Animal Skin Dining Room Tables

Mid-Century Modern 'Guarujá' Table by Jorge Zalszupin, Brazil, 1960s The iconic 'Guarujá' is a table designed by Jorge Zalszupin and produced by his company, L'atelier. The table-to...

Large genuine McGuire rectangular dining table made in the California coastal organic modern style. Crafted from an iron frame painted...

One of the most elegant and innovative 20th-century French furniture designers, Jacques Adnet created a simple, unadorned signature style that is both trim and vigorous. He began his career in the heyday of the Art Deco era, and in the 1950s, in association with Hermès, created chairs, lamps, desks and other pieces that employed slender metal frames clad in stitched saddle leather. With such furnishings, Adnet brought a fashion sensibility to design and decor that had not been seen since the 1920s prime of the great Paris couturier-decorator Paul Poiret. Original vintage wicker covered...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A long rosewood patchwork top rests over two concrete bases finished with black leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us to use the material rationally, using the design as a tool to void waste. Aesthetically, the patchwork explores the different tones of the Brazilian Rosewood beautifully, achieving a fantastic result. At the time, the Guanabara table was presented as a dynamic piece that could be used in corporate spaces (as a meeting table...

Desalto CLAY INDOOR table 110cm diameter MALTA CACAO Chairs: Norr11 Hippo chairs upholstered in Ultra leather. Dark smoked frame. Design by Kristian Sofus Hansen Tommy Hyl...

Large round marble dining table custom made for a client that needed to downsize to a smaller table. Palisandro Bluette marble polished top with gorgeous white streaking throughout. Has four cylindrical steel legs wrapped in dark grey leather and capped on the bottom with antique brass cylindrical...

Ello dining table, 1980. Table has bull nose edge, faux goatskin lacquer. Original condition.

Sculpted Velocity: Giancarlo Vegni's "Rolling-2b" and the Luxury of Line This "Rolling-2b" Oval Table by Italian designer Giancarlo Vegni is a masterful study in materials and movem...

Giorgio Collection Luxor 3-Seater Sofa with marble shelves in Velvet and Fabric This luxury Italian 3-seater sofa combines the essence of modern Art Deco with plush comfort. Designe...

A centrepiece that channels the opulence of the 1940s, the Geller Dining Table draws inspiration from Art Deco luxury with contemporary finesse. The elongated oval tabletop is crafte...

An exceptional and highly refined extendable dining table by Vladimir Kagan, featuring a spectacularly figured rosewood top, leather-wrapped architectural base with chrome banding, a...

Italian Mid-Century Modern dining / center table featuring a large circular top finished in dark brown parchment / goatskin with high gloss lacquered finish, resting on a pedestal ba...

Dining Table in Rosewood and Leather by Arne Vodder, 1950's Additional Information: Material: Rosewood, leather Style: Mid century, Scandinavian Rare dining table model 212 Produced...

This amazing collectors piece of Post-Modern design is an original 1980s production of the 'Zabro' chair (which easily transforms into a table) designed in 1984 by Alessandro Mendini...

21st Century Lune Table, in HG Lacquered Wood and Bronze Details, by Duistt The Lune table is a perfect example to show how well-mixed materials can work together to create a truly ...

McGuire Organic Modern Rectangular Bamboo Dining Table Base for Glass Top (not included) designed by John McGuire. Created for use with a rectangular glass top, the base features eig...

Fabulous 1970s vintage mid-century modern Milo Baughman style rectangular clear tempered glass and polished chromed steel Parsons style dining table by Tri-Mark Designs. Features fou...

This dining table is simply stunning. A goatskin dining table designed by Karl Springer from the 1980s features a creamy goatskin top with hides that are both tan and nude in color with slight color variations in the hides that only come with real goatskin pieces. This large goatskin top rests on a circular chrome drum base that is a custom base for the table. This stunning table came out of a prominent home in Century City and the provenance is available upon request. The dining table top still has the original Karl Springer paper label which was included in the original wrapping of the piece / order tag, which has been affixed to the bottom by the original owner for provenance. This wrapping tag has significantly faded with time, but you can still make out the name Karl Springer at the top (especially if you snap a photo and bump up the contrast). This dining table, as photographed, looks incredible with the Guido Faleschini for Pace Collection dining chairs -- which is the exact combination the family had been using since the 1980's. With the striking chrome base, this dining table would look great with Milo Baughman thinline...

This lacquered metal table with a leather top by Jonas Bohlin (b. 1953) blends industrial rawness with sculptural refinement. Bohlin is one of Sweden’s foremost designers – his piece...

An exceptional circular dining or center table by McGuire, circa 1990. The table base is 44 inches in diameter. Stout, heavy steel frame construction veneered in bamboo; leather wra...

Ferreirinha Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha dining table pays homage to Antónia Adelaide Ferreira, a visionary...

Designed for use with a glass top, this bamboo rattan pedestal dining table base is marked McGuire San Francisco and has the original cerused washed finish. The organic modern base i...

Fine Italian Mid-Century ight brown "Goatskin" Game Table/Extension Dining Table (ALDO TURA) Length with extension: 72"

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisite, extra large, Fully Restored, Howard & Son's Berners Street, Flamed Mahogany with hand dyed b...

Giorgio Collection Luxor Presidential Office Chair – Italian Leather Desk Chair on Wheels Luxurious desk chair with adjustable height and quilted b...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

Belgium / 1935 / De Coene Frères / Dining Table / wood, silver / Art Deco A remarkable and impressively scaled extendable Art Deco dining table by the celebrated Belgian manufacture...

Dining or conference table, walnut, cognac leather, Italy, 1960s This furniture piece's versatility is due to its substantial size, making it an optimal option for various functions...

The Luna round table by Greyge is an elegant expression of contemporary Italian design, in which purity of form, sensuality of proportion and craftsmanship come together in a timeles...

For Sale is this large almost round floating Karl Springer dining table on two half round pedestal bases, made in America in the 1970. All wood core decorated with the Goat Skin and...

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1960s Materials: teak, leather Measurements: 19" wide x 19" deep x 31" tall Condition: In excellent original con...

Introducing a stunning vintage goatskin dining table, a remarkable piece inspired by the renowned designer Aldo Tura and beautifully crafted in Italy during the 1970s. This exception...

21st Century Lune Table, in Gold Limed Oak, Bronze, and Leather Details, Handcrafted by Duistt The Lune table is a perfect example to show how well-mixed materials can work together...

Large Oval Racetrack Knife Edge Lacquered Parchment Goat Skin Double Pedestal Dining Conference Table MINT!

Mid-Century Modern Enrique Garcel designed dining table for Jimeco Itda This fine one of a kind parchment / goat skin and brass diamond inlaid dining table bears the label for JIMECO Columbia. This custom made dining or conference table is done in the signature Jimeco Charcoal Grey Parchment finish on the entire base as well as the table top. The table top off set with brass diamond inlaid designs. JIMECO is a family tradition of bespoke elegant finishes, joinery and furniture that has been showcased in the finest interiors around the world since 1975. Working with the best interior designers...

Travertine and Leather Single Pedestal Glass Top Italian Mid Century Modern Rectangle Dining Table MINT!

The "Guarujá" dining table, conceived by Jorge Zalszupin, stands as a resplendent testament to the mastery of Brazilian design. Drawing inspiration from the serene beauty of its namesake - Guarujá, a renowned Brazilian beach...

Fabulous 410 cm long Dining table and 10 chairs ‘Darby’ by Torbjørn Afdal for Bruksbo Norway, 60s Torbjørn Afdal (1917-1999) designed several dining tables in different sizes; this...

American Mid-Century circular dining table with a twisted stylized base and a yellowish “goatskin” finish (Karl Springer)

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of form and material, he creates ob...

Very rare Aldo Tura goatskin or parchment dining table. The striking red colour is a real eye catcher Dining tables from Aldo Tura are very rare to find. Good condition, with no...

re-imagining traditional oriental craftsmanship for the modern era, the hand-crafted clover mahjong table combines the timeless beauty of solid ashwood with a built-in wireless charg...

Danish flip-top table, c.1960s. This square table features a flip top that allows it to serve as a cafe/dining table or game table. The table features a rosewood frame and table top....

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of for...

A round dining table with a marble top, featuring a saddle leather-wrapped structure and a metal base. The table's elegant marble surface gives it a sophi...

An Edward Wormley walnut extension dining table designed for Dunbar in the early 1950s. The dark walnut base sets on four leather cased feet contrasts with the walnut top which is a ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite, super collectable Hermes Paris, Guido Faleschini Designed for Mariani circa 1970'...

A unique and visually striking table produced as part of the Gavina collection. This piece features a matte black leather-wrapped top and a geometric stainless steel base — a bold in...

Amazing one-off monumental oval dining table crafted in the California coastal organic modern style by McGuire artisans. The bespoke table was custom ordered with an octagonal shaped...

Luigi Massoni for Poltrona Frau, dining table model ‘Dinette’, leather, smoked glass, Italy, 1972 A remarkable Dinette dining table, designed by Luigi Massoni for Poltrona Frau in 1...

Stitched leather console by great iconic French designer of 20th century Jacques Adnet (1900-1984).

Jorge Zalszupin “Guarujá” Dining Table for L’Atelier, Wood and Leather, Brazil, 1959. The Guarujá” dining table, designed by Jorge Zalszupin in 1959 for L’Atelier, exemplifies the t...

COD-1026 Table with four tapered legs and cloverleaf top veneered in walnut with parchment profile. Italian manufacture, ca. 1950.

The Chantal Big Occasional Chair offers bold proportions and plush comfort, featuring luxurious leather upholstery and soft down cushioning. This Italian-made sculptural lounge chair...

Contemporary round leather dining table - Bivio by Stephane Parmentier for Giobagnara. The object presented in the image has following fini...

Handsome bamboo rattan rectangular dining table made in the California organic modern style by McGuire. Genuine McGuire model #MCBA22 with an iron frame painted golden gate orange...

Vintage Organic Modern Bamboo and Leather with Glass Top Dining Table by McGuire The Vintage Organic Modern Bamboo and Leather with Glass Top Hexagonal Dining Table by McGuire exemp...