Granite Tables

This pill-shaped dining table was originally designed for the Pieces Homes shoppable Airbnb in Kennebunk, Maine. The marble surface rests on top of a metal frame with collars that ho...

Such character and charm in this signed Postmodern sculpture that also functions as a coffee table. Jonathan Bonner is an accomplished sculpture artist known for his solo work and his collaborative work with Judy Kensley McKie. This sculpture from the 1980s features a granite top over an aluminum platform base with a series of six aluminum legs which resemble bird feet. Signed underneath by the artist. This Postmodern cocktail table...

Pair of end side tables or nightstands gray granite marble stone top, brass and black lacquered metal base. In the mood of Sottsass, Memphis, Mendini, Michele De Lucchi, Matteo Thun,...

Bordeira Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira modern coffee ...

Pair of tables with round granite tops in white and pink respectively over a brass square shaft and black pyramidal base.

Mid Century Modern Italian Polished Granite Chrome Sled Base Square Coffee Table The sturdy chrome sled base provides both stability and a contemporary aesthetic, making it a perfec...

Knoll black granite and stainless steel side/end tables, 1980. Custom made for a Corporate Headquarters, top is incised with graphic grid pattern.

A striking and highly sculptural dining table designed by Koen Dawaele for Pia Manu, the renowned Belgian art and design workshop active since the 1950s. Known for their handcrafted ...

Stunning brass and granite table designed by Ed Moore, 1980s. The base is solid brass and steel. The two part top is charcoal granite framed in the solid bras...

On offer on this occasion is one of the most stunning and rare, lucite and granite floating coffee table you could hope to find. Outstanding design is exhibited throughout. The beau...

Vintage oval dining table designed model Samo, by Carlo Scarpa and Manufactured by Simon, Italy 1970s. Light grey granite dining table with o...

The Float series surfaces slightly overhang the rounded basket base. Perfect as a side table, nightstand, or stool. Such a nice piece. Powder coated metal ba...

"Asolo" black granite circular tripod coffee table by Angleo Mangiarotti produced by Skipper, Italy, circa 1980 Measures: 145cm diameter, 40cm high.  

This is a Square Coffee Table, Model TA-2, designed by Davis Allen under the leadership of Gordon Bunshaft within SOM. It's possible that Nicos Zographos played a role in the executi...

A handsome and most unique Italian early 19th century Neo-Classical st. patinated Wood, Giltwood and Granite console. This stunning console is raised on patinated black lion's paw fe...

Carlo Scarpa "Samo" oval table for Simon Gavina, granite, Italy, 1971. The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table designed in 1971 for 'Ultrarazionale' collection by Simon Gavina consists of two grooved solid granite pillars...

Coffee tables, granite, brass, black lacquered steel, Italy, 1980s These Italian side tables showcase a rectangular brown granite tabletop with a striking, vivid surface. The granit...

Vintage Round Granite Top Bistro Side Tables - Pair Vintage pair of modern round granite top polished tops with steel bases bistro side tables.

Iconic Steve Chase Design. Custom made for a multi-million dollar residence at Vintage CC, Indian Wells, Ca. It has all the elements he was famous for. Thick bullnose edge "black abs...

PAIR OF HOLLYWOOD REGENCY GILT BRONZE AND BLACK GRANITE DEMILUNE CONSOLE TABLES Manner of Maison Jansen Probably France, circa 1950 26 3/8" H x 12 1/4" D x 24 1/8" W A refined pair...

Unusual rectangular coffee table, the base made up of a series of six arches, giving the table a dynamic feel (an arch at each side, and two intersecting ones, making up a stretcher ...

Brueton vintage side tables in black granite (two tiers) and stainless steel.

A pair of rare vintage black granite triangular side or end tables, late 20th century. These stunning geometric tables most likely originate from Italy circa 1980. They work as night...

Introducing a truly one-of-a-kind, custom-built coffee table styled after Gio Ponti featuring a polished slab of solid granite as the table top. The intricately carved feet, cut from...

Designed by Daniel Barbera, the 'Bronze' square table is a Minimalist table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged cast...

Rare and Exceptional French Art Deco hand-wrought iron coffee table with perfect line and pure symmetrical form by Paul Kiss. The iron has been hand-hammered and the feet end in eleg...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Whimsical pair of Art Deco Giacometti-style side tables crafted from forged wrought iron and granite. Charming yet modern, they feature a lightly polished granite top, twisted-iron l...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandca...

Italian modern black marble, wood, serena stone and granite console Belvedere by Aldo Cibic for Memphis, 1980s Iconic console mod. Belvedere with  demi-lune shaped top in black marbl...

A pair of side tables made and designed by Cedric Hartman. These tables feature a new granite top with a beveled edge and a frame of stainless steel. Under the tabletop, on the metal...

Side Table by Laura Griziotti for Arflex, black painted steel base and Granite top. No longer in production.

A striking pair of iron frame console tables, designed in a bold industrial-modern style. The sturdy, linear rectangular bases are crafted from solid iron and finished in a sleek sil...

Large free-form coffee table in Zimbabwe black granite with the inclusion of a large Brazilian agate. The base consists of 4 asymmetrically arranged blackened solid brass supports. ...

This is a substantial Circular Coffee / End Table in Polished Steel and Black Granite, custom-designed by Davis Allen and Gordon Bunshaft for use in the Sears Tower in 1973. At the t...

Granite and chrome side table in the style of Nicos Zographos Polished chrome base with a black granite top. Measures: 18.5" x 18.5" x 17".   

The Granada Round Coffee Table is a refined living space centerpiece. Its Absolute Black Granite top provides a subtle, monochromatic element to the design, while the simple and slee...

Elegant coffee table that combines a sculptural metal frame with a colored glass top, specially selected marble or Norwegian granite. Secant comes in two sizes and in a design that makes the table appear light and substantial at one and the same time. The special signature of the coffee table is its elegant finish where soft curves are contrasted by a straight line. Secant is a coffee table with personality and its aesthetics and exclusive material choice embellish its surroundings and make a statement in your living room. This table is of international calibre and comes in many different combinations, which makes it possible to create anything from a consistent harmonious look to a more bold statement. Choose between several sizes and exclusive materials. From glass tops in wonderful colors to marble and granite offering the most stunning color play. The use of natural stone means that no two tables are alike. Additional Information: Materials: Marble and glass Available colors: Glass red, granite antique...

Bolete Side Table by Henry D'ath In collaboration with Batten and Kamp Dimensions: D 40 x W 45 x H 45 cm Materials: Wood, granite. Available in natural or black ink finishes. The Bo...

Side tables, granite, metal, brass, Italy, 1980s These side tables feature a red granite tabletop in round format. The granite shows a vivid surface. A brass pedestal ends in a blac...

Karl Springer for Karl Springer LTD exceptional free-form coffee table with polished brass base and black granite top, designed circa 1970. This iconic Springer low table design has ...

BO 550 - Desk in steel with top in 'Nero Assuloto' granite and drawer module in black wengé. Designed by Preben Fabricius & Jørgen Kastholm.

Teak Color Finish Wooden X Base Side Tables With Black Granite Tops

Architectural coffee table made from a solid travertine base. The table was designed by Willy Ballez. All these tables are hand made, so they are always a bit different. The mode...

This is a custom-made Black Granite and Chromed-Steel Dining or Conference Table, initially commissioned in 2006 by a Hedge Fund for use in their HQ. The top is comprised of high-qua...

Elegant 1980s postmodern coffee table with glass top, black painted metal foot, and gray granite base. Excellent Condition. Made in italy.

This extremely rare freestanding console by Nucci Valsecchi, with its bronze frame and blue granite inlay, is a refined example of the designer’s expertise in the haute-gamme of rege...

DELTA T Coffee Table Rainbow Avocado Granit by Frédéric Saulou Limited edition : 2/8 Dimensions: L 150 x W 60 x H 34 cm Materials: White glass, Inox, Rainbow Avocado granit Weight :...

Bolete Side Table by Henry D'ath In collaboration with Batten and Kamp Dimensions: D 40 x W 45 x H 45 cm Materials: Wood, granite. Available in natural or black ink finishes. The Bo...

A jaw dropping monumental granite slab and steel dining table by famed Los Angeles architect Anthony Lumsden - custom designed and crafted for his Los Angeles home in the 1970s. Sleek, modern yet a subtle statement piece, partially due to its large size for such heavy materials, but also for its vibrant deep granite veining which reflects light in a shimmering fashion. *Note, we have this very discounted prior to our upcoming move. Once we ship this table to our new location we will be removing the sale price so take advantage of the incredible deal while it lasts! The thick and large granite slab is heavy with no-doubt, the large chromed steel frame is also very heavy in its own regard - a sign of the quality materials he used. To re-create this staggering piece today would be costly and painfully difficult. Acquiring this dining table, which would also make an incredible conference table as well, is a great opportunity for a collector or architecture aficionado to own something truly unique and special - and something that will stand the test of time. ABOUT THE ARTIST: Anthony Lumsden was a famed American architect most noted for his sculptural futuristic designs with numerous projects in Southern California such as the Tillman Water Reclamation Plant, often seen in Hollywood films and television shows such as Star Trek Next Generation...

Exceptional mosaic in the style of Van Gogh`s masterpiece "Country road in Provence" , mosaic is applied to a 4cm thick granite slab. The table is made of a wooden plate with brass b...

Custom made in the 80s - this is such a beautiful and rare stone. Matching coffee table in my other listings. Rosa Marinace Granite is an exceptional choice for anyone who wants a t...

This elegant pair of side tables, crafted in Brazil in the 1960s, features a hardwood base with an X shape and four sturdy legs. The tops are adorned with stunning pink granite, whic...

A Belgian table-bar coffee table by Fedam from the 1980s, made of granite, brass, and smoked mirror. The table features a central bar compartment with a mechanised lift that moves up...

Exceptional Brueton quality! Simple design this circular PBLR table constructed of mirror like finish stainless steel flat apron, square legs welded, ground and polished into a seaml...

Arquería Ocasional Side Table by Algo Studio Dimensions: D 42 x W 46 x H 54 cm. Materials: Plywood, foamular, PVA glue, sand, pigments, polyurethane and granite. Weight: 25 kg. ...

Very handsome large Art Deco table, with a wrought iron base of neoclassical inspiration. Tasteful design with minimalist lines. The black granite top has canted corners. Raised on s...

Belle table basse ancienne, avec plateau en granit en forme stylisée de grappe de raisin sur pietement en fer forgé martelé. Dim Plateau : 82l x122L x 2,7 épaisseur cm Dim piètemen...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sandcast and worked t...

Karl Springer attributed Console Table features a Faux Ivory Tusk which rests on a black lacquered Granite Base. The Tusk Supports a heavy Glass Top with round edges and is mounted v...