Metal End Tables

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

With spare, circular tops and slender, solid-metal supports, the Acantha table series is a tribute to the subtlety of craft and richness of rare material...

A gorgeous pair of Mid-Century Modern end tables, side tables, or nightstands By Paul McCobb for Directional and produced by Calvin Furniture, "Irwin Collection" USA, 1950s ...

The Tana side or drinks table by DeMuro Das has a circular tray top in silver pyrite supported by a sculptural, hand-cast solid nickel silver base.

- in functionalism style - very practical - rare type

Elegant cowhide and leather nightstand, by Made Goods, American, circa 2020s. Original retail price $2400. This piece is a versatile size and can be used as a nightstand, end, or sid...

Pair of round Gilt iron with Amber Glass Discs in a hoop form. Rare distinct tables in excellent vintage condition with minimal wear. Glass is perfect. These can be parcel posted.

This stunning pair of High Style Art Deco revival nightstands were custom designed and realized for High Style Deco. Inspired by the best of 1930s ...

An original and authentic Meret Oppenheim Traccia table. This table manufactured by Gavina, Italy as part of the initial production in th...

This antique table could be used as a nightstand or plant stand Solid mahogany with bronze ormolu mounts and white marble top.

Italian burgundy opaline glass nightstands with two drawers, brass handles, inlays and legs. Can be also used as end tables.

Condition: Original Vintage Condition Materials: Patinated Metal, Stone Top

A combination of a traditional English campaign style with an updated modern design. This three-tier etagere is a satisfying combination of wood and brass, it has a sophisticated,...

Modernist Drinks Table with a thick beveled and polished lens cut glass top floating on a graceful tripod base frame with a small brass handle de...

A gorgeous pair of mid-century French Regency style two-tier side tables or nightstands By Baker Furniture USA, Circa 1960s Mahogany, with original brass hardware Measure...

Very fine quality mid-century Russian / Louis XVI style brass inlaid mahogany round side table.

Pair of 'Esquisse' parchment and wrought iron side or end tables by Design Frères. Hard to find real parchment tops fitted onto a slender matte black steel frames.

Side table, end table Electroplated stainless steel Measures: 55 x 45 x 35 cm Production lead time: 3 to 4 weeks Side table from “HOT” collection, a creation by Buzao design studio...

Roger Thibier French gilded wrought iron two level side or end tables with Neo classical feet. The total height is 20.5" H and the bottom shelf is 6" f...

In the style of Paul McCobb, these super practical and ultra stylish 1950s Lane nightstands or end-tables, will compliment any MCM home. In walnut with inlaid...

A pair of Italian two-tier iron side tables with clear glass tops. Signed Claudio Rayes. In the style of Giacometti.

TABLE NO. 2 - SET J.M. Szymanski d. 2017 This geometric, solid, steel structure is supported by a cast-sphere base. The refined simplicity of this design speaks volumes, and adds de...

Featuring a smooth top and a sculpted apron adorned with a sleek brass accent. Made from Acacia to ensure durability and a rich, luxurious espresso finish. The tapered, slightly fla...

A Regency style mahogany side table, the circular brass bound top fitted with a frieze drawer on three bound brass hilted sabres moun...

Pair of Mid Century Brass X Base End Tables, designed by Paul McCobb, American, circa 1950s. They are being refinished and can be completed in your ch...

Refined pair of antique French Louis XV style stands with rouge marble tops having a brass gallery over a three drawer case with brass hardware, c...

Classic coil base side, or end table by Pace, circa 1970's. The bright chrome base supports the original plate glass inter top, this example is in very good, original, clean and read...

This Swedish style hand painted, in a Scandinavian neutral green color, table has been constructed from solid wood. Classic details on this table including a hand-applied finish and ...

Rare pair of Paul Mccobb side tables retaining the original marble tops. Part of the Irwin Collection by Calvin Furniture Co.. McCobb employs a wonderful mix of dark brown Mahogany a...

Pair of Danish Modern Rosewood end tables, designed by Kristian Vedel for Soren Willadsen, Denmark, circa 1960s. These tables are a ...

Exceptional pair of 1980s forged solid stainless-steel drum tables, executed with a level of fabrication rarely seen in commercial furniture from the period. Unlike clad, wrapped, or...

Modern leather top accent table with leather-wrapped round top supported by a six-legged gilt metal base with a stretcher. Dimensions: 16" W x 16" D x 21" H.

Pair of Maison Baguès 3-tier side tables. Measure: 1st-tier high 8 2nd-tier high 20 Very good vintage condition. 2 pairs available, 4 tables ...

A Mid-Century Modern pair of Paul Frankl cork top mahogany nightstands or end tables professionally restored to their original finishes - dark walnut mahogany stain and ivory lacquer...

For your consideration is one Scandinavian tray table by Nils Trautner for Ary Nybro. These wonderful tripod tables utilize thick leather cord and brass fitt...

A pair of French Paul Sormani walnut bedside tables from the late 19th century, with banding. Created in France at the end of the 19th century, each of this pair of nightstands features a rectangular top with inlay, sitting above a single drawer (one of them presenting a Paul Sormani label). A door below opens to reveal either a simple storage compartment or a swiveling shelf...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

1950s American Mid Century Modern, Atomic age pair of stackable triangle table with white color laminate top great accent table for indoor or outdoor use, can be combined with Memphi...

Handcrafted architectural English oak Ziggurat table. For use as end tables/nightstands -or with customised dimensions to sofa/coffee/console table. Off...

Museum quality early example. Retains rare paper label.

Pair of side table by Maison Jansen, cloudy mirror top and brass and bronze base.  

Bauhaus chrome plated tubular steel end table with one drawer. This table model T9 was designed and manufactured by Thonet, circa 1930 This item is restored on request and available...

Just in, this pair of 1970’s Mid Century Modern, three tier end tables, in the style of Maison Jansen Paris. Condition is period, the metal has a gilt finish that looks very Hollywoo...

Fabulous and in excellent vintage condition with minimal wear. Measures 20.5 diameter with a height of 20 inch makes this a great side table with num...

Mid-Century Modern French inspired design, that we hand-make in several dimensions. The table base is constructed from solid bronze, although brass is available for an additional cha...

Neo Classical, Hollywood Regency end, or side, table having a brushed steel frame with cast brass capitols and joinery, with a glass top. The table was probably made in Italy for Mai...

1950s American Mid Century Modern, Atomic age triangle table with graphite color laminate top great accent table for indoor or outdoor use, can be combined with Memphis postmodern de...

Baker walnut round sunburst pattern gallery top drawer side lamp table stand.

Great petite side table by Jacques Adnet with floating shelf Signature contrast stitching and brass corners.

Chic pair of neoclassic tables or gueridons with simple round tops over three saber legs with cat claw feet. Hand polished and lacquered fo...

Unusual diminutive steel, brass and glass table attributed to Maison Jansen. The table features a cut corner plate glass top ( original ), brass hoof feet and heads, and a brushed st...

A gorgeous pair of Queen Anne or Chippendale style nightstands or side tables By Baker Furniture USA, Circa 1980s Book-matched walnut top, with burl wood banding, carved cabriole ...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

Pair of Rectangular Crome X Base 3/4" Glass Tops Coffee Side End Tables Stands

A Very Fine French Late 19th/Early 20th Century Louis XV Style Ormolu Mounted Kingwood, Bois Satine, Mahogany, Marquetry and Parquetry Gueridon (Round End-Table), in manner of François Linke (1855-1946). The circular marquetry top with trellis inlay encompass by a ribbon-tied floral and ribbon entwining inlaid surround, above a frieze interspersed with four abundant floral, foliate and entwined opposing cornucopia mounts each centered by a bacchanal mask, with one frieze drawer, on slender cabriolet legs with an up swept X-stretcher surmounted by a circular under-tier with a basket weave mounted gallery. Bearing the fine quality furnishings retailer's plaque which reads: 'S. & H. Jewell, 131 & 132, High Holborn, London, W.C'. Circa: Paris, 1900. S & H Jewell are first recorded in 1830 as fine quality retailers, restorers and cabinet makers. They were a family business who worked from their premises at 29-31 Little Queen Street, Holborn, in London and then later to 26 Parker Street and then at 131 - 131, High Holborn, both in London W.C. They are recorded to have sold furniture to the Arts and Crafts home...

Chic, architectural two tier side table having a plate glass top, over a second level marble shelf, all supported by brass vertical elements. The top glass shelf is 23.5 H, lower ma...

Wrought iron and travertine 'Entretoise' side table by Design Frères.

Unique chrome and Bakelite Art Deco ashtray stand. Exceptionally cool design with a designated area for cigarettes and a circular swivel ashtray. All original condition. There was a...

Introducing the narrow 'Diagramme' travertine side or end table by DESIGN FRÈRES. The blackened iron base is reminiscent of the iconic Art Deco movement. Its dark finish exudes soph...

This modern, minimalist side table by award-winning artist/designer Neal Aronowitz is a powerful sculptural statement piece and a dynamic presence in any room! The Star Axis Collecti...