Contemporary Art

A large and powerful pair of Japanese calligraphic works, mid 20th century, Japan. One reading "Dragon", the other reading "Tiger". Ink on handmade paper, framed. The brush strok...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #9 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...

Beautiful tile mural with the "Floral" motif finely painted. Quantity: 35 tiles Tile mural size: 29.5"H X 41.3"W (75cm X 105cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin: Po...

This painting has heavily textured acrylics in shades of greys and white on canvas. The artist created the piece using multiple techniques like palette knife, brush and chalk. The bl...

Josef Albers, Formulations - Articulations I & II Edition 974/ 1000 1972 screen-print on paper Embossed with Josef Albers initials, portfolio and folder number. This work is publi...

Ugo Sterpini (Italian, 1927-2000)''La Lotta Sulla Duna" (The Battle On The Dune). Mixed media on canvas, signed and dated ''58'' lower right, signed, titl...

An eye catching classic Hermes style silk scarf shown in an elegant custom gilt wood frame. Makes a luxurious piece of art. The scarf is in very good vintage condition, it appears w...

Unique. Large decorative Meissen mural, wall decoration by Prof. Heinz Werner. Painted porcelain plates. Modern design. Signed and dated. Meissen swords...

Walljewel white onyx by Lisette Rützou Dimensions: 15 x H 42 cm Materials: Rose, Green and White Onyx Lisette Rützou’s design is motivated by an urge to articulate a story. Ins...

Abstract Expressionist Print, by Robert Motherwell, American, circa 1967. This work is from the limited edition portfolio "In Memory of My Feelings: A Selection of Poems by Frank O'Hara". Only 2500 were printed. This example has been professionally framed under UV resistant glass in a 19th Century gilt frame.

A handsome and sophisticated mixed media on canvas by American artist John Rigsby. Found in a original state of preservation. His works are few and far between. The following biography was submitted by John David Rigsby, Jr., son of the artist. The author is Lisa Rigsby Peterson, daughter of the artist, and owner of the copyright of the biography. John David Rigsby was born on October 10, 1934, the seventh child of an Alabama Depression-era sharecropper's son. He and his family moved frequently, from one one-room structure to another, often with no running water, no plumbing, no heat but the stove. His father was killed in a car accident when Rigsby was just 9 years old. Life for the remaining eight family members proved tumultuous and difficult -- food wasn't plentiful, nor money. The family moved from place to place, following work -- Rigsby attended 30 different schools before graduating from high school. Despite living in poverty, Rigsby demonstrated academic and artistic aptitude at a young age. Two oil paintings on covers ripped off of old books that he painted when he was eight years old show the promise of an imaginative and gifted eye. Rigsby was drafted by the U.S. Army in 1953. As he later wrote, "When basic training at Fort Jackson, South Carolina, was over, I was told to go out and find a job. Jasper Johns was painting visual aids for the 28th Regimental Headquarters. He suggested the Band Training Unit." Rigsby played the clarinet in that unit, and after 2 years of service, he enrolled at the University of Alabama on the G.I. Bill to study art. After just two years, he left school and followed his mentor (and one of the greatest and longest-lasting influences on his art), Japanese artist and U of A art instructor Tatsu Heima, to New York City. Heima introduced him to Isamu Noguchi and suggested that Rigsby work as Noguchi's assistant. Instead, Rigsby chose a job as a guard at the Metropolitan Museum of Art, since "the notion of seeing all of that art appealed more to me than the boring task of studio assistant." The opportunity was a rich one for Rigsby. He had a chance to study the masters, and cited Rembrandt with his simplicity and elegance as another of the most important influences on his work. In the years between 1957 and 1963, when Rigsby eventually earned his BFA in sculpture, the artist traveled back and forth between New York and Tuscaloosa, alternating study with forays into the fertile New York art scene. Rigsby exhibited some of his early sculpture work in 1958 at a small New York gallery, which was also exhibiting the work of Willem and Elaine de Kooning and Theodore Stamos. Shortly thereafter, searching for an educational venue closer to New York City, Rigsby visited New Haven, Connecticut, and spent an afternoon speaking with Josef Albers at Yale. Albers agreed to accept Rigsby into the Yale program on the condition that he take freshman drawing all over again. A brilliant opportunity, but, in Rigsby's words, "When it was time to register, I was hitchhiking back to Alabama, looking for food and shelter." Rigsby had his first one-man show at the University of Alabama in 1959. A visiting critic from New York, J.F. Goosen, reviewed the show and wrote "here is a talent which produces art because that is the thing for a gifted person to do. In his effortless ease of conception and execution, he has already achieved a goal that eludes many artists for a lifetime." Finally, in 1963, Rigsby received his degree in sculpture, dissolved a short-lived marriage, visited his family, packed up his car and headed permanently for New York. That year, his work was included in a group show at the Delgado Museum in New Orleans - which led to a one-man exhibit at the Delgado in 1964. During 1964, Rigsby took drawing classes at Columbia University, and worked at the General Post Office at night. He met his future wife, Linda Palmieri, and married. In 1965, his daughter Lisa was born, followed in 1966 by the birth of his son, John David Jr. In 1966, Rigsby had a successful one-man show at the Pietrantonio Gallery in New York. Shortly thereafter, he and the family moved to Tunis, Tunisia at the suggestion of a colleague, who urged him to "come paint by the light of Klee." Rigsby worked for the United States Information Agency as a teacher, and he spent the next year and a half painting over ninety paintings inspired by the smells, light, and Phoenician and Roman art surrounding him. He also executed a number of character and landscape drawings, capturing the Tunisian way of life. During his time in Tunisia, Rigsby's work was shown there in two major exhibits. Upon the family's return to the U.S. in 1968, Rigsby once again exhibited at the Pietrantonio Gallery. Later that year, Rigsby enrolled in Southern Connecticut State College's Urban Studies program, earning a master's degree in 1970. During his time at SCSU, Rigsby worked as the city of Bridgeport's Curator of Exhibits, driving a mobile art gallery from schools to neighborhood fairs and housing projects. After completing his degree, Rigsby had an exhibit at the Telfair Museum in Savannah, Georgia. This exhibit caught the attention of a member of the search committee looking to hire an artist for a newly-developed program in neighboring South Carolina. In 1970, Rigsby was selected as the first Artist-in-Residence in the state of South Carolina for the National Endowment for the Arts Artists in Schools program. His work with the newly-integrated students at Beaufort (SC) High School over the term of his residency precluded substantial work on his own art. He did, however, set up a studio in downtown Beaufort, and was able to create a modest number of paintings, which were included in exhibits at the Columbia Museum in South Carolina in 1971 and Yale University in 1973. At the end of his residency in 1974, Rigsby was named the National Visual Arts Coordinator of the Artists in Schools program for the NEA, a post he held for two years. In this position, Rigsby traveled the country, reviewing grant applications, meeting with state leaders in government, education and the arts to promote program concepts and explore local opportunities. The message he repeated over and over again echoed that of one of the other major influences on Rigsby as an artist - Ruth Asawa Lanier, whose words taught him that all of the work that the artist does is the artist's work, not simply the paintings he creates. In his capacity as National Coordinator, as well as many times in the future, Rigsby stressed that artists function in the same way as any other person in society, and deserved the same respect and place for their work as did all other professions. After two years traveling the country, Rigsby was ready for a change, saying "for the first time in my adult life, there was not a body of paintings to show for the years put into my work." In 1976, a summer retreat to the mountain community of Central City, Colorado, led to a permanent relocation. Eventually settling in the small town of Evergreen, Rigsby followed his own advice about artists becoming actively involved in their communities, and he established the Evergreen Visual Arts Center. The Center provided working space for artists, classes for adults and children, and, most importantly, a place for Rigsby to create his own work. Buoyed by the opportunity to concentrate once again on his art, and inspired by his new surroundings, Rigsby entered an extremely prolific period in his career. In 1977, he organized a traveling exhibition of his paintings, which showed at the Kimball Arts Center in Utah, the Kennedy Center in Washington, D.C., and the Arvada Center in Colorado. 1978 brought more exhibits, notably in Aspen and Denver, as Rigsby's work continued. He took an extended trip to visit his mentor, Tatsu Heima, in Japan, where he climbed Mt. Fuji, followed by travels to Tehran, Delhi, and several European countries. He chronicled his impressions from his travels in a small collection of paintings upon his return to the U.S. - the beginning of a practice which would continue through the rest of his life. In 1979, Rigsby's marriage failed, and at the same time he lost the lease to his Evergreen studio to redevelopment plans. In response to the personal chaos around him, Rigsby began a series of what he called "hard-nosed process paintings," the watercolor paintings of dots which marked his work from this period. The paintings gained him an NEA Individual Artist grant in 1980, as well as a Yaddo fellowship in 1981. The polka dot paintings were followed by a series of cupcake-like images, again examining space and color. During the early 1980s, Rigsby lived in a suite of old dentists' offices in a rundown part of Denver, with a studio in an area that reminded him of the Bowery in New York. In 1984, Rigsby founded the Progreso Gallery in the building where he lived, using the space both to show his own work and also to mount shows of the work of many Colorado artists. The gallery also served as a focal point for Denver's local arts community, hosting weekly discussion groups and classes. In 1984, Rigsby traveled to the Baja Peninsula and then in 1985 to Yugoslavia. After each sojourn, Rigsby returned to create vibrant and explosive paintings based on his experiences, showing them at his Progreso gallery and another alternative gallery in Denver, the Edge Gallery. The economic recession of the mid-eighties hit the art market and Rigsby hard, however, and although he continued to create new works of art, major exhibitions were difficult to come by. In 1987, Rigsby decided to leave Denver and spent six months in Barcelona, Spain. It was an electrifying trip for him. Rigsby wrote of that time: "The streets alone are a visual feast, and the additions of museums from Saarinen, Picasso and Miro to 12th century icons produced artistic indigestion. My paintings are always about the way things look and feel. Barcelona was a time machine extending those sensory and emotional concerns back to the Middle Ages. I felt the need to reduce my work to essential elements of color, scale, drawing and format. The [resulting] color studies speak eloquently for themselves, and in doing so, redefine all of the work I've done in the past 35 years of painting." Rigsby completed over a hundred paintings while in Barcelona - color studies, street portraits of the characters he encountered on a daily basis, and a number of dark landscape paintings. He found time to run with the bulls in Pamplona, and began writing stories about his adventures that were later published. Upon his return to Denver in 1988, Rigsby continued to explore the alter egos of the color studies - he concentrated on a series of dark paintings, all prominently featuring back. He commented about these black paintings that he " decided it was time to explore the perception of the eye and physical space as defined by low -light conditions…I find these paintings elegant, joyous and light-filled, with no feeling of heaviness at all." In mid-1988, Rigsby moved permanently to Houston, Texas, where he would spend the last five years of his life. Once in Houston, Rigsby made a discovery that would serve as the inspiration and material for some of the last works of his career. In 1989, he discovered a salvage yard filled with scrap rubber, and he began working on black rubber sculptures, as well as paintings with rubber elements incorporated. He made strong connections in the Houston alternative arts scene, and became a regular contributor and art critic for a local weekly newspaper, The Public News. From 1989 through 1992, he exhibited his sculptures and paintings at Houston's Brent Gallery, Fountainhead Gallery, and Blaffer Gallery. He also produced an installation of his rubber sculptures on the roof of the Diverse Works Gallery in Houston. 1992 also marked Rigsby's return to Denver when he exhibited his sculptures at the Payton-Rule Gallery in Denver, leading to an Absolut Rigsby commission by Carillon Importers. The 1990s were a tremendous struggle for Rigsby, with financial crises compounded by physical trauma (he accidentally sawed off the top joint of the index finger of his left hand while working in his studio). Although his work was being shown, it wasn't selling, and the tremendous financial pressure he felt weighed heavily upon him. He spent an increasing proportion of his time going to flea markets and garage sales, rehabilitating and repairing the things he bought there, and then re-selling them simply to raise enough money to keep a roof over his head. He had little time to paint or sculpt, the things in life that had always, no matter what the circumstances, brought him joy. Rigsby's final works were a series of intricate paintings and drawings on used books that he purchased at the flea market. Most of these drawings, which he referred to as sculptural form drawings, were executed on page after page of science texts, music books, and a Korean bible and fill hundreds of pages. Additionally, Rigsby created an exquisite book he titled 28 de los Angeles, in which his twenty-eight simple and elegant drawings of angels resonated with the influence of Rembrandt he had so admired in his early days. In a sense, Rigsby's final works, art created on used books which were the only materials he could afford, brought his work and life full circle from his childhood days. Rigsby's life, though begun and ended in adversity, was nonetheless illuminated and enriched by the irresistible impulse he had to create art and beauty. John David Rigsby was killed in a one-car accident in Colorado in August, 1993. Biography from the Archives of askART Following is a review by Michael Paglia of the artist's July 2004 retrospective at the Denver Museum of Contemporary Art. It was submitted by John Rigsby, Jr., son of the artist. There's a magnificent retrospective at Denver's Museum of Contemporary Art devoted to the work of the late John David Rigsby, who was a major powerhouse in Colorado's art scene. "Dots, Blobs and Angels" surveys more than forty years' worth of the remarkable artist's paintings and sculptures. The year 1993 was strange, and by that I mean terrible. Many of the city's galleries closed because of bad economic times, and then the artists started dying. In a matter of a few months, Denver lost three significant artists: Rigsby, experimental photographer Wes Kennedy...

Gorgeous vintage modern mod op art or pop art mirror style # 1034 tag on reverse from Greg Copeland studio. Beautiful condition, keeping in mind that th...

Work made in aluminum by the expressionist artist Alexius Huber in the 80s. Signed and numbered 82/200

A passage into another realm. The Arc mirror transports you into a happy place.     The Arc Mirror can lean to any wall, due to its curved top. This playfu...

Beautiful cutout tile mural with the "ROMANTIC SCENE" motif finely painted. Tile mural size: 70.8"H X 59"W (180cm X 150cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin:...

An oil and pastel painting on canvas in a custom walnut frame. "Everything that is solid dissipates in the air" The painting is a sneak preview of an exclusive upcoming exhibit at A...

Sotheby's, London: Neo-Romantic & Surrealistic Art from the Collection of Pierre Le-Tan. October 25, 1995. 210 lots, Including artwork by: Beaton, Ber...

A stunning abstract painting by Australian Aboriginal artist Nyurapayia Nampitjinpa (also known as Mrs. Bennett; 1935-2013). Entitled "Tjukurla Country", this work was acrylic on Be...

Monumental hand carved wood sign from the 1930s. Made by H.H. Upham & Co. Interestingly, this company owned a huge sign manufacturing business in the ...

Surreal table scape by Virginia Todd Wylie (1918-1999) Showed in local and NYC art galleries and museums - Parrish Art, Guild Hall, Art Institute Chicago...

The Skateroom w/ the Andy Warhol Foundation detail from Dollar Sign (Pink), ?1981 set of three skateboard decks 7-ply Canadian Maplewood with screen-p...

Making artistic mosaic, design of unparalleled beauty, inventing ' tromp l'oeil' thanks to the endless colors of the glass mosaic collections, all this allowed us to produce and divu...

"Les Glaçons" is a gorgeus scene of icebergs under the veil of night, masterfully captured in this limited edition fine art print that speaks volumes about the serenity and majesty o...

Original Artwork by Michael Mew ‘Making New Friends’, mixed media 2008 Title: Making New Friends Date: 2008 Medium: Paint, mixed media, collage resin ...

Original Postmodern lithograph numbered "Winter 3/40", titled "Computer Ink Plot I", signed by the artist and dated 1981 along bottom of image. Strong graphic image from the dawn o...

Anne Youkeles (Austrian/American b. 1920) Op-Art Artist 3-D Geometric Serigraph Collage titled "New Perspective" signed, number 43/210 and dated 1971. In fine condition, not examined...

This exceptional hand-embroidered textile is inspired by the rich tradition of Ottoman embroidery from the 16th to 19th centuries, reimagined for the present. Created as a unique cen...

Nick Thomm "Mars" Print - Standard Size Immerse yourself in the vibrant, psychedelic world of contemporary artist Nick Thomm with this stunning print, "Mars". Known for his bold us...

Josef Albers abstract lithograph from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from Po...

This handmade decorative tile panel combines the traditional Portuguese faience tile making techniques with a modern approach of shapes and color, res...

Litho is a contemporary design project rooted in the ancestral essence of chukum, a natural finish from Yucatán that blends the bark of the Havardia albicans tree with limestone. Bor...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Abstract screen-print, by Josef Albers, from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. This work is fro...

Step into the quirky charm of mid-century modern design with this Vintage Curtis Jere Giant Can Opener Sculpture. Crafted in the 1970s as part of a rare coll...

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...

Beautiful tile mural with the "SHIPS" motif finely painted. Quantity: 66 tiles Tile mural size: 64.9"W X 35.4"H (165cm X 90cm) Tile size: 5.9"W X 5.9"H (15cm X 15cm) Origin: Portu...

Incredibly graphic piece, signed by Ilya Bolotowsky (American, 1907-1981) from the early 1970s. Signed Silkscreen part of the vertical blue ellipse blue series. Silkscreen on Rives p...

After Pablo Picasso (Spanish/ French, 1881-1973), Buste de Femme au Chapeau Bleu, serigraph on silk. A hand-colored and hand pulled scarf in 12 color...

Modernist abstract oil on canvas painting, by Jock MacInnes, British, circa 1980s. Signed with artist's monogram and dated at lower ed...

An eye catching classic Hermes silk scarf shown in an elegant custom gilt wood frame. Makes a graphic luxurious piece of art. The scarf is...

Reduced forms create fascinating wall sculptures, a play with translucently, ambient light and color. The mirror objects float in front of the wall and create fascinating sculptures...

The Skateroom with the Van Gogh Museum set of three skateboard decks 7-ply Canadian Maplewood with screenprint Measures: each: 31 H x 8 inches approx. 31 H x 24 inches when insta...

A piece from the 'Delta' abstract sculpture series by James Rowland made from Brazilian wood Caxeta dyed with watercolor paint. Scottish Artist and fu...

Selection of Modern Art, circa 1950s-1970s. From left to right, they are: 1) The abstract nude female drawing, probably American, circa 1950s....

Beautiful tile mural with the "COUNTRYSIDE" motif finely painted. Tile mural size: 47.2"H X 59"W (120cm X 150cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin: Portugal Productio...

A stunning figurative surrealist work of contemporary art signed by the very talented French artist, Gerald Moreno. Moreno's work is often described as ...

The Abel Collector Portrait exudes an elegant yet casual allure that immediately captivates the eye. This wall painting is adjustable to suit your preferences, adding a touch of uniq...

Oil painting is composed of vibrant orange tones mingled with neutral brown and grey tones. Verso is titled and signed illegibly. Canvas measures approximate 20 inches squared in height and width. Signed original artwork, abstract Modernist art...

Beautiful tile mural with the "DEER" motif finely painted. Quantity: 24 tiles Tile mural size: 23.6"H X 35.4"W (60cm X 90cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin: Portug...

Rendered with reverent precision, this hand-signed 1996 depiction of the Great Sphinx of Giza emerges from its papyrus canvas in a luminous tableau of ancient mystique and modern art...

This explosive and vibrant screenprint, "Chinees Landschap Nr. III," is a powerful work by the legendary Dutch artist and author Jan Cremer (1940-2024). Created in 1990, this piece i...

Square size Persian kilim from the late 20th century with half an elephant on a green field Can be used as a wall piece too. Very light and easy to hang. Measures: 5' x 5' This was...

Untitled Print A2 is a refined exploration of Pierre Emmanuel Martin’s signature technique and profound artistic vision. This limited-edition fine art print, one of only 10 in its se...

Original mezzotint on paper entitled "The Red Dress 1980" by well known listed artist, Gatja Helgart Rothe, also known as G.H. Rothe (1935-2007). This collectible work of art has bee...

WCS2106 is a one-of-a-kind work of art and functional sconce made from cast bronze, Argentine goatskin and LED by artist and designer William C Stuart...

"Abstract Flowers I" serigraph on wove paper by Peter Max, circa 2017. The piece is a unique work with very vibrant and bright colors and is hand signed "Max" in lower right hand co...

It is a geometric, simple and contemporary piece with a lot of personality. It will add a playful and colorful touch to your kids room. You can hang the piece on a wall or place it ...

A large and important work by Turkish artist Férit Iscan depicting his artist’s supplies laid out on his work table. Signed lower right, title on verso...

Abstract painting signed D. Filov. Unique frame shape and beautiful color scheme. Dmitry Filov was born in 1953 in St. Peterburg. The age of maturity is being passed in the Crimea...

Artist: Victor Vasarely Medium: Lithograph Movement/Style: Modern Signed and Numbered : 133/250 Condition: This Victor Vasaerly lithograph is in very good vintage condit...