Contemporary Art

Nick Thomm "Ether" Print - Standard Size Immerse yourself in the vibrant, psychedelic world of contemporary artist Nick Thomm with this stunning print, "Ether". Known for his bold ...

This work, which required months to complete, features the central figure of Akshobhyavajra, a Tibetan Buddha. Liu Yi, a Beijing-based painter and practicing Buddhist, paints each of...

Unique. Large decorative Meissen mural, wall decoration by Prof. Heinz Werner. Painted porcelain plates. Modern design. Signed and dated. Meissen swords...

Untitled. Oil on canvas. Dimensions: Canvas 25 1/4 in. x 36 in., circa 1960s.

This piece is not titled, painted in June 2023 using a found framed artwork as the medium, overpainting the smiley face Overall 51cm Width, 66cm Height, 3cm Depth Artwork 44cm Width,...

Selection of Alexander Calder color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983....

Artist: John Patrick Dugdale (New York, b. 1960) Title: The Spirit Eye Medium: Cyanotype Year: 1998 Edition: number 3/12 Measurement: H 14", W 11"...

Abstract green Serigraphy by Geneviève Claisse Signed by the artist in pencil and numbered 28/40 Stamp of the publisher circa 2014 Dimensions : 60 x 66 x 1 cm Price : 390 € ...

For sale is an original signed museum-quality Magnum photographic print by the renowned documentary photographer Susan Meiselas (American, b. 1948). Titled "Pandora’s Box, Client L...

Selection of Joan Miro color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983. These ...

Chagall original lithograph from 1963 titled "Nocturne in Vence from a rare limited edition of 150. Publisher is Atelier Mourlot Paris. Suite is The Lithographs of Chagall Volume l...

Large MCM abstract acrylic on panel original painting by listed artist Richard Mann, circa 1960s. The piece is in very good vintage condition and is presente...

A leader of the cross-cultural craft resurgence, Japan-based artist Toyoharu Kii creates his intricate mosaics with handcut Italian marble and smalti, Venetian glass made by the same Italian family for over 400 years. Using traditional Italian techniques, Kii’s art is nonetheless modern. It is monochromatic, abstract, and highly textured and highlights the involved and technical art...

La Barre Haute, 2001 by Daniel Buren (b. 1938). Painted wood. Edition of 25 different colors by Schellmann Art, Munich/ New York. Each work is unique in color. Provenance...

Large contemporary wall mirror created by French artists Pascal & Annie LENIAU. The hand-sculpted “Octogone Vert Jade” mirror is a octogone sculptural composition. An original creati...

Henry Moore prints, from the limited edition folio entitled "The Drawings of Henry Moore", published by Curt Valentin, New York, 1946. They have been professionally matted and framed...

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...

Making artistic Mosaic, design of unparalleled beauty, inventing ' tromp l'oeil' thanks to the endless colors of the glass Mosaic collections, all this...

Making artistic Mosaic, design of unparalleled beauty, inventing ' tromp l'oeil' thanks to the endless colors of the glass Mosaic collections, all this allowed us to produce and divu...

Ian Kane, untitled Tryptic, painted steel, rubber, wood and bolts, Dalcross Island, 1992. Exhibition catalog of the moving Space gallery, Brussels provided. U...

A very nice and hard to find vintage limited edition neo-expressionist serigraph entitled "Visage" by Peter Max, circa 1977. The piece is in very good condition and measures 30.25"...

Intrigue yourself with the captivating Parisian streetscape depicted in this original color lithograph by Armin Birkel, titled "Blue City". Hand-signed by the artist, this piece tran...

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. She was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Despite the quality of her work and despite the energy and skill with which she worked both to develop her own talent and to further the progressive movement in American art, Weinrich received little recognition during her lifetime and is only recently being recognized for her leadership as an important female artist bringing the modern movement to the USA. The painting shown is an important example of her mature phase of her work. Exhibitions This is a selective list of exhibitions in which she participated during her life. Its main source is Louise Noun's article on Weinrich in Woman's Art Journal, supplemented by contemporary news accounts in The New York Times, the Brooklyn Daily Eagle, the New York Evening Post, The Philadelphia Inquirer, and The Christian Science Monitor. 1915 onward: Provincetown Art Association 1917: Pennsylvania Academy of Fine Arts 1917: Pennsylvania Academy of Fine Arts, Philadelphia 1917-23: Society of Independent Artists, New York 1919: Art Institute of Chicago 1920: Boston Arts Club 1926 onward: New York Society of Women Artists 1928: Grace Horn Gallery, Boston 1929: Pennsylvania Academy of Fine Arts, Philadelphia 1932: Boston Public Library 1936: Harley Perkins Gallery, Boston (solo) 1938: Boston Society of Independent Artists 1938: Washington Public Library, Washington, D.C. 1939: Corcoran Gallery Biennial, Washington, D.C. 1939: Fogg Art Museum Twentieth Century Club, Boston 1939: Witherstine Gallery, Boston 1939: Institute of Modern Art, Boston 1945: Woljeska Gallery, Brooklyn, New York    Detailed Biography: Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others. In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles. On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[ In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

"A Country Drive" by Tim O. Walker. Cartoon by Allen Gurganus. Large sculptural wall panels(2) made of mixed media. Leather, Mink, Snake, Ostrich, Sued...

Prominent 1980s reversible LUNCH sign in a unique and bold blue base color with white font and borders. The reverse side features colorful flowers and the w...

Selection of three horse and rider lithographs by Marino Marini, from the Marino Marini portfolio, printed by Carl Schunemann, Germany, circa 1968. They have been framed in clean lin...

Publisher: Jacob & Abraham Hamer, “De Gecroonde Son” Amsterdam Place / Date: Amsterdam, ca. 1660 Two original 17th c. pendant panels of 'verheven leer' or gilt embossed leather [t...

Johannes Hubertus Hendrikus “John” Bévort (Utrecht, 1917 – Schoorl, 1996) View of Manhattan Lower Eastside from the Brooklyn Bridge Oil on Canvas, Framed ...

Eduard Van Giel ( 1945 - July 2022 ) Lighting sculpture " A MULTICOLORED DOLLAR IN THE WALL STREET MOVEMENT" From the Black Nights Series. Belgium 1989...

The Skateroom w/ Jules de Balincourt Three skateboard decks 7-ply Canadian Maplewood with screen-print 31 H. x 8 inches, each Mounting hardware included Edition of 50 Hand-sign...

A large oil on canvass depicting an stylized, almost abstracted to the basic organic forms, landscape. Beautiful harmonic colors with an interesting poetic design. Signed illegibly a...

An original artwork by Marcel Vertes for a poster of Lily Pons (1898-1976) the famous coloratura soprano for a concert at Carnegie hall. The medium is gouach...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

Contemporary New York artist Peter Buchman's "Truth be Told" is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice-Over series, in which the ar...

Wall mounted artwork made of wood and Interference lacquer by German Artist Willi Siber. The surface shows raised organic shapes and the special paint creates impressive changes in ...

Monumental Abstract Painting by Brazilian Artist BB Schmitt, Signed Rio 2014-2015 Offered for sale is a mixed-media abstract painting o...

Painted canvas, or decorative panel, representing an Italian noble woman, Renaissance style. Contemporary work by French artists. Dimensions: H 160 x W 100 cm Reference: LS5526675T

Oil, rice paper and gel on canvas, measures: 74" x 74". Titled "Subtracted Word #3", dated 2003.

Painted canvas, or decorative panel, representing squirrels playing in golden branches. Dimensions: H 220 x W 120 cm Contemporary work by French artists. Reference: LS63331080A R...

YVARAL - "Abraham Lincoln circa 1979 Colour silkscreen on wove paper 41 x 28 inches (104.1 x 71.1 cm) (sheet) numbered 9/200 Signed and numbered in pencil along the bottom edge ...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Jean Marc Bustamante (French b. 1951) A large format color coupler print of a beautiful European landscape juxtaposed with a an abandoned property. Edition 5 of 6. Custom crate incl...

Ceramic wall tile decoration with leaf print using sgraffito technique. Tiles can be custom made to fit any wall of space. Take tradition to evolve, transform, and innovate are all...

Artist: John Patrick Dugdale (New York, b. 1960) Title: Bacchus in Repose Medium: Cyanotype Year: 1997 Edition: number 5/10 Measurement: Sight H 14", W 11"; with artist fame H 19.25"...

Contemporary artist Jennifer Printz "Quietus II" series of six prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. Jennifer Printz, an artist with a love for the poetic, carefully selects titles for her pieces and exhibitions to evoke multiple meanings. One such significant title in her work is "Quietus," symbolizing resolution and rest. She chose this title to reflect the artwork's creation during a sabbatical, a period of rejuvenation and tranquility. "Quietus" also represents her core artistic motivation – emphasizing the importance of stillness and calm in life. In the hustle and bustle of life, we often miss out on essential experiences unless we allow ourselves to be quiet and introspective. Jennifer believes that finding solace is crucial, and she invites viewers to appreciate its significance. Her work provides a meditative space, offering a brief moment of quiet reflection. In 2017, she was interviewed by Jenine Culligan, the director at the Eleanor D. Wilson Museum at Hollins University, where her solo exhibition sabbatical work was titled "An Almost Unnoticed Quietus." This title cleverly connects "quietus" with "almost unnoticed," highlighting the themes of meditation and mindfulness. Through these practices, Jennifer uncovers profound aspects of our world and emotions often overlooked in our hurried lives. Meditation has taught her to appreciate the moments when we are on the verge of giving up, as these are often when unexpected greatness can unfold. Shown in the first photo, from top left to right: Image 3: Unpaused Moment Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 4: Lead to Dust Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 5: Strata Rises Through Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 6: Dark Serenity Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 7: A Few Splinters of Time Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 8: Sinking Through the Sands...

Wall Object 1 from "Patchworked Texture Series" Manufactured by Seung Hyun Lee. Seoul, 2023. Copper, natural lacquer, (Ottchil). Measurements 40 x 4,5 x 28h cm 15,8 x 1,8 x 1...

Selection of Modern Abstract paintings, probably American, circa late 1950s-early 1960s. From left to right, they are: 1) The framed abstract painting on paper on the left measure...

A stylish study of geometric shapes, this graphic pattern by Porter Teleo has a two-panel repeat. It's a striking, mural-like design that's ideal for larg...

Edward McHugh In My Eyes, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard Measurements: 46 x 38 x 3 in

Abstract Painting by Eugene Kloszewski, circa 1950s. Kloszewski worked with and was personal friends with Josef Albers. These works were purchased from Kloszewski's widow.

Richly layered collage on a vintage tin game board having a masculine combination of leather book bindings, text from Shakespeare plays, and decorative...

Framed Shih-Hua dream stone diptych landscape. This is a gorgeous pair of framed and matted marble stone slice known as a dream stone Shih-Hua This Diptych boasting swirling hues of...

Large Scale Abstract Painting, in the manner of Joan Miro, circa 1960s. It measures an impressive 43" width x 36" height.

SALVADOR SANZ FAUS (1914-1997) - 'El Perro' - Remarkable and rare mid century hand painted, glazed and cold painted ceramic wall or cabinet plate - large size - featuring a Surrealis...

For sale is an original Estate-Stamped, museum-quality Magnum photographic print by renowned German photographer Herbert List (1903 – 1975). Titled 'Trepanation (skull operation). ...

Monumental Los Angeles freeway sign from the 90s. Beach Cities sign showing people which way to Manhattan Beach, Redondo Beach and other cities. Reflectiv...

Abstract lithograph signed by Robert Natkin in quilt motif.

Nicely done great colors on this abstract palette framed painting , circa 1980's .

Introducing an original black and white photograph featuring the iconic Iggy Pop, captured by celebrated photographer John Stoddart in 1999. This strikin...

The 3D tile CANOE features a unique pattern that resembles the shape of a canoe floating on turbulent rivers in the Carpathian Mountains. The tile is made from high-quality materials...