309 Ingram dining chairs, designed by Charles Rennie Ma...

Fantastic post-modern dining table and 4 lacquer and leather dining chairs made in Italy. 2 tapered geometric V shaped base legs. Thick beveled glass top. Chairs have gentle sloping ...

Stunning French iron garden set by Francois Carre, oval table, 4 spring steel arm chairs. Amazing original condition. Has always been used indoors, Han...

French Art Deco style custom dining table, hand made by Frank Pollaro, American, circa 2000. This custom dining creation, made of hand rubbed plum puddin...

No description provided

Chic mid century dinette set to include a rectangular glass top table and four armless chairs. All pieces are structurally sound and sturdy, al...

Boat-shape rectangular table with two extension leaves. Top with combination of crotch mahogany and straight sapele mahogany. Brushed steel details on the base. Open table: 112” L x ...

On offer on this occasion is one of the most stunning and rare, dining set you could hope to find. Outstanding design is exhibited throughout. The beautiful set is statement piece an...

Industrial post-modern design bar height table and two stools by Robert Josten, circa 1970s. The table and the stool frames are made of cast aluminum with solid maple seats. The bistro table measures 28"W x 27.5"D x 41.5"H and the stools are 18.5"W x 18.5"D x 47.5"H with a seat height of 30.5". This very hard to find set is in good vintage condition with some minor discoloration to the top of the table (please see pictures). A really cool bar...

Space Age vintage dining room set from plastic in a chocolate brown tone reupholstered with light brown textile fabric. The dining room set con...

A very fine quality period French Art Deco dining room set consisting of a table and eight chairs. (Six sides and two armchairs) dini...

Set of 3 Meribel Chairs and Stool by Charlotte Perriand, 1960s Vintage Design Chairs and stools of the first Méribel model drawn by Charlotte Perriand in the 1950s to furnish the sk...

Hollywood Regency Chinoiserie Chin Hua Ebonized Dining Set By Raymond K. Sobota for Century Furniture - 8 Piece Set This gorgeous Asian Style dining set...

This collection presents a rare opportunity to own a piece of Los Angeles design history. The house, originally designed by Paul Williams in 1933 was given the Haines touch when his clients a young family of five purchased and moved in in 1963. Haines made appropriate changes to the structure and being at the top of his game, both the architectural changes and the custom furnishings clearly illustrate this. He discreetly added a projection room to the front of the house so that the cleverly concealed projectors made for a movie going experience in the living room. Other Haines touches abound in this, a wonderful and thoughtful interior perfectly capturing a moment in time when life was glamorous. This set still in tact consists of the "good times" table surrounded by a set of 4 chairs, a variation on the "Brentwood" chair with an all upholstered back with channel quilting and biscuit tufted seating. Because Haines had a keen eye for detail the chairs also have a wonderful "cut" in the front legs accented with black enamel. The biscuit tufting on the seats is classic while the channeling on the backs make these unique. The table top is wrapped in tooled Ocher leather and rests on a hand carved base featuring 3 dolphin...

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

Unusual Arts and Crafts Pub / Bistro Table and Chairs manner of Limbert..All hand pegged,,dowelled.. Charming set.. Perfect for small little nook in the kitchen,, sun-porch,,etc.. H...

Leather basket weave wicker style square dining room table 4 chairs glass top set. All new beige wool upholstery. Table measures 42 x 42 x ...

Set of 2 Cognac XO Chairs by Eero Aarnio for Asko – Perfect Addition or Standalone Pieces for Design Enthusiasts These two original Cognac XO Chairs by Eero Aarnio for Asko are true...

A beautiful Italian early 18th century Tuscan st. Walnut gateleg dining table. The table is raised by elegant mottled feet below striking r...

A rare late 19th-century Chinese export square dining table with four matching corner chairs that stow nicely away underneath. The base with four outer legs and a central leg is unit...

Organic Modern Cerdeira Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and organic e...

Space age vintage white plastic dining room set designed by Maurice Burke 1960s United Kingdom and produced by Arkana Great Britain. The dining room set consists of 1 white enameled ...

Exceptional Original Biedermeier Dining Set from Vienna, circa 1825 A Rare Masterpiece: Large Round Table and Six Elegant Chairs We are delighted to offer this rare and museum-quali...

Rare Architectural Design Iron Dining Set, designed by Paul McCobb for Arbuck, American, circa 1950s. It is a versatile set and can be used indoors or outdoors. The set consists of t...

We are delighted to offer for sale this Kindel furniture cherrywood gold giltwood dining table. This table is vintage 1950s, an extendable table with three extra boards, so you ch...

Giorgetti, dining room table, red lacquered bamboo imitation wood, glass top, circa 1960, Italy. Height table : 76 cm, 106 x 177 cm. Height seat: 91 cm, width 47 cm, depth 41 cm.

"McGuire" 1970s dining room set in black lacquered rattan Complete of: – Trolley with extendable top bar cart server buffet (dimensions: 110 x 5...

Pinewood "Hongisto" Table set designed by IIlmari Tapiovaara for Laukaan Puu, Finland 1960s A lovely dining set table from the “Hongisto” series by Ilmari Tapiovaara, manufactured b...

Vintage Woodard Wrought Iron Green Spring Bouncy Patio Dining Set - Set of 5. Item features w rought iron frames, round glass top with umbrella hole, green finish, scrolling frame, f...

We are truly honored to offer you this rare and distinguished set of six walnut Biedermeier chairs, paired with a magnificent tilt-top table, al...

TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....

Origin: Denmark Designer: Ejner Larsen & Aksel Bender Madsen Manufacturer: Korup Stølefabrik Era: 1960s Materials: Teak, Wool Measurements: 20.5″ wide x 19.5″ deep x 28.75″ tall

Giuseppe Scapinelli (1891-1982) was an Italian designer, born in Modena, but who lived his whole life in Sao Paolo, Brazil. There he founded both a furniture company, Fábrica de Móve...

Danish extendable rosewood dining table with eight “Eva” chairs (Very comfortable seat and rare to find in rosewood) Designed by Niels Koefoed and manufactured by Koefoeds Hornslet...

Beautiful early set of dining table with smoked glass top and six matching dining chairs with yellow fabric. Designed by Warren Platner in the early 1960s and manufactured by Knoll I...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounded...

Large Italian imperio style dining table plus 12 chairs 1960s

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspira...

A steel and leather chair with a comfortable seat, easily stackable to save space when needed. This tonal version has a blackened steel frame with a black leather upholstered seat. S...

Transform your dining experience with this exquisite Complete Dining Room Set, featuring 8 CH29 Sawbuck Chairs designed by Hans J. Wegner for Carl Hansen & Søn, and a vintage AT 3...

Dining room set consisting of a set of six dining chairs by Ernesto Valabrega paired with a dining table by Biosca Ernesto Valabrega, set of six dining chairs, oak, leather, iron, I...

Vintage Industrial Mid-Century Modern style oak dining kitchen, breakfast table with built in attached cast iron swing out seats, chairs. Kitchen o...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite Regency style Burr Walnut two pedestal dining table with ten matching inlaid dining chairs that have ornately carved frames Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good-looking hand made to order suite, these absolutely never come up for sale on the preowned market, the suite is based on a Regency design with Dutch inlay...