1790s Tables

French faux painted and gilt marbleized console with two hinged flanking doors, fleur-de-lee & figural faces, single fitted interior shelf, and ter...

English bow front mahogany two drawer server with original brass pulls, one board top, and terminating on tapered squared legs. Late 18th Century

The console with a veined white marble top, the frieze carved with foliate design motifs and central medallion on tapered fluted legs. The rectangular mirror plate within robed borde...

Louis XV work table panelled in rosewood and bois rose Private Collection Mice of Domenico di Rugiano

You are viewing a gorgeous Sheraton Pembroke table Classic drop leaf - circa 1790 - table Elegantly tapered legs so classically refined Features satinwood crossbanding which gives fu...

Rectangular top with all new olive tooled leather and central hinged rest, over a pair of drawers over two small drawers, raised on square tapered legs with spade feet. The back is p...

With bowed rectangular top over a conforming case with three drawers and a pair of cabinet doors raised on splayed feet. With oval brasses and key.

With ebonized stringing throughout; the rectangular mahogany banded top with drop leaves over a frieze drawer, raised on square tapering legs ending in brass caps and casters.

18th Century mahogany Pembroke table, having a wonderful figured solid table of rectangular form, single oak lined drawer at one ...

A Sheraton period George III mahogany patience table, the rectangular top with a drawer front with brass handles on each side, two hinged to support two flaps which open to form a re...

Unusual small classicist side table, Germany, circa 1800, walnut, height adjustable. In good condition with wear and tear. The tables height can be adjusted from 26.77 to 30.70 inches.

Wall table supported by two legs moved to “S”, connected to the band under the top by carved shelves; grey marble top molded on the edge. The band is carved with pods and finished with a ribbon frame. The uprights end with two curly feet, which are carved on the four faces with overlapping circles and plant motifs; above the feet, a small shelf connects the two uprights. It is carved by a Greek fret with rosettes, surmounted by a classic vase with flowers and finished in the lower part by a leafy head. The whole surface is gouache-gilded. The piece of furniture presented here is to be referred to the Turin production and in particular to the work of Francesco Bolgiè, since the points of contact with his work are stringent. Born in Turin in 1752 to a family of carvers, after a Parisian training, he was a member of the Compagnia di San Luca in 1775 and appointed Royal Sculptor by Vittorio Amedeo, the first of all carvers to obtain this title. After Bonzanigo, Bolgè is the most desired artist at the Savoy court and, although his fame was overshadowed by the greatness of the first, he was a carver of great ability, it is not true that the authorship of the two productions have often been confused. The inventories show that if Bonzanigo was much more used for the production of chairs, screens and frames that required more minute carving, it was mainly Bolgè who was entrusted with the production of furniture and consoles. Entering into the console analyzed here, the first stringent comparison is to be made with the four corner cabinets created for Madama Felicita’s apartment in the Royal Palace. The “S” -shaped legs have the same curl as the foot placed here under the top and the frontal notch of the uprights is identical. The closeness between the carved vase of the console and those placed on the top and between the legs of the corner cabinets cannot be overlooked, even if ours, being placed in a prominent position, is richer and more elaborate. It is possible to find the same curl pattern as a shelf used...

England, ca. 1790. A lovely antique Sheraton style card table from the George III period. Features handmade construction with rectangular top supported by four square tapered legs te...

A charming antique Georgian period console / side table. This was made in England, it dates from around the 1790-1810 period. It is of wonderful quality, it is a very useful size an...

Carved wood with original white paint, carved giltwood rosettes, original grey white-veined marble top. The rectangular top above a Greek key frieze with applied rosettes on square t...

George III period 3 tier dumb-waiter, unusual rectangular shape with drop flaps and on castors, circa 1790

High-class Stockholm piece from around 1790. Crafted in veneered and partially solid mahogany with carved wooden decorations of corner florets. The core material is pine and alder. T...

- An elegant and sophisticated vernacular piece with the crossbanding and unusual stringing around edge of the top and down the outside edge of the legs - The top with fine flame fi...

Refined period George III mahogany drop leaf table Table opens up to reveal oval shape for the full dining configuration Great patina to the mahogany and we date this to circa 1790 S...

Circular top with brass gallery over a larger conforming brass gallery shelf, on a shaped support and a tripod base.

This is a beautiful 18th century English side table. The simple yet beautiful design of this table makes it a great transitional piece. It is made from oak that shows the original co...