Wood Dining Room Sets

A large square Italian dining table designed by Paolo Barracchia. Featuring exquisite detailing including a thick brass band, double open legs and map...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

A set of four dining chairs designed by Bernhard Pedersen & Son, manufactured in Denmark in the 1960s. The table comes from Denmark and was manufactured in the 1960s. The table has o...

A stunning mid-century Danish dining set featuring six rare rosewood dining chairs designed by Schiønning & Elgaard for Randers, Denmark, paired with a beautiful Danish rosewood exte...

Ensemble vintage des années 60, en sapin, dans le goût de Charlotte Perriand, composé d’une table rectangulaire et de 2 bancs assortis, Très bon ét...

Transform your dining experience with this exquisite Complete Dining Room Set, featuring 8 CH29 Sawbuck Chairs designed by Hans J. Wegner for Carl Hansen & Søn, and a vintage AT 3...

Clean lines and high quality materials are the basis of Stephen Kenn's Inheritance Collection. This simple yet elegant dining set features a solid ebonized oak tabletop with an antiq...

Bring unmatched grandeur and European artistry into your home with this monumental, custom-made-in-Italy, 20-seat Venetian Rococo–style dining set. Designed on a truly spectacular sc...

The extremely rare Ralph Lauren dining set is statement piece which is also comfortable and packed with personality! Just look at the details a...

Rectangular table in Brazilian rosewood veneer with high gloss polyester finish. Fixed top with base in bronzed stain- less steel. Sunburst veneer to...

This early 20th century tea table and set of four stools were carved of a fine hardwood with a tight grain and beautiful, warm coloring. The detailed style of carving on the legs and...

An incredible original set from the 1960s designed by Adrian Pearsall and produced by Craft Associates. The set features all solid walnut construction. Very clean and well cared for ...

On offer on this occasion is one of the most stunning, rare, complete Art Deco dining set you could hope to find. Outstanding design is exhibited throughout. The beautiful walnut din...

Striking brutalist dining set made of solid blackened ash in the 1960ties. The Set consists of 1 table and its 4 benches. The ensemble comes f...

A stunning Art Deco large dining table and eight matching chairs designed by Italian designer Gaetano Borsani for Atelier di Varedo, Italy, circa late 1920s to early 1930s. The set ...

Experience the timeless elegance of mid-century modern design with the Pirkka dining room set by Ilmari Tapiovaara for Laukaan Puu, created in 1955. This exquisite set embodies the perfect blend of form and function, making it a standout addition to any dining space. The set consits of the large Pirkka table and 6 Pirkka chairs all marked. Ilmari Tapiovaara, a celebrated Finnish designer, is renowned for his innovative approach and dedication to craftsmanship. The Pirkka set showcases his genius with its clean lines, minimalist aesthetic, and impeccable balance of practicality and beauty. Crafted from high-quality materials, the set features a combination of solid pine and birch, offering a warm, natural finish that highlights the wood’s rich grain and texture. The design’s simplicity and robustness ensure durability, making it a lasting centerpiece for your dining area. The Pirkka set includes the large model dining table and 6 matching chairs...

Ron Seff Raffia wood marquetry dining table with round form and brass mounted base. Completed with thick glass table top.

Vintage industrial cast iron, steel and wood swing out seat cafeteria style dining kitchen table. Top measures 1 1/4" thick, overall dimension...

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

The antique set of chairs and a table in the Renaissance style were made of oak wood in the second half of the 19th century. Seats and backrests of chairs upholstered with fabric, wo...

An impressive Vintage French Empire Revival burr walnut dining table and a set of six burr walnut dining chairs dating from the mid 20th Century. The circular burr-walnut top featur...

You are viewing a gorgeous Regency Revival dining set with 8 chairs Classic mahogany extending pedestal table that seats 8 people comfortably The chairs consist of two arm chairs and...

A solid oak and steel dining table, perfect for seating 6-10 people comfortably. This version has an antique brass frame finish and an ebonized oak tabletop. White oak, walnut, or ma...

Bauhaus tubular-steel conference or dining set by GMD Berlin, Germany.

Danish dining set designed by Rud Thygesen and Johnny Sørensen for the publisher Magnus Olesen in the 1970s in Denmark. Really nice work on the bentwood base with a very clean design...

English sliding table / centre table / demi lunes. Set of 2 semi-circular tables. Can be used as 2 side tables or joined together as a round coffee table. Can be extended with 2 ext...

Stunning walnut dining table and six matching dining chairs by Pier Luigi Colli, handmade by the famed 'Fratelli Marelli' atelier in Cantu, Italy circa 1950. The dining table is ...

Founded in 1957 by Chaim Schrieber, Schreiber furniture is an interesting British success story. The Company was one of the biggest names in furniture in the 70s, rivalling G Plan a...

Very rare danish dining room set incl. 6 cowhorn chairs, round / oval table and the matching cabinet by Svend Aage Madsen. The whole ensemble made in finest walnut. Table with retrac...

Versatile Usage Area Its 120 cm diameter makes this table ideal for living rooms, kitchens, dining rooms or small cafes and restaurants. Its wide table surface provides a functional ...

The dining table GH is built with solid white oak - its 3” square legs engage with an 1-1/2” top through a simple integral joinery. The details are exposed. The simplicity and materi...

IMPORTANT: ON REQUEST WE WILL RE-UPHIDE THE CHAIRS WITH A SUPPLEMENT OF EURO 150 EACH. Reinforced structure of the chairs for daily use. Spring seat. French mahogany dining table...

Beautiful Dutch dining set manufactured by L.O.V. (Labor Omnia Vincit - Labor Overcomes Everything) in the mid-1920s. It was innovator Gerrit Pel...

Paul McCobb dining table for Calvin, American, circa 1950s. Elegant design with brass stretcher. This table is currently being refinished and can be completed in your choice of color...

Royal House Antiques Royal House Antiques is delighted to offer for sale this sublime designer Andrew Varah eight person extra large dining table with matching suite of carver armch...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Golden...

Arne Vodder for Sibast Brazilian Rosewood Dining Table and 6 chairs. Table top has been refinished and six chairs have new fabric on the seats. Beautiful expandable dining table wi...

Vintage industrial cast iron, steel and wood swing out seat cafeteria style dining kitchen table. Shown in raw poplar wood. Can be made with oak, mahogany, walnut, etc. Cast iron swing out...

We love this classis but still very modern set. It can be used as a game table or as a dining room set for four. This all original color sati...

Vintage Modernist Table Set From France, Circa 1970. Unusual set in solid pine with nice original paint and use. Chairs measure : H-33 / W-21 / D-22 / S-18.5

Dining room set by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood set consisting of four chairs, a table and a sideboard. The table has an extendable glass top (extensio...

Round expanding table by Silvio Coppola. A very versatile table with a concealed folding leaf system that allows the table to go from 47" round t...

Italian Mid-Century Modern dining table 8 chairs set new linen upholstery seats Mint!. Measures- Chair: 18'' x 20'' x 33'' & seat height: 19...

Nice 3-legged table and chairs deigned by Randy castellan 1994, for Makea Studio, signed at the bottom great industrial design, in plywood good origina...

Mid-Century Modern Modern Olisippo Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Olisippo dining table pays homage to Lisbon’s ancient h...

Designed by Ashley Yeates, 'The Modern Hepburn,' handcrafted in California using FSC-certified wood and non-toxic finishes. COM/COL The Grant Dining Table brings refined presence a...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspira...

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Rare French mid century wooden cabin dining set of dark stained oak in a rustic style by a French anonymous designer produced in the 1950s. The sofa has some storage under neath the ...

Very nice table set consisting of a table, two chairs and two armchairs. All chairs are upholstered according to the traditional style by hand with belts and springs. The whole set i...

Set of 3 Meribel Chairs and Stool by Charlotte Perriand, 1960s Vintage Design Chairs and stools of the first Méribel model drawn by Charlotte Perriand in the 1950s to furnish the sk...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite Regency style Burr Walnut two pedestal dining table with ten matching inlaid dining chairs that have ornately carved frames Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good-looking hand made to order suite, these absolutely never come up for sale on the preowned market, the suite is based on a Regency design with Dutch inlay...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Organic Modern Cerdeira Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and organic e...

Gilbert Marklund Pine Table & Benches for Furusnickarn, Sweden, 1970s This striking pine dining set was designed by Gilbert Marklund for Furusnickarn in Sweden during the 1970s. Com...

Biloba dining table, contemporary collection, handcrafted in in Portugal - Europe by Greenapple. Designed by Rute Martins for the contemporary collectio...

We are very pleased to offer a timeless dining set designed by Paul Frankl for The Johnson Furniture Company, circa the 1940s. Back in the day, Johnson company in Grand Rapids, Michigan was one of the largest furniture companies in the United States. In the early 1950s, Paul Frankl produced several lines for the furniture company, among them the “Contemporary” line, made from exquisite hardwoods with cork counter tops, and chairs with cutout backs that mimicked women’s fashions of the day. This complete dining set...

Chinese Red Lacquer Lattice Dining Chairs, Italian, circa 1960s. They retain their original Chinese Red color lacquer finish and caned seats. We ...