Baroque Side Tables

Small, elegant 18th-century side table featuring tall, gracefully curved S-shaped legs and a scalloped apron and tabletop. The newly applied dark gray and light brown finish has been...

A Neoclassical-inspired dark-stained oak side table with a rich chocolate finish, showcasing Victorian styling and a distinctive design. The table features a functional 9-inch compas...

Walnut table. 17th century. Table with smooth rectangular board and two drawers to the front, decorated with simple geometric shapes on their fronts, leaving between them a strip wit...

Italian baroque style walnut occasional table, made from antique and later elements, probably assembled circa 1920. With a 1.25" thick rectangular top, a frieze drawer with stylized...

This stunning 18th-century Baroque table, crafted in Flanders around 1750, is a true masterpiece of antique furniture. Made from solid oak, it features exceptional hand-carved detail...

A lovely pair of 18th century Italian Baroque console tables adapted from carved gilt and painted wood angels that were originally archit...

Rectangular top over a drawer with wrought iron handle, raised on turned legs with box stretchers.

Italian gilt bronze table with an ebonized top and mother of pearl inlay. Beveled glass.

An Italian Baroque style walnut side table from circa 1800 with spool legs, H-Form cross stretcher and bun feet. This Italian Baroque-style walnut side table, dating back to circa 18...

This Roman table made in the Baroque taste is a fine example of the type of furniture made for stylish and demanding customers in the eternal city. Made in the late 17th century to e...

Fabulous Italian side table slightly off-square in shape and beautifully hand carved in the Baroque aesthetic. The table is painted cream with gold leaf accents all over. The table t...

Table. Walnut wood, iron. Spanish school, Guadalajara, 17th century. Table with a rectangular and smooth top, four spheres under the four legs (these joined by chambranas that start...

Important 18th century Baroque table in hand carved walnut by Cucchi Sola Ammobigliamenti Restored and finished to wax . Excellent c...

With a thick single board top over two carved panelled drawers flanking a geometric form panel, the drawers with nicely wrought iron handles and escutcheons, panelled sides, raised o...

This characterful table is of rare narrow depth of 39cm. It is characteristic of Spanish Baroque furniture with a thick single piece top, simple bold chip carved ornament and bold turnings. It has a rich lustrous patina. The thick single plank walnut top with fine figuring. The front fitted with two short drawers decorated with chip carving...

French Baroque Style Carved and Painted Occasional Table This is a very unusual piece, the table is hand carved with bold scroll and acanthus decorative legs and elaborate crossing...

Highly unusual ebonized side / console table. A tour-de-force of bobbin-turned legs and stretchers supporting a two-board top. The black ebonizing beautifully worn off at the more ex...

A stunning and very decorative Italian late 18th century Baroque st. Giltwood and Walnut side table. This beautiful side table is raised by a scallop shaped mottled Giltwood base wit...

Impressive 19th century Italian walnut wall table Richly carved and gilded enriched by Raff carving crowned eagles, yellow Sicilian marble top 19th century Measures: 100cm x 166cm x...

Baroque pair of side tables with wrought-iron bases, painted glossy black and pinky-yellow marble tops.

A rare, round, hand carved walnut center table with lapis veneer inlaid top surrounded by etched gilded bronze banding.

Nice side table with two drawers, on the sides and front ornamented with svarowski stones, crystals.

A striking and most decorative Italian 18th century Baroque period Walnut, Ebonized Fruitwood, giltwood, and bone side table. The one door, one drawer side table is raised by elegant lightly curved square tapered legs leading up to impressive ebonized fruitwood columns with giltwood plinths and capitals centering the door. The door displays a bronze pull and is richly decorated with stunning intricately detailed inlaid foliate designs centering a bearded man with a sword...

Among the most beautiful examples of hardstone artistry that have ever entered our collection, these important Grand Ducal pietre dure console tables are in a class all their own. Their powerful architectural elegance, impressive size and rarity make them two of the finest hardstone masterpieces ever created and quite possibly the greatest pair of pietre dure tables in existence. With their naturalistically rendered flowers and birds, these tabletop panels showcase the particularly fine quality craftsmanship of the Grand Ducal workshops in Florence during the first quarter of the 17th century. Grand Duke Ferdinando I de Medici, one of the most important personages in the annals of art history, established the Grand Ducal Workshop in 1588. The workshop specialized in the art of pietre dure developed from the ancient art of opus sectile, giving rise to the most luxurious and detailed examples of hardstone artistry ever produced. Its patrons were the Popes and Royals of Europe, and the quality of the objects produced in the workshop is without equal. Typically, because of the high level of workmanship the art form requires, pietre dure plaques were crafted in small sizes. The great majority of known examples of pietre dure are a fraction of the size of our grand tables. The combination of pietre dure and extensive use of other rare decorative hardstones such as lapis lazuli and pietra paesina or “ruin marble” meant that these tabletops were surely produced for a wealthy collector. The tables are further distinguished by their superbly carved bases by Andrea Brustolon, known as the “Michelangelo of wood.” Brustolon was a Venetian wood sculptor known for his exuberant and intricate Baroque furniture. His high Baroque style was influenced by his years studying in Rome, where he was exposed to the sculpture of Gian Lorenzo Bernini. Crafted in the early 18th century, these bases display Brusolon’s unmatched talent for both figural and foliate work, combining cupids, masks and oversized scrolling vines for a grand, ornate effect. Similar furnishings by Brustolon are held in museums worldwide, including the Victoria & Albert Museum, the National Museum of Scotland and the Metropolitan Museum of Art, while the Ca' Rezzonico Museum in Venice features an entire room dedicated to the sculptor. For approximately 150 years, these tables were part of the famed Stoneleigh Abbey collection owned by the Lord Leigh family. This renowned English country estate inspired Jane Austen to write Mansfield Park. Lord Leigh eventually sold the tables at Christie’s London in 1962, and the pair have stayed in the collection of the same Florentine family who purchased them from Christie's until we recently acquired them. Our tables are prominently pictured in the important Saul Levy book Il Mobile Veneziano del Settencento. The pietre dure plaques date circa 1625-1650. The decorative tops likely would have originally been sold with a pair of plain stone columns to display them, and Lord Leigh would have commissioned the custom bases from Brustolon circa 1714 when he added the impressive four-story fifteen-bay Baroque West Wing to Stoneleigh Abbey. A similar single Grand Ducal tabletop is in the United Kingdom’s National Trust Collection, and a smaller tabletop resides in Buckingham Palace. The flower and bird panels in our examples relate to the famous Badminton Cabinet...