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Hand-Carved Decorative Art

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Technique: Hand-Carved
18th C. Portrait of a Lawyer Circle of Jacques Aved French School Oil on Canvas
Located in West Hollywood, CA
18th C. Portrait of a Lawyer Circle of Jacques Aved French School Oil on Canvas . Circle of Jacques-Andre-Joseph-Camelot Aved Portrait of a lawyer 1702-1766 French school mid-18th c...
Category

18th Century French Antique Hand-Carved Decorative Art

Materials

Canvas, Wood, Paint

18th Century Italian Gilt Tabernacle Door with Turquoise Baroque Pearls
Located in Dublin, Dalkey
18th century Italian gold gilded tabernacle door adorned with naturally forming baroque pearls. This door once belonged on a tabernacle which housed the eucharist in a church. In the...
Category

18th Century Italian Rococo Antique Hand-Carved Decorative Art

Materials

Gold Leaf

20th Century Grey-Brown French Landscape Painting by Daniel Clesse
Located in West Palm Beach, FL
A French painting, self-portrait on wood by Daniel Clesse, painted in Paris, France, signed and dated circa in 1963. Daniel Clesse was a French pain...
Category

Mid-20th Century French Mid-Century Modern Hand-Carved Decorative Art

Materials

Canvas, Wood, Paint

20th Century Dark-Blue Abstract Interior, French Painting by Daniel Clesse
Located in West Palm Beach, FL
A dark-blue, black abstract interior with chairs and window surround, oil on wood in canvas on a blue frame by Daniel Clesse, painted in France, signed and dated circa in 1970. Dani...
Category

Mid-20th Century French Mid-Century Modern Hand-Carved Decorative Art

Materials

Canvas, Wood, Paint

19th Century Carved Armorial Plaque
Located in High Point, NC
19th century hand carved armorial. The plaque is shaped as a shield and carved upon it are a knight's head with plumes of feathers in his armor, over ...
Category

19th Century English Antique Hand-Carved Decorative Art

Materials

Oak

19th Century Oil on Canvas Bacchante Group Attributed to Leopold Schmutzler
Located in Los Angeles, CA
A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...
Category

Early 20th Century German Greco Roman Hand-Carved Decorative Art

Materials

Canvas, Giltwood

18th - 19th Century Swedish Gustavian Antique Gilded Pine Wall Glass Mirror
Located in West Palm Beach, FL
A late 18th Century, antique Swedish Gustavian rectangular wall mirror with its original mirrored glass and blue color paint, made of hand crafted gilded Pinewood, in good condition....
Category

Late 18th Century Swedish Gustavian Antique Hand-Carved Decorative Art

Materials

Mirror, Pine, Giltwood

Carved Wood and Polychromed Gold Gilded Mirror, 18th Century, Rococo
Located in North Miami, FL
A Palatial and Museum quality Italian 18th century Florentine Rococo gilt wood carved mirror frame. The ornately carved frame with scrolls and a...
Category

18th Century Rococo Antique Hand-Carved Decorative Art

Materials

Gold Leaf

English Oil on Canvas Horse Portrait in Burl Walnut Gilt Frame, Signed. C. 1866
Located in Charleston, SC
English oil on canvas horse portrait in burl walnut giltwood and beaded molded edge frame. Signed & Dated by Artist "J. Brown Coventry 1866"
Category

1860s English William IV Antique Hand-Carved Decorative Art

Materials

Canvas, Wood, Giltwood, Paint

Pair of Italian Friezes 18th Century Blue Painted Gilwood Wall Decorative Panels
Located in Milano, MI
Pair of 1700s Italian Wall Decorative Panels, a pair of blue laquer vertical frieze dating back to late 18th century, with a stunning  hand-carved gilded relief  candelabra decoratio...
Category

18th Century and Earlier Italian Renaissance Antique Hand-Carved Decorative Art

Materials

Gold Leaf

19th Century Framed Italian Cameos
Located in Atlanta, GA
This exquisite 19th Century framed collection of Italian cameos is a true testament to fine craftsmanship and artistic heritage. Each cameo is intricate...
Category

19th Century Italian Neoclassical Antique Hand-Carved Decorative Art

Materials

Stone

Art Nouveau Fruitwood Bat Plaque by Gabriel Viardot
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

Early 1900s French Art Nouveau Antique Hand-Carved Decorative Art

Materials

Fruitwood

MidCentury Modern Italian Set of 4, Art Deco Style Large Alabaster Wall Sconces
Located in Lisse, NL
Last 4 of an original set of 16 wall fixtures. Set of four really large and great looking, half-moon shape, easy to mount and beautifully handcrafted alabaster wall lights. In all ...
Category

Mid-20th Century Italian Art Deco Hand-Carved Decorative Art

Materials

Alabaster, Metal

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

Primitive Toraja Carved Wooden Panel – Colorful M Size
Located in Saint-Ouen, FR
This primitive Toraja carved wooden panel in colorful M size is a unique architectural fragment from traditional houses in South Sulawesi, Indonesia. Handcrafted by skilled artisans,...
Category

20th Century Indonesian Rustic Hand-Carved Decorative Art

Materials

Hardwood

Early 20th Century Flemish Spaniel Pyrography Panel
Located in Chicago, IL
This early 20th-century Flemish low-relief panel showcases the exquisite artistry of pyrography, a technique where designs are burned into wood using a heated tool. Here, two hunting spaniels adorned with studded collars and leashes are meticulously rendered, their lively expressions captured with remarkable detail. Surrounding them is an intricately carved Art Nouveau style frame, adding an extra layer of elegance to the composition. During the latter part of the 19th and early 20th centuries, pyrography experienced a surge in popularity, particularly in Europe and America. Its appeal lay in the ability to create intricate designs with depth and texture, resembling fine etchings or engravings. Pyrography was often employed to decorate furniture, household items, and decorative panels like this one, serving as both functional art and a testament to the skill of the craftsman. Today, pieces like this Flemish panel...
Category

Early 20th Century Belgian Art Nouveau Hand-Carved Decorative Art

Materials

Wood

Italian Antique Grand Tour Micro Mosaic Spaniel After the Hunt
Located in Newark, England
Mounted in an Oval Ebonised Frame From our collectables we are delighted to offer this Italian Grand Tour Micro Mosaic Spaniel ‘After the Hunt’ after Antonio Aguatti and Gioacchino ...
Category

Early 19th Century Italian Grand Tour Antique Hand-Carved Decorative Art

Materials

Glass, Wood

Italian 17th Century Still Life Painting in Period Carved Gilt Frame
Located in Vero Beach, FL
Italian 17th century still life painting in period carved gilt frame Italian school still life painting from the workshop of a great master. The 17th century Baroque painting in oil...
Category

17th Century Italian Baroque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

17th - 18th Century Portuguese Pair of Antique Baroque Pinewood Wall Reliefs
Located in West Palm Beach, FL
An antique pair of Portuguese Baroque hand carved Pinewood architectural wall reliefs with richly ornate detailed scrolls, Acanthus leaves and masks, in good condition. Original pain...
Category

Late 17th Century Portuguese Baroque Antique Hand-Carved Decorative Art

Materials

Pine

Decorative Hand Carved Wood-Sculpture, Midcentury, Danish Cabinetmaker, 1970s
Located in Odense, DK
A fine unique wooden sculptural wall decoration. Hand Carved motifs, made by a Danish Cabinetmaker in the 1970s. Nice texture and dimensions in this vintage piece, it can be used as ...
Category

Mid-20th Century French Organic Modern Hand-Carved Decorative Art

Materials

Wood, Pine

Hans Zatzka Austrian, 1859-1945 a Very Fine Oil on Canvas "Spring Beauties"
Located in Los Angeles, CA
Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...
Category

Late 19th Century Austrian Belle Époque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

19th Century French Painted Paper and Mother of Pearl Fan
Located in Brea, CA
19th century French painted paper and mother of pearl fan, shadow-box framed antique ladies fan, made of mother of pearl with a hand embellished re...
Category

1850s French French Provincial Antique Hand-Carved Decorative Art

Materials

Mother-of-Pearl

17th - 18th Century Portuguese Pair of Antique Baroque Pine Wall Reliefs, Panels
Located in West Palm Beach, FL
An antique pair of Portuguese Baroque hand carved architectural wall reliefs, enhanced by richly ornate detailed scrolls, in good condition. Original painted patina with partial gilt...
Category

Late 17th Century Portuguese Baroque Antique Hand-Carved Decorative Art

Materials

Pine

Coppia di Decorazioni da Parete Italiane Rococò 1750 Intaglio Fogliato e Dorato
Located in Milano, MI
Coppia di Fregi Dorati Italiani 1750 circa Intaglio Rococò a Volute, dorate in foglia d'oro su una preparazione di bolo rosso armeno. Sono molto probabilmete cimase di specchiere a...
Category

Mid-18th Century Italian Rococo Antique Hand-Carved Decorative Art

Materials

Gold Leaf

Unique Art Nouveau L ecole Nancy Style Carved Wall Clock Thermometer Barometer
Located in Lisse, NL
Early 20th century, good size Art Nouveau wall clock. This antique weather station hand carved and stunning Art Nouveau clock has a beautiful...
Category

Early 20th Century French Art Nouveau Hand-Carved Decorative Art

Materials

Glass, Wood

Pair of 18th Century Architectural Panels with Swags Hand Carved in Low-Relief
Located in Atlanta, GA
A pair of French hand carved wooden decorative panels from the 18th century, with ribbon-tied swags, flowers and fruits. Born in France during the Age of Enlightenment, each of this ...
Category

18th Century French Antique Hand-Carved Decorative Art

Materials

Wood

Lovely Bakery Pie Hand Carved Folk Art Sign
Located in Buenos Aires, Olivos
Lovely Bakery Pie Hand Carved Folk Art Sign. The Age of it is not certain, it was a barn find. It´s a hand carved and painted sign. This pie-shaped sign is such a charming piece—it r...
Category

20th Century American Country Hand-Carved Decorative Art

Materials

Wood

Masterly Crafted w. Edelweiss Flowers Swiss Black Forest Barometer Thermometer
Located in Lisse, NL
Top museum quality carved Swiss barometer / weather station This antique barometer is not only about the actuality of the weather, it is also a true work of art and a real pleasure to look at. The attention to detail is incredible and it must have taken a true craftsman weeks rather than days to design and finish the carved frame alone. At a later stage, the handcrafted barometer (in German) and the thermometer (in Celsius & Fahrenheit) were integrated. Notice how the Edelweiss Flowers...
Category

Late 19th Century Swiss Black Forest Antique Hand-Carved Decorative Art

Materials

Wood

Early Giovanni Battista Piranesi Castel Sant Angelo Veduti Di Roma Wall Decor
Located in West Hollywood, CA
Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Decor . Large 18th Century Etching / Engraving Of The Ruins Of Rome An Early Print Of Castle Saint Angelo By G...
Category

18th Century Italian Antique Hand-Carved Decorative Art

Materials

Paper, Wood

19th Century French Painted Wooden Heraldic Shield with Lions and Armor
Located in Dallas, TX
Add a noble touch to your study or library with this elegant 19th-century heraldic plaque. Crafted in France circa 1870, the antique wooden shield features a beautifully hand-painted...
Category

Late 19th Century French Medieval Antique Hand-Carved Decorative Art

Materials

Wood

19th Century Dark-Grey French Antique Louis XV Style Pinewood Wall Glass Mirror
Located in West Palm Beach, FL
A French 19th Century Louis XV style mirror, carved in Pinewood with Gesso finish and gilded, in good condition. The frame has the typical Rocaille décor. The antique mirror has its ...
Category

Mid-19th Century French Louis XV Antique Hand-Carved Decorative Art

Materials

Mirror, Pine, Giltwood

Hand-crafted Gothic 16th century panel in oak, Belgium
Located in Meulebeke, BE
Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...
Category

16th Century Belgian Gothic Antique Hand-Carved Decorative Art

Materials

Oak

Antique Hand Crafted Dutch Art Deco Barometer Thermometer W. Great Details
Located in Lisse, NL
Highly stylish and marvelous design Art Deco wall barometer. This stylish antique from the early 1900s is a dream of anyone with an Art Deco (inspired) interior. This design could...
Category

Early 20th Century Dutch Art Deco Hand-Carved Decorative Art

Materials

Metal, Brass, Zinc, Chrome

Pair 18th Century French Neoclassical Hand-Carved Painted Wall Sconces, Corbels
Located in Dallas, TX
Pair 18th century French neoclassical hand-carved and painted wall sconces ~ Corbels were sculpted from solid oak and feature a timeless classical scroll festooned with acanthus flou...
Category

18th Century French Classical Roman Antique Hand-Carved Decorative Art

Materials

Oak

Gothic oak sculpted panel from the 16th century, Belgium
Located in Meulebeke, BE
Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...
Category

16th Century Belgian Gothic Antique Hand-Carved Decorative Art

Materials

Oak

Abstract Artwork Painting Pottery Tray
Located in New York, NY
A very beautiful hand-crafted pottery artwork tray with abstract and figural design. A beautiful piece for a wall, table, vanity, or other. Colors include black, white, red/burgundy/...
Category

Late 20th Century Hand-Carved Decorative Art

Materials

Ceramic, Terracotta, Pottery

Chinese Carved Wood Wall Art from a Hunting Tiger
Located in Antwerp, BE
A large 19th century Chinese carved wall plaque in wood features a hunting tiger on rocks with bamboo trees and the sun in the background. ...
Category

Mid-20th Century Chinese Chinese Export Hand-Carved Decorative Art

Materials

Wood

19th Century French Round Industrial Wooden Wall Mirror - Antique Wall Décor
Located in West Palm Beach, FL
A round, antique French monumental sized industrial wooden wall mirror with its original mirror glass, in good condition. Minor fading, scrat...
Category

Late 19th Century French Industrial Antique Hand-Carved Decorative Art

Materials

Mirror, Wood

Mughal Indian Handcrafted Decorative Hammered Moorish Brass Tray
Located in Moreno Valley, CA
Large handcrafted decorative Indian Mughal Moorish brass tray. Embossed and hammered with floral and mystique animal scenes with Arabic script etched. Large decorative hanging...
Category

19th Century Indian Moorish Antique Hand-Carved Decorative Art

Materials

Brass

Medieval Style Bas Relief in Polychrome Carved Wood, Spain, 1950s
Located in Barcelona, ES
Mid-Century Modern Medieval Inspired Bas Relief Wall Decoration in Polychromed Carved Wood. Spain, 1950s. Beautifully hand-carved bas relief depicting genre scene. Two standing men f...
Category

20th Century Spanish Mid-Century Modern Hand-Carved Decorative Art

Materials

Wood

Mid Century Italian Giltwood Sunburst Mirror
Located in Ross, CA
Gilt wood sunburst mirror made in Italy during the middle of the 20th century. Layers of rays protrude out from the round mirrored center in strait and squiggly lines.
Category

Mid-20th Century Italian Mid-Century Modern Hand-Carved Decorative Art

Materials

Giltwood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
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