1970s Dining Room Sets

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

A spectacular 1970s Dining Set- The chairs and table have a heavy chromed steel base and were reupholstered in soft blue leather. Glass dimensions: 130 cm Chair dimensions: Width: 51...

McGuire comprising revolving flip top games and dining table with two woven rattan side chairs and two armchairs. Chairs feature McGuire "M" logo inlay in back of each chair seat (se...

We love this classis but still very modern set. It can be used as a game table or as a dining room set for four. This all original color sati...

A superb dining room suite consisting of table and six chairs designed by Guido Faleschini for Hermes, France, circa 1970. Hermes barely needs any introduction: it is probably the most famous firm in the world known principally for its workmanship of leather goods of the highest quality. The French luxury goods manufacturer established in 1837 specializes in leather goods, lifestyle accessories...

Vintage Modernist Table Set From France, Circa 1970. Unusual set in solid pine with nice original paint and use. Chairs measure : H-33 / W-21 / D-22 / S-18.5

Dining room set by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood set consisting of four chairs, a table and a sideboard. The table has an extendable glass top (extensio...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Immerse yourself in the timeless glamour of the Hollywood Regency era with this stunning vintage dining set from the iconic Brown Jordan, crafted in the United States during the 1970...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Hollywood Regency Chinoiserie Chin Hua Ebonized Dining Set By Raymond K. Sobota for Century Furniture - 8 Piece Set This gorgeous Asian Style dining set...

Dining room set with table and chairs, lacquered wood, fabric, Italy, 1970s A lovely dining set made in Italy in the 1970s. This Post-modern set stands as an exquisite centerpiece, ...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Beautiful hand woven wicker and iron vintage dining room set including one table and 4 chairs. Great design and condition.

This is a beautiful trestle dining table with matching benches by Gerald McCabe for Orange Crate Modern. This table retains its original finish over soli...

An ingenious expression of functional minimalism, this wall-mounted folding table was designed in 1970 as part of the Aggregabili series by the avant-garde Turin-based collective Ano...

A stunning vintage modern Danish teak pedestal base dining table with two leaves by Skovby Mobelfabrik. This attractive set caters to many with the ...

1970's Ultra Modern 11 Piece Dining Set by Century Furniture. Exotic Burlwood with bevelled bronze toned glass top. 8 chairs, stunning bent burlwood design. 2 armchairs and 6 side ch...

A fantastic Curvilinear dining table by Paul Evans for Directional circa 1970s. Model PE-509 with Olive Burl wood patchwork contrasting the shades of brass. Heavy and substantial, th...

German beer garden wood folding table with two wood folding benches. Sturdy and well made wood surfaces and metal folding legs. Folding mechanism is...

Table with eight chairs, Italy 70s Measurement: table cm 216 x 88 x height cm 74 chairs cm 48 x 50 x height cm 95; seat height cm 47

Mid-Century Modern Dining Set by Marco Zanuzo for Poggi, Italy, 1970s Chairs : 39x43x90 cm Sh 44cm

Rare furniture suite by Horst Romanus Wanke from the 1970s consisting of two chairs and a table. High-quality solid beech wood frame and table top lacquered in white. The chairs have...

THE FOUR CARDINAL POINTS Rosenthal Kunstmöbelreihe This noteworthy design is the work of Bjørn Wiinblad. The furniture pieces were produced in a limited edition of 300 in 1976. E...

A timeless vintage patio set by Brown Jordan, featuring their iconic Tamiami collection design. This set includes a round glass-top table and four armchairs with powder-coated aluminum frames in a sunny yellow finish. The chairs showcase the signature Tamiami vinyl strap weave in white, offering both style and comfort with a striking geometric appeal. The Tamiami line blends clean mid-century lines with durable, weather-resistant materials, making it a favorite among collectors and design lovers. Ideal for outdoor entertaining, this set brings Palm Springs charm to any patio, garden, or sunroom...

Mid-Century Modern; Italy; 1970s; Hugonet; Dining Set; Modernist; Paris; France; Plexiglass; Bamboo; Hugonet "Sea Side" dining set - a beautiful embodiment of midcentury modern eleg...

1970s dining set by Rainer Daumiller, crafted entirely from solid pine. This timeless ensemble comprises a robust round dining table and four accompanying stools, each bearing the un...

Magnificent and rare Brutalist dining room table with six Brutalist dining room chairs. Striking Dutch design from the 1970s. The table has a solid oak base and the top is original v...

A rare wall-mounted folding table by Anonima Design, designed in 1970 as part of the Aggregabili series for Bonetto. Crafted in pale birch plywood, this version features a versatile ...

A rare and incredibly well made vintage Italian dining table and chairs by Silvio Coppola. They were made in Italy by Fratelli Montina, and date from the 1970’s. The quality is outs...

This mid-century modern burl dining set was designed and manufactured in the United States in the 1970s. This striking rectangular dining table is supp...

Ce majestueux ensemble des années 1970, conçu par Osvaldo Borsani, pour Tecno se distingue par sa table aux dimensions de 85 cm x 120 cm et une hauteur de 70 cm, accompagnée de chais...

Monumental Alpine dining set in solid pine with sculptural benches, France, 1970s. Ideal for hospitality, chalet, and lodge projects, offering a complete and cohesive Alpine dining ...

The iconic Basilan 1 dining set designed by Afra &Tobia Scarpa in 1974 for B&B Italia - under the division of Compagnia dells Filippine. Afra &Tobia Scarpa initiated the design proje...

TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....

Rare "Delta" set by belgian designer Rudi Verelst for Novalux Belgium produced in the 70s. Set composed of 4 tubular chairs in White/red Agape Boucle fabric by Aristide as well as a...

Complete 5 piece Mid Century Modern set of butter yellow Brown Jordan “Tamiami” patio furniture, four armchairs and one circular dining table. The light weight tubular aluminum frame...

Unique "Paracarro" model dining table with a set of four chairs. It was designed by Giovanni Offredi and produced by Saporiti in Italy during 1973. Based on a prototype project, i...

1970s Green Lacquered Wood Dining Set Product Details Table dimensions: 150 W x 73 H x 140 D cm 4 Chairs dimensions: 50 W x 97 H x 44 D cm

Pierre Chapo T21B "Sfax" Table & "S28" Chairs for Atelier Pierre Chapo, wood, France, 1970s A remarkable study in structural harmony, this dining ensemble by Pierre Chapo pairs the ...

Dining room set composed of 4 wooden and brown leather chairs and a wooden table from Mario Marenco's Sapporo collection. Chair dimensions: Height: 82 cm Width: 50 cm Depth: 53 cm Se...

Dining set by Pierre Cardin for Dillingham comprises a rectangular dining table and six dining chairs in chrome-plated steel. The expandable dining table has with three new, mirrored...

On offer on this occasion is one of the most stunning and rare, rattan dining table and chairs set you could hope to find. Outstanding design is exhibited throughout. The beautiful s...

On offer on this occasion is one of the most stunning lucite table set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the be...

Original Spaghetti Patio chairs and matching rectangular table with reversible top in all Black by Giandomenico Belotti for Alias Made in Italy. Gorgeous Minimalist Italian design fr...

Space Age period dining room set, 1970s, France. The set consists of the round dinning table and 4 matching chairs. Round table is standing on a solid chrome semi-circular base whic...

A lovely little vintage cast aluminum dining set by Robert Josten from the 1970’s. Dark wood seats. The table is somewhat rare in this shape and size. The wood seats are in good con...

Table with glass top + set of 12 mc guire 70's chairs in black lacquered rattan Table dimensions: 270 x 125 x 76 cm Chairs dimensions: 45 x 45 x 78 cm Prod...

1970s Dining Set with four chairs on cantilever bases, and center table with glass top. Table top and frames are all in very good condition. The upholstery should be redone for dai...

Stainless steel dining set designed by Gary Gutterman for Axius Designs in 1970s. Set includes glass top dining table and 8 chairs. All original and in very good condition.

The Arch line was created after Charles started working with the owner of the Raiders, Al Davis while designing a set of chairs for his executive office in Beverly Hills with the feeling of a football helmet, and the silhouette of a dome. The most creative arch that Charles has designed is the arch of the Le Dome table...

Art Nouveau Bar for sale in wood Private Collection

On offer on this occasion is one of the most stunning and rare, hand painted wood inlay dining table you could hope to find. Outstanding design...

We are very pleased to offer a stunning dining table attributed to Suzanne Dahl & Jerry Barich, circa the 1970s. Tusk-shaped legs, lucite, brass, and glass, all exquisitely combined ...

Stunning brutalist starburst dining table and 8 dining chairs by Aquarius Enterprises. This rare piece is constructed of solid wood, either pine or oak. It was hand carved in South A...

Gijs Bakker is actually best known for his jewelry. This ‘Strip’ table and 6 Chairs is one of the few known pieces of furniture that he designed. Perhaps that is also the reason wh...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

In this listing you will find a stunning Space Age patio, garden and dining room set, consisting out of a folding table and 3 folding chairs with distinctive design. They are all don...