Late 18th Century Paintings

Each in later bird’s-eye maple frames. Depicting farm animals and skaters on a pond, houses and people in daily pursuits along a waterway.

Raijin - God of Thunder Yamaguchi Soken (1759-1818) Mid to Late Edo period, circa 1800. Framed painting. Ink and light color on paper. This humorous painting depicts the Thunder God, Raijin, tumbling from the sky, presumably being struck down by one of his own lighting bolts. He clings to one drumstick as the other is in free-fall along with his Taiko drums...

Early Kano School painting of pine trees overlooking two beautifully painted cranes and floral design in a natural setting by water’s edge. Mineral pig...

18th century sanctuary oil on panel The Roman Sanctuary of the Felix father in Jativa, Valence, Spain.

This neoclassical trompe l'oeil painting is an allegory of summer. It would have been hung with allegories of the other three seasons over the doors of a salon. Ceres, Roman goddess...

American landscape with animals, unsigned. The measurements below are with the frame without the frame the measurements are: 21.5" W x 17" H.

A charming pair of French genre paintings depicting a seascape with fishermen and a river scene with ancient bridge, executed in watercolor on paper, framed under glass, circa 1790

An exquisite and rare late 18th century oil on copper plate of a reclining nude by Austrian artist Adam J. Braun, (1748-1827) in the manner ...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

Make a grand statement with this exceptional and monumental oil on canvas painting, created in France circa 1790. Set in its original, deeply carved giltwood frame, the large composi...

A beautiful neoclassical painting made in oil on canvas and framed in a contemporary carved and gilded wooden frame. The painting features a notable use of chiaroscuro and shadows an...

Peruvian Cuzco School Oil on Canvas of the Archangel Michael defeating Satan 18th Century. Later Frame. Wear commensurate with age. The Cuzco or Cusco school was a Roman Catho...

A very attractive set of three late 18th Century Dutch landscape paintings. Oil on canvas, mounted to boards and set in to later frames. Circa 1790.

Pair of American oil on canvas portraits in the original floral gilt frames and stretchers. South Carolina, Late 18th century. Signed Dr. Anthony Hemingway on re-verso.

A wonderfully painted oil on canvas by George Morland depicting a moment of life in a cottage on a snowy winter day. Signed lower right. George Morland (26 June 1763 – 29 October 1804) was an English painter. His early work was influenced by Francis Wheatley, but after the 1790s he came into his own style. His best compositions focus on rustic scenes: farms and hunting; smugglers and gypsies; and rich, textured landscapes informed by Dutch Golden Age painting...

18th century, large Italian neoclassical oil on canvas four panels screen with Trompe L’œil These large screen is composed of four panels in oil on canvas painted. Neoclassical, dating to the second half of the 18th century. Each panel represents a trompe l'oeil, with a classical architecture with square section marble columns and large clogging. Inside the pink space of the first and third panels are painted, as inserted in a niche with bronze frame, ancient busts...

A beautifully executed and rare complementary pair of oil on canvas paintings depicting two of the moist famous and important counter reformation catholic saints St Francis Xavier and St Carlo Borromeo shown in scenes of what the respective saints are mostly famous for. St Francis Xavier for the conversion to Christianity of many S. E Asian countries notably India and St Carlo Borromeo shown asking the Virgin Mary to intercede for the cessation of the terrible plague of 1576. The paintings are presented in refreshed gilded carved wooden frames and are unsigned. St. Francis Xavier was born in Spanish Navarre in 1506 and in 1528, he met St. Ignatius of Loyola. He became one of the seven in 1534 who founded the Society of Jesus (Jesuit Order). In 1536, he left the University of Paris and joined St. Ignatius in Venice. He was ordained in 1537, and in 1540 after the Society was recognized by the Pope, he journeyed to the Far East. Francis Xavier first evangelized the Portuguese colony of Goa in India, then Travancore, Ceylon, Malacca, and the surrounding islands. From there he journeyed to Japan, where he gave Christianity such deep roots that it survived centuries of violent persecution. He died on Sancian Island in 1552, while he was seeking to penetrate into the great forbidden land of China. Despite language problems, lack of funds, resistance from the Europeans as well as the natives, he persevered. St. Francis converted more people in his life than anyone since the Apostle St. Paul. He baptized over 3 million people, converted the entire town of Goa in India, and he labored in India, Pakistan, Bangladesh, Sri Lanka, Malaysia, Indonesia, Singapore, and Japan. He was truly a missionary par excellence. St Carlo Borromeo (1538-1584), was a Cardinal of the Holy Roman Catholic Church and Archbishop of Milan from 1565 to 1583. He was described in the decree for his canonization, as “a man, even while the world smiles on him with the utmost flattery, he lives crucified to the world, spiritually, trampling earthly things, seeking continuously the things of heaven, emulating the life of the Angels on earth, in his thoughts and actions. The plague began in the month of August that year. Milan was celebrating joyfully the arrival of Don John of Austria, on his way to Flanders, where he had been appointed governor. The city authorities were abuzz with excitement in their desire to bestow the highest honours on the Spanish prince, but Charles, who had been Archbishop of the diocese for six years, was following with concern the news coming from Trento, Verona and Mantua, where the plague had begun claiming victims. The first cases exploded in Milan on August 11th, right at the moment when Don John of Austria arrived. The victor of Lepanto, followed by the governor, Antonio de Guzmán y Zuñiga, departed the city, while Carlo Borromeo, who was in Lodi for the Bishop’s funeral, returned in haste. Confusion and fear reigned in Milan and the Archbishop dedicated himself completely to assisting the sick and ordering public and private prayers. Dom Prosper Guéranger sums up his infinite charity in this way: “In the absence of local authorities, he organized the health service, founded or renewed hospitals, sought money and provisions, decreed preventive measures. Most importantly though, he took steps to ensure spiritual help, assistance to the sick and the burial of the dead. Unafraid of being infected, he paid in person, by visiting hospitals, leading penitential processions, being everything to everyone, like a father and true shepherd” St. Carlo was convinced that the epidemic was “a scourge sent by Heaven” as chastisement for the sins of the people and that recourse to spiritual measures was necessary to fight against it: prayer and penitence. He rebuked the civil authorities for having placed their trust in human measures rather than divine ones. “Hadn’t they prohibited all the pious gatherings and processions during the time of the Jubilee? For him, and he was convinced of it, these were the causes of the chastisement. The magistrates who governed the city continued to oppose public ceremonies, out of fear that the large gathering of people would spread contagion, but Charles “who was guided by the Divine Spirit” – recounts another biographer – convinced them by citing various examples, among which was the one regarding St. Gregory the Great who had halted the plague devastating Rome in 590. While the pestilence spread, the Archbishop then ordered three general processions to take place in Milan on the 3rd, 5th and 6th of October, “to placate the wrath of God”. On the first day, the Saint, despite it not being the Lenten season, placed ashes on the heads of the thousands gathered, exhorting them to penitence. Once the ceremony was over, the procession went to the Basilica of St. Ambrose. Charles put himself at the head of the people, dressed in a hooded purple robe, barefoot, penitential cord at his neck and large cross in his hand. The second procession led by the Cardinal headed towards the Basilica of San Lorenzo. The third day the procession from the Duomo headed for the Basilica of Santa Maria at San Celso. St. Carlo carried in his hands a relique of Our Lord’s Holy Nail, which had been given by the Emperor Theodosius to St. Ambrose in the 5th century. The plague didn’t show any signs of waning and Milan appeared depopulated, as a third of its citizens had lost their lives and the others were in quarantine or didn’t dare leave their homes. The Archbishop ordered about twenty stone columns with a cross at the top to be erected in the main squares and city crossroads, allowing the inhabitants from every quarter to take part in the Masses and public prayers - from the windows of their homes. One of Milan’s protectors was St. Sebastian, the martyr the Romans had recourse to during the plague in 672. St. Charles suggested that the magistrates of Milan reconstruct the sanctuary dedicated to him, which was falling into ruins, and to celebrate a solemn feast in his honour for ten years. Finally in July 1577, the plague ceased and in September the founding stone was laid in the civic temple of St. Sebastian, where on January 20th every year, even today a Mass is offered to recall the end of the scourge. St.Carlo Borromeo died on November 3rd 1584 and was buried in the Duomo of Milan. His heart was solemnly translated to Rome, in the Basilica of Saints Ambrose...

This very large painting features as its main element ancient ruins, but also contains the bucolic elements and rusticated features so often associated w...

Pair 18th century framed oil paintings by P. J. Boquet (1751-1817) represents two of the four seasons framed in the round. Reframed in the early 20th century, each work shows how Boq...

18th Century Mater Dolorosa Religious Oil Painting, Antique Spanish Colonial Religious Oil Painting, Our Lady of Sorrows Painting, Antique Religious Oil Painting...

Ferdinand Berthoud (1727-1807), admitted as a master watchmaker in Paris in 1753, official watchmaker to King Louis XVI. Oil on canvas, oval format. French School, second hal...

Manner of Sir John Hoppner 'British, 1758-1810' Portrait of Master Robin Vanecke oil on canvas. A beautiful Hand Carved and crafted Large and imposing Frame. It is the perfect wall A...

Copy of the French artist Francois Boucher, who was the court painter to King Louis XV, this work dates to the late 18th century. It is in its original carved and gilded wood frame a...

An Exquisite Italianate Arcadian Landscape Oil Painting This late 18th-century Italianate classical landscape oil painting beautifull...

A delicate portrait of a Spanish figure from the early 19th century, painted on copper. The piece is elegantly framed in a small gilded wooden frame, showcasing the artistry and refi...

Pair of English Nobel figural oil on canvas oval portraits of male posing with hunting canine companions and female sitting in garden posing with flowers and lamb. Paintings have bee...

18th century, Italian pair still life with flowers and fruit by Michele Antonio Rapos Measures: Oil on canvas, diameter 71 cm, with frame diameter 80 cm x W 5 cm The two circular c...

A gorgeous Neoclassical Grand Tour framed oil on board painting of an Italian Capriccio landscape view of a ruined temple on the sea shore and a boat on water. Attributed to Frances...

Allegorical scenes with ebonized frames.

Italian oval oil on board gilt carved wood portrait of a gentleman in the original floral and berry frame, 18th century.

Oil on canvas ''the Descent from the Cross'' or "La Descente de la Croix" in the style of Peter Paul Rubens the Descent from the Cross has been called a Baroque masterpiece — perhaps due to its monumentality — but it is also considered to be the first work of Rubens' “Classicist” period, which characterized his style from about 1612 to 1620. Highly sought after original copy of the masterpiece that Rubens painted, it shows it's age well, some repairs but when it hangs on the wall it is an impressive antique canvas...

18th century, pair of French Louis XVI oil on canvas paintings with trompe l’œil, attributable to Piat Joseph Sauvage (Tournai, 1744–1818) Size: cm H 94 x L 132 each The pair o...

This is a delightful antique Spanish oil on canvas painting after Bartolome' Esteban Murillo, depicting two peasant boys eating grapes and melon, Circa 1780 in date.  It features a ...

By Hans Jacob Maurer, signed and dated J.B Maurer, 1780. Stylistically, this painting is reminiscent of the plein air and fete champetre movements of the French, 18th century court p...

This refined pair of 18th-century French pastoral pendant paintings depicts idyllic rural scenes populated by figures engaged in quiet moments of daily life. Painted in oil on canvas...

Refined pastel portrait on canvas, framed in a carved and gilded wooden frame protected by glass. The painting depicts the face of a gentleman, half-length, dressed in period attire....

Courtiers are those that are in attendance at a royal court. Beautifuly painted court figures in procession with ancient musical instruments. Tosa School painting in mineral pigments...

A charming Spanish scene depicting figures dressed in period attire. This oil painting on copper, dating to around 1800, is unsigned but reflects the era and style of Francisco de Go...

Classical painting of a female from the 18th Century, in newer gilt frame.. The back of this painting has been professional re-lined to preserve the integrity of the artwork. The ...

"Saul with the Pythoness Evoking the Shadow of Samuel". Beautiful oil on Canva, work of the English school of the entourage of Benjamin West. This oil on canvas represents a bibl...

Pair of 18th or 19th century Neapolitan gouaches of Virgil's Tomb, one with a view of Mount Vesuvius and the Bay of Naples. This is a wonderful high quality pair of a rare subject. A...

Oil on canvas portraying the visit of Venus to the forges of Vulcan. French school of the 2nd half of the 18th century. Undoubtedly executed by a pupil of François BOUCHER; who died...

Portrait of a man France, late 18th-early 19th century oil on canvas Measures: H 41.5 in (105.5 cm).

David Kleyne (1753- 1805) Dutch painter, oil painting seascape with ships David Kleyne (1753- 1805), Dutch painter, draftsman, pen artist, etcher. A beau...

Created in England and attributed to Francis Wheatley (1747-1801), the oil on panel depicts a young shepherdess attending her sheep and lambs in a pastoral landscape. The colorful ar...

ATTRIBUTED TO JAMES NORTHCOTE (1746-1831) Portrait of an Artist Oil on canvas

This small oil on board portrait presents a profile of King George III (1738 - 1820). rendered in a simplified yet striking manner typical of vernacular British portrait miniatures o...

An antique late 18th century Indian miniature painting with a traditional scene of social life. In the center of the composition is an Indian Raja proudly seated in a red palanquin carried by his servants. In front and behind the palanquin are the rulers guards with spears in their hands. This colorful image belongs to the Rajput school, 16th to 19th centuries, spread in Central India and Rajasthan on the territory of the Rajput principalities. Its main centers are Bundi, Mewar, Marwar, Malwa, Kishangarh. Matted and framed. Antique Indian Miniature, Illustration, Vintage Oriental Art...

A painting on canvas of a stormy coastal Mediterranean scene, showing a galleon in distress and perilously close to the rocky shore with with sailors on shore and on a boat trying...

Oil on canvas. English, late 18th-early 19th century.

Most likely French, c.1790/1800, painted on slate with carved giltwood frame.

18th century oval portrait oil on canvas of an aristocrat The individual with the mischievous look wears a highly voluminous powdered starch hairdo. An earring on his ear is a rare example of coquetry in a picture. His corner smile and brave cheekbones distinguish the character. The eighteenth century is an era of grace. We have never seen men and women so properly prepared throughout history. The extravagant display was consistent with the rococo aesthetic. Powdered hairstyles became fashionable among males in the 17th century, under the reign of Louis14, the Sun King. At the period, France ruled fashion, and its influence expanded to other countries. This gentleman reflects the entirety of the Grand Siecle...

Very fine large early 19th to late 18th Century French Needlework and Watercolor painting on silk having an exceptional gilded frame. Found in Nice, France.

18th Century Italian School, Rome Socrates Oil on canvas, in a carved gilt-wood frame Dimensions: 59 x 71 cm. / 23 ¼ x 28 ins., framed 85.5 x 107.5 cm. / 33 ½ x 42 ¼ ins This bust-l...

Beautiful oil painting on a wooden panel, set in a period frame of carved wood and gilded with gold leaf, to which period wooden supports were added to fit the frame. The painting de...

Sepolgro di Agreppina, Neapolitan Guoache, 1790’s Early guoache view of the sepulchre tomb complex of Agrippina along the coast outside Naples. The mother of Nero and wife of Emperor...

Ancient Italian painting from the 18th century. Oil on canvas famework depicting a seascape with characters and architectures of good pictorial quality. Nice size painting and pleasa...

Maria Geertruida Barbiers - Snabillé (1776-1838) Watercolor A watercolor titled "Een ontloken roos" signed by Maria Geertruida Barbiers-Snabillé on the back Maria Geertruida Snab...

Refined pair of oil paintings on canvas, framed in carved and gilded wood. The paintings depict two scenes, both centered on Venus and her lover Adonis. In the first painting, set in...

A beautiful oil on canvas portrait, presented in a contemporary carved wooden frame gilded with gold leaf. A note on the back of the painting states that the work depicts the philant...