1970s Paintings

This Vintage painting on fabric canvas depicts an abstract Forest nature scenic landscape. It is signed and in mid century modern style. This Piece has nice patina and character. Vin...

Yves Rhayé (1936-1995) large oil on canvas.

By Mendez, contemporary Female artist from California.

Silkscreen on paper by Agenore Fabbri, 1971 Silkscreen created on a white paper background with a black figurative-abstract design. At the bottom right there is the signature, while ...

Possibly acrylic on Canvas. Beautiful tones of brown and green. Signed in the Lower Corner. Vintage Condition Consistent with Age as Pictured. Dimensions. 41 W ; 1 D ; 29 H

Similar Works Available. Possibly Watercolor or Pen. Signed JP Gaston as Pictured. Vintage Condition Consistent with Age as Pictured. Dimensions. 12 W ; 18 H

Vintage Artwork of Hunter Gaging Upon Waterfall Landscape. Possibly Watercolor on Paper. Signed in the Lower Corner D Cook as Pictured. Vintage Condition Consistent with Age as Pictu...

Vintage Artwork of Abstract Landscape Focussing on a Beached Boat. Possibly Watercolor on Paper. Unsigned Original. Vintage Condition Consistent with Age as Pictured. Dimensions. 20...

Possibly Watercolor on Paper. Signed JP Gaston and Stamped in Lower Corner as Pictured. Vintage Condition Consistent with Age as Pictured. Dimensions. 22 W ; 1/4 D ; 18 H

Large oil painting by Karl Brücher Henriksen from 1971.

Vintage Artwork of Abstract Landscape Focusing on a Mountain and Trees.Possibly Watercolor on Paper. Vintage Condition Consistent with Age as Pictured. Dimensions. 20 1/2 W ; 1/8 D ...

Possibly Watercolor or Acrylic on Paper. Signed Phil Flash. Wood Frame With Wire Cord For Hanging on the Back. Vintage Condition Consistent with Age as Pictured. Dimensions. 27 W ; ...

Possibly Watercolor or Pen on Paper. Unsigned Landscape Art of Mountains and waterfall. Vintage Condition Consistent with Age as Pictured Dimensio...

Possibly Pastel or Mixed Media Artwork.Matted with Brown Border. Vintage Condition Consistent with Age as Pictured. Dimensions. 16 W ; 20 H

Vintage Art Print of Abstract Sailing Boats. Possibly Watercolor on Paper.Signed JPGaston as Pictured. Dimensions. 15 W ; 1/8 D ; 23 H

Large oil painting “Desargues, konfiguration X” by Steffen Jørgensen.

Add a touch of natural elegance and contemplative charm to your space with this vintage Boho tree lithograph, thoughtfully framed in a sleek shadowbox...

Italian modern colored tempera work of art painted signed by G. Maffei, 1970s Abstract painting in tempera, painted with thick brushstroke with various colors, with chromed steel frame. Work signed by G. Maffei, around 1970. Good conditions. Measures in cm 54x4x54cm Beautiful painting, with large brushstrokes and numerous colors. The particularity of blue contrasts perfectly with the frame which makes this work of art even more important and unique. Dating back to the seventies, with this work you will feel like taking a leap...

Painting by the Swiss painter Guy Dessauges created in the 70s and 80s using his technique of superimposing "glazes" in multicoloured oil, which gives the painting an effect of movem...

Vintage Mid-Century Modern Impressionist painting. Dimensions. 16 W; 1/2 D; 20 H.

Eduard Bargheer (1901-1979) "Village in the desert", 1973 Color lithograph on laid paper, signed and dated by hand Ex.: 54/75 Dimensions: 42 x 59 cm Eduard Bargheer (1901 - 1979...

Oil on canvas, the cube.

A large scale hard edge painting executed by listed artist Jason Crum. This example hung in Vladimir Kagan’s personal apartment in New York. Executed in 1971 the painting is aptly ti...

André Claus (1913- ?) "A l'aube" signed oil on canvas, circa 1970.

Fritz KARLSSON “Tecken I Sten 1” (Mark on the Stone 1). Abstract painting in brown and earthy colors. Dated on 1970. The pasty application of the color generates a volumetric face of...

Painting of an alley in Venice in an expressionist manner in bright colors. Oil on plate. Glued on a white-painted wooden plate in an ash wood picture frame. Ready to hang.

Artistic drawing in charcoal and graphite on paper, by Adolfo Almarcha (Burgos, Spain 1953). Project about the paper industry "F.E.F.A.S.A". The Frame is made of black lacquered woo...

Mid-Century Modern Painting by Yves Rayé, 1979

Series of seven 1970s paintings signed "N. L." on the subject of the cosmos. Mixed media with sand, pebbles, grains and paint on panel. Each is different. Three sizes: largest height...

P.R. McIntosh (1897-1985) was a American Artist known for his textural abstracts and amazing use of color. This large example, on canvas, in it's original simple white wood frame, re...

The Cliffs by Balcomb Greene painted in 1978. Signed on the front titled and dated on the reverse. Paintings of the Montauk coast by Balcomb Greene are few and far between. This painting likely created at his Studio in Montauk New York. Painting is in excellent original condition and retains the original gallery frame. provenance: Estate of Gertrude B. Pascal / Gifted from the previous in 1987, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY / Christie's, New York 2012 / Private Collection, New Jersey Public collections: Baltimore Museum of Art, Baltimore, MD Brooklyn Museum, Brooklyn, NY Cleveland Museum of Art, Cleveland, OH The Art Institute of Chicago, Chicago, IL Corcoran Gallery of Art, Washington, D.C. Guild Hall, East Hampton, NY Wadsworth Atheneum, Hartford, CT Museum of Fine Arts, Houston, TX Indianapolis Museum of Art, Indianapolis, IN Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY National Museum of American Art, Washington, D.C. Joslyn Art Museum, Omaha, NE Pennsylvania Academy of the Fine Arts, Philadelphia, PA Norton Simon Museum, Pasadena, CA Portland Museum of Art, Portland, OR Neuberger Museum, Purchase, NY Solomon R. Guggenheim Museum, New York, NY Parrish Museum, Southampton, NY Whitney Museum of American Art, New York, NY Walker Art Center, Minneapolis, MN Butler Institute of American Art, Youngstown, OH Boca Museum of Art, Boca Raton, FL Over a lifespan of 86 years, Balcomb Greene followed his muse wherever it led, unfettered by what had come before, unafraid of where the future might lead. Despite a series of different pathways explored, his purpose remained ever constant: to express truth as he found it and communicate it to a broader audience. In the 1930s, Greene was a young artist committed to abstraction as his expressive language. Greene’s paintings and collages of the 1930s reflect the influence of Pablo Picasso and Piet Mondrian and put him in the company of fellow Americans, including Ibram Lassaw, Josef Albers, Ilya Boltowsky and George L. K. Morris, all among the founding members, in 1936, of American Abstract Artists. John Wesley Greene, his christened name which he never legally changed, was born in 1904 in Millville, New York, the third child and only son of Methodist minister The Reverend Bertram Stillman Greene (1864–1929) and Florence Stover Greene (1876–1911). His family on both sides were Revolutionary-era colonists, originally living in Connecticut and Vermont before joining the Yankee migration to the western frontier of New York State. In 1922, John Wesley Greene enrolled at Syracuse University aided by a scholarship for the sons of Methodist ministers and intending to fulfill the promise of his name and follow his father into the ministry. As with so many before and after him, the liberal education he absorbed at Syracuse broadened his horizons and reshaped his life plan. Studying philosophy, psychology, and literature, along the way he separated himself from organized religion. During his senior year, on a visit to The Metropolitan Museum of Art in New York City, Greene was introduced to Gertrude Glass (1904–1956), an art student and the Brooklyn-born daughter of Latvian Jewish immigrants. Following Greene’s graduation, the two married in 1926 and went to Europe. They stopped briefly in Paris but spent most of their time in Vienna where Greene had a fellowship to study psychology. When they returned to New York in 1927, Greene enrolled in a master’s program in ‘English literature at Columbia University. When his thesis advisor rejected his essay topic on the “fallen woman” in seventeenth-century literature as inappropriate, he left without a degree. From 1928 until 1931, Greene taught English at Dartmouth College in Hanover, New Hampshire. At some point, he stopped using his given name, John, and began to call himself, more distinctively, Balcomb, the family name of his paternal grandmother. While Greene wrote three novels (all unpublished) during his teaching years at Dartmouth, his wife was a working artist, and he eventually developed an interest of his own in painting. In 1931, Greene gave up his teaching position and he and Gertrude went to Paris, determined to immerse themselves in the modern art ferment they had briefly experienced in their earlier visit. For young Americans with no prescribed agenda, a receptiveness to innovation, and wide-open eyes and minds. Paris, in 1931, offered a rich stew of approaches to modern art. The city absorbed and transmuted an international mélange of styles—cubism, orphism, futurism, dadaism, constructivism, neoplasticism, suprematism, de Stijl, Bauhaus—France encountering Holland, Germany, Italy, and Russia with Pablo Picasso from Spain, Constantin Brancusi from Romania, and Jacques Lipchitz from Lithuania. As a sculptor, Gertrude Greene...

Karel Appel, Dutch, 1921-2006, biomorphic figures, watercolor and graphite, circa 1971. Provenance: painted for and personally given to the superintendent of Appel's apartment buildi...