English Paintings

A large portrait of Provost Samuel Leckie as he was presented to Queen Victoria in 1897, William A. Donnelly, 1901, gouache and watercolour showing a large bearded man in court dress...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely original vintage Winston Churchill Oil painting in a new B...

A Pair Of 19th Century English Victorian watercolors on porcelain of A Lady Cushioned velvet frames. In excellent condition commensurate with age. A Near Matching Pair Dimensio...

A charming antique Victorian landscape oil painting. This is English, it dates from around the 1860-1880 period. It is beauti...

BRITISH SCHOOL "Landscape with Figures and Animals" 19th Century Oil on canvas Recovered. Dim.: 50 x 58 cm good conditions

Still life flowers in vase, oil on board. Contemporary Artist Julian Gordon Mitchell (b. 1968), a well listed English Artist. Having exhibite...

A very good 19th century watercolor depicting a pastoral landscape with haycarts, mounted with archival acid free materials and signed bottom left. Measures: 6.75” x 9.75” (sight). Framed dimensions, 10.75" high x 13.75" wide x .75" deep. John Atkinson (1863-1924) was a highly regarded British landscape artist working in watercolours, oil & tempera. He was born in Newcastle, he attended classes at the Newcastle School of Art where he is said to have briefly studied under Wilson Hepple...

Thomas Whitcombe: ‘Flora’, this oil on canvas shows the action, within a gilt frame with a panel reading ‘British Frigate “Flora”, 36 guns commanded b...

A stunning original antique watercolour painting of the historic 600 year old Meramid Inn in Rye. This is by the artist Annie L. Lee, it dates from around the ...

BRITISH SCHOOL "Landscape with Figures" 19th Century Oil on canvas, Recovered. Dim.: 79 x 32 cm good conditions

This oil painting by English artist Gordon Bennett captures a somber River Thames, its reflective surface juxtaposing the bustling industrial backdrop. ...

This antique oil on canvas is a beautiful work of art! The detail and color of this painting are so amazing. The artist has depicted a field at haying time, with stacks of golden hay...

18th Century painting on porcelain by Matthew William Peters titled ‘Adorational’. Circa 1780. Peters (1742 - 1814) was an English portrait and genre painter who later became an Ang...

Lovely 19th century English watercolor by Thomas S. Cooper in beautiful gold gilt frame. The scene depicts 2 cows in a rural setting. Incredible detail in this painting. A very fine ...

A charming, small-scale painting of a brown and white calf.

Unique painting with city view probably Stobwasser. Oil on metal. Magnifying glass. A masterpiece. To the smallest detail, finely painted. Unfortunately, the images can not reflect ...

A genuine 19th Century Portraiture on Glass made by Glasspainters of Hertford and signed by the artist. A rare medium used during this period by a specialised English Glasspainters. Depicting either the 6th Earl of Essex (1803-1892): Arthur Algernon Capell or the latter 7th Earl of Essex (1857-1916): George Devereux de Vere...

"A Study of the Ruins of a Castle." By: John Claude Nattes (English 1768-1822). Fine original watercolor painting with pencil on paper, inscribed in pencil on reverse, matted and gil...

Early 19th century English portrait of a gentleman in gilt frame. Circle of Sir Henry Raeburn. Very Stately, Handsome.

I, II, III, 2023 This is now a set of 3 - they are available individually too - please ask. Paint, ink, graphite on paper 75 x 57cm Series: Midnight Series Signed & dated verso All rights, the artist. Mark Houghton...

Apron Strings MARK HOUGHTON APRON STRINGS, 2023 Paint, ink, graphite on paper 75 x 57cm Series: Urban Glitter Signed & dated verso All rights, the artis...

We are delighted to offer for sale this lovely pair of late Victorian watercolors signed H Brock and dated Apr 1894 The first is titled “An Uninvited Guest” and the second “A Lion...

A Mountain Landscape by Sydney Lee (English, 1866-1949), signed lower right MEASUREMENTS 29.75" H x 35.5" W x 2" D 23.25" H x 29" W image

Royal House Antiques is delighted to offer for sale this stunning pair of 16th to 17th century, miniature oil paintings which are after the originals by James Northcote (1480-1517) t...

Card Players by Peter Layzell (Oil on panel, 2005) Peter Layzell (b1962) studied Fine Art at Coventry University in 1984. Although current trends favor larger than life...

This English watercolor painting offers a dreamlike vista, employing a deeply earthy color palette of ruddy browns, smoky charcoals, and creamy bone whites. The abstract landscape sw...

19th Century oil on canvas titled ‘Dean Swift & The Young Merchant’ by Thomas P. Hall. Thomas Paul Hall (1810 - 1867) was a London painter of genre and historical scenes, who enjoye...

A beautiful and very high quality English 18th century oil on canvas painting named Rosewood Castle, N. Wales by Julius Caesar Ibbetson circa 1781. The wonderfully executed painting depicts washerwomen cleaning clothes in the river near a Bridge at Rosewell Castle, North Wales. In the background is a beautiful blue sky with clouds...

We are delighted to offer for sale this lovely pair of rare hunting prints titled The Death and The Chase by T Sutherland Sculpt dated 1819 A very good looking and decorative pair...

Painted porcelain plaque of woman flown aloft by swans English, 1884 Measures: Frame: Height 37cm, width 50cm, depth 5cm Plaque: Height 20cm, width 22.5cm,...

An attractive watercolour painting of Brighton’s RNLI life boat house by its architect, C.H. Cooke, the sturdy rectangular building sited below the promenade with the bows of a life ...

A charming pair of late 18th English century oil paintings on canvas. Each painting portrays a portrait of a young lady in oval within carved giltwood fra...

These charming English School portraits show the subjects half-length by a desk, the surgeon with a skull at his elbow and his wife with an open writing box. Oil on canvas within a gilded frame and accompanied by five related letters. English, circa 1810. Footnote: Robert Prideaux died aged 36 in 1818 but in his short life he managed to rise rapidly through the ranks as a naval surgeon. The Naval Chronicle Vol. 19 (1808) records his appointment as a surgeon, aged only 26, on the cutter Sprightly and that he moved to the Lily by the end of the same year. In 1809, a member of the crew of the vessel Polyphemus was involved in a drunken incident that culminated in him being sick on the quarter-deck of the Lily whilst both vessels were docked at Port Royal in Jamaica. This led to a Court Martial appearance for one Joseph Fountain, the Master at Arms...

A wonderful 19th century English painting depicting an English dame school in the 19th century. William Bromley (1818-1888), was the ...

British oil on canvas by Anthony Vandyke Copley Fielding. British, 1787-1855. Signed bottom left: Copley fielding. Framed: 28" width: 33". Canvas: 25" width: 30".

A set of three pen, ink and water color sketches set in a single frame, HMS Euphrates, HMS Irresistible and a hulk, a view of Sunbury Lock and a Dre...

An oil on canvas by R G Thurgood of HM Cruiser 'Vindictive', Assaulted the 'Mole' at Zeebrugge against the Germans, April 1918. Thomas George Thurgood (1876–1953) A very simi...

Bucolic Joinings’ by Lexden Lewis Pocock. Oil on canvas, depicting a kneeling maid and her swain in the carpenter’s shop, she tending a turtle dove, while it’s mate waits on the ...

19th century English portrait, oil on canvas in ebonized wood frame.

Glyn Thomas (b.1946) : Lighthouse, Orford Ness Etching. Artists proof from a limited edition of 150, signed and titled in pencil, f Depicting the lighthouse in the foreground, the Ministry of Defence buildings on the left and the River Alde and with the Castle and Church on the horizon. visible sheet length 46cm., 18",, height 29cm., 11.5" in the original mount and wooden frame length 63.5cm., 25" height 48cm.,19" The encroaching sea eventually got so close that the lighthouse had to go. Rather than simply let it fall into the sea, in July 2020 the entire building began to be carefully dismantled so as not to have any impact on the surrounding sensitive environment. The Orford Ness Lighthouse Trust plan at that time was to remove the lantern room as well as other original features and artefacts with a view to one day creating a lighthouse memorial of some sort on the other side of the Ness, facing Orford town’s quay. In the original pine slip frame height 48cm., 19" length 63cm., 24 1/2" ORFORD NESS Orford Ness is an internationally important site for nature conservation and a designated National Nature Reserve. It is a rare and delicate landscape, consisting of shingle ridges and valleys, deposited over centuries by the sea. 20% of Europe's vegetated shingle is found on Orford Ness. Once a former World War One and World War Two Airfield, the land is now a rich grazing marsh, providing home to birds, deer and rare-breed sheep. It is one of the few sites in the UK with purpose-built facilities for the testing of components of nuclear weapons. Comprising of six 'labs', which now form impressive backdrops on the shingle and the Black Beacon erected in 1928 to house an experimental rotating-loop navigation beacon. GLYNN THOMAS Glynn Thomas was born in Cambridge 1946. He studied at the Cambridge School of Art 1962-67, specialising in illustration and printmaking; taught printmaking at the Ipswich School of Art 1967-79, and is now a full-time artist living in Suffolk. He has illustrated a number of books. He is a Fellow of the Royal Society of Painter-Printmakers and at the Society’s 1983 annual exhibition his etching ‘Honfleur’, was awarded the Davys’ prize for the best print. In addition, his work has been included in the Houses of Parliament art collection. One man exhibitions include the Dominion Centre Toronto, the John Russell Gallery, Ipswich, Printworks and the Minories, Colchester, the New Ashgate Gallery Farnham, the Royal Exchange Theatre, Manchester, the Lyric Hammersmith, and the Barbican Centre London. Mixed exhibitions include the Cambridge Contemporary Art Gallery, the Adelphi Gallery New York, Donald Hughes, Hong Kong, the Royal Academy, the British Miniature...

Igneous is a design made from carbon powder and using Custhom’s innovative process of hand-foiling wallpapers, creates a unique distressed or highly polished finish in a wide range o...

Mahogany furniture to keep paintings, plans and special documents. It can be oriented in different positions.

MARK HOUGHTON THE COMFORT OF STRANGERS, 2024 Acrylic on linen on wooden panel 62 x 42 x 5cm Series: Urban Glitter Signed & dated verso All rights, the ar...

This English watercolor painting offers a dreamlike vista, employing a deeply earthy color palette of ruddy browns, smoky charcoals, and creamy bone whites. The abstract landscape sw...

This dramatic watercolour shows only the bow and the stern of Amelia as she is perilously close to being dashed against the sea wall with a wave completely swamping her amidships. Some of her crew have been washed out of the boat and would-be rescuers are wading along the promenade towards her bow. To her right, the schooner Coupland is rolling dangerously in huge waves. Scarborough Spa and crowds of onlookers are clearly visible through the storm. Signed J.N.Carter, 1865, Torquay. English, painted in 1865. The attempted rescue of the schooner Coupland by the lifeboat Amelia on November 2nd 1861 is one of the most memorable and tragic in Scarborough lifeboat history. The 32 ft. long, ten-oared, self-righting Amelia, on her maiden voyage, went to the rescue of the Coupland crew, with disastrous results. She was dashed to pieces against the harbour wall and two of the crew were lost, while others had to swim or be pulled ashore by rescuers wielding ropes. Three of the shore based rescuers, Lord Charles Beauclerk, William Tindall and John Hiles, also lost their lives. Eight Board of Trade Medals for Gallantry in Saving Life at Sea were awarded along with six RNLI medals and monetary grants. Joseph Newington Carter (1835-1871) was influenced by W. M. Turner and is known predominantly for his dramatic and compelling seascapes in oil and watercolour. His father, Henry Barlow Carter...

Antique English Oil/Canvas of a Young Girl holding a Rose after William Hammer, within a gilt frame, ready to be hung.